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THE WIZARD of OZ an ILLUSTRATED COMPANION to the TIMELESS MOVIE CLASSIC by John Fricke and Jonathan Shirshekan with a Foreword by M-G-M “Munchkin” Margaret Pellegrini
THE WIZARD OF OZ AN ILLUSTRATED COMPANION TO THE TIMELESS MOVIE CLASSIC By John Fricke and Jonathan Shirshekan With a foreword by M-G-M “Munchkin” Margaret Pellegrini The Wizard of Oz: An Illustrated Companion to the Timeless Movie Classic is a vibrant celebration of the 70th anniversary of the film’s August 1939 premiere. Its U.S. publication coincides with the release of Warner Home Video’s special collector’s edition DVD of The Wizard of Oz. POP-CULTURE/ ENTERTAINMENT over the rainbow FALL 2009 How Oz Came to the Screen t least six times between April and September 1938, M-G-M Winkie Guards); the capture and chase by The Winkies; and scenes with HARDCOVER set a start date for The Wizard of Oz, and each came and went The Witch, Nikko, and another monkey. Stills of these sequences show stag- as preproduction problems grew. By October, director Norman ing and visual concepts that would not appear in the finished film: A Taurog had left the project; when filming finally started on the A • Rather than being followed and chased by The Winkies, Toto 13th, Richard Thorpe was—literally and figuratively—calling the shots. instead escaped through their ranks to leap across the castle $20.00 Rumor had it that the Oz Unit first would seek and photograph whichever drawbridge. California barnyard most resembled Kansas. Alternately, a trade paper re- • Thorpe kept Bolger, Ebsen, and Lahr in their Guard disguises well ported that all the musical numbers would be completed before other after they broke through The Tower Room door to free Dorothy. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
The Beverly Hillbillies: a Comedy in Three Acts; 9780871294111; 1968; Dramatic Publishing, 1968
Paul Henning; The Beverly Hillbillies: A Comedy in Three Acts; 9780871294111; 1968; Dramatic Publishing, 1968 The Beverly Hillbillies is an American situation comedy originally broadcast for nine seasons on CBS from 1962 to 1971, starring Buddy Ebsen, Irene Ryan, Donna Douglas, and Max Baer, Jr. The series is about a poor backwoods family transplanted to Beverly Hills, California, after striking oil on their land. A Filmways production created by writer Paul Henning, it is the first in a genre of "fish out of water" themed television shows, and was followed by other Henning-inspired country-cousin series on CBS. In 1963, Henning introduced Petticoat Junction, and in 1965 he reversed the rags The Beverly Hillbillies - Season 3 : A nouveau riche hillbilly family moves to Beverly Hills and shakes up the privileged society with their hayseed ways. The Beverly Hillbillies - Season 3 English Sub | Fmovies. Loading Turn off light Report. Loading ads You can also control the player by using these shortcuts Enter/Space M 0-9 F. Scroll down and click to choose episode/server you want to watch. - We apologize to all users; due to technical issues, several links on the website are not working at the moments, and re - work at some hours late. Watch The Beverly Hillbillies 3 Online. the beverly hillbillies 3 full movie with English subtitle. Stars: Buddy Ebsen, Donna Douglas, Raymond Bailey, Irene Ryan, Max Baer Jr, Nancy Kulp. "The Beverly Hillbillies" is a classic American comedy series that originally aired for nine seasons from 1962 to 1971 and was the first television series to feature a "fish out of water" genre. -
Music in GUNSMOKE Half-Hour Series PART II
Music in GUNSMOKE Half-Hour Series PART II [all Season Six half-hour episodes] Next is the Gunsmoke Sixth Season, Volume One dvd... 1 2 Note than just slightly more than half of the music in the episodes of this season were original scores, including three by Bernard Herrmann, three by Goldsmith, three by Fred Steiner, two by Lyn Murray, etc. "Friend's Payoff" (September 3, 1960) *** C Original score by Lyn Murray. Synopsis: An old friend of Matt Dillon's that he hasn't seen in many years, Ab Butler, is shot. Mysteriously, a man named Joe Leeds (played by Tom Reese) enters Dodge to look for Ab Butler. Murray, Lyn. Gunsmoke. Friend's Payoff (ep). TV Series. Score no: CPN5918. FS. Format: OZM. Foreign Library : folders 3693-3703. Box 77. -#3694 "Speechless Lies" Take 3 (1:15) -00:23 thru 00:53 CBS cue #3693 "After Summer Merrily" Take 3, (00:35) 3 Scene: Chester is busy in the Marshal's office trying to fix an old chair. A small boy comes in with a written message, looking for the Marshal. -2:19 thru 3:34 CBS cue #3694 "Speechless Lies" Take 3 (1:15) Scene: The message is from Matt's old friend, Ab Butler, who says he was shot in the shot & needs help quick. Dillon on a horse & Chester in an open wagon go out to find him. -3:56 thru 4:44 Scene: Dissolve to Doc's office, being treated by Adams. Dillon starts to question Ab again. Note that I have no further info on this and following cues for this score. -
