Broadway, Ninjinsky at San Francisco Ballet Encore Arts San Francisco

Total Page:16

File Type:pdf, Size:1020Kb

Broadway, Ninjinsky at San Francisco Ballet Encore Arts San Francisco 2018 SEASON PROGRAM 05 ROBBINS: BALLET & BROADWAY PROGRAM 06 Special Guest Engagement THE NATIONAL BALLET OF CANADA NIJINSKY A BALLET BY JOHN NEUMEIER Encore spread.indd 1 2/26/18 2:03 PM Encore spread.indd 1 2/26/18 2:03 PM City National is the bank built on client referrals. Top Ranked in Client Referrals.* Eddie Marks Bill Haber President & CEO, Owner, Western Costume Company Western Costume Company Referred Eddie to City National ® Call (866) 618-5242 to learn more or visit cnb.com. The way up. *Based on interviews conducted by Greenwich Associates in 2016 with more than 15,000 executives at mid-size businesses across the country with sales of $10-500 million. CNB results are compared to leading competitors on the following question: How likely are you to recommend (bank) to a friend or colleague? CNB MEMBER FDIC. ©2018 City National Bank. All Rights Reserved. City National Bank is a subsidiary of Royal Bank of Canada. EAP full-page template.indd 1 2/5/18 12:51 PM March 2018 Volume 95, No. 6 Paul Heppner Publisher 22 32 Susan Peterson Design & Production Director Ana Alvira, Robin Kessler, Stevie VanBronkhorst TABLE OF CONTENTS Production Artists and Graphic Design 7 Greetings from the Artistic Director 46 San Francisco Ballet Orchestra Mike Hathaway Sales Director & Principal Choreographer 48 San Francisco Ballet Staff Amelia Heppner, Marilyn Kallins, 8 San Francisco Ballet Leadership Terri Reed 50 Donor Events and News San Francisco/Bay Area Account Executives 9 Board of Trustees Endowment Foundation Board 56 Season Sponsors Brieanna Bright, Joey Chapman, Ann Manning 1 0 For Your Information 58 Great Benefactors Seattle Area Account Executives Carol Yip 1 1 Timeline 59 Artistic Director's Council Sales Coordinator 1 2 Explore Ballet 60 The Chairman's Council 14 Artists of the Company 62 The Christensen Society EMG 22 Program 05 66 Corporate and Foundation Support CITY NTL BANK Robbins: Ballet & Broadway MASTHEAD Opus 19/The Dreamer 68 The Jocelyn Vollmar Legacy Circle The Cage Other Dances 70 San Francisco Ballet Paul Heppner President Fancy Free Endowment Foundation Mike Hathaway 32 Program 06 73 Thank You to Our Volunteers Vice President Nijinsky: A Ballet by John Neumeier Genay Genereux Special guest engagement by 74 San Francisco War Memorial Accounting & Office Manager The National Ballet of Canada and Performing Arts Center Shaun Swick Senior Designer & Digital Lead 40 About The National Ballet of Canada Barry Johnson Digital Engagement Specialist San Francisco Ballet | Program Book | Vol. 25, No. 6 2018 Repertory Season Ciara Caya All editorial material © San Francisco Ballet, 2018 Customer Service Representative & Chris Hellman Center for Dance Administrative Assistant 455 Franklin Street, San Francisco, CA 94102 415 861 5600 | sfballet.org Cover: The National Ballet of Canada's Francesco Gabriele Frola in Corporate Office Nijinsky: A Ballet by John Neumeier // © Karolina Kuras th 425 North 85 Street Seattle, WA 98103 Above, left to right: San Francisco Ballet in Robbins' Fancy Free // © Erik Tomasson p 206.443.0445 f 206.443.1246 The National Ballet of Canada's Guillaume Côté in Nijinsky: A Ballet by John Neumeier // © Aleksandar Antonijevic [email protected] 800.308.2898 x105 www.encoremediagroup.com FOLLOW US BEFORE AND AFTER THE PERFORMANCE! facebook.com/sfballet twitter.com/sfballet Encore Arts Programs is published monthly by Encore Media Group to serve musical and theatrical events in the Puget youtube.com/sfballet instagram.com/sfballet Sound and San Francisco Bay Areas. All rights reserved. ©2018 Encore Media Group. Reproduction without written permission is prohibited. PROGRAMS 05 & 06 | 415 865 2000 | 5 San Francisco Ballet School 2018 Student Showcase MAY 23 – 25, 2018 AN