2019 Annual Report Poetry Foundation 2019 1 Table of Contents
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Download a PDF File of the Index for Volume 40
Aindex to Volume 40 – 2018 Compiled by H.e. Knox Z INDEX Index of Authors: books reviewed are listed by author, with the title in italics and the reviewer’s name in brackets, followed by the issue number. Index of Reviewers: books reviewed are listed by reviewer, with the author’s name after the title. Subject Index: the subject is followed by the title and author of the book discussed, with the reviewer’s name in brackets. ‘Corres.’ refers to letters sent to the editor in response to the article listed, and printed in subsequent issues. Index of Original Contributions: all articles which are not strictly book reviews (features, diaries, poems, short stories) are listed here, as well as appearing in the index of authors. Index of Authors Adam, G.: Dark Side of the Boom: The Excesses of the Art Berlin, L.: Cixin Liu: Market in the 21st Century. (Abrahamian, A.A.) 40.9 Evening in Paradise: More Stories. (Lockwood, P.) 40.23 Translator Liu, K. Adams, M.: Ælfred’s Britain: War and Peace in the Viking Age. Welcome Home: A Memoir with Selected Photographs. The Dark Forest. (Richardson, N.) 40.3 (Shippey, T.) 40.9 (Lockwood, P.) 40.23 Death’s End. (Richardson, N.) 40.3 Ahmed, S.: Living a Feminist Life. (Rose, J.) 40.4 Bermant, A.: Margaret Thatcher and the Middle East. The Three-Body Problem. (Richardson, N.) 40.3 Akomfrah, J.: Mimesis: African Soldier. (Harding, J.) 40.23 (Wheatcroft, G.) 40.17 The Wandering Earth. (Richardson, N.) 40.3 Alderton, D.: Everything I Know about Love. -
A Tradition of Excellence Continues
The Newsletter of the Creative Writing Program at the University of Houston WWW.UH.EDU/CWP A Tradition of Excellence Continues: John Antel Dean, CLASS Wyman Herendeen English Dept. Chair j. Kastely CWP Director Kathy Smathers Assistant Director Shatera Dixon Program Coordinator 713.743.3015 [email protected] This year we welcome two new and one visiting faculty member—all are exciting writers; all are compelling teachers. 2006-2007 Edition Every effort has been made to include faculty, students, and alumni news. Items not included will be published in the next edition. As we begin another academic year, I am struck by how much change the Program has endured in the past year. After the departure of several faculty members the previous year, we have hired Alexander Parsons and Mat John- son as new faculty members in fiction into tenure track positions, and we also hired Liz Waldner as a visitor in poetry for the year. Our colleague, Daniel Stern, passed away this Spring, and he will be missed. Adam Zagajew- ski will take a visiting position in the Committee on Social Thought at the University of Chicago this year, and that Committee will most likely become his new academic home. Ed Hirsh submitted his letter of resignation this Spring, and although Ed had been in New York at the Guggenheim for the last five years, he had still officially been a member of the Creative Writing Program on leave. And Antonya Nelson returned from leave this Spring to continue her teaching at UH. So there has been much change. -
November 2012
founded in 1912 by harriet monroe November 2012 FOUNDED IN 1912 BY HARRIET MONROE volume cci • number 2 CONTENTS November 2012 POEMS elizabeth spires 95 Pome hailey leithauser 96 Mockingbird vijay seshadri 98 Sequence casey thayer 102 The Hurt Sonnet idra novey 103 The Visitor La Prima Victoria Of the Divine as Absence and Single Letter donald revell 106 Borodin katie ford 107 The Soul Foreign Song Speak to Us jim harrison 110 The Present The Girls of Winter joanna klink 112 Toward what island-home am I moving david yezzi 113 Cough lisa williams 114 Torch POET photos the editors 117 Photographs Notes RUTH Lilly poetry FELLOWS reginald dwayne betts 149 At the End of Life, a Secret For the City that Nearly Broke Me A Postmodern Two-Step nicholas friedman 154 The Magic Trick As Is Not the Song, but After richie hofmann 157 