The Trade Winds T.V
The Trade Winds T.V. listings for Dillon and surrounding areas Published weekly as a supplement to the prisoner in the land of Lilliput, populated by tiny people. (90 mins.) Tribune Examiner, Dillon, Montana 59725 FIRE ON THE MOUNTAIN QMOVIE-(DRAMA) “ to Ron Howard and Buddy Ebsen star ^Siloved Emmy" 1838 TV Programming for week of David Niven, Merle Oberon. in "Fire on the Mountain," a dramatic The story of a tragic romance two-hour World Premiere motion pic of an Irish rebel leader and an N ov. 19-25 ture about an aging rancher's struggle English lady set against the to keep control of his property, on bloody ana fearful days of of these channels - “NBC Monday Night at the Movies,” Ireland in the early twenties. MONDAY, NOVEMBER 23. (90 mins.) 2 - KUTV 7 - KTVX Ebsen portrays John Vogelin, a crus 1:30 Salt Lake City— NBC Salt Lake City— ABC ty, independent old-timer who refuses _______ I Gene Army requests—and court orders— Hackman, Candice Bergen. In 3 - WTBS 9 - KSL that he vacate his ranch to make room 1908. an endurance race Salt Lake City—CBX Atlanta— Independent for a missile base. Howard stars as across the badlands for $2.000 youngi Lee Mackie, who returns to his prize money draws a strange 11 - KUED hometown hoping to make money on crew of contenders. (2 hrs.. 4 - KXLF Salt Lake City real estate development, but sees his 11 mins.) Butte— ABC-CBS — Educational values change as he slowly takes the side of old Vogelin; his explosive ^ . -
Ahc-Annual-Report-2019.Pdf
American Heritage Center ANNUAL REPORT 2018-19 LOCATION Centennial Complex 2111 Willett Drive Laramie, WY MAILING ADDRESS 1000 E. University Ave. Dept 3924 Laramie, WY 82071 CONTACT 307-766-4114 (phone) 307-766-5511 (fax) [email protected] VISITOR INFORMATION American Heritage Center Hours Monday–Friday: 8 a.m. – 5 p.m. Reference Services and Toppan Rare Books Monday: 10 a.m. – 7 p.m. Tuesday–Friday: 9 a.m. – 5 p.m. Saturday (display area only): 10am – 5 pm SOCIAL AND WEB @ahcwyo Blog: ahcwyo.org Digital Collections: digitalcollections.uwyo.edu/LUNA ON THE COVER: Construction of Centennial Complex, circa 1992. ON THIS PAGE: Architect’s model for Centennial Complex. 2 From the Director CONTENTS 4 By the Numbers 5 The Buddy Epsen Collection 6 Reference Services and Toppan Rare Books 7 Born Digital 8 Research Publications: Citing the Collections 9 Public Programs 10 University Archives 11 Internships 12 Wyoming History Day 14 Collection Management 16 Travel Grants and Fellowships 17 Newly Accessible Collections 24 Philanthropy 25 Faculty & Staff Activities 28 Board of Advisors 29 Financials The American Heritage Center (AHC) is the University of Wyoming’s home for historical manuscripts, rare books, and University archives. The AHC collects and shares unique and significant material in all formats, documenting the lives of people, communities, organizations, and landscapes. Strengths include Wyoming and the American West, politics and public policy, ranching and energy, entertainment and popular culture, industry, transportation, and military history. The documents and archives held by AHC serve as raw data for scholarship and heritage work, and support thriving communities of place, identity, and interest in Wyoming and beyond. -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
CBS, Rural Sitcoms, and the Image of the South, 1957-1971 Sara K
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971 Sara K. Eskridge Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Eskridge, Sara K., "Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971" (2013). LSU Doctoral Dissertations. 3154. https://digitalcommons.lsu.edu/gradschool_dissertations/3154 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. RUBE TUBE: CBS, RURAL SITCOMS, AND THE IMAGE OF THE SOUTH, 1957-1971 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Sara K. Eskridge B.A., Mary Washington College, 2003 M.A., Virginia Commonwealth University, 2006 May 2013 Acknowledgements Many thanks to all of those who helped me envision, research, and complete this project. First of all, a thank you to the Middleton Library at Louisiana State University, where I found most of the secondary source materials for this dissertation, as well as some of the primary sources. I especially thank Joseph Nicholson, the LSU history subject librarian, who helped me with a number of specific inquiries. -
David Rose Papers 0347
