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Party Repertoire Party Repertoire Song Interpret Genre/Tanz Ain’t nobody Chaka Khan Pop Angelina Harry Belafonte Calypso Baby I‘m a fool Melody Gardot Jazz Bad Leroy Brown Jim Croce Quickstep Banana Boat Song Harry Belafonte Calypso Beat it Michael Jackson Pop/Rock Bergwerk Rainhard Fendrich Austropop Besame Mucho Consuelo Velasquez Rhumba Call me Al Paul Simon Worldpop Can you feel the love tonight Elton John Filmmusik Can‘t stop this feeling Justin Timberlake Funk Canteloupe Island Herbie Hancock Funk/Fusion Captain Future Action Theme Mark Mercury TV/Funk Come away with me Norah Jones Walzer Could you be loved Bob Marley Reggae Don‘t know why Norah Jones Ballad Down Under Men at Work Reggae Dreadlock Holiday 10cc Reggae Easy Lionel Richie Rockballad Englishman in New York Sting Reggae-esque Fever Cooley/Davenport Jazz Georgia Ray Charles Jazz Get lucky Daft Punk/ Pharrell Williams Pop Ghostbusters Ray Parker Jr. TV Gravity John Mayer Walzer Ham Kummst Seiler & Speer Singer/Songwriter Happy Pharrell Williams Pop Hotel California The Eagles Pop How deep is your love Bee Gees Pop I am from Austria Rainhard Fendrich Austropop I can see clearly now Johnny Nash Folk !1 I don‘t need no doctor Ray Charles Blues I feel good James Brown Funk/Soul I got a woman Ray Charles Soul I shot the sherri" Bob Marley Reggae I still love you Kiss Rock I Wanna be like you Jungelbuch I will survive Gloria Gaynor Disco I Wish Stevie Wonder Funk I won‘t give up Jason Mraz Walzer I wonder why Curtis Stigers Slow Waltz I‘m so excited Katharina and the Waves Disco I‘m Walking Fats Domino Twist If you don‘t know me by now Simply Red med. Walzer Irgendwo Irgendwie… Nena/Jan Delay Reggae/Dub Is this Love Bob Marley Reggae Isn‘t she lovely Stevie Wonder Soul It’s not unusual Tom Jones Jailhouse Rock Elvis Presley Rock n Roll Jump in the line Harry Belafonte Calypso Just the two of us Bill Withers Pop Kiss Prince Funk Knight Rider Stu Phillips TV Kung Fu fighting Carl Douglas Disco La Bamba Ritchie Valens Calypso Lieblingsmensch Namika Pop Like the way I do Melissa Etheridge Rock Little Wing Jimi Hendrix Rockballad Looking back over my shoulder Pop Looking for Freedom G! David Haselho" Disco/Pop Make you feel my love Bob Dylan (Adele) Ballad Master Blaster Stevie Wonder Funk/Triplet Matilda Harry Belafonte Calypso Misirlou (Pulp Fiction) Dick Dale/Deltones TV/Surf Moon River Henry Mancini Walzer More than one way home Ken Mo Blues !2 More than one way home Ken Mo Blues My Baby Baby Balla Balla Chubby Checker Twist Nah Neh Nah Vaya con Dios Pop Natural Woman Aretha Franklin Soul No love dying Gregory Porter Jazz No particular place to go Chuck Berry Rock’n’Roll No woman no cry Bob Marley Reggae Pata Pata Miriam Makeba Cha Cha Poison Alice Cooper Rock Proud Mary Tina Turner/CCR Rock Que Sera Doris Day Walzer Raindrops keep falling on my head Burt Bacharach Sexbomb Tom Jones Cha Cha Cha She‘s always a woman to me Billy Joel Walzer Signed Sealed Delivered Stevie Wonder Soul Simply the Best Tina Turner Disco Fox Sunflower Cat Bruce Hornsby Worldpop Sunny Bobby Hepp Disco Sunrise Norah Jones Pop Superstition Stevie Wonder Funk Sway Dean Martin Cha Cha That's the way I like it SpinDoctors Disco That‘s Amore Harry Warren schneller Walzer The Munsters Jack Marshall TV/Surf Twist and Shout The Beatles Twist Two Princes Spin Doctors Pop Use me Bill WIthers Soul Wake me up before you gogo George Michael Pop What a wonderful world Bob Thiele Walzer Whole Lotta Love Led Zeppelin Rock! Wipeout The Ventures TV/Surf You give love a bad name Bon Jovi Rock !3.