Fresco Imperial City Keys to the City jacob saenz 160 I Remember Lotería GTA: San Andreas (or, “Grove Street, bitch!”) Blue Line Incident rickey laurentiis 166 Southern Gothic Swing Low You Are Not Christ COMMENT clive james 171 A Stretch of Verse adam kirsch 182 Rocket and Lightship letters 193 contributors 195 announcement of prizes 197 back page 207 Editor christian wiman Senior Editor don share Associate Editor fred sasaki Managing Editor valerie jean johnson Editorial Assistant lindsay garbutt Reader christina pugh Art Direction winterhouse studio cover art by alex nabaum “Pegged,” 2012 POETRYMAGAZINE.ORG a publication of the POETRY FOUNDATION printed by cadmus professional communications, us Poetry • November 2012 • Volume 201 • Number 2 Poetry (issn: 0032-2032) is published monthly, except bimonthly July / August, by the Poetry Foundation. -
165Richard.Pdf
165 165 c2001 Richard Caddel Basil Basil Bunting : An Introduction to to a Northern Modernist Poet : The Interweaving Voices of Oppositional Poetry Richard Richard Caddel I'd I'd like to thank the Institute of Oriental and Occidental Studies for inviting me to give this this presentation, and for their generosity in sustaining me throughout this fellowship. I have have to say that I feel a little intimidated by my task here, which is to present the work of of a poet who is still far from well known in his own country, and who many regard as not not an easy poet (is there such a thing?) in an environment to which both he and I are foreign. foreign. This is my first visit to your country, and Bunting, though he travelled widely throughout throughout his life, never came here. That's a pity, because early in his poetic career he made what I consider to be a very effective English poem out of the Japanese prose classic, classic, Kamo no Chomei's Hojoki (albeit from an Italian tranlation, rather than the original) original) and I think he had the temperament to have enjoyed himself greatly here. I'm I'm going to present him, as much as possible, in his own words, often using recordings of him reading. He read well, and his poetry has a direct physical appeal which makes my task task of presenting it a pleasure, and I hope this approach will be useful for you as well. But first a few introductory words will be necessary. -
DANIELLE CHAPMAN [email protected]
DANIELLE CHAPMAN [email protected] EDUCATION 2003 M.F.A. in Poetry Writing, Henry Hoyns Fellow, University of Virginia, Charlottesville, VA. 1998 B.A. in English, New York University, New York, NY. PUBLICATIONS Books: Delinquent Palaces. Collection of poems. Northwestern University Press, April 2015. Poems in Anthologies: “Believer” and “The Tavern Trees,” Gracious: Contemporary Poems in the 21st Century South. Ed. John Poch. Texas Tech University Press. Forthcoming, 2020. “One World Trade,” Resistance, Rebellion, Life: 50 Poems Now. Ed. Amit Majmudar. Knopf, 2017. “Ladies Weekend in Brooklyn,” Women of Resistance: Poems for a New Feminism. Ed. Danielle Barnhart & Iris Mahan. OR Books, 2017. Poems: The Harvard Review, “Five-Thirty” and “The Inside Porch,” forthcoming. Commonweal, “Advent,” November 19, 2018. Commonweal, “Good Friday Migraine,” March 27, 2018. Commonweal, “After Ashbery,” February 7, 2018. Subtropics, “Dog Bite, “Summer Storm Prayer,” and “Ragdale,” Fall/Winter 2017. The Atlantic, “The Tavern Trees,” June 2017. Poetry, “Catch-all” and “Huptemugs,” April 2017. The New Yorker, “The Tavern Parlor,” March 27, 2017. The New Yorker, “Putting One on at Maxim’s,” May 11, 2015. The Nation, “Destination Wedding,” January 7, 2014. Virginia Quarterly Review, “Silverdale,” Fall 2013. Poetry International, “Studying on It,” “O Chicago,” “The Brighton Basement,” “An Autobiography,” “Fancies,” and “Rituxan Spring,” Issue #18. The New Yorker, “Epicurean,” November 21, 2011. The Harvard Review, “A Shape Within,” Spring 2010. Literary Imagination, “Lower East Side Inventory,” “Insomniac Country,” “Salvage Yard in Passing Sun,” Volume 11, 2009. Poetry Northwest, “Meet Me in Hollywood,” Fall-Winter 2008-09. Poetry Review (UK), “Expressway Song,” 2008. Poetry Northwest, “Natural History Museum,” “Afterwards,” Spring-Summer 2008. -
