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Room to Rise: the Lasting Impact of Intensive Teen Programs in Art Museums
ROOM the lasting impact of intensive teen programs in art museums to rise Room to Rise: The Lasting Impact of Intensive Teen Programs in Art Museums Danielle Linzer and Mary Ellen Munley Editor: Ellen Hirzy Whitney Museum of American Art, New York Copyright © 2015 by the Whitney Museum of American Art, New York. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Whitney Museum of American Art 99 Gansevoort Street New York, NY 10014 whitney.org Generous funding for this publication has been provided by the Institute of Museum and Library Services. Project Director Danielle Linzer Lead Researcher Mary Ellen Munley Editor Ellen Hirzy Copyeditor Thea Hetzner Designers Hilary Greenbaum and Virginia Chow, Graphic Design Department, Whitney Museum of American Art ISBN: 978–0–87427–159–1 Cataloging-in-Publication Data is on file with the Library of Congress. Printed and bound by Lulu.com Front cover: Youth Insights, Whitney Museum of American Art, New York (top); Teen Council, Museum of Contemporary Arts Houston (bottom) Back cover: Walker Art Center Teen Arts Council, Walker Art Center, Minneapolis (top); MOCA and Louis Vuitton Young Arts Program, The Museum of Contemporary Art, Los Angeles (bottom) PREFACE 6 INTRODUCTION 8 1: DESIGNING 16 THE STUDY 2: CHANGING LIVES 22 3: CHANGING 58 MUSEUMS 4: SHAPING OUR 64 PRACTICE PROGRAM PROFILES 76 NOTES 86 ACKNOWLEDGMENTS 90 Room to Rise: The Lasting Impact of Intensive 4 Teen Programs in Art Museums PREFACE ADAM D. -
The Musical Number and the Sitcom
ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139). -
Trans-Sylvania
Trans-sylvania Across 51 Les ___ of Broadway 21 Place for future Lts. 1 Whack, off, or delight 55 See 19-Across 24 ___ music (do Britten’s job) 5 Bit of salt, for Stephen Pyles 58 Some eagle feathers 25 Satisfied fully 9 Rubber-stamp 61 Composer Thomas 26 Words said from one’s knees, perhaps 13 “Hi” to Lorca 62 Cub slugger 28 Just says no 14 Man, as a cruising goal 63 Scat queen Fitzgerald 29 Ornament in Cleopatra , perhaps 15 Six Feet Under box material 64 Pal from Down Under 31 Where to see Tom, Dick, or Harry 16 Gomer’s “anti” 65 Genie portrayer Barbara 32 Brief moment 17 Coldcock 66 Bedfellow 33 When to have sex 18 Barry Humphries’ Dame 67 Creature in a Star Wars sequel 35 Alice’s insect tour guide in Wonderland 19 With 55-Across, upcoming TV movie with 68 Comes out with 36 “All ___” (1984 Tomlin film) Laverne Cox 39 Be able to say, “I’m not myself”? 22 “___ little silhouetto of a man ...” Down 40 The way we word 23 Large phallus painter 1 She had her hand up Lamb Chop 45 “___ was saying ...” 27 Isle of exile in Brando’s Desiree 2 HRC’s equal sign, and others 47 Lip service? 30 Quite a bargain 3 Gertrude’s partner 49 Start of Caesar’s boast 31 Lance in a robe 4 Doodle in a musical 50 The Scarecrow’s “viscera” 34 “Don’t Cry for Me, Argentina,” e.g. 5 Gossip 52 Mary’s The Mary Tyler Moore Show girlfriend 37 Guy into bottoms? 6 Memo start 53 Film director Joseph 38 Character played by Laverne Cox 7 Sucking sound 54 Lake ballet dancers 41 Bro of Jacko 8 Painter Matisse 56 Gay Talese’s ___ the Sons 42 Pillow covers 9 Lily Tomlin’s Ernestine, for one 57 Have on too much perfume, e.g. -
Robert Morris, Minimalism, and the 1960S
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 1988 The Politics of Experience: Robert Morris, Minimalism, and the 1960s Maurice Berger Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1646 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. -
March 2008 Cms Public File Report
