Treasure Lemon Brown
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Seeing (For) Miles: Jazz, Race, and Objects of Performance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College -
1St First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern
1st First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern. arr. Ozzie Westley (1944) BPC The Barberpole Cat Program and Song Book. (1987) BB1 Barber Shop Ballads: a Book of Close Harmony. ed. Sigmund Spaeth (1925) BB2 Barber Shop Ballads and How to Sing Them. ed. Sigmund Spaeth. (1940) CBB Barber Shop Ballads. (Cole's Universal Library; CUL no. 2) arr. Ozzie Westley (1943?) BC Barber Shop Classics ed. Sigmund Spaeth. (1946) BH Barber Shop Harmony: a Collection of New and Old Favorites For Male Quartets. ed. Sigmund Spaeth. (1942) BM1 Barber Shop Memories, No. 1, arr. Hugo Frey (1949) BM2 Barber Shop Memories, No. 2, arr. Hugo Frey (1951) BM3 Barber Shop Memories, No. 3, arr, Hugo Frey (1975) BP1 Barber Shop Parade of Quartet Hits, no. 1. (1946) BP2 Barber Shop Parade of Quartet Hits, no. 2. (1952) BP Barbershop Potpourri. (1985) BSQU Barber Shop Quartet Unforgettables, John L. Haag (1972) BSF Barber Shop Song Fest Folio. arr. Geoffrey O'Hara. (1948) BSS Barber Shop Songs and "Swipes." arr. Geoffrey O'Hara. (1946) BSS2 Barber Shop Souvenirs, for Male Quartets. New York: M. Witmark (1952) BOB The Best of Barbershop. (1986) BBB Bourne Barbershop Blockbusters (1970) BB Bourne Best Barbershop (1970) CH Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle (1936) CHR Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle. Revised (1941) CH1 Close Harmony: Male Quartets, Ballads and Funnies with Barber Shop Chords. arr. George Shackley (1925) CHB "Close Harmony" Ballads, for Male Quartets. (1952) CHS Close Harmony Songs (Sacred-Secular-Spirituals - arr. -
Lemon Chicken & Green Beans
Lemon Chicken & Green Beans with Parmesan-Roasted Summer Squash & Potatoes This elegant recipe highlights a simple, seasonal vegetable medley. Roasted with a sprinkling of Parmesan and garlic, tender summer squash pairs deliciously with crisp green beans—blanched to achieve the ideal texture, then coated in a pan sauce of bright lemon and butter. (Cooking the sauce with the lemon’s zest in addition to its juice ensures pleasantly fruity and acidic results.) For the perfect finish, we’re also serving the sauce over our crispy- skinned chicken. Blue Apron Wine Pairing Benziger Sauvignon Blanc, 2015 Ingredients 2 Boneless, Skin-On Chicken Breasts 3 Ounces Green Beans 2 Yukon Gold Potatoes 2 Cloves Garlic 1 Lemon 1 Yellow Summer Squash Knick Knacks 2 Tablespoons Butter 2 Tablespoons Grated Parmesan Cheese 2 Teaspoons All-Purpose Flour Makes: 2 servings | Calories: about 650 per serving Prep Time: 15 minutes | Cook Time: 25–35 minutes For cooking tips & tablet view, visit blueapron.com/recipes/921 Recipe #921 Instructions For cooking tips & tablet view, visit blueapron.com/recipes/921 1 2 Prepare the ingredients: Roast the vegetables: Preheat the oven to 450°F. Wash and dry the fresh produce. Heat Place the squash and potatoes on a sheet pan, keeping them a small pot of salted water to boiling on high. Slice the squash into separate. Drizzle with olive oil and season with salt and pepper; 1-inch-thick rounds. Small dice the potatoes. Peel and mince toss to thoroughly coat. Arrange in a single, even layer. Top the the garlic. Snap off and discard the stem ends of the green beans; seasoned squash with the garlic and all but a big pinch of the slice in half lengthwise. -
Lemon Brings out the Best in Salmon. Particularly When It's Part of a White Wine and Caper Sauce
25 25 Lemon brings out the best in salmon. Particularly when it's part of a white wine and caper sauce. Together, they add a brightness and sophistication that can't 2 Whisks be beat. Add fresh asparagus, and you have a recipe the family will love. EQUIPMENT Speed Trick – Use 2 skillets and cook the asparagus and salmon at the same time. Mixing Bowl Salmon has a reputation for being tricky to cook. Chef Max says the key to perfect salmon is Shallow Pie Pan or Plate making sure you don’t overcook it. Cook over high heat for a few minutes per side and then Large Skillet let it rest. The salmon continues cooking as it rests, so let it sit 5 minutes, covered, off the heat before you cut into it and check for doneness. FROM YOUR PANTRY ½ Cup Flour Not sure about fennel? Forget its reputation for having a strong licorice flavor. Once it’s 1 ½ Tbsp Butter sautéed with asparagus and paired with our lemon sauce, it mellows out and adds a great Olive Oil texture and depth of flavor that we just love. Salt & Pepper Our salmon is responsibly fished, so it’s free from dyes, antibiotics and any industrial grain- based diets. 