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  • Bob Marley Background Informations
    Bob Marley Background informations: Birth name: Robert Nesta Marley Also known as: Tuff Gong Born: February 6, 1945 Nine Miles, Saint Ann, Jamaica Died: May 11, 1981 Genre: Reggae, ska, rocksteady Occupation: Singer, songwriter, guitarist Instrument: Guitar, vocals Years active: 1962 – 1981 Label: Studio One, Beverley’s Upseeter/ Trojan Island/Tuff Gong Associated acts: The wailers Band, The Wailers HITS: . I shot the sheriff, . No woman, No cry, . Three little birds, . Exodus, . Could you be loved, . Jamming, . Redemption song . One love[one of his most famous love songs] Bob Marley once reflected: I don’t have prejudice against myself. My father was white and my mother was black. Them call me half-caste or whatewer. Me don’t dip on nobady’s side. Me don’t dip on the black man’s side or the white man’s side. Me dip on God’s side, the one who create me and cause me to come from black and white. Musical career: Bob Marley, Bunny Livingston, Peter McIntosh, Junior Braitheaite, Beverley Kelso and Cherry Smith – rocksteady group first named “The Teenagers”. Later “The Wailing Rudeboys”, then to “The Wailing Wailers”, and finally to “The Wailers”. Albums: * The Wailing Wailers 1966 * The Best of the Wailers 1970 * Soul Rebels 1970 * Soul Revolution 1971 * Soul Revolution Part II 1971 * African Herbsman 1973 * Catch a Fire 1973 [Wailers first album] * Burnin' 1973 * Rasta Revolution 1974 * Natty Dread 1974 * Rastaman Vibration 1976 * Exodus 1977 * Kaya 1978 * Survival 1979 * Uprising 1980 * Confrontation (izdano po Marleyjevi smrti) 1983 Bob Marley’s 13 childrens: . Imani Carole, born May 22, 1963, to Cheryl Murray; .
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  • Here I Am Baby Al Green Let's Stay Together Al Green Don
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  • Bob Marley's Spiritual Rhetoric, the Spread of Jamaican Culture and Rastafarianism Mark Haner Western Oregon University
    Western Oregon University Digital Commons@WOU Student Theses, Papers and Projects (History) Department of History 2007 Bob Marley's Spiritual Rhetoric, the Spread of Jamaican Culture and Rastafarianism Mark Haner Western Oregon University Follow this and additional works at: https://digitalcommons.wou.edu/his Part of the History of Religion Commons Recommended Citation Haner, Mark, "Bob Marley's Spiritual Rhetoric, the Spread of Jamaican Culture and Rastafarianism" (2007). Student Theses, Papers and Projects (History). 168. https://digitalcommons.wou.edu/his/168 This Paper is brought to you for free and open access by the Department of History at Digital Commons@WOU. It has been accepted for inclusion in Student Theses, Papers and Projects (History) by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected]. Bob Marley’s Spiritual Rhetoric, the Spread of Jamaican Culture and Rastafarianism By Mark Haner Senior Seminar: Hst 499 Professor John L. Rector Western Oregon University June 16, 2007 Readers Professor John L. Rector Professor Kimberly Jensen Copyright © Mark Haner, 2007 The spread of Jamaican culture and Rastafarianism can be accredited to many events and technical advances in communication. Bob Marley is one of the main influences the spread of Jamaican culture and Rastafarianism due to the lyrical rhetoric used in his popular music. Growing up as an impoverished youth, Marley struggled to create a music career where his voice as well as others could be heard globally. Bob Marley’s lyrics contributed to the spread of Jamaican culture and Rastafarianism because the messages in these songs display the areas of class and Marley’s life in the Jamaica ghetto, Trenchtown.