INVITATION TO DANCE San Francisco Ballet School 2018 Student Showcase May 23–25, 2018 Celebrating its 25th year, the San Francisco Ballet School Student Showcase PERFORMANCE AND DINNER demonstrates the School’s remarkable accomplishments throughout the DATE | Wednesday, May 23, 2018 year and gives audiences the rare opportunity to experience a performance TIME | Performance at 6 pm, followed by dinner by the next generation of ballet professionals. Following the opening night performance on May 23, the SF Ballet Auxiliary hosts An Invitation to Dance: VENUES | Yerba Buena Center for the Arts Theater San Francisco Ballet School 2018 Student Showcase Dinner at Four Seasons and Four Seasons Hotel San Francisco Hotel San Francisco. The evening will celebrate the achievements of the students and faculty of SF Ballet School and raise funds to support the Ms. Donna Bachle, 2018 Student Showcase Chair School’s scholarship and financial aid programs. Full evening tickets to the Wednesday opening night dinner and performance begin at $500 for adults and $200 for children. PERFORMANCE DATES Performance-only tickets begin at $50. Wednesday, May 23 at 6 pm Thursday, May 24 at 7:30 pm Friday, May 25 at 7:30 pm BUY TICKETS NOW Event & Performance Tickets | sfballet.org/studentshowcase Performance-only Tickets | 415 865 2000 San Francisco Ballet School students in Tomasson’s Meistens Mozart // © Erik Tomasson 6 | SAN FRANCISCO BALLET | PROGRAMS 05 & 06 GREETINGS FROM THE ARTISTIC DIRECTOR & PRINCIPAL CHOREOGRAPHER San Francisco Ballet School I’m delighted you’ve joined us here in the Opera House for the fifth 2018 Student Showcase and sixth programs of our 2018 Repertory Season. From March 20 MAY 23 – 25, 2018 to 25, San Francisco Ballet performs four works by Jerome Robbins, and from April 3 to 8, our guest company The National Ballet of Canada will present John Neumeier’s Nijinsky. These programs both feature the work of cultural icons. Jerome Robbins, widely known for his award-winning work on West Side Story and Fiddler on the Roof, made an indelible mark on the field of ballet as well. I first met him as a young dancer in Iceland; he arranged a scholarship for me to study ballet in New York City. I later worked with him at New York City Ballet, and danced in many of his ballets, including two of the ballets on this program, Opus 19/The Dreamer and Other Dances. He was a mentor to me, and a friend. The four ballets on our Robbins program show his enormous range as a choreographer, from the nocturnal mystery of Opus 19/The Dreamer to the ferocity of The Cage and the charm of Other Dances. Both Robbins and his frequent collaborator Leonard Bernstein were born in 1918, a centennial we’re commemorating with Fancy Free, the high-spirited ballet Robbins created to Bernstein’s music, later expanded into the Broadway musical (and film) On the Town. I’m thrilled to welcome The National Ballet of Canada here to AN INVITATION TO DANCE San Francisco with John Neumeier’s Nijinsky. This company, led by Karen Kain, has extraordinary dancers, and I am looking forward to seeing them here in San Francisco for the first time in a decade. John Neumeier created an unconventional San Francisco Ballet School portrait of Vaslav Nijinsky, who himself was both unconventional and iconic. The National Ballet of Canada was the first 2018 Student Showcase company Neumeier allowed to perform this ballet outside of Hamburg Ballet, and these dancers bring a wonderful depth May 23–25, 2018 and authenticity to the work. Celebrating its 25th year, the San Francisco Ballet School Student Showcase PERFORMANCE AND DINNER While The National Ballet of Canada is onstage at the Opera House performing Nijinsky, SF Ballet dancers will be busy demonstrates the School’s remarkable accomplishments throughout the DATE | Wednesday, May 23, 2018 in our studios preparing for Unbound: A Festival of New Works. In the Unbound festival’s four