4 MEEZ CONTAINERS Asparagus & Fennel Salmon Capers & Sunflower Health snapshot per serving – 511 Calories, 26g Fat, 39g Protein, 21g Carbs,1490 mg Sodium, 13 Seeds Smart Points White Wine Lemon Have questions? The dinner hotline is standing by from 5 to 8 pm at 773.916.6339. Sauce INGREDIENTS: Salmon, Asparagus, White Wine, Fennel, Capers, Sunflower Seeds, Lemon Juice, Brown Sugar, Garlic, Lemon Zest, Miso, Concentrated Vegetable Stock, Herbs 1. -
A Journal for Contemporary Music (1971-1988)
Contact: A Journal for Contemporary Music (1971-1988) http://contactjournal.gold.ac.uk Citation Reynolds, Lyndon. 1975. ‘Miles et Alia’. Contact, 11. pp. 23-26. ISSN 0308-5066. ! [I] LYNDON REYNOLDS Ill Miles et Alia The list of musicians who have played with Miles Davis since 1966 contains a remarkable number of big names, including Wayne Shorter, Herbie Hancock, Tony Williams, Chick Corea, Joe Zawinul, Jack de Johnette, Dave Hol l and, John McLaughlin and Miroslav Vitous. All of these have worked success fully without Miles, and most have made a name for themselves whilst or since working with him. Who can say whether this is due to the limelight given them by playing alongside , Miles, the musical rewards of working with him, or Miles's talent-spotting abili- ties? Presumably the truth is a mixture of all these. What does Miles's music owe to the creative personalities of the musicians working with him? This question is unanswerable in practice, for one cannot quan- tify individual responsibility for a group product - assuming that is what Miles's music is. It is obvious that he has chosen very creative musicians with which to work, and yet there has often been an absence of conspicuous, individual, free solo playing in his music since about 1967. It would appear that Miles can absorb musical influences without losing his balance. What we find then, is a nexus of interacting musicians, centring on Miles; that is, musicians who not only play together in various other combinations, but influence each other as well. Even if the web could be disentangled (I know not how, save with a God's-eye-view), a systematic review of all the music that lies within it would be a task both vast and boring. -
Peachesmichigan-Grownea Cpeacheshes Are Available Between August and September
FOOD PRESERVATION SERIES PPeachesMichigan-grownea cpeacheshes are available between August and September Wash hands before and after handling RECOMMENDED VARIETIES fresh produce. Varietal types generally frozen include: “Yellow Wash fruits thoroughly under running water. freestone” (yellow-fleshed varieties), “White Do not use soap or detergent. If necessary, use a freestone” that (white fleshed) and “Red freestone” clean, produce brush to scrub off dirt or soil. Dry ( red coloring). Suitable choices for freezing and with paper or cloth towel. canning include Crest Haven, Red Haven, Allstar, Bellaire, Canadian Harmony, Goldstar, Fayette, Use a separate cutting board for fruits, Glohaven, Loring, Newhaven, Rio Oso Gem and and keep away from raw meat, poultry and Sunbeam. Elberta, Belle of Georgia and Champton seafood peaches are recommended for canning. Fay Elberta is ideal for preserves. Follow standardized procedures recommended by the United States Department of Agriculture for home canning. trim loss Freestones – approximately 15 percent from pits hOW TO STORE and skins. If you have to wash before storage, pat fruits yield dry with paper towel. Store in the refrigerator at 40 F, preferably in the crisper drawer to help retain moisture. 1 pound 3 medium peaches (2 cups, sliced) Store processed canned products in a cool, 1 lug (22 pounds) 16-24 pints frozen 7-11 quarts canned dry area. 17 ½ pounds canner load of 7 quarts 11 pounds canner load of 9 pints 1 bushel 32-48 pints frozen QUICK AND EASY SERVING TIPS (48 pounds) 16-24 quarts canned (2 ½ pounds per quart) Eat fresh as a snack. ½ bushel 40 cups frozen (large brown bag) Include in fruit salads and pastries recipe FOOD SAFETY TIPS Purchase fruits that are not bruised or PEACH COBBLER (6 Servings) damaged. -
RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey -
Color Chart Colorchart
Color Chart AMERICANA ACRYLICS Snow (Titanium) White White Wash Cool White Warm White Light Buttermilk Buttermilk Oyster Beige Antique White Desert Sand Bleached Sand Eggshell Pink Chiffon Baby Blush Cotton Candy Electric Pink Poodleskirt Pink Baby Pink Petal Pink Bubblegum Pink Carousel Pink Royal Fuchsia Wild Berry Peony Pink Boysenberry Pink Dragon Fruit Joyful Pink Razzle Berry Berry Cobbler French Mauve Vintage Pink Terra Coral Blush Pink Coral Scarlet Watermelon Slice Cadmium Red Red Alert Cinnamon Drop True Red Calico Red Cherry Red Tuscan Red Berry Red Santa Red Brilliant Red Primary Red Country Red Tomato Red Naphthol Red Oxblood Burgundy Wine Heritage Brick Alizarin Crimson Deep Burgundy Napa Red Rookwood Red Antique Maroon Mulberry Cranberry Wine Natural Buff Sugared Peach White Peach Warm Beige Coral Cloud Cactus Flower Melon Coral Blush Bright Salmon Peaches 'n Cream Coral Shell Tangerine Bright Orange Jack-O'-Lantern Orange Spiced Pumpkin Tangelo Orange Orange Flame Canyon Orange Warm Sunset Cadmium Orange Dried Clay Persimmon Burnt Orange Georgia Clay Banana Cream Sand Pineapple Sunny Day Lemon Yellow Summer Squash Bright Yellow Cadmium Yellow Yellow Light Golden Yellow Primary Yellow Saffron Yellow Moon Yellow Marigold Golden Straw Yellow Ochre Camel True Ochre Antique Gold Antique Gold Deep Citron Green Margarita Chartreuse Yellow Olive Green Yellow Green Matcha Green Wasabi Green Celery Shoot Antique Green Light Sage Light Lime Pistachio Mint Irish Moss Sweet Mint Sage Mint Mint Julep Green Jadeite Glass Green Tree Jade -
Kajikawa, Loren. 2015. Sounding Race in Rap Songs. Oak- Land: University of California Press
Kajikawa, Loren. 2015. Sounding Race in Rap Songs. Oak- land: University of California Press. Reviewed by Tracy McMullen In 1991, Scott Deveaux warned that an “official history of jazz had taken hold,” aided and abetted by the work of academics. From a “chaotic di- versity of style and expression” came a “coherent whole, . a skillfully contrived and easily comprehended narrative” (525). Deveaux attributed this primarily to textbooks, which reinforced the narrative of neat stylistic decades (1920s New Orleans jazz, 1930s Swing, 1940s Bebop, etc.) and the institutionalization of jazz studies within colleges and universities. Because jazz was a relatively recent art form, Deveaux could watch the official his- tory develop and cohere before his eyes. Now it may be hip-hop’s turn. Like jazz, hip-hop is a new art form minted in the United States through the ex- pressive practices of African Americans. The rise of hip-hop has been con- current with the rise of ethnic studies departments and, more recently, the inclusion of popular music as a serious field of study in the academy. Thus, while jazz studies took decades to be accepted as a legitimate field within music departments, hip-hop studies is better positioned to find its way into a multitude of academic disciplines. It is important, therefore, to take les- sons from the development of jazz studies as the field of hip-hop studies takes shape. Is it possible for hip-hop studies to resist the model of “official history” with monograph-style counters from the margins (“women in hip-hop,” “Latinx in hip-hop”)? What would the field look like if scholars could collectively eschew the tendency to create a dominant narrative with its immutable “key elements,” masterpieces, and great innovators? Rather than center and margin, perhaps hip-hop as a field could choose flow as a model—an early example of which might be the foundational and help- fully plural text, The Hip-Hop Studies Reader (Forman and Neal 2012). -
UNDERSTANDING MILES DAVIS in 9 PARTS by Greg Cwik and David Marchese ______
