Brabant Urban & Rural; One Smart Community

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Brabant Urban & Rural; One Smart Community Third meeting of the United for Smart Sustainable Cities Initiative (U4SSC) Malaga, Spain, 26 April 2018 Kees Rovers Close the Gap Slide subtitle [email protected] Nederlands Regional, Provincial & National Governance Most Vital Organs of The beating The lungs: the Smart City: heart: Nature & Green The city In the Rural Area’s Providing drinkwater Recreation and tourism Energy supply Food supply Slide subtitle Drainage rain, soil & Highways, railroads, surfacewater/ processing rivers, canals, of waste and sewers highvoltagegrids, airports 1885 1928 Vincent van Gogh DAF-Trucks Peelland North Brabant NL Potatoe-Eaters founded by Nuenen Huub & Wim van Doorne Eindhoven 1813 1897 Napoleon First Co-operative order to cultivate Farmers Bank by 319 AD Peel en Kempen Father vd Elsen The Golden Roman Geldrop Helmet of De Peel 0 400 1800 1850 1900 1945 AD AD 100 thousands 1914 1948 hectares wild Eindhoven 1846 1891 Philips Physics Marshall-Plan and desolate Helmond Vlisco founded by Philips founded by Laboratories Mechanisation of swamp area. Home- P. Fentener- Frederik, father of v. Vlissingen Gerard & Anton Founded Agriculture 2 Small Cities: Manufactering. Eindhoven Helmond Eindhoven Helmond Cigars Textile Small scale Agriculure Page 3 2018 Peelland North Brabant NL Roll-Out of FttH in Rural Area’s 100% Coverage 2005 2010 2011 1st Fiber-to-the- Netherlands is Broadband Manifesto 1956 Home Co-operative 2nd global Brabant Fund Eindhoven Nuenen agricultural exporter for Rural Area’s University of (after USA) Techology Rabobank: leading bank worldwide in food and agri 1950 2000 2010 2020 2018 Utilisation of Urban & 2005-2015 Rural Connectivity for a 1980-2005 Massive FttH roll-out through The Netherlands Smart and Sustainable Philips spins-off (except Rural Area’s) 2016 Community. ASML, NXP, FEI to Brainport Eindhoven become multi-B$ Intelligent Community Industries of the Year located around Eindhoven Page 4 Peelland, Helmond & Eindhoven; Smart Community Using masterplan of the ITU Focus Group on Smart Sustainable Cities Page 5 THANK YOU Kees Rovers Founder Close the Gap the Netherlands Senior Fellow Intelligent Community Forum New York [email protected] Page 6.

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Van Gogh Museum Journal 2002
Van Gogh Museum Journal 2002 bron Van Gogh Museum Journal 2002. Van Gogh Museum, Amsterdam 2002 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012200201_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 7 Director's foreword In 2003 the Van Gogh Museum will have been in existence for 30 years. Our museum is thus still a relative newcomer on the international scene. Nonetheless, in this fairly short period, the Van Gogh Museum has established itself as one of the liveliest institutions of its kind, with a growing reputation for its collections, exhibitions and research programmes. The past year has been marked by particular success: the Van Gogh and Gauguin exhibition attracted record numbers of visitors to its Amsterdam venue. And in this Journal we publish our latest acquisitions, including Manet's The jetty at Boulogne-sur-mer, the first important work by this artist to enter any Dutch public collection. By a happy coincidence, our 30th anniversary coincides with the 150th of the birth of Vincent van Gogh. As we approach this milestone it seemed to us a good moment to reflect on the current state of Van Gogh studies. For this issue of the Journal we asked a number of experts to look back on the most significant developments in Van Gogh research since the last major anniversary in 1990, the centenary of the artist's death. Our authors were asked to filter a mass of published material in differing areas, from exhibition publications to writings about fakes and forgeries. To complement this, we also invited a number of specialists to write a short piece on one picture from our collection, an exercise that is intended to evoke the variety and resourcefulness of current writing on Van Gogh.