Download Schedule
EMCEES: EMCEES: HAROLD WASHINGTON LIBRARY CENTER NILI YELIN, THE STORYBOOK MOM AND JOE GRAY BILLY LOMBARDO AND FRANK TEMPONE CENTER STAGE ARTS & POETRY TENT CINDY PRITZKER AUDITORIUM MULTIPURPOSE ROOM RECEPTION HALL VIDEO/THEATRE ROOM GRACE PLACE (2ND FLOOR) C-SPAN STAGE 10 a.m. – Inspiring stories from 10 a.m. – Essays: Living Our Best Lives 10 a.m. – Poetry Reading: 10 a.m. – Welcome by Library Commissioner 10 a.m. – Andy Parker, For Alison 10 a.m. the #pilotina, Jacqueline Camacho-Ruiz, Jenny Boully and Ross Gay avery r. young, neckbone Andrea Telli, Mayor Lori Lightfoot, Ald Sophia King in conversation with David Heinzmann The Amazing World of Aviation in conversation with Walton Muyumba (4th Ward), Bonnie Sanchez-Carlson, NSPB, sponsors David Hiller of Robert R. McCormick 10:30 a.m. – “So, You Want to Write a Children’s Book?” 10:30 a.m. 10:30 a.m. – Children’s Storybook Parade Foundation and Matt Doubleday of Wintrust Tips from 6 Debut Children’s Book Creators + 1 Future Program to follow with Alex Kotlowitz, Children’s Book Creator led by Esther Hershenhorn An American Summer in conversation 11 a.m. – Coya Paz Brownrigg and Chloe Johnston, 11 a.m. – Rebecca Makkai, The Great Believers 11 a.m. – Chicago by the Book: Writing that 11 a.m. – Bridgett Davis, The World According to 11 a.m. – Dean Robbins, with Liz Dozier; Introduced by 11 a.m. Ensemble-Made Chicago: A Guide to Devised and Rosellen Brown, The Lake on Fire Defines a City with contributors Nina Barrett, Fannie Davis in conversation with Lolly Bowean; The Astronaut Who Painted the Moon Creative Director Elizabeth Taylor Theater in conversation with Benna Wilde in conversation with Donna Seaman Neil Harris and Tim Lacy Program presented by American Writers Museum 11:30 a.m. -
Arnesen CV GWU Website June 2009
1 Eric Arnesen Curriculum Vitae Office Department of History Columbian College of Arts & Sciences The George Washington University 801 22nd St. NW Phillips 335 Washington, DC 20052 Phone: (202) 994-6230 EDUCATION Ph.D. 1986 Yale University, Department of History M.A. 1984 Yale University, Department of History M.A. 1984 Yale University, Afro-American Studies Program B.A. 1980 Wesleyan University SELECTED AWARDS AND FELLOWSHIPS 2009 Principle Investigator/Institute Director, FY 2008 Study of the U.S. Institute for Secondary Educators Program (University of Illinois at Chicago), U.S. Department of State ($350,000 program grant) 2008 Principle Investigator/Institute Director, FY 2008 Study of the U.S. Institute for Secondary Educators Program (University of Illinois at Chicago), U.S. Department of State ($350,000 program grant) 2007-2008 Institute for the Humanities Faculty Fellow, University of Illinois at Chicago 2007 The Encyclopedia of U.S. Labor and Working Class History selected as a 2007 Outstanding Reference Source for Small and Medium-Sized Libraries by the Reference and User Services Association (RUSA) of the American Library Association. 2005-2006 Fulbright Distinguished Chair in American Studies, Swedish Institute for North American Studies, Uppsala University, Distinguished Fulbright Chair Program of the Fulbright Scholar Program (Winter-Spring 2006) 2005 James Friend Memorial Award for Literary Criticism, Society of Midland Authors (for “distinguished literary criticism in the Chicago Tribune”) 2004-2005 Committee on Institutional -
Collier, Mike (2012) Street Flowers: Urban Survivors of the Privileged Land: Conference Paper and Published Essay