programs, we’ll dance an year and gives audiences the rare opportunity to experience a performance TIME | Performance at 6 pm, followed by dinner unprecedented 12 world premieres by 12 international choreographers. Gathering this many artists to create new work by the next generation of ballet professionals. Following the opening night provides audiences a rare overview of the movement and ideas that a dozen of the most interesting minds in ballet are performance on May 23, the SF Ballet Auxiliary hosts An Invitation to Dance: VENUES | Yerba Buena Center for the Arts Theater San Francisco Ballet School 2018 Student Showcase Dinner at Four Seasons and Four Seasons Hotel San Francisco exploring at this particular moment in time. I hope you’ll join us again for Unbound, April 20–May 6. Hotel San Francisco. The evening will celebrate the achievements of the students and faculty of SF Ballet School and raise funds to support the Ms. Donna Bachle, 2018 Student Showcase Chair School’s scholarship and financial aid programs. Sincerely, Full evening tickets to the Wednesday opening night dinner and performance begin at $500 for adults and $200 for children. PERFORMANCE DATES Performance-only tickets begin at $50. Wednesday, May 23 at 6 pm Thursday, May 24 at 7:30 pm Friday, May 25 at 7:30 pm Helgi Tomasson Artistic Director & Principal Choreographer BUY TICKETS NOW Event & Performance Tickets | sfballet.org/studentshowcase Performance-only Tickets | 415 865 2000 San Francisco Ballet School students in Tomasson’s Meistens Mozart // © Erik Tomasson PROGRAMS 05 & 06 | SFBALLET.ORG | 7 SAN FRANCISCO BALLET LEADERSHIP HELGI TOMASSON GLENN MCCOY ARTISTIC DIRECTOR & EXECUTIVE DIRECTOR PRINCIPAL CHOREOGRAPHER Helgi Tomasson, one of the supreme Glenn McCoy’s career in the classical dancers of his generation, has performing arts spans more led San Francisco Ballet for 33 years than 30 years of operations and is the longest-serving sole artistic management and marketing. director of a major ballet company. Born in After working for San Francisco Iceland, he danced with Harkness Ballet, Opera and the Metropolitan Opera, The Joffrey Ballet, and New York City Ballet, where he distinguished he joined San Francisco Ballet in 1987.
Recommended publications
  • 2019-2020 Season Overview JULY 2020
    ® 2019-2020 Season Overview JULY 2020 Report Summary The following is a report on the gender distribution of choreographers whose works were presented in the 2019-2020 seasons of the fifty largest ballet companies in the United States. Dance Data Project® separates metrics into subsections based on program, length of works (full-length, mixed bill), stage (main stage, non-main stage), company type (main company, second company), and premiere (non-premiere, world premiere). The final section of the report compares gender distributions from the 2018- 2019 Season Overview to the present findings. Sources, limitations, and company are detailed at the end of the report. Introduction The report contains three sections. Section I details the total distribution of male and female choreographic works for the 2019-2020 (or equivalent) season. It also discusses gender distribution within programs, defined as productions made up of full-length or mixed bill works, and within stage and company types. Section II examines the distribution of male and female-choreographed world premieres for the 2019-2020 season, as well as main stage and non-main stage world premieres. Section III compares the present findings to findings from DDP’s 2018-2019 Season Overview. © DDP 2019 Dance DATA 2019 - 2020 Season Overview Project] Primary Findings 2018-2019 2019-2020 Male Female n/a Male Female Both Programs 70% 4% 26% 62% 8% 30% All Works 81% 17% 2% 72% 26% 2% Full-Length Works 88% 8% 4% 83% 12% 5% Mixed Bill Works 79% 19% 2% 69% 30% 1% World Premieres 65% 34% 1% 55% 44% 1% Please note: This figure appears inSection III of the report.