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Vincent Van Gogh Experienced Another Devastating Life Event
STUDYING ART, FEELING PAIN 0. STUDYING ART, FEELING PAIN - Story Preface 1. EARLY LIFE 2. AN ARTIST IS BORN 3. STUDYING ART, FEELING PAIN 4. THE FIRST MASTERPIECE 5. THE PARIS YEARS 6. INFLUENCE of JAPANESE ART 7. EARLY LIFE in ARLES 8. THE BANDAGED EAR 9. VINCENT at SAINT-REMY 10. THE ATTACKS CONTINUE 11. PAINTING in AUVERS-sur-OISE 12. WORRIES and TURMOIL 13. VINCENT COMMITS SUICIDE 14. THE SADNESS WILL LAST FOREVER Vincent painted “The Vicarage at Nuenen,” where his parents were living in 1885, between the months of September and October that year. The original is now owned by the van Gogh Museum in Amsterdam. Nuenen is located in the south-central area of The Netherlands. To study art, van Gogh moved to Brussels where he was ﬁnancially supported by his father and younger brother Theo. But Vincent didn't really like formal training in an academic setting, and scholars dispute whether he was actually accepted by the Ecole des Beaux-Art in Brussels. He made progress on his own, however, as he studied - and copied - works by his favorite artist, Jean-François Millet, such as The Sower and Angelus. Before getting too far ahead of himself, Vincent also studied the basics. Charles Bargue, a Frenchman, had designed courses which Vincent ferociously practiced. He told Theo that Exercises au fusain (how to use your pencil) and Cours de dessin (the drawing course, republished in 2003) were especially helpful. Only a few of his drawings from this time period survive. Brussels, in 1881, was an expensive place to live.
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Vincent Van Gogh Groot-Zundert 1853 – 1890 Auvers-Sur-Oise
Vincent Van GoGh Groot-Zundert 1853 – 1890 Auvers-sur-Oise Head of a Peasant Woman: Right Profile. Circa 1884/85 Auction 4 June 2015 · 5 p.m. · Lot 6 Towards “The Potato Eaters” On the importance of the Brabant portraits in Vincent van Gogh’s Œuvre The head portraits of peasant men and women, captured the workers. Van Gogh’s brother, Theo, a successful art by Vincent van Gogh in drawings and paintings between dealer living in Paris, finally reminded the four-year-older 1884 and 1885 in the Province of Brabant in the Southern of his earlier passion for drawing. Following his advice, Van Netherlands, represent the Dutchman before the peak of Gogh decided to, from now on, make a living as an artist his creative production. The self-contained work group and, after two months of painting in the Dutch province documents a decisive moment in Van Gogh’s path from a of Drenthe, lastly returned to his parents’ house in Nuenen self-taught artist, who was influenced by the work of the in Brabant in December of 1883. “Hague School,” towards an autonomous artist, who was to significantly shape the future of art history through his In Drenthe Van Gogh had begun work on a series of own work. In the peasant portraits Van Gogh set to paintings depicting weavers working the large looms and prepare his first important work– the famous “Potato women spinning with wheels. Similar to the landscapes Eaters” of 1885, a summarization of the artistic ideas of Van Gogh painted at that time there were no signs at all the then 32-year-old (Fig.
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Vincent Van Gogh (1853–1890) Vincent Van Gogh, the Eldest Son of a Dutch Reformed Minister and a Bookseller's Daughter, Pursue
Vincent van Gogh (1853–1890) Vincent van Gogh, the eldest son of a Dutch Reformed minister and a bookseller's daughter, pursued various vocations, including that of an art dealer and clergyman, before deciding to become an artist at the age of twenty-seven. Over the course of his decade-long career (1880–90), he produced nearly 900 paintings and more than 1,100 works on paper. Ironically, in 1890, he modestly assessed his artistic legacy as of "very secondary" importance. Largely self-taught, Van Gogh gained his footing as an artist by zealously copying prints and studying nineteenth-century drawing manuals and lesson books, such as Charles Bargue's Exercises au fusain and cours de dessin. He felt that it was necessary to master black and white before working with color, and first concentrated on learning the rudiments of figure drawing and rendering landscapes in correct perspective. In 1882, he moved from his parents' home in Etten to the Hague, where he received some formal instruction from his cousin, Anton Mauve, a leading Hague School artist. That same year, he executed his first independent works in watercolor and ventured into oil painting; he also enjoyed his first earnings as an artist: his uncle, the art dealer C. M. Van Gogh, commissioned two sets of drawings of Hague townscapes for which Van Gogh chose to depict such everyday sites as views of the railway station, gasworks, and nursery gardens (1972.118.281). Largely self-taught, Van Gogh gained his footing as an artist by zealously copying prints and studying nineteenth-century drawing manuals and lesson books.