Minnesota Public Radio - Classical Stations July 2007 - March 2008 KBPR 90.7FM, Brainerd Bemidji Area Chamber of Commerce Charter Fiberlink, LLC/Charter Business Cragun's Golf and Conference Resort Crow Wing Power Evergreen Press/Lake Country Journal Magazine Fifth Avenue Furniture Floor to Ceiling Store Good Samaritan Communities-Brainerd/Pine River Kodiak Investment Management Kurilla Real Estate Legacy Chorale of Greater Minnesota, The Madhatters Community Theatre Minnesota Heritage House Inc./Pequot Lakes Loc. Minnesota Power Nature's Touch Floral & Gift New York Mills Regional Cultural Center Nisswa Tax Service Nor-Son Incorporated Northern PCS Old Wadena Society Rainy Days Bookstore Reif Center, The St. Joseph's Medical Center/Brainerd Medical Ce Staples Area Men's Chorus Staples Motley Area Arts Council The Tree House KCCM Moorhead/Fargo A Center for the Arts Audrey and Dick Kloubec Avis Rent a Car Bemidji Area Chamber of Commerce Bernie's Wines and Liquors Boulger Funeral Home Braaten Cabinets Bursch Travel American Express-2 Celebration of Women Clay County Historical Society Country Insurance & Financial Services Eventide F/M Communiversity Fargo Moorhead Opera Fargo Moorhead Symphony Orchestra Fargo-Moorhead Area Youth Symphonies Harmon Glass Doctor Heritage Hjemkomst Interpretive Center Historic Holmes Theatre, The Hornbacher's Foods Hotel Donaldson ICS Energy Solutions Innovis Health Korsmo Funeral Service Krekelberg & Skonseng, PLLP Life's Footprint Michael J Burns Architects Minnesota Motor Company Moorhead Public Service -
Tobacco Sponsorship Is No Laughing Matter
82 Tobacco Control 1999;8:82–84 Tob Control: first published as 10.1136/tc.8.1.82 on 1 March 1999. Downloaded from AD WATCH Tobacco sponsorship is no laughing matter Despite intense eVort by tobacco control water kayaking. These activities involve groups during the past decade, legislation to competitors who succeed because of their will- control tobacco promotions in Canada has ingness to take extreme risks. Promotions for been limited in its eVectiveness. The Tobacco these events appeal to the viewer’s desire for Products Control Act (TPCA) was legislated independence because the selected activities in 1988 and although it banned tobacco prod- are all individual sports.4 The Matinée Fashion uct advertising, sponsorship remained permis- Foundation was formed in 1992 and serves as sible with limitations. The full name of the a second example. Sponsorship of fashion manufacturer was required on promotional events allows tobacco products to be associated material as opposed to a tobacco brand name. with models who are typically thin. In response, all three Canadian tobacco Promotional messages for these events may companies hastily registered their various reinforce the idea that smoking suppresses brands as separate corporate entities as the appetite and is a means of controlling body TPCA took eVect. Imperial Tobacco Ltd, weight. Other Canadian tobacco-sponsored RJR-Macdonald Inc., and Rothmans, Benson activities or events include golf and tennis & Hedges Inc. formed “shell” companies for tournaments, auto races, fireworks displays, sponsorship -
Walker Guided Tour Topics and Themes
Walker Guided Tour Topics and Themes GUIDED TOUR TOPICS For guided tours, please select your topic preference. (Note maximum number of participants.) Gallery Tour (max. 60) Familiarize yourself with contemporary art by exploring works of art in the Walker’s collection. Sculpture Garden Tour (max. 60) Explore concepts such as shape, scale, space, and texture in one of the country’s largest urban sculpture parks. The Minneapolis Sculpture Garden features more than 40 artworks, including the whimsical Pop Art icon Spoonbridge and Cherry by Claes Oldenburg and Coosje van Bruggen. Architecture of Expansion (max. 60) These tours introduce visitors to the expanded Walker Art Center through an in-depth exploration of its state-of-the-art spaces and the processes used by the architects Herzog & de Meuron for designing the 2005 building. Special Exhibition (max. may vary) Our special exhibition tours focus on a variety of topics and artists. For more information about exhibitions currently on view, click here: http://schools.walkerart.org/exhibitions.wac. Custom Tour (max. may vary) The tour program will work with you to develop a custom tour based on a theme or topic of particular interest to your group. We will contact you to make arrangements after we receive your request. In addition to a specially tailored topic, your tour can be enriched by an Art Lab or food and drink from D’Amico Modern Events (see additional tour components below). Pre-K Gallery Tour (max. 60) Children explore works of art in the galleries by focusing on basic elements such as color, line, shape, and pattern. -
