Avid® Media Composer V4.0.2 Readme
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Avid DS Nitris Compositing and Effects Guide • 0130-05576-02A • February 2005
Avid® DS Nitris™ Compositing and Effects Guide Version 7.6 ™ make manage move | media Avid ® Copyright and Disclaimer Product specifications are subject to change without notice and do not represent a commitment on the part of Avid Technology, Inc. The software described in this document is furnished under a license agreement. You can obtain a copy of that license by visiting Avid's Web site at www.avid.com. The terms of that license are also available in the product in the same directory as the software. The software may not be reverse assembled and may be used or copied only in accordance with the terms of the license agreement. It is against the law to copy the software on any medium except as specifically allowed in the license agreement. No part of this document may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, for any purpose without the express written permission of Avid Technology, Inc. Copyright © 2004 Avid Technology, Inc. and its licensors. All rights reserved. Printed in USA. The Avid DS Nitris application uses JScript and Visual Basic Scripting Edition from Microsoft Corporation. Attn. Government User(s). Restricted Rights Legend U.S. GOVERNMENT RESTRICTED RIGHTS. This Software and its documentation are “commercial computer software” or “commercial computer software documentation.” In the event that such Software or documentation is acquired by or on behalf of a unit or agency of the U.S. Government, all rights with respect to this Software and documentation are subject to the terms of the License Agreement, pursuant to FAR §12.212(a) and/or DFARS §227.7202-1(a), as applicable. -
2005 Annual Report Avid Technology, Inc
2005 Annual Report Avid Technology, Inc. make manage move | media™ To our shareholders In 2005, Avid delivered another record year, solidifying our leadership W in the video postproduction, broadcast, and digital audio industries while expanding our business into new areas. Through a combination of organic growth and strategic acquisitions, our revenues for the year rose by more than 30% to $775.4 million, resulting in GAAP net income of $34 million, or $0.86 per diluted share. GAAP net income in 2005 was reduced by various non-cash charges primarily associated with our acquisition of Pinnacle Systems, Inc. – including a non-recurring in-process research and development charge of $32.4 million. The Pinnacle acquisition was the pivotal event for Avid in 2005. Pinnacle’s professional products complemented our portfolio of video postproduction and broadcast solutions, and the company’s leadership in consumer video editing – with the world-leading Pinnacle Studio™ line – gave Avid an opportunity to expand into this industry in a position of strength. As we head into 2006, we are now organized as three divisions: Video, which represents a little more than half of our business; Audio, which makes up slightly more than one-third; and Consumer, accounting for the balance. VIDEO In our postproduction business, the increased demand for high-definition content continued to spur interest in our editing, finishing, and shared-storage solutions. In 2005, Avid addressed this by introducing the Symphony™ Nitris® system – an HD finishing solution that leverages our time-tested Symphony software platform with our powerful Nitris hardware accelerator. We also refined our existing HD toolset with new, enhanced versions of all of our editing systems. -
Video Compression Tools Video Compression Tools