    [Show full text]
  • 1 CURICULUM VITAE Marc Jonkers Geboren in 1945 Gepensioneerd
    1 CURICULUM VITAE Marc Jonkers foto: Bettina Stoess – Berlijn 2008 Geboren in 1945 Gepensioneerd Woont in Den Haag met zijn echtgenoot Jan Linkens e-mail: [email protected] Mobile phone: +32 (0)657318758 2 DIRECTIE-, ORGANISATIE- EN MANAGEMENTERVARING - Adjunctdirecteur van het Instituut voor Taalexpressie van de Rijksuniversiteit Utrecht, 1974 –1977 - Artistiek Directeur en mede-oprichter van het Dans Centrum Utrecht, 1978 – 1985 - Mede-oprichter en directeur van de Paas- en Zomerweken New Dance in Bergen, 1977 – 1981 - Oprichter en Artistiek Directeur van het Internationale Festival Dans- en Beweging - SPRINGDANCE in Utrecht, 1978 – 1986 - Mede-curator van de tentoonstelling DANS TE KIJK, 40 Jaar Nederlandse Dans, Amsterdam 1983 - Dansprogrammeur van het Holland Festival, Amsterdam, 1986 – 1994 - Oprichter en Artistiek Directeur van het tweejaarlijkse Holland Dance Festival, Den Haag, 1987 – 1995 – Intensieve samenwerking met Jiři Kylián en Carel Birnie van het Nederlands Dans Theater - Directeur van het gezelschap Tanztheater der Komischen Oper Berlin, 1994 – 1999, samen met Jan Linkens als Chef-Choreograaf en Artistiek Direkteur - Artistiek Directeur van het tweejaarlijkse Internationales Tanz Festival Nordrhein- Westfalen, 1996 – 2000 - Artistiek Directeur van Companhia Nacional de Bailado (het Nationale Ballet van PortugaL), Lissabon, 2001 – 2002 - Intendant Stichting Dansvoorziening Limburg (Danshuis Limburg), Heerlen, 2003 – 2006 - Artistiek Leider en - Manager van het projekt PARLANDO, een samenwerkingsproject van het Orlando Festival, het Wereldfestival Parade Brunssum en het Gotra Ballet op het gebied van de dans, 2007-2008 - Adviseur/Artistiek leider van het PopOpera-project BARE in opdracht van het COC-Limburg, 2009 – - Medeeigenaar van SWAN PRODUCTIONS v.o.f. in Maastricht, 2003-heden - Artistiek Manager Codarts Circus Arts, 2010 – 2015 .
    [Show full text]
  • LES BALLETS DE MONTE-CARLO « Atman » GOYO MONTERO
    CRÉATION LES BALLETS DE MONTE-CARLO « Atman » GOYO MONTERO En sanskrit Atman signifie « le moi » ou « l’âme ». Dans la philosophie hindoue, il s’agit d’un principe primordial qui sépare les êtres vivants sans les désunir totalement. Il est l’essence du moi intérieur connecté et unifié au tout. Ce concept a entrainé Goyo Montero dans une réflexion traitant de l’individu au sein de la société. Le chorégraphe a ensuite transposé cette réflexion à la compagnie des Ballets de Monte-Carlo en tant que groupe de solistes qui travaillent ensemble à la manière d’éléments fluides. Goyo Montero s’efforce ainsi d’attirer l’attention sur le caractère unique de chaque danseur et sur la manière dont sont transcendées les connexions entre les membres de la compagnie. The atman is a Sanskrit word that means inner self or soul. In Hindu philosophy, it is a primordial principle that separates living beings without totally disuniting them. This concept brings Goyo Montero to the reflection over the idea of individual versus group. It is also a reflection of what a Dance company is, and specially the Ballets de Monte-Carlo as a group of incredibly gifted Soloist that work together as a tide group. The choreographer is pointing out the unique character of each dancer and tells us how they transcend when they connect with each other. Photo © Jesús Vallinas / Gregory Batardon / Gregory © Jesús Vallinas Photo ATMAN Chorégraphie Goyo Montero Musique Owen Belton, composition pour Les Ballets de Monte-Carlo (créée à partir de PULSE, pièce courte créée pour le Projet de « Première Chorégraphie du Prix de Lausanne » 2018) Costumes Jean-Michel Lainé Lumières Samuel Thery Durée 29 minutes CRÉATION LES BALLETS DE MONTE-CARLO Avec Antonio Castrignanò et son Orchestre « Core meu » JEAN-CHRISTOPHE MAILLOT La création de Jean-Christophe Maillot fait écho au ballet créé le 1er juillet 2017 à l’occasion de F(ê)aites de la danse ! Le chorégraphe avait rendu possible une confrontation inédite entre les Ballets de Monte- Carlo et le public, massé autour des danseurs comme dans une arène.