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VINCENT VAN GOGH (Zundert 1853-1890 Auvers-Sur-Oise) HEAD of a WOMAN
VINCENT VAN GOGH (Zundert 1853-1890 Auvers-sur-Oise) HEAD OF A WOMAN Substantive commentary: Vincent van Gogh (1853-1890) Head of a Woman, February-March 1885 Oil on canvas on panel 40 x 29.5 cm Het Noordbrabants Museum collection Acquired with support from the BankGiro Lottery, Coen Teulings, John & Patricia Groenewoud, and the JK Art Foundation. 1 Position within Van Gogh’s oeuvre Vincent van Gogh strove to excel at figure painting. This is illustrated by the prominent role played by the human figure in his work, starting from his very first drawings and paintings. After Van Gogh established himself in Nuenen in December 1883, he initially focused on drawing landscapes and portraying weavers working at their looms at home. However, he once again embarked on an in-depth study of human anatomy in October of 1884, after having dedicated himself to a study on the theory of colours in the preceding months. At this point in time, Van Gogh was toying with the idea of taking lessons from the sculptor Theodore Stracké, Head of the Royal School for Applied and Fine Arts in ’s- Hertogenbosch, or at the academy in Antwerp, with a view to improving his ability to draw the human figure. On 25 October 1884, he wrote to his brother Theo: ‘But I’ll be able to benefit more from Antwerp if I first paint another 30 heads here – and I’m starting on those 30 heads now, or rather I’ve already started with a large bust of a shepherd.’ [467]. In the middle of October, his friend and fellow painter Anton van Rappard came to stay with him for two weeks and made several head studies during his visit.
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Most of What We Think We Know About the Artist Has to Do with His
Van GoGh’s h olland Most of what we think we know about the artist has to do with his tumultuous years in France, but, increasingly, the Dutch are reclaiming Van Gogh as their own By Raphael Kadushin “Drenthe is so beautiful,” Van Gogh wrote of the Dutch province, “it absorbs and fulfills me so utterly that, if I couldn’t stay here forever, I would rather not have seen it at all. It’s Photo Credit Photo Credit inexpressibly beautiful.” 50 saturdayeveningpost.com July/August 2014 July/August 2014 saturdayeveningpost.com 51 ome deaths are such cultural touchstones later, my Dutch ardor has only grown that they become imprinted on our own over the years on frequent return visits memories too, like a personal tragedy. to Holland. So it’s heartening to see my That, at least, is the case with Vincent van own swelling Dutch pride echoed by Gogh. Our collective image of the artist’s the country itself. Tired of being cast last morning, slashing away at a canvas as a pit stop on every stoners’ year in that Provençal wheat field, the angry abroad, the Netherlands is focusing on crows wheeling above like a beaky Greek chorus, the its richer, truer cultural history. sbrooding sky watching as he puts the gun to his stomach, The zealous renovation of Amster- makes for an almost operatic vision. Few endings are as dam’s trifecta of art museums that poetic or fitting; we remember Van Gogh’s masterworks frame the city’s Museumplein under- but it’s his apotheosis as the artist-turned-ultimate out- scores that rediscovery.