Video Compression Tools Video Compression Tools Douglas Dixon Manifest Technology® LLC May 2005 www.manifest-tech.com 5/2005 Copyright 2001-2005 Douglas Dixon, All Rights Reserved - www.manifest-tech.com Page 1 Video Compression Tools Automated Video Processing Tools Video Compression and Conversion • Video Processing Canopus – Video compression and conversion ProCoder – Automated batch processing • Processing Steps Discreet cleaner – Select source files – Define video and audio pre-processing – Define target formats and compression – Select target locations and filters Sorenson – Convert, compress, output Squeeze 5/2005 Copyright 2001-2005 Douglas Dixon, All Rights Reserved - www.manifest-tech.com Page 2 1 Video Compression Tools Video Compression Tools Video Editing to Compression Tools • Consumer Video Editors – Automated, w/ DVD – $50 - $150 • Format-Specific – Clips: Capture, organize, export – Downloads – Apple iMovie, Windows Movie Maker – QuickTime Player Pro, $29 – Adobe Premiere Elements – Win Media Encoder – Sony Vegas Movie Studio – RealProducer, Plus $199 – Pinnacle Studio – Roxio VideoWave, Ulead VideoStudio • Video Processing – Batch compression • Professional Video Editors – $500 - $600 – Compositing, motion, effects – Sorenson Squeeze – Projects – $300 - $1700 – Canopus ProCoder – Apple Final Cut Pro – Discreet cleaner – Adobe Premiere Pro, Sony Vegas – Avid Xpress, Pinnacle Edition – Ulead MediaStudio Pro 5/2005 Copyright 2001-2005 Douglas Dixon, All Rights Reserved - www.manifest-tech.com Page 3 Video Compression Tools QuickTime Player Pro 5/2005 Copyright 2001-2005 Douglas Dixon, All Rights Reserved - www.manifest-tech.com Page 4 2 Video Compression Tools Windows Media Encoder 5/2005 Copyright 2001-2005 Douglas Dixon, All Rights Reserved - www.manifest-tech.com Page 5 Video Compression Tools Automated Video Processing Individuals and Workgroups • Sorenson Squeeze – Squeeze 4 (4.1) - Aug. -
Avid Storage Manager Setup and User's Guide
Storage Manager Setup and User’s Guide for Digidesign® DigiDrive® and Avid® Hard Drives ™ make manage move | media Avid ® Copyright and Disclaimer Product specifications are subject to change without notice and do not represent a commitment on the part of Avid Technology, Inc. The software described in this document is furnished under a license agreement. You can obtain a copy of that license by visiting Avid's Web site at www.avid.com. The terms of that license are also available in the product in the same directory as the software. The software may not be reverse assembled and may be used or copied only in accordance with the terms of the license agreement. It is against the law to copy the software on any medium except as specifically allowed in the license agreement. Avid products or portions thereof are protected by one or more of the following United States Patents: 4,746,994; 4,970,663; 5,045,940; 5,267,351; 5,309,528; 5,355,450; 5,396,594; 5,440,348; 5,452,378; 5,467,288; 5,513,375; 5,528,310; 5,557,423; 5,577,190; 5,584,006; 5,640,601; 5,644,364; 5,654,737; 5,715,018; 5,724,605; 5,726,717; 5,729,673; 5,745,637; 5,752,029; 5,754,851; 5,799,150; 5,812,216; 5,828,678; 5,842,014; 5,852,435; 5,987,501; 6,061,758; 6,223,211; 6,301,105; 6,532,043; 6,546,190; 6,636,869; 6,747,705, 6,763,523; 6,813,622. -
Créer Des Vidéos Pédagogiques Diaporamas Sonorisés Livret Du
1 Créer des vidéos pédagogiques diaporamas sonorisés SERVICE SUN BUREAU ACCOMPAGNEMENT A LA PEDAGOGIE NUMERIQUE Livret du formateur Vendredi 10 novembre 2017 Contact assistance : [email protected] Service SUN : [email protected] Site : https://numerique.umontpellier.fr/ Objectif : A l’issue de cette formation, vous serez capable de créer de manière autonome une courte vidéo pédagogique qui peut être utilisé et diffusé sur la plateforme Moodle UM. INTRODUCTION ................................................................................................................................................... 4 2 Le Contexte ................................................................................................................................................................................ 4 Les ressources ............................................................................................................................................................................ 4 Les procédures ........................................................................................................................................................................... 4 TOURNAGE/MONTAGE ....................................................................................................................................... 5 Recommandations pour se filmer ............................................................................................................................................... 5 Filmer uniquement -