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  • Some of the Songs That We Play…
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  • Music Unit 8A Reggae
    IES LAS MARINAS SECCIÓN BILINGÜE MUSIC: UNIT 8 A – 2ºESO BILINGÜE BOB MARLEY Reggae is a type of music that came from different musical styles, including traditional Jamaican (Afro-Caribbean) music. Reggae only became a distinct style of music in the 1960s and it has become a national symbol for the island of Jamaica. Reggae is played in 4/4 time or swing time. Harmonically, the music is often very simple, and sometimes a song will have no more than one or two chords . These simple repetitious chord structures add to reggae's hypnotic effects. Musical Instruments : A standard drum kit is generally used. The bass guitar often plays a very dominant role in reggae. A piano is also often used in reggae and there are sometimes horn sections. Reggae song lyrics deal with many subjects, including religion, love, sexuality, peace, relationships, poverty, injustice and other social and political issues. 1 IES LAS MARINAS SECCIÓN BILINGÜE JAMAICA Rastafarianism Rastafarianism is a religion that is very common among Jamaicans of African descent. Many of the world's most famous reggae musicians practice this religion, and many reggae lyrics reflect the beliefs and traditions of Rastafarianism. Popularity of Reggae Bob Marley was reggae's best-known international singer. Some people consider Marley to be responsible for the popularity of reggae worldwide, but many other artists, including Jimmy Cliff were very important. Reggae Language Reggae lyrics are often difficult to understand because they are in Jamaican- English dialect. Many Jamaican slang words are used, and there are many Rastafarian words, such as "Jah" (God).
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  • Racism Perspective As Reflected in Bob Marley's and the Wailer's Songs
    perpustakaan.uns.ac.id digilib.uns.ac.id RACISM PERSPECTIVE AS REFLECTED IN BOB MARLEY’S AND THE WAILER’S SONGS THESIS Submitted as A Partial Fulfillment of Requirements For The Sarjana Degree in the English Department Faculty of Letters and Fine Arts Sebelas Maret University by SETYO CAHYANINGTYAS C 1307530 ENGLISH DEPARTMENT FACULTY OF LETTERS & FINE ARTS SEBELAS MARET UNIVERSITY SURAKARTA 2011 commit to user i perpustakaan.uns.ac.id digilib.uns.ac.id RACISM PERSPECTIVE AS REFLECTED IN BOB MARLEY’S AND THE WAILER’S SONGS by SETYO CAHYANINGTYAS C 1307530 Approved to be examined by the Consultant Thesis Consultant; Dra . Nani Sukarni, MS. NIP.195103211981032002 Head of English, Non Regular Program Drs . Sugiyarto Budi Waskito, M.Pd. NIP. 195811081983031001 commit to user ii perpustakaan.uns.ac.id digilib.uns.ac.id RACISM PERSPECTIVE AS REFLECTED IN BOB MARLEY’S AND THE WAILER’S SONGS by SETYO CAHYANINGTYAS C 1307530 Accepted and Approved by The Board of Examiners Faculty of Letters and Fine Arts Sebelas Maret University On June 16, 2011 Position Name Signature Chairperson Drs. Hendarto R, MA (…………………) NIP. 196506011992032002 Secretary Dra. SK. Habsari, M.Hum, Ph.D (………………….) NIP. 196703231995122001 First Examiner Dra. Nani Sukarni, MS (………………….) NIP. 195103211981032002 Second Examiner Dra. Endang Sri Astuti, MS (…………………..) NIP. 195208141981032001 Dean of Faculty of Letters and Fine Arts Sebelas Maret University Drs. Riyadi Santosa, M.Ed, Ph.D. NIP 196003281986011001 commit to user iii perpustakaan.uns.ac.id digilib.uns.ac.id Pronouncement Name; Setyo Cahyaningtyas NIM; C1307530 Stated wholeheartedly that the thesis entitled Racism perspective as reflected in Bob Marley’s and The Wailer’s songs is originally made by the researcher.