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To Theo Van Gogh. Nuenen, on Or About Tuesday, 14 July 1885
To Theo van Gogh. Nuenen, on or about Tuesday, 14 July 1885. on or about Tuesday, 14 July 1885 Metadata Source status: Original manuscript Location: Amsterdam, Van Gogh Museum, inv. nos. b456 a-c V/1962 Date: Dating two letters to Theo (515 and 519) and four to Van Rappard (514, 516, 517 and 520) in the month of July 1885 is tricky because there is very little to go on, although the order in which they were written can be reconstructed on the basis of the content. Letters 513 of about 12 July and 522 of 29 July bracket the period in which they must have been written. We have used the progression of Van Goghs correspondence with Van Rappard, the last letter of which in this month is dated 27 July (see letter 521), in order to arrive at a distribution of the letters and probable dates. Letter 520 must have been written between about Tuesday, 21 and Friday, 24 July 1885 (see letter 520, Date). Since Van Gogh let it be known in letter 520 that he was disappointed not to have had a reply to letter 517, several days must have elapsed between these two. We have therefore dated this letter on or about Thursday, 16 July 1885. Letters 518 and 519, which were written on the same day (the day Willem Wenckebach visited Van Gogh), have consequently been given this date. In the present letter Vincent reiterates that he wants to send Theo four works. This makes the present letter a follow-up to letter 513 of about 12 July, where he mentions this for the ﬁrst time (ll.
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Vincent's Homeland
Welcome to Vincent’s Homeland VINCENT’S HOMELAND Head of Woman - Van Gogh Museum Vincent’s Practical information, entrance fees & guided walking tours Vincentre & Van Gogh Vincent van Gogh Homeland Village Nuenen House In the museum Vincentre, you learn about The memories of Vincent’s youth are kept alive Vincent as a man and follow his development in the Vincent van Gogh House. It highlights as a painter. Experience how Vincent lived and his youth and the way it influenced the life painted in Nuenen. Through modern audio- of the later artist in the form of a museum visual techniques, you can imagine yourself in presentation. the time of Vincent. The masterpieces of Vincent van Gogh (1853-1890) are scattered throughout the world. But their roots lie in Brabant. Vincent van Gogh was born and raised in this southern province of the Netherlands. He created his first masterpiece The potato eaters in Brabant. It is where he developed his love for the farmland, the countryside and the simplistic Berg 29, Nuenen • www.vgvn.nl Markt 27, Zundert • www.vangoghhuis.com lifestyle. Whether he was working in Contact: Mrs. Simone van der Heiden Contact: Mr. Ron Dirven Antwerp, Paris, Arles, Saint-Rémy [email protected] • +31 407878431 [email protected] • +31 623301249 or Auvers-sur-Oise, this passion was a common feature throughout Program Program his career as an artist. Museum Vincentre (30-45 min.) Van Gogh House (30 min.) In a modern audiovisual way you are led A lively art centre situated on the birth ground through the old Nuenen where Vincent van of one of histories most famous artists.
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Van Gogh Museum Journal 1997-1998
Van Gogh Museum Journal 1997-1998 bron Van Gogh Museum Journal 1997-1998. Waanders, Zwolle 1998 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012199701_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 7 Director's foreword This is an exciting period for the Van Gogh Museum. At the time of publication, the museum is building a new wing for temporary exhibitions and is engaged in a project to renovate its existing building. After eight months, during which the museum will be completely closed to the public (from 1 September 1998), the new wing and the renovation are to be completed and ready for opening in May 1999. The original museum building, designed by Gerrit Rietveld and his partners, requires extensive refurbishment. Numerous improvements will be made to the fabric of the building and the worn-out installations for climate control will be replaced. A whole range of facilities will be up-graded so that the museum can offer a better service to its growing numbers of visitors. Plans have been laid for housing the collection during the period of closure, and thanks to the co-operation of our neighbours in the Rijksmuseum, visitors to Amsterdam will not be deprived of seeing a great display of works by Van Gogh. A representative selection from the collection will be on show in the South Wing of the Rijksmuseum from mid-September 1998 until early April 1999. In addition, a group of works will be lent to the Rijksmuseum Twenthe in Enschede. We have also taken this opportunity to lend an important exhibition to the United States.