Using Avid Xpress Studio Workflow Guide• Part 0130-06216-01 • June 2004
Using Avid Xpress® Studio Workflow Guide ™ make manage move | media Avid ® Copyright and Disclaimer Product specifications are subject to change without notice and do not represent a commitment on the part of Avid Technology, Inc. The software described in this document is furnished under a license agreement. You can obtain a copy of that license by visiting Avid's Web site at www.avid.com. The terms of that license are also available in the product in the same directory as the software. The software may not be reverse assembled and may be used or copied only in accordance with the terms of the license agreement. It is against the law to copy the software on any medium except as specifically allowed in the license agreement. Avid products or portions thereof are protected by one or more of the following United States Patents: 4,746,994; 4,970,663; 5,045,940; 5,267,351; 5,309,528; 5,355,450; 5,396,594; 5,440,348; 5,452,378; 5,467,288; 5,513,375; 5,528,310; 5,557,423; 5,568,275; 5,577,190; 5,584,006; 5,640,601; 5,644,364; 5,654,737; 5,715,018; 5,724,605; 5,726,717; 5,729,673; 5,745,637; 5,752,029; 5,754,851; 5,799,150; 5,812,216; 5,852,435; 5,905,841; 5,929,836; 5,930,445; 5,946,445; 5,987,501; 6,016,152; 6,018,337; 6,023,531; 6,058,236; 6,061,758; 6,091,778; 6,105,083; 6,118,444; 6,128,001; 6,134,607; 6,137,919; 6,141,691; 6,198,477; 6,201,531; 6,223,211; 6,249,280; 6,269,195; 6,317,158; 6,317,515; 6,330,369; 6,351,557; 6,353,862; 6,357,047; 6,392,710; 6,404,435; 6,407,775; 6,417,891; 6,426,778; 6,477,271; 6,489,969; 6,512,522; 6,532,043; 6,546,190; 6,552,731; 6,553,142; 6,570,624; 6,571,255; 6,583,824; 6,618,547; 6,636,869; 6,665,450; 6,678,461; 6,687,407; 6,704,445; D392,269; D396,853; D398,912. -
Flash 9 Video, MPEG 4 and Quicktime Nick Floro, Sealworks Interactive Studios
402 Flash 9 Video, MPEG 4 and QuickTime Nick Floro, Sealworks Interactive Studios June 5 & 6, 2008 Produced by Selecting, Combining, and Using Authoring Tools Selecting, Combining, and Using Authoring Tools June 5 & 6, 2008 Flash 9 Video, MPEG 4 and QuickTime Nick Floro [email protected] Quick Poll Do you currently use video delivery via the web in your content delivery? 1 Session 402 – Flash 9 Video, MPEG 4 and QuickTime – Nick Floro, Sealworks Interactive Page 1 Studios Selecting, Combining, and Using Authoring Tools June 5 & 6, 2008 QuickTime, Flash, MPEG 4 A file that tells the computer what kind of media to present and when to present it. • Video • Audio • Text • Flash • Interactivity • Tracks Session 402 – Flash 9 Video, MPEG 4 and QuickTime – Nick Floro, Sealworks Interactive Page 2 Studios Selecting, Combining, and Using Authoring Tools June 5 & 6, 2008 Session 402 – Flash 9 Video, MPEG 4 and QuickTime – Nick Floro, Sealworks Interactive Page 3 Studios Selecting, Combining, and Using Authoring Tools June 5 & 6, 2008 ß Session 402 – Flash 9 Video, MPEG 4 and QuickTime – Nick Floro, Sealworks Interactive Page 4 Studios Selecting, Combining, and Using Authoring Tools June 5 & 6, 2008 The Production Process Capture to delivery and beyond Final Video Assets Compression Authoring Delivery Session 402 – Flash 9 Video, MPEG 4 and QuickTime – Nick Floro, Sealworks Interactive Page 5 Studios Selecting, Combining, and Using Authoring Tools June 5 & 6, 2008 A Complete Solution QuickTime takes you from capture to delivery and beyond Delivery -
Feeling at Home with Adobe Premiere Elements
