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Seeing (For) Miles: Jazz, Race, and Objects of Performance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College -
283 Royal Poinciana Way Meets the Criteria Set Forth in Ordinance No
TOWN OF PALM BEACH Town Manager's Office TOWN COUNCIL MEETING DEVELOPMENT REVIEW TOWN HALL COUNCIL CHAMBERS-SECOND FLOOR 360 SOUTH COUNTY ROAD AGENDA DECEMBER 9, 2015 9:45 AM Welcome! For information regarding procedures for public participation at Town Council Meetings, please refer to the end of this agenda. I. CALL TO ORDER AND ROLL CALL Mayor Gail L. Coniglio Michael J. Pucillo, President Richard M. Kleid, President Pro Tem Danielle H. Moore Penelope D. Townsend Robert N. Wildrick II. INVOCATION AND PLEDGE OF ALLEGIANCE III. RECOGNITIONS IV. PRESENTATIONS A. Update on Royal Poinciana Playhouse Samantha P. David, Partner, Up Markets V. COMMENTS OF MAYOR GAIL L. CONIGLIO VI. COMMENTS OF TOWN COUNCIL MEMBERS AND TOWN MANAGER VII. COMMUNICATIONS FROM CITIZENS - 3 MINUTE LIMIT PLEASE VIII. APPROVAL OF AGENDA IX. PUBLIC HEARINGS 1 A. RESOLUTION NO. 204-2015 A Resolution of The Town Council of The Town of Palm Beach, Palm Beach County, Florida, Ratifying And Confirming The Determination Of The Landmarks Preservation Commission That The Property Known As 283 Royal Poinciana Way Meets The Criteria Set Forth In Ordinance No. 2-84, Also Known As Chapter 54, Article IV of The Code of Ordinances of The Town of Palm Beach; And Designating Said Property As A Town Of Palm Beach Landmark Pursuant To Ordinance No. 2-84, Also Known As Chapter 54, Article IV of The Code of Ordinances of The Town of Palm Beach John S. Page, Director, Planning, Zoning and Building X. DEVELOPMENT REVIEWS A. Variances, Special Exceptions, and Site Plan Reviews 1. Old Business a. -
1St First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern
1st First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern. arr. Ozzie Westley (1944) BPC The Barberpole Cat Program and Song Book. (1987) BB1 Barber Shop Ballads: a Book of Close Harmony. ed. Sigmund Spaeth (1925) BB2 Barber Shop Ballads and How to Sing Them. ed. Sigmund Spaeth. (1940) CBB Barber Shop Ballads. (Cole's Universal Library; CUL no. 2) arr. Ozzie Westley (1943?) BC Barber Shop Classics ed. Sigmund Spaeth. (1946) BH Barber Shop Harmony: a Collection of New and Old Favorites For Male Quartets. ed. Sigmund Spaeth. (1942) BM1 Barber Shop Memories, No. 1, arr. Hugo Frey (1949) BM2 Barber Shop Memories, No. 2, arr. Hugo Frey (1951) BM3 Barber Shop Memories, No. 3, arr, Hugo Frey (1975) BP1 Barber Shop Parade of Quartet Hits, no. 1. (1946) BP2 Barber Shop Parade of Quartet Hits, no. 2. (1952) BP Barbershop Potpourri. (1985) BSQU Barber Shop Quartet Unforgettables, John L. Haag (1972) BSF Barber Shop Song Fest Folio. arr. Geoffrey O'Hara. (1948) BSS Barber Shop Songs and "Swipes." arr. Geoffrey O'Hara. (1946) BSS2 Barber Shop Souvenirs, for Male Quartets. New York: M. Witmark (1952) BOB The Best of Barbershop. (1986) BBB Bourne Barbershop Blockbusters (1970) BB Bourne Best Barbershop (1970) CH Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle (1936) CHR Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle. Revised (1941) CH1 Close Harmony: Male Quartets, Ballads and Funnies with Barber Shop Chords. arr. George Shackley (1925) CHB "Close Harmony" Ballads, for Male Quartets. (1952) CHS Close Harmony Songs (Sacred-Secular-Spirituals - arr. -
A Journal for Contemporary Music (1971-1988)