    [Show full text]
  • Dance Theatre of Harlem
    François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin
    [Show full text]
  • La Couleur Du Temps – the Colour of Time Salzburg Whitsun Festival 29 May – 1 June 2020
    SALZBURGER FESTSPIELE PFINGSTEN Künstlerische Leitung: Cecilia Bartoli La couleur du temps – The Colour of Time Pauline Viardot-Garcia (1821 – 1910) Photo: Uli Weber - Decca Salzburg Whitsun Festival 29 May – 1 June 2020 (SF, 30 December 2019) The life of Pauline Viardot-Garcia – singer, musical ambassador of Europe, outstanding pianist and composer – is the focus of the 2020 programme of the Salzburg Whitsun Festival. “The uncanny instinct Cecilia Bartoli has for the themes of our times is proven once again by her programme for the 2020 Salzburg Whitsun Festival, which focuses on Pauline Viardot. Orlando Figes has just written a bestseller about this woman. Using Viardot as an example, he describes the importance of art within the idea of Europe,” says Festival President Helga Rabl-Stadler. 1 SALZBURGER FESTSPIELE PFINGSTEN Künstlerische Leitung: Cecilia Bartoli Pauline Viardot not only made a name for herself as a singer, composer and pianist, but her happy marriage with the French theatre manager, author and art critic Louis Viardot furthered her career and enabled her to act as a great patron of the arts. Thus, she made unique efforts to save the autograph of Mozart’s Don Giovanni for posterity. Don Giovanni was among the manuscripts Constanze Mozart had sold to Johann Anton André in Offenbach in 1799. After his death in 1842, his daughter inherited the autograph and offered it to libraries in Vienna, Berlin and London – without success. In 1855 her cousin, the pianist Ernst Pauer, took out an advertisement in the London-based journal Musical World. Thereupon, Pauline Viardot-García bought the manuscript for 180 pounds.
    [Show full text]
  • World Premiere of Angels' Atlas by Crystal Pite
    World Premiere of Angels’ Atlas by Crystal Pite Presented with Chroma & Marguerite and Armand Principal Dancer Greta Hodgkinson’s Farewell Performances Casting Announced February 26, 2020… Karen Kain, Artistic Director of The National Ballet of Canada, today announced the casting for Angels’ Atlas by Crystal Pite which makes its world premiere on a programme with Chroma by Wayne McGregor and Marguerite and Armand by Frederick Ashton. The programme is onstage February 29 – March 7, 2020 at the Four Seasons Centre for the Performing Arts. #AngelsAtlasNBC #ChromaNBC #MargueriteandArmandNBC The opening night cast of Angels’ Atlas features Principal Dancers Heather Ogden and Harrison James, First Soloist Jordana Daumec, Hannah Fischer and Donald Thom, Second Soloists Spencer Hack and Siphesihle November and Corps de Ballet member Hannah Galway. Principal Dancer Greta Hodgkinson retires from the stage after a career that has spanned over a period of 30 years. She will dance the role of Marguerite opposite Principal Dancer Guillaume Côté in Marguerite and Armand on opening night. The company will honour Ms. Hodgkinson at her final performance on Saturday, March 7 at 7:30 pm. Principal Dancers Sonia Rodriguez, Francesco Gabriele Frola and Harrison James will dance the title roles in subsequent performances. Chroma will feature an ensemble cast including Principal Dancers Skylar Campbell, Svetlana Lunkina, Heather Ogden and Brendan Saye, First Soloists Tina Pereira and Tanya Howard, Second Soloists Christopher Gerty, Siphesihle November and Brent