2013 MNHS Legacy Report (PDF)
Minnesota History: Building A Legacy JAnuAry 2013 | Report to the Governor and the Legislature on Funding for History Programs and Projects supported by the Legacy Amendment’s Arts and Cultural Heritage Fund Table of Contents Letter from the Minnesota Historical Society Director and CEO . 1 Introduction . 2 Feature Stories on FY12–13 History Programs, Partnerships, Grants and Initiatives Then Now Wow Exhibit . 7 Civil War Commemoration . 9 U .S .-Dakota War of 1862 Commemoration . 10 Statewide History Programs . 12 Minnesota Historical and Cultural Heritage Grants Highlights . 14 Archaeological Surveys . 16 Minnesota Digital Library . 17 FY12–13 ACHF History Appropriations Language . Grants tab FY12–13 Report of Minnesota Historical and Cultural Heritage Grants (Organized by Legislative District) . 19 FY12–13 Report of Statewide History Programs . 57 FY12–13 Report of Statewide History Partnerships . 73 FY12–13 Report of Other Statewide Initiatives Surveys of Historical and Archaeological Sites . 85 Minnesota Digital Library . 86 Civil War Commemoration . 87 Estimated cost of preparing and printing this report (as required by Minn. Stat. § 3.197): $6,413 Upon request this report will be made available in alternate format such as Braille, large print or audio tape. For TTY contact Minnesota Relay Service at 800-627-3529 and ask for the Minnesota Historical Society. For more information or for paper copies of this report contact the Society at: 345 Kellogg Blvd. W., St Paul, MN 55102, 651-259-3000. The 2012 report is available at the Society’s website: legacy.mnhs.org. COVER IMAGE: Kids try plowing at the Oliver H. Kelley Farm in Elk River, June 2012 Letter from the Director and CEO January 15, 2013 As we near the close of the second biennium since the passage of the Legacy Amendment in November 2008, Minnesotans are preserving our past, sharing our state’s stories and connecting to history like never before. -
How Children Evaluate Real-Life and Television Women
D0C0!lBUT MESON!! ED 177 574 CS 205211• AUTHOR Hawkins, Robert P.; And Others TITLE How Children Evaluate Real-Life and Television Women. PUB DATE Aug 77 NOTE 21p.; Paper presented at the Annual Meeting of the' Association fcr'Education in Journalism (60th, Madison, Wisconsin, August 21-24, 1S77) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Childhood Attitudes.; Mass Media; *Sex Role; *Sex Stereotypes; *social Influences; * Television Research IDENTIFIERS *Communication Research ABSTRACT To understand hew children respand to and make use of portrayals of the sexes on television, 192 third and eighth grade students participated in a study to determine what they notice and how important these distinctions are to them. The study obtained children's same/different paired comparisons of eight concepts--me, my 'mother, an average woman, an average television woman, and four television characters (Bionic Woman, Cher,. Mary Tyler Moore, and Mrs. Walton),'and explored two models cf influence on salience scores, a television viewing and perceptions model and a sex role socialization model, using, the three comparison dimensions cf youth/vitality, reality, and competence. Fesults indicated that the ,variables of a sex-role socialization mddel are related to,children's use of these three dimensions for comparing real-life and television women and that cognitive variables cf children's own perceptions can be used in media effects studies. (AEA) How Children Evaluate Real-Life and Television Women Robert P. Hawkins, Christine Morelli, Suzanne Pingree, and Donna G. Wilson (Hawkins and Pingree are at the University of Wiscnsin -- Madison; Morelli is at Lane Community College, Eugene, Oregon, and Wilson is at the University of Colorado) How Children Evaluate Real-Life and Television Women Childrèn'are a media audience of special concern to parents, educators, and Deseárchers. -