Collier, Mike (2012) Street Flowers: Urban Survivors of the Privileged Land: Conference Paper and Published Essay. In: Tourism, Roads and Cultural Itineraries: Meaning, Memory and Development. Laval University, Quebec. ISBN 978-2-7637-1789-0 (Unpublished) Downloaded from: http://sure.sunderland.ac.uk/id/eprint/3728/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact [email protected]. Street Flowers – Urban Survivors of the Privileged Land Dr. Mike Collier, Programme Leader and Principal Investigator for WALK1, University of Sunderland Abstract In this essay, I want to explore the way in which we relate to our environment and its often contested histories through the simple action of taking a meander through an Edgeland2 urban site – a site local to me and the place where I work (Sunderland in the North East of England). It is my contention that the action of moving slowly (or meandering) through an environment affects our experience of that place in ways that are not immediately apparent. Meandering allows the walker to stop whenever and wherever they find something interesting to ‘explore’; and it allows them time to respond to the weather patterns and soundscapes of an environment. This creates an embodied experience which, when meandering in a group, seems to encourage the body and mind to respond by meandering across a range of different areas of thought. In my projects, these have included discussions around natural history, social history, politics and philosophy explored together in non-hierarchical and unstructured ways; ways which create new patterns of interdisciplinary and interconnected thinking. -
Poetry Off the Shelf Seamus Heaney Ongoing & Recurring Programs TRANSLATING
OCT 12 poetry off the shelf Seamus Heaney Ongoing & Recurring Programs TRANSLATING . 1 g POETR Y: READINGS & 7 r e L 1 I g O 6 , a t . t i D EVENTS CALENDAR o f o s CONVERSATIONS I g o o N a r A t P Friday, October 12, 7 pm c P i i - VISI T P h S m n r C U Poetry Foundation o e N FAL L THE POETR Y poetry off the shelf P SEPT 13 SONIA S ANCHEZ open house chicago FO UNDA TION Thursday, September 13, 7 pm 13, Saturday, October 13, 9 am – 5 pm 201 2 Poetry Foundation Sunday, October 14, 9 am – 5 pm An e vent seas on LIB RARY. 14, Poetry Foundation The Midwest’s only library dedicated exclusively to poetry, harriet reading series 10 0 years the Poetry Foundation Library exists to promote the reading 14 JOANNE K YGER poetry day EVENTS of poetry in the general public, and to support the editorial Friday, September 14, 6:30 pm 18 SEAMUS HEANEY in t he maki ng… needs of all Poetry Foundation programs and staff. Visitors Poetry Foundation Thursday, October 18, 6 pm POETRYFOUNDATION.ORG ON to the library may browse a collection of 30,000 volumes, Rubloff Auditorium …[A]s a modest attempt to change conditions PO ETRY experience audio and video recordings in private listening poetry off the shelf Art Institute of Chicago absolutely destructive to the most necessary and booths, and view exhibits of poetry-related materials. FO UN DAT ION ( 20 LUCILLE CLIFTON universal of the arts, it is proposed to publish a small 31 2) 787 -7070 poetry off the shelf THE NEW LIBRARY HOURS: TRIBUTE & monthly magazine of verse, which shall give the poets Monday – Friday, 11 am –4pm 22 POETRY & PIANO a chance to be heard, as our exhibitions give artists BOOK LAUNCH Monday, October 22, 7 pm Unless otherwise indicated, Poetry Foundation a chance to be seen… HORIZON Poemtime Thursday, September 20, 7 pm Curtiss Hall events are free on a first come, first served basis. -
DEMO 15 Columbia College Chicago
Columbia College Chicago Digital Commons @ Columbia College Chicago Alumni Newsletters Alumni Fall 2011 DEMO 15 Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/alumnae_news This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation DEMO 15 (Fall-Winter 2011), Alumni Magazine, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/alumnae_news/82 This Article is brought to you for free and open access by the Alumni at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Alumni Newsletters by an authorized administrator of Digital Commons @ Columbia College Chicago. ARTS + MEDIA = CULTURE FALL/WINTER 2011 FOR ALUMNI & FRIENDS OF 15 COLUMBIA COLLEGE CHICAGO ROCK ’N’ ROLL How Columbia Shaped RADIO Powerhouse Station 93XRT COLUMBIA COLLEGE CHICAGO PRESENTS CONVERSATIONS PRESENTING SPONSOR INTHEARTSConversations in the Arts offers in-depth dialogue with some of the world’s most notable