    [Show full text]
  • Royal Opera House Performance Review 2006/07
    royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 1 Royal Opera House Performance Review 2006/07 The Royal Ballet - The Royal Opera royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 2 Contents 01 TH E ROYA L BA L L E T PE R F O R M A N C E S 02 TH E ROYA L OP E R A PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 3 3 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 01 TH E ROYA L BA L L E T PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 4 4 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 GI S E L L E NU M B E R O F PE R F O R M A N C E S 6 (15 matinee and evening 19, 20, 28, 29 April) AV E R A G E AT T E N D A N C E 91% CO M P O S E R Adolphe Adam, revised by Joseph Horovitz CH O R E O G R A P H E R Marius Petipa after Jean Coralli and Jules Perrot SC E N A R I O Théophile Gautier after Heinrich Meine PRO D U C T I O N Peter Wright DE S I G N S John Macfarlane OR I G I N A L LI G H T I N G Jennifer Tipton, re-created by Clare O’Donoghue STAG I N G Christopher Carr CO N D U C T O R Boris Gruzin PR I N C I PA L C A S T I N G Giselle – Leanne Benjamin (2) / Darcey Bussell (2) / Jaimie Tapper (2) Count Albrecht – Edward Watson (2) / Roberto Bolle (2) / Federico Bonelli (2) Hilarion – Bennet Gartside (2) / Thiago Soares (2) / Gary Avis (2) / Myrtha – Marianela Nuñez (1) / Lauren Cuthbertson (3) (1- replacing Zenaida Yanowsky 15/04/06) / Zenaida Yanowsky (1) / Vanessa Palmer (1) royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 5 5 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 LA FI L L E MA L GA R D E E NU M B E R O F PE R F O R M A N C E S 10 (21, 25, 26 April, 1, 2, 4, 5, 12, 13, 20 May 2006) AV E R A G E AT T E N D A N C E 86% CH O R E O G R A P H Y Frederick Ashton MU S I C Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version SC E N A R I O Jean Dauberval DE S I G N S Osbert Lancaster LI G H T I N G John B.
    [Show full text]
  • Finding Aid for Bolender Collection
    KANSAS CITY BALLET ARCHIVES BOLENDER COLLECTION Bolender, Todd (1914-2006) Personal Collection, 1924-2006 44 linear feet 32 document boxes 9 oversize boxes (15”x19”x3”) 2 oversize boxes (17”x21”x3”) 1 oversize box (32”x19”x4”) 1 oversize box (32”x19”x6”) 8 storage boxes 2 storage tubes; 1 trunk lid; 1 garment bag Scope and Contents The Bolender Collection contains personal papers and artifacts of Todd Bolender, dancer, choreographer, teacher and ballet director. Bolender spent the final third of his 70-year career in Kansas City, as Artistic Director of the Kansas City Ballet 1981-1995 (Missouri State Ballet 1986- 2000) and Director Emeritus, 1996-2006. Bolender’s records constitute the first processed collection of the Kansas City Ballet Archives. The collection spans Bolender’s lifetime with the bulk of records dating after 1960. The Bolender material consists of the following: Artifacts and memorabilia Artwork Books Choreography Correspondence General files Kansas City Ballet (KCB) / State Ballet of Missouri (SBM) files Music scores Notebooks, calendars, address books Photographs Postcard collection Press clippings and articles Publications – dance journals, art catalogs, publicity materials Programs – dance and theatre Video and audio tapes LK/January 2018 Bolender Collection, KCB Archives (continued) Chronology 1914 Born February 27 in Canton, Ohio, son of Charles and Hazel Humphries Bolender 1931 Studied theatrical dance in New York City 1933 Moved to New York City 1936-44 Performed with American Ballet, founded by