Contact: A Journal for Contemporary Music (1971-1988) http://contactjournal.gold.ac.uk Citation Reynolds, Lyndon. 1975. ‘Miles et Alia’. Contact, 11. pp. 23-26. ISSN 0308-5066. ! [I] LYNDON REYNOLDS Ill Miles et Alia The list of musicians who have played with Miles Davis since 1966 contains a remarkable number of big names, including Wayne Shorter, Herbie Hancock, Tony Williams, Chick Corea, Joe Zawinul, Jack de Johnette, Dave Hol l and, John McLaughlin and Miroslav Vitous. All of these have worked success fully without Miles, and most have made a name for themselves whilst or since working with him. Who can say whether this is due to the limelight given them by playing alongside , Miles, the musical rewards of working with him, or Miles's talent-spotting abili- ties? Presumably the truth is a mixture of all these. What does Miles's music owe to the creative personalities of the musicians working with him? This question is unanswerable in practice, for one cannot quan- tify individual responsibility for a group product - assuming that is what Miles's music is. It is obvious that he has chosen very creative musicians with which to work, and yet there has often been an absence of conspicuous, individual, free solo playing in his music since about 1967. It would appear that Miles can absorb musical influences without losing his balance. What we find then, is a nexus of interacting musicians, centring on Miles; that is, musicians who not only play together in various other combinations, but influence each other as well. Even if the web could be disentangled (I know not how, save with a God's-eye-view), a systematic review of all the music that lies within it would be a task both vast and boring. -
The Breakers Palm Beach - More Than a Century of History
FOR IMMEDIATE RELEASE CONTACT: Sara Flight (561) 659-8465 Bonnie Reuben (310) 248-3852 [email protected] [email protected] The Breakers Palm Beach - More than a Century of History PALM BEACH, FL – The Breakers’ celebrated history is a tribute to its founder, Henry Morrison Flagler, the man who transformed South Florida into a vacation destination for millions. Now into its second century, the resort not only enjoys national and international acclaim, but it continues to thrive under the ownership of Flagler’s heirs. Flagler’s Fortune and Florida’s East Coast When Henry Morrison Flagler first visited Florida in March 1878, he had accumulated a vast fortune with the Standard Oil Company (today Exxon Mobil) in Cleveland and New York as a longtime partner of John D. Rockefeller. In 1882, with the founding of the Standard Oil Trust, the then 52-year-old was earning and able to depend on an annual income of several millions from dividends. Impressed by Florida’s mild winter climate, Flagler decided to gradually withdraw from the company's day-to-day operations and turn his vision towards Florida and his new role of resort developer and railroad king. In 1885, Flagler acquired a site and began the construction of his first hotel in St. Augustine, Florida. Ever the entrepreneur, he continued to build south towards Palm Beach, buying and building Florida railroads and rapidly extending lines down the state's east coast. As the Florida East Coast Railroad opened the region to development and tourism, Flagler continued to acquire or construct resort hotels along the route. -
Kajikawa, Loren. 2015. Sounding Race in Rap Songs. Oak- Land: University of California Press
Kajikawa, Loren. 2015. Sounding Race in Rap Songs. Oak- land: University of California Press. Reviewed by Tracy McMullen In 1991, Scott Deveaux warned that an “official history of jazz had taken hold,” aided and abetted by the work of academics. From a “chaotic di- versity of style and expression” came a “coherent whole, . a skillfully contrived and easily comprehended narrative” (525). Deveaux attributed this primarily to textbooks, which reinforced the narrative of neat stylistic decades (1920s New Orleans jazz, 1930s Swing, 1940s Bebop, etc.) and the institutionalization of jazz studies within colleges and universities. Because jazz was a relatively recent art form, Deveaux could watch the official his- tory develop and cohere before his eyes. Now it may be hip-hop’s turn. Like jazz, hip-hop is a new art form minted in the United States through the ex- pressive practices of African Americans. The rise of hip-hop has been con- current with the rise of ethnic studies departments and, more recently, the inclusion of popular music as a serious field of study in the academy. Thus, while jazz studies took decades to be accepted as a legitimate field within music departments, hip-hop studies is better