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Van Gogh, Nature, and Spirituality
Rollins College Rollins Scholarship Online Art and Art History Honors in the Major Theses Spring 2021 Van Gogh, Nature, and Spirituality Emma Krall [email protected] Follow this and additional works at: https://scholarship.rollins.edu/honors-in-the-major-art Recommended Citation Krall, Emma, "Van Gogh, Nature, and Spirituality" (2021). Art and Art History. 2. https://scholarship.rollins.edu/honors-in-the-major-art/2 This Thesis is brought to you for free and open access by the Honors in the Major Theses at Rollins Scholarship Online. It has been accepted for inclusion in Art and Art History by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. VAN GOGH, NATURE, AND SPIRITUALITY APRIL 1, 2021 EMMA KRALL Honors in the Major Thesis Advisor- Dr. Susan Libby 1 Table of Contents List of Figures ................................................................................................ 2 Introduction .................................................................................................... 3 Chapter 1- Religion and Family ..................................................................... 7 Chapter 2- The Beginnings of Life as An Artist .......................................... 13 Chapter 3- Turning Towards Nature ............................................................ 21 Chapter 4- Wheat Fields ............................................................................... 26 Chapter 5- Millet and The Sower .................................................................
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Before Nuenen Person He Mentions Are All There, Laid out in a Way That Makes – Lies (Elisabeth), Anna and Wil (Willemina)
1 introduction Every word he wrote, every sketch he scribbled between the 1857 and died in January 1891, just six months after Vincent. lines of his handwriting, every picture he talks about and every There was another brother, Cor (Cornelius), and three sisters Before Nuenen person he mentions are all there, laid out in a way that makes – Lies (Elisabeth), Anna and Wil (Willemina). it possible to follow his story in words and images, charting Before the age of eleven Vincent frst attended a local school Paul Williamson the development of this extraordinary man as he struggled in Zundert and was then educated at home. In October 1864 to realise his potential and fulfl his ambitions. The word that his parents sent him to a boarding school in Zevenbergen, springs to mind to describe the 4,300 pages of correspondence, some 20 kilometres away. Two years later they moved him the life of vincent van gogh (1853–90) is so profoundly full of human interest that, annotations and illustrations spread over six volumes is to the Rijksschool Willem II in Tilburg, 40 kilometres from ‘monumental’, but that’s not the right way to conceive of home. Suffering terribly from homesickness, in March 1868, if he had left nothing behind apart from the story we read in his remarkable letters, anything to do with Vincent. Down to the minutest detail, shortly before he turned ffteen, Vincent simply turned his he would still be a signifcant fgure, as worthy of our attention as many of the most everything about him is characterised by dynamism and back on it and left.3 His biographers speculate that he may ceaseless change.
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Tom Dumoulin's GIANT
vincentvangoghbike.com Exclusive edition Tom Dumoulin’s GIANT TCR As a token of appreciation and the beautiful cooperation of many years, as well as a wedding gift, Giant wanted to offer something special to Tom Dumoulin. Soon the idea arose to develop a special edition of the Vincent van Gogh bicycle on the basis of the model where Tom achieved world-famous victories; the GIANT TCR. This exclusive edition of the TCR was presented to Tom at a special location. In Nuenen (North Brabant, the Netherlands), where Vincent van Gogh painted his first masterpiece ‘the Potato Eaters’, the bicycle was hand-handed by Tom Davies, Global Sports Marketing Giant Europe. In the Vincentre in Nuenen, the museum where Vincent’s life in Brabant is highlighted, the bicycle was handed over in a festive manner and Tom signed the matching certificate for receiving this special model. Finally Tom also received the beautiful book ‘The great Van Gogh atlas’ as a reference to all European Van Gogh locations, from Frank van den Eijnden, director Van Gogh Heritage Foundation. Tom Dumoulin’s Giant TCR Do you want to own the same Van Gogh bike as Tom Dumoulin? Now you can! Inspired by all positive reactions we have now made the Vincent van Gogh TCR available for general public. The launch of this very special edition is supported by a very special price: € 14,995,- (instead of the regular price of € 17,000,-). Be quick because this special offer is only valid for the next months. Interested? Please contact our Sales Support department for more information about the Van Gogh TCR.
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