    [Show full text]
  • Gp 3.Qxt 7/11/16 9:01 AM Page 1
    07-28 Winter's Tale_Gp 3.qxt 7/11/16 9:01 AM Page 1 July 13 –31, 2 016 Lincoln Center Festival lead support is provided by American Express July 28–31 David H. Koch Theater The National Ballet of Canada Karen Kain, Artistic Director The Winter’s Tale The National Ballet of Canada Orchestra Music Director and Principal Conductor David Briskin Approximate running time: 2 hours and 35 minutes, with two intermissions This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. The Lincoln Center Festival 2016 presentation of The Winter’s Tale is made possible in part by generous support from The LuEsther T. Mertz Charitable Trust and Jennie and Richard DeScherer. Additional support is provided by The Joelson Foundation. Endowment support for the Lincoln Center Festival 2016 presentation of The Winter’s Tale is provided by Blavatnik Family Foundation Fund for Dance. Public support for Festival 2016 is provided by the New York City Department of Cultural Affairs and New York State Council on the Arts. The National Ballet of Canada’s lead philanthropic support for The Winter’s Tale is provided by The Catherine and Maxwell Meighen Foundation, Richard M. Ivey, C.C., an anonymous friend of the National Ballet, and The Producers’ Circle. The National Ballet of Canada gratefully acknowledges the generous support of The Honourable Margaret Norrie McCain, C.C. A co-production of The National Ballet of Canada and The Royal Ballet 07-28 Winter's Tale_Gp 3.qxt 7/11/16 9:01 AM Page 2 LINCOLN CENTER FESTIVAL 2016 THE WINTER’S
    [Show full text]
  • Cran Ballet De Montecarlo Compañía, Del Marques De Cuev As Medjcamentos Con La
    GRAN TEATRO DEL LICEO TERPORADA DE PRIBA 't'Jo;RA 1950 EMPRESA : JOSE F . ARQUER BABC¡¡;LONA CRAN BALLET DE MONTECARLO COMPAÑÍA, DEL MARQUES DE CUEV AS MEDJCAMENTOS CON LA I.A -~CA Of CONFIANZA LA QUÍMICA COMERCIAL Y FARMACÉUTICA, S. A. BARCELONA lo'AOJIO - ti\IAO - SEVIllA - v¡.UNCIA - VIGO Nombre• y Morc'ot reghttodot I GRAN TEATRO DFL UCEO El tono de Elegancia B & R CELOIW& EMPRBSA : DESU DISTINCION PE~SONAL JOSÉ F. ARQUER EXTIENDALO AL HOG~ EMBE­ DIRECCIÓ~ ARTÍSTICA : LLECIENDO SU AMBIENTE CON tA NAPOLEONE ANNOVAZZI Lencerla Arltslica Bordada TEMPORADA CALASANZ DE PRIMAV ERA DE 1950 q_UIEN LE OF&ECB DESDEt.ADE USO COR,&IENTE HASTA LAS GRAN BAL L ET MAS SELfCTAS CREA CI ONES PR.ESENTADAS EN EL MARCO DE MONTECA RLO UN ICO DESUS NUEVOSSA.l.ONES ~ RAMBLA DE CATALUÑA 1~1•Tet 27 9078 COMPAÑÍA DEL BAR e E L.,QNA MARQUÉS DE CUEVAS ORQUESTA SINFÓN1CA DEL GRAN TEATRO DEL LICE.O GRAN BALLET DE MUNIECARLD CDMPARIA DEL MARQUÉS llf CUEVAS Como el ba· llet es un arte expresivo <:n el que no existen obstaou)os d e i di om a, su aprcciación e s universal, y por ello es un arte de gt·an acepta.­ oión en estos mementos. La significación del ballet consiste en que no es un pretexto pa­ ' u bttilar, si no que la danza en un bulkt es el medio para ex­ pre:;ur una ides, o lo que es lo mismo, un arte rítmico y plas­ tico a la vez, nn movirniento en simbiosis completa con el rit­ mo, y con la música, y t·esultado o sumn de tres clementos: la música, la coreografia y PI dt>corado a través del movirniento y de la plastica.