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  • Bob Marley – Primary Wave Music
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  • Religion and Revolution in the Lyrics of Bob Marley" Jan Decosmo, Asst
    "Religion and Revolution in the Lyrics of Bob Marley" Jan DeCosmo, Asst. Professor of Humanities Florida A&M University, Tallahassee, Florida Caribbean Studies Assn. Conference, Merida, Yucatan, Mexico, May 1994 (working copy, not for publication) In one of his many interviews, Bob Marley made the statement that reggae music had always been there, and that what made his music important was the lyrics. "Yes, it's necessary to understand the lyrics," he insisted [Time Will Tell 1992]. One connection of roots reggae to an earlier Caribbean tradition--specifically, calypso--is this emphasis on meaningful lyrics. According to Billy Bergman in his book, Hot Sauces: Pop, Reggae and Latin, this partiality for meaningful lyrics can be traced back to the African griot. He writes: Africans, brought as slaves to the island of TrinicW—the birthplace of calpyso--found the griot tradition a useful way of saying things that were not to be broadcoast in other ways. Diatribes against their oppressors could be couched in verse. The African tradition of ridicule songs was also maintained in after-work song sessions in which different work gangs praised themselves and made fun of others. [Later] . the political and social happenings of the Eastern Caribbean, and the world, were composed and commented upon in calypso lyrics. World wars were discussed, and legendary figures such as Roosevelt praised or condemned according to the views of the singers. Black news from around the world was especially noted. The living newspaper tradition of calypso continues to this day. [Bergman 1985:57] After reading this description, I was struck by a comment I remembered Marley had made to an interviewer about his music: "Reggae music" he said, "is a people music.
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  • Singles Chart-Chronology
    Chart - History Singles All chart-entries in the Top 100 Peak:13 Peak:3 Peak: 51 Germany / United Kindom / U S A Bob Marley & The Wailers No. of Titles Positions Robert Nesta Marley, OM (6 February 1945 – 11 Peak Tot. T10 #1 Tot. T10 #1 May 1981) was a Jamaican singer and 13 7 -- -- 92 -- -- songwriter. Considered one of the pioneers of 3 26 8 -- 208 23 -- reggae, his musical career was marked by 51 1 -- -- 6 -- -- blending elements of reggae, ska, and rocksteady, as well as forging a smooth and 3--27 8 -- 306 23 distinctive vocal and songwriting style. Marley's contributions to music increased the visibility of Jamaican music worldwide, and made him a global figure in popular culture for over a decade. ber_covers_singles Germany U K U S A Singles compiled by Volker Doerken Date Peak WoC T10 Date Peak WoC T10 Date Peak WoC T10 1 No Woman No Cry 09/1975 8 20 2 2 Roots, Rock, Reggae 07/1976 51 6 3 Exodus 06/1977 14 9 4 Waiting In Vain 09/1977 27 13 5 Jamming / Punky Reggae Party 12/1977 9 12 2 6 Is This Love 02/1978 9 9 1 7 Satisfy My Soul 06/1978 21 10 8 So Much Trouble In The World 10/1979 56 4 9 Could You Be Loved 08/1980 13 28 06/1980 5 16 5 10 Three Little Birds 11/1980 49 6 09/1980 17 12 11 Buffalo Soldier 05/1983 4 13 3 12 One Love / People Get Ready 04/1984 5 14 4 13 Iron Lion Zion 11/1992 17 23 09/1992 5 9 3 14 Why Should I 03/1993 92 1 11/1992 42 4 15 Keep On Moving 05/1995 17 5 16 What Goes Around Comes Around 06/1996 42 2 17 Sun Is Shining 09/1999 19 13 09/1999 3 14 3 ► Bob Marley vs.
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