positioned to find its way into a multitude of academic disciplines. It is important, therefore, to take les- sons from the development of jazz studies as the field of hip-hop studies takes shape. Is it possible for hip-hop studies to resist the model of “official history” with monograph-style counters from the margins (“women in hip-hop,” “Latinx in hip-hop”)? What would the field look like if scholars could collectively eschew the tendency to create a dominant narrative with its immutable “key elements,” masterpieces, and great innovators? Rather than center and margin, perhaps hip-hop as a field could choose flow as a model—an early example of which might be the foundational and help- fully plural text, The Hip-Hop Studies Reader (Forman and Neal 2012). -
Ballinger Award Winner
Spring 2018 $4.50 Established 1906 Ballinger PALM BEACH LIFE • SPRING 2018 PALM Award Winner Inside the Royces’ lakefront landmark Welcome, Kids! Next generation takes root in the Frisbie family real estate business Resort Style Breezy fashions designed by islander Jeanne Daniel Plus our restaurant guide and much more Chuck and Deborah Royce outside their restored Palm Beach home. See page 32. 1/9/18 2:47 PM CHRISTIAN ANGLE REAL ESTATE 1071 North Ocean Boulevard, Palm Beach Commanding ocean views with approximately 242 feet of direct ocean frontage and 35,000+/- total square feet. One of a kind estate features grand salon, dual ocean balconies, massage room, bowling alley, home theater, pub room, game room, library, 8 car garage, and so much more. www.1071NorthOceanBlvd.com C 561.629.3015 Christian J. Angle T 561.659.6551 179 Bradley Place, Palm Beach, Florida 33480 [email protected] 100069_Cover.indd 2 254 Tangier Avenue, Palm Beach 113 Clarke Avenue, Palm Beach Gorgeous 7BR/8.2BA Georgian estate on oversized Island Inspired In-Town residence with 5BR/6.1BA 170’ x 172’ +/- lot with fantastic outdoor spaces. extending over main house and guest house. Offered at $14,900,000 www.254TangierAvenue.com Offered at $12,950,000 www.113ClarkeAvenue.com 130 Clarendon Avenue, Palm Beach 220 Ocean Terrace, Palm Beach Beautiful 6BR/6.3BA Neoclassical estate on premier Beautifully renovated 5BR/5.1BA Beach House 125’ by 255’ +/- lot. Built in 2000. on oversized 17,400 +/- sq ft lot. Offered at $11,750,000 Offered at $7,750,000 Bellaria 503/504, Palm Beach 145 Kings Road, Palm Beach Commanding ocean views from this gorgeous 5BR/6.2BA Gorgeous 6BR/6.1BA Mediterranean designed by Marion condominium with large ocean facing terraces. -
UNDERSTANDING MILES DAVIS in 9 PARTS by Greg Cwik and David Marchese ______
UNDERSTANDING MILES DAVIS IN 9 PARTS by Greg Cwik and David Marchese ________________________________________________________ [*This article appeared in the September 21, 2015 issue of New York Magazine.] PHOTO CREDIT DAVID REDFERN/REDFERNS/GETTY IMAGES hen Miles Ahead, directed by and starring Don Cheadle, premieres at the New York Film Festival in October, 2015, it’ll mark the first time that the W jazz genius Miles Davis has been the subject of a non-documentary film. It wasn’t a lack of interest that has kept Davis from movie theaters till now. Nor was it lack of material: Davis, who died in 1991, lived a dynamic and controversial life, both personally and musically. (Multiple biopics wound up in development hell.) Cheadle’s film focuses on a period when the trumpeter was living in seclusion, so here’s a broader overview of one of American music’s true giants. 1. What to Know About His Sound ____________________________________________ Grammy-nominated trumpeter and jazz educator Jon Faddis explains: “The thing that is special about his sound is economy when he was improvising. Before Miles, most people thought of the trumpet as a very extroverted instrument. Miles was more introverted in his approach. He used a Harmon mute — it wasn’t really popular before he started to use it — and it’s a very beautiful sound. I also 1 Jon Faddis: one of the things that set Miles apart was his use of space, making the space a part of the music… think his minimal use of vibrato was a tremendous influence on instrumentalists. Recordings like Round Midnight, Someday My Prince Will Come, I Thought About You were ingenious. -