UNDERSTANDING MILES DAVIS IN 9 PARTS by Greg Cwik and David Marchese ________________________________________________________ [*This article appeared in the September 21, 2015 issue of New York Magazine.] PHOTO CREDIT DAVID REDFERN/REDFERNS/GETTY IMAGES hen Miles Ahead, directed by and starring Don Cheadle, premieres at the New York Film Festival in October, 2015, it’ll mark the first time that the W jazz genius Miles Davis has been the subject of a non-documentary film. It wasn’t a lack of interest that has kept Davis from movie theaters till now. Nor was it lack of material: Davis, who died in 1991, lived a dynamic and controversial life, both personally and musically. (Multiple biopics wound up in development hell.) Cheadle’s film focuses on a period when the trumpeter was living in seclusion, so here’s a broader overview of one of American music’s true giants. 1. What to Know About His Sound ____________________________________________ Grammy-nominated trumpeter and jazz educator Jon Faddis explains: “The thing that is special about his sound is economy when he was improvising. Before Miles, most people thought of the trumpet as a very extroverted instrument. Miles was more introverted in his approach. He used a Harmon mute — it wasn’t really popular before he started to use it — and it’s a very beautiful sound. I also 1 Jon Faddis: one of the things that set Miles apart was his use of space, making the space a part of the music… think his minimal use of vibrato was a tremendous influence on instrumentalists. Recordings like Round Midnight, Someday My Prince Will Come, I Thought About You were ingenious. -
Peach Basics Types of Peaches E Vitamin C Provid , Whi Freestone — the Pit Falls out Es Ch H Ch Cuts an El Easily
Give Your Family More of the Good Stuff! Peach Basics Types of Peaches e vitamin C provid , whi Freestone — the pit falls out es ch h ch cuts an el easily. These varieties have firm ea y heal d other ps P bod wo ur un texture, low sugar content, low o ds y . juiciness, and white or yellow flesh. White flesh peaches may be slightly less sweet and $ $ lower in acid than yellow flesh hop and ave peaches. < Choose peaches that have an Clingstone — the flesh clings even, creamy gold to yellow to the pit. These varieties have color. Some varieties have a red soft texture, high sugar content blush but it may not always be and juiciness, and white or a sign of ripeness. yellow flesh. < When ripe, peaches should Sem i-freestone — a hybrid of have a slight “give” or softness. freestone and clingstone Handle peaches gently—they peaches. The flesh clings to the bruise easily. Bruised areas pit less tightly spoil more quickly. and they are < Fresh peaches may be at relatively high peak quality and lowest cost in sugar content from June through September, and juiciness. depending on the variety and growing area. < When shopping for canned peaches, look for “Packed in tore Wel I Wash peaches just 100% juice” and “No sugar S l before using by added” on the label. Canned ste Les gently rubbing and frozen peaches are Wa s under running water. I available year-round. Keep peaches at room temperature I To keep them from browning, until ripe for best flavor and texture. -
Watercolor Substitution Cheat Sheet * = Lindsay Recommended Color
Watercolor Substitution Cheat Sheet * = Lindsay Recommended color *Phthalo Blue (Strong cool-green leaning-blue) Prussian Blue (also look for that pigment) AKA Pthalo blue GS Cyan Blue or green shade. Cerulean Blue (if it looks dark: Mission Gold) Helio Cerulean **This colors is great for mixing green when Winsor Blue (Winsor & Newton) paired with a cool yellow. Intense Blue (Winsor & Newton/Cotman) Azure (Yarka/White Nights) Turquoise Indigo (deep cool blue grey) Indanthrone Blue Payne's Grey+Prussian Blue *Ultramarine Blue (warm, purple bias red) Colbalt Blue Pthalo blue Red Shade (not my fave substitute) **This color is good for mixing violet with a cool Poland Blue red or gray with burnt sienna. ***This color granulates for textured washes. Cerulean Blue (Less intense cool blue) Manganese Blue Phthalo blue + white Cinerous Blue (Sennelier) *Quinacridone Rose (Cool red with violet Alizarian Crimson undertones) Carmine **This color makes lovely purples and mauve Crimson lake with blues. Rose Madder (weaker than AZ) *Cadmium Red or Cadmium red light Vermilion (Warm red with orange undertones) Scarlet Napthol Red **This color makes beautiful oranges when mixed Bright Red/ Brilliant Red with warm yellows. Pyrrole Red Permanent Rose Magenta *Cadmium Yellow (warm yellow) Gamboge Cadmium yellow medium/Cadmium yellow deep Indian Yellow Permanent yellow deep **This color makes beautiful oranges when mixed with warm reds or peach with cool reds *Hansa Yellow Light (cool yellow) Lemon Yellow (cool yellow) Cadmium yellow light, pale or Cadmium