    [Show full text]
  • Curriculum Vitae Anjali Austin
    Curriculum Vitae Anjali Austin Last Revised: December 13, 2013 General Information University address: School of Dance College of Visual Arts, Theatre and Dance 201 Montgomery Hall Florida State University Tallahassee, Florida 32306-2120 Phone: (850) 644-1024; Fax: (850) 644-1277 E-mail address: [email protected] Postdegree Education and Training 1996 Ballet Teachers Seminar, National Ballet School. Toronto, Canada. 1986–1995 Vocal Training, New York, NY. Studies: Musical Theatre. Instructors: Arabella Hong Young (1990-1995); Phyliss Grandy (1986-1989). 1990 Acting, Herbert Berghof Studios, New York, New York. Studies: Basic Acting Technique; Instructor: Salem Ludwig. 1978–1990 During this period I was a member of Dance Theatre of Harlem and worked with the following critically acclaimed ballet and contemporary teachers and choreographers. My experiences with these individuals included being cast in the restaging of classical and neo-classical ballets, new choreographic pieces, vocal roles and being coached, taught and mentored. Instructors: Geoffrey Holder, Louis Johnson, Frederick Franklin, Arthur Mitchell, Ruth Page, Glen Tetley, Valerie Bettis, John Taras, Terri Orr, Irina Nijinska, Alexandra Danilova, Agnes de Mille, Billy Wilson, John McFall. 1977–1975 Dance Theatre of Harlem - New York, New York. Major Studies: Classical and Contemporary Ballet, Pointe, Variations and Pas de Deux. Minor Studies: Contemporary, Modern, Graham, Jazz, Tap, West African Haitian, Character. 1975-1977 Instructors: Mary Barnett, Carmen de Lavallade, Alice Elliot, Vicki Fedine, William Glassman, Kathleen S. Grant, Mary Hinkson, Tanaquil Le Clercq, Arthur Mitchell, Melvin Purnell, Walter Raines, Victoria Simon, Karel Shook, Carol Sumner, Mel Tomlinson, DRAFT Vita for Anjali Austin Ann Tyus, Patricia Wilde. 1965–1973 Piano Training, San Francisco, California.
    [Show full text]
  • Prix De Lausanne 2017 Finale - List of Potential Candidates
    Prix de Lausanne 2017 Finale - List of potential candidates N° Name / Age Nationality / Language 102 Hunter Lauren / 15.4 United States / E Schools: Peninsula School of Performing Arts, USA Classical Variation Le Corsaire, Odalisques pas-de-trois, 2nd variation - Adolph Adam - Joseph Mazilier Contemporary Variation Bach Suite II - Johan Sebastian Bach - John Neumeier 104 Fujimoto Yuika / 15.7 Japan / J Schools: Koike Ballet Studio, Japan Classical Variation La Bayadère, 1st soloist variation - Léon Minkus - Marius Petipa Contemporary Variation A Cinderella Story - Sergej Prokofjew - John Neumeier 107 Seymour Jessi / 15.11 Australia / E Schools: Alegria School of Ballet, Australia Classical Variation Don Quixote, Cupid from the dream - Léon Minkus - Marius Petipa Contemporary Variation Requiem - Gregorian Choir - John Neumeier 111 Lee Sunmin / 16.4 South Korea / K Schools: Seoul Arts High School, South Korea; KNB Ballet Academy, South Korea Classical Variation Sleeping Beauty, Lilac Fairy variation from Prologue - Piotr Tchaïkovsky - Marius Petipa Contemporary Variation Nocturnes - Frédéric Chopin - John Neumeier 114 Henrique Rafaela / 16.8 Brazil / P Schools: Especial Academia de Ballet, Brazil; Danzaria Estudio de Danza, Brazil Classical Variation Le Corsaire, Odalisques pas-de-trois, 2nd variation - Adolph Adam - Joseph Mazilier Contemporary Variation Préludes CV - Lera Auerbach - John Neumeier 120 Ionescu Diana Georgia / 16.11 Romania / E Schools: Tanz Akademie Zü•rich, Switzerland Classical Variation Paquita, First girl's variation
    [Show full text]