http://oac.cdlib.org/findaid/ark:/13030/kt1s20331p No online items Finding Aid of the David Rose papers 0347 Finding aid prepared by Jacqueline Morin, Ranjanabh Bahukhandi, and Mandeep Condle First Edition USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] 2009 Finding Aid of the David Rose 0347 1 papers 0347 Title: David Rose papers Collection number: 0347 Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 10.0 Linear feet16 boxes Date: 1970s-1990s Summary: David Rose (1910-2006) was a well-known courtroom sketch artist whose work documented some of the most notorious trials of the last half of the twentieth century: Klaus Barbie, Patty Hearst, Sirhan Sirhan, members of the Manson family, John Z. De Lorean, Timothy McVeigh, as well as crimes and criminals which were more well-known by their nicknames: The Hillside Strangler, The Night Stalker, the Bob's Big Boy Murders, etc. During his life, Rose also worked for the Hollywood studios as an animator, layout artist, publicity artist, art director, illustrator, and designer. creator: Rose, David, 1910-2006 Scope and Content This collection is comprised of the original artwork of David Rose, renown courtroom sketch artist, and several boxes of his personal research files and clippings. Rose covered the trials of many famous cases, both regional and national, including the Manson family murders, Richard Ramirez (Night Stalker), John De Lorean, Patty Hearst, and many others from the early 1970s to the mid- 1990s. Also included with the collection are several boxes of videotapes, mainly interviews with David Rose on various local television news stations. -
Tabloidization in the Modern American Press: a Textual Analysis and Assessment of Newspaper and Tabloid Coverage of the “Runaway Bride” Case
Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication 1-12-2006 Tabloidization in the Modern American Press: A Textual Analysis and Assessment of Newspaper and Tabloid Coverage of the “Runaway Bride” Case Nichola Reneé Harris Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Part of the Communication Commons Recommended Citation Harris, Nichola Reneé, "Tabloidization in the Modern American Press: A Textual Analysis and Assessment of Newspaper and Tabloid Coverage of the “Runaway Bride” Case." Thesis, Georgia State University, 2006. https://scholarworks.gsu.edu/communication_theses/7 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. Tabloidization in the Modern American Press: A Textual Analysis and Assessment of Newspaper and Tabloid Coverage of the “Runaway Bride” Case by Nichola Reneé Harris Under the Direction of Merrill Morris ABSTRACT The media have extensive power in that they represent the primary, and often the only, source of information about many important events and topics. Media can define which events are important, as well as how media consumers should understand these events. The current trend towards tabloidization, or sensationalism, in today’s American -
Leveraging Semantic Annotations for Event-Focused Search & Summarization
Leveraging Semantic Annotations for Event-focused Search & Summarization Dissertation submitted towards the degree Doctor Engineering (Dr.-Ing) of the Faculty of Mathematics and Computer Science of Saarland University by Arunav Mishra Saarbrücken September 2017 Day of Colloquium 12 / 03/ 2018 Dean of the Faculty Univ.-Prof. Dr. Frank-Olaf Schreyer Examination Board Chair of the Committee Univ.-Prof. Dr. Dietrich Klakow First reviewer Prof. Dr. Klaus Berberich Second reviewer Prof. Dr. Gerhard Weikum Third reviewer Prof. Dr. Claudia Hauff Academic Assistant Dr. Rishiraj Saha Roy "Intelligence is not the ability to store information, but to know where to find it." -Albert Einstein Dedicate to my wonderful teachers and loving family . Acknowledgements I would like to express my deepest gratitude to Klaus Berberich for giving me an oppor- tunity to work under his guidance. This work is made possible with his unconditional support, expert scientific advice, and futuristic vision. However, the encouraging aspect of working under him was the exceptional freedom he granted to pursue challenging problems from various fields of information science (retrieval, summarization, and spatiotemporal text mining). In addition, our common interest in music that often triggered very interesting conversations made work even more enjoyable. I am extremely thankful to Gerhard Weikum for supporting me throughout my Master’sand Ph.D studies. His high standards of conducting research constantly inspired and trained me to become a better researcher. I also thank the additional reviewers and examiners, Dietrich Klakow and Claudia Hauff for providing valuable feedback for further improvements of this work. I acknowledge that this work would have not been possible without the influence, teachings, and guidance of several people.