02_578812 ch01.qxd 10/5/04 10:31 PM Page 9 Chapter 1 Feeling at Home with Adobe Premiere Elements In This Chapter ᮣ Introducing Adobe Premiere Elements ᮣ Taking the Grand Tour ᮣ Making your first movie few years ago, video editing was only practical for people with a lot of Afancy editing equipment and piles of cash. But a revolution has been hap- pening for a few years now, a revolution that is putting the moviemaking art within reach of almost anyone. The revolution has occurred in three phases: 1. The creation of mega-powerful computers with huge hard drives that are unbelievably affordable has changed the rules of video editing. Such computers incorporate technologies like IEEE-1394 FireWire, which make working with video easy. 2. The advent of affordable digital camcorders has made collecting high- quality video a snap. These camcorders interface easily with computers. 3. The clincher is software. High-end video editing programs like Adobe Premiere Pro and Apple Final Cut Pro brought pro-caliber video editing to desktop computers, and simpler programs like Apple iMovie and PinnacleCOPYRIGHTED Studio made editing software MATERIAL affordable. I hesitate to call Adobe Premiere Elements the next step in the video editing revolution, but it’s definitely a step forward. Premiere Elements delivers about 90 percent of the video-editing power of high-end programs like Final Cut Pro for an astoundingly low retail price of just $100. I cannot think of another pro- gram that costs less than $300 and offers anywhere near the level of features of Premiere Elements. -
Flash Video Primer
Flash Video Primer Trademarks ActiveEdit, ActiveTest, Add Life to the Web, Afterburner, Aftershock, Andromedia, Allaire, Animation PowerPack, Aria, Attain, Authorware, Authorware Star, Backstage, Blue Sky Software, Blue Sky, Breeze, Bright Tiger, Clustercats, ColdFusion, Contents Tab Composer, Contribute, Design In Motion, Director, Dream Templates, Dreamweaver, Drumbeat 2000, EDJE, EJIPT, Extreme 3D, Fireworks, Flash, FlashHelp, Flash Lite, Flex, Flex Builder, Fontographer, FreeHand, Generator, Help To Source, HomeSite, Hotspot Studio, HTML Help Studio, JFusion, JRun, Kawa, Know Your Site, Knowledge Objects, Knowledge Stream, Knowledge Track, LikeMinds, Lingo, Live Effects, MacRecorder Logo and Design, Macromedia, Macromedia Action!, Macromedia Central, Macromedia Flash, Macromedia M Logo and Design, Macromedia Spectra, Macromedia xRes Logo and Design, MacroModel, Made with Macromedia, Made with Macromedia Logo and Design, MAGIC Logo and Design, Mediamaker, Movie Critic, Open Sesame!, RoboDemo, RoboEngine JFusion, RoboHelp, RoboHelp Office, RoboInfo, RoboInsight, RoboPDF, 1-Step RoboPDF, RoboFlash, RoboLinker, RoboScreenCapture, ReSize, Roundtrip, Roundtrip HTML, Shockwave, Sitespring, Smart Publishing Wizard, Software Video Camera, SoundEdit, Titlemaker, UltraDev, Web Design 101, what the web can be, WinHelp, WinHelp 2000, WinHelp BugHunter, WinHelp Find+, WinHelp Graphics Locator, WinHelp Hyperviewer, WinHelp Inspector, and Xtra are either registered trademarks or trademarks of Macromedia, Inc. and may be registered in the United States or in other jurisdictions including internationally. Other product names, logos, designs, titles, words, or phrases mentioned within this publication may be trademarks, service marks, or trade names of Macromedia, Inc. or other entities and may be registered in certain jurisdictions including internationally. Third-Party Information This guide contains links to third-party websites that are not under the control of Macromedia, and Macromedia is not responsible for the content on any linked site. -
Mass Communication III Year Intro to Audio Visual Media Paper- II
B.A. (HONS.) Mass Communication III Year Sub. – INTRODUCTION TO AUDIO VISUAL MEDIA Paper II B.A. (HONS.) Mass Communication III Year Intro to audio visual media Paper- II Unit-I Brief history of television in India, private channel Camera and its parts Television language & grammar Unit-II Television production process Unit III Lighting :types of lighting Equipment layout in TV studio chroma key, Unit IV microphone, vision mixer Principles of editing, types of cut & continuity, video Unit V editing device B.A. (HONS.) Mass Communication III Year Sub. – INTRODUCTION TO AUDIO VISUAL MEDIA Paper II Unit-I Brief history of television in India, private channel Television came to India on September 15, 1959 with experimental transmission from Delhi. It was a modest beginning with a make shift studio, a low power transmitter