cultural figures in a select and intimate setting. This season, our guests are innovators in disciplines taught through our School of Liberal Arts and Sciences. Film Row Cinema Columbia College Chicago 1104 S. Wabash Ave., 8th floor All lectures start at 7:00 p.m. REGISTRATION begins 4-6 weeks before each event at colum.edu/ conversations. Tickets will be available at no charge on a first- come, first-served basis. Theater seating is limited, so RSVP early. OCTOBER 25, 2011 FEBRUARY 7, 2012 QUESTIONS? Email [email protected] DONNA BRAZILE GLORIA STEINEM or call 312.369.7420. Veteran Democratic political Writer, lecturer, editor, and strategist, commentator, and analyst feminist activist colum.edu/conversations HOTEL SPONSORS FALL/WINTER 2011 15 FEATURES Rock ’n’ Roll Radio For nearly 40 years, 93XRT has ruled the Chicago airwaves with the same format and same core staff—many of whom got their start at 10 Columbia. -
Angela Jackson
This program is partially supported by a grant from the Illinois Arts Council, a state agency. ANGELA JACKSON A renowned Chicago poet, novelist, play- wright, and biographer, Angela Jackson published her first book while still a stu- dent at Northwestern University. Though Jackson has achieved acclaim in multi- ple genres, and plans in the near future to add short stories and memoir to her oeuvre, she first and foremost considers herself a poet. The Poetry Foundation website notes that “Jackson’s free verse poems weave myth and life experience, conversation, and invocation.” She is also renown for her passionate and skilled Photo by Toya Werner-Martin public poetry readings. Born on July 25, 1951, in Greenville, Mississippi, Jackson moved with her fam- ily to Chicago’s South Side at the age of one. Jackson’s father, George Jackson, Sr., and mother, Angeline Robinson, raised nine children, of which Angela was the middle child. Jackson did her primary education at St. Anne’s Catholic School and her high school work at Loretto Academy, where she earned a pre-medicine scholar- ship to Northwestern University. Jackson switched majors and graduated with a B.A. in English and American Literature from Northwestern University in 1977. She later earned her M.A. in Latin American and Caribbean studies from the University of Chicago, and, more recently, received an M.F.A. in Creative Writing from Bennington College. While at Northwestern, Jackson joined the Organization for Black American Culture (OBAC), where she matured under the guidance of legendary literary figures such as Hoyt W Fuller. -
Focus, Meter, and Operations in Poetry
WILLIAM S. WILSON FOCUS, METER, AND OPERATIONS IN POETRY l. focus and meter Anything written 0n a page has two focal of poetry; so when Chaucer goes t0 wrap up planes-one of them distant and conceptual, be' Troilus and Creseida, he says good'bye to his yond the words in the meaning as it could be little book, dedicates it, misinterprets it, and con- abstracted from the materiality of the signs it as a verbal artifact to posterity. But he words-and the other close and physical: the alio invoks Christ and Mary at the last moment. paper,'color, texture, ink, typeface, and margins. Since they cannot be asimilated to the poem as the This doubie focus .is'inherent'in literature: how a thing of words, focusing on them shrinks as within the drily curious vvhen a beautiful story is read in a scale and scope of the'poem, even seen fr-om abwe drhb volume; how difficult for Wallace Stevens t0 poem the world shrinks ndren focus is beyond the get his .books designed and bound in a style by Troilus. Chaucer's final wftich is the reciprocal of the contents; how page, on God. ideas, there pleasiag Ohinese calligraphy is t0 one vuho cannot So while words are designating within even read Chinese. When Monkey, in the remains some undesignated materialitv poetry has always used this-for sixteenth+entury Ghinese nove! of that name, the words, and good luck of a rhyme-al' opens the scroll and finds it blank, he says t0 example the irrational there have been attempts t0 Buddha, ".