SCHEDULE of EVENTS Special Thanks to Our Sponsors
10th AnnualSunday, Arby’s Dairyfest June Fling Disc4 Golf Tournament, 8:00am Special Thanks Braem Park DG Course, Marshfield North Park DG course, Pittsville On-site registration/check-in from 8:00-9:00am at Braem Park Shelter To Our Sponsors Professional, Amateur & Recreational Divisions offered. Download a Dairyfest Fling Registration form on “wausau area disc golf enthusiasts event page” on Facebook and save $5. Awards ceremony follows at Braem Park Shelter. USA Sanctioned Coed Softball Tournament, 9:00am-4:00pm Central Wisconsin State Fairgrounds Free admission. Concessions sponsored by the Marshfield Softball Association. 2001 E 29th Street | Marshfield | 715-384-2131 Laminate Never Looked So Good For additional information please contact the Marshfield Fabricators of Post Form and Custom Laminate Countertops Area Chamber of Commerce & Industry at 715-384-3454 or 1-800-422-4541, email us at www.counter-form.com [email protected], check out our web page at www.marshfieldchamber.com. ENRICHING LIVES Follow us on Facebook! TOGETHER Dairyfest is sponsored by the Marshfield Area Chamber of Home mortgage financing Commerce & Industry, Marshfield Convention & Visitors SCHEDULE OF EVENTS Bureau, City of Marshfield, Wisconsin Milk Marketing Board, with great options. FOR GENERATIONS and supported by many businesses and the community. June 2 - June 4, 2017 Jake Heyroth Mortgage Loan Originator Marshfield, WI [email protected] Presented by the Marshfield Area 715.498.9004 Chamber of Commerce & Industry, City NMLS #: 502454 of Marshfield and the Wisconsin Milk Marketing Board. Mark your calendars for Dairyfest 2018, weekend after Memorial Day, June 1-2-3! Equal Housing Lender. Loan approval subject to credit approval and program guidelines. -
Directed by Maggie Mancinelli-Cahill Musical Direction by Josh D. Smith Choreography by Freddy Ramirez
Directed by Maggie Mancinelli-Cahill Musical Direction by Josh D. Smith Choreography by Freddy Ramirez FOR MORE INFORMATION, PLEASE CONTACT: MARGARET E. HALL AARON MARQUISE Associate Artistic Director Arts Education Manager [email protected] [email protected] 518.462.4531 x410 518.382.3884 x128 1 Table of Contents Capital Repertory Theatre’s 39th Season - 2019-2020 LOBBY HERO by Kenneth Lonergan 3 A Letter from our Education Department SEPT 29 – OCT 20, 2019 4 About Us 5 Attending a Performance IT’S A WONDERFUL LIFE 6 Literary Context: Synopsis of the Play Live from the WVL Radio Theatre Frank McCourt Bio Adapted by WVR Repoley from the motion From the Original Production picture by Frank Capra Vocabulary Words NOV 22 – DEC 22, 2019 10 Historical Context: Counties of Ireland Events Mentioned in the Script YOUR BEST ONE by Meridith Friedman Irish Potato Famine East Coast Premiere Immigration JAN 17 – FEB 09, 2020 Figures Mentioned in the Script 15 Scientific Context: Potato Blight THE IRISH AND HOW THEY GOT THAT WAY Famine and other Illnesses By Frank McCourt, featuring the music of 17 Musical Context: Songs … Ireland Instruments in the Show MAR 06 – APRIL 05, 2020 Song Sheet for 15 Miles on the Erie Canal 20 Who’s Who in the Production SISTER ACT 21 Ideas for Curriculum Integration Music by Alan Menken, Lyrics by Glenn Slater, 24 Resources Consulted Book by Cheri and Bill Steinkellner 25 Teacher Evaluation Based on the Touchstone Pictures Motion 26 theREP’s Mission In Action Picture, SISTER ACT, written by Joseph Howard *Parts of this guide were researched and written by Dramaturgy Intern Eliza Kuperschmid. -
Day Labor in the United States
ON THE CORNER: Day Labor in the United States Abel Valenzuela Jr. UCLA Center for the Study of Urban Poverty Nik Theodore University of Illinois at Chicago Center for Urban Economic Development Edwin Meléndez New School University Milano Graduate School of Management and Urban Policy Ana Luz Gonzalez UCLA Center for the Study of Urban Poverty January