and only 21 community television sets.All India Radio provided the engineering and programme professionals. A daily one-hour service with a news bulletin was started in 1965. In1972 television services were extended to a second city—Mumbai. By1975 television stations came up in Calcutta, Chennai, Srinagar, Amritsar and Lucknow. In 1975-76 the Satellite Instructional Television Experiment brought television programmes for people in 2400 villages inthe most inaccessible of the least developed areas tlirough a satellite lentto India for one year.Doordarshan is a Public broadcast terrestrial ltelevision channel run by Prasar Bharati, a board formedby the Government of India. It is one of the largest broadcasting organizations in the world in terms of the of studios and transmitters. Doordarshanhad its beginning with the experimental telecast started in Delhi in September, 1959 with a small transmitter and a makeshift studio. -
Avid Xpress® DV for the Windows® 2000 Professional Operating System
Avid Xpress ® DV Release 2.1 Addendum for the Windows® 2000 Operating System Important Information Avid recommends that you read all the information in the Avid Xpress DV Release 2.0 Release Notes and this addendum thoroughly before installing or using any new software release. This document pertains to Release 2.1 of Avid Xpress® DV for the Windows® 2000 Professional operating system. Changes in Avid Xpress DV Release 2.1 In addition to fixed issues, the following changes have been made for Avid Xpress DV Release 2.1: • Support for the Sony® VAIO® notebook • Includes Media 100 Cleaner™ EZ 5.0.3 •Includes Apple® QuickTime® 5.0 Included with the Avid Xpress DV PowerPack: • Sonic Solutions DVDit!™ 2.3.3 • Pinnacle Systems Commotion™ DV 4.0 Part 0130-05031-01 Rev. A Changes in Avid Xpress DV Release 2.1 2 Release 2.1 Addendum Fixed Issues This section lists some of the software and hardware issues that have been resolved since Avid Xpress DV Release 2.0. ✔ Exporting complex footage as MPEG-1 files sometimes fails. ✔ Video does not play in the righthand monitor (dual-monitor setups). The Matrox® card does not support video overlays in both monitors, consequently, Avid has set the default (or primary) monitor as the lefthand monitor.- ✔ If your network connection is disabled, you receive an Error message when you use the Send To Media Cleaner Pro option: “Error on SendTo(), error code = 10065.” ✔ Attempting to output locked audio source material to a deck that requires unlocked audio, such as a DSR 11, fails. -
Creating Television / Video In-House Productions: a Brief Guide to Managing a Production for the Novice Herbert J
Governors State University OPUS Open Portal to University Scholarship All Capstone Projects Student Capstone Projects Summer 2001 Creating Television / Video In-House Productions: A Brief Guide to Managing a Production for the Novice Herbert J. Turner Governors State University Follow this and additional works at: http://opus.govst.edu/capstones Part of the Broadcast and Video Studies Commons Recommended Citation Turner, Herbert J., "Creating Television / Video In-House Productions: A Brief Guide to Managing a Production for the Novice" (2001). All Capstone Projects. 284. http://opus.govst.edu/capstones/284 For more information about the academic degree, extended learning, and certificate programs of Governors State University, go to http://www.govst.edu/Academics/Degree_Programs_and_Certifications/ Visit the Governors State Communication and Training Department This Project Summary is brought to you for free and open access by the Student Capstone Projects at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in All Capstone Projects by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. r r r r r Creating Television I Video In-House Productions: r A Brief Guide to Managing a Production for the Novice r r r r Herbert J. Turner III r Governors State University University Park, Illinois r July 2001 r r r r r r r r r Table of Contents r Chapter Page r 1. Preface 1 r 2. Introduction 3 3. Starting a Production 5 r 4. Set Creation and Design 12 r 5. Lighting 21 r 6. Audio 25 7.