"Who Shall Ascend Into the Mountain of the Lord?": Three Biblical Temple Entrance Hymns
"Who Shall Ascend into the Mountain of the Lord?": Three Biblical Temple Entrance Hymns Donald W. Parry A number of the psalms in the biblical Psalter1 pertain directly to the temple2 and its worshipers. For instance, Psalms 29, 95, and 100 pertain to worshipers who praise the Lord as he sits enthroned in his temple; Psalm 30 is a hymn that was presumably sung at the dedication of Solomon’s temple; Psalms 47, 93, and 96 through 99 are kingship and enthronement psalms that celebrate God’s glory as king over all his creations; Psalms 48, 76, 87, and 122 are hymns that relate to Zion and her temple; Psalm 84 is a pilgrim’s song, which was perhaps sung by temple visitors as soon as they “came within sight of the Holy City”;3 Psalm 118 is a thanksgiving hymn with temple themes; Psalms 120 through 134 are ascension texts with themes pertaining to Zion and her temple, which may have been sung by pilgrims as they approached the temple; and Psalm 150, with its thirteen attestations of “praise,” lists the musical instruments used by temple musicians, including the trumpet, lute, harp, strings, pipe, and cymbals. In all, perhaps a total of one-third of the biblical psalms have temple themes. It is well known that during the days of the temple of Jerusalem temple priests were required to heed certain threshold laws, or gestures of approach, such as anointings, ablutions, vesting with sacred clothing, and sacrices.4 What is less known, however, is the requirement placed on temple visitors to subscribe to strict moral qualities.
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