A Senate Resolution Honoring the Life of Mary Tyler Moore. WHEREAS, Mary Tyler Moore Was Born in Brooklyn, New York, to Ge
01/31/17 REVISOR JFK/RC 17-2460 1.1 A Senate resolution 1.2 honoring the life of Mary Tyler Moore. 1.3 WHEREAS, Mary Tyler Moore was born in Brooklyn, New York, to George Tyler Moore 1.4 and his wife Marjorie Hackett, and was the oldest of three siblings; her family lived in the Flatbush 1.5 section of Brooklyn, but moved to Los Angeles when she was eight years old; and 1.6 WHEREAS, deciding at age 17 that she wanted to be a dancer, Mary's first television job 1.7 was as "Happy Hotpoint," a tiny elf dancing on Hotpoint appliances in TV commercials during the 1.8 1950s series "Ozzie and Harriet"; Mary soon began landing regular television roles on such programs 1.9 as "Richard Diamond, Private Detective," "Overland Trail," and "The Tab Hunter Show"; and 1.10 WHEREAS, in 1961, Carl Reiner cast her in the co-lead role of "The Dick Van Dyke Show," 1.11 and her memorable, witty, energetic comedic take on the character of Laura Petrie made both Mary 1.12 and her signature capri pants extremely popular internationally, and she received the first of many 1.13 Emmy awards; in 1970, Mary and her husband Grant Tinker successfully pitched a sitcom to CBS 1.14 that centered on her, and "The Mary Tyler Moore Show," a newsroom sitcom set in Minneapolis 1.15 that also featured Ed Asner, Valerie Harper, Cloris Leachman, Gavin MacLeod, and Ted Knight, 1.16 became a major hit, with a unique approach at the time that depicted the life of a single, never-married 1.17 independent career woman at work and at home; and 1.18 WHEREAS, featuring -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
Walker Art Center and the Current Will Not Present Rock the Garden in Summer 2021
NEWS Press Contact: Rachel Joyce 612.375.7635 [email protected] Online Press Room: walkerart.org/press-releases WALKER ART CENTER AND THE CURRENT WILL NOT PRESENT ROCK THE GARDEN IN SUMMER 2021 MINNEAPOLIS, NOVEMBER 11, 2020 — Due to uncertainties around planning for a large-scale outside event next summer, the Walker and The Current will not present Rock the Garden in 2021. After thoughtful consideration of how Rock the Garden could be coordinated and held in the time of COVID-19, the two organizations determined that the event in its current form could not be done in a way that would guarantee the safety of community members and artists. The decision to not present Rock the Garden next summer was a difficult one for the organizations to make, as both music fans and members of the Twin Cities community. The Walker and The Current have been teaming up to present the Twin Cities’ unofficial kick off to summer since 2008 and are hopeful that fans will be able to join together again soon. “This is a very difficult decision for both organizations. Although it may seem premature, the bulk of the planning, including booking bands on tour and securing permits, needs to be completed by the New Year. It is not feasible to do this work given the current situation with COVID-19. We are disappointed to not be able to share the event with our community next summer,” comments Mary Ceruti, Executive Director of the Walker. “Rock the Garden takes months of planning, and we have a talented team of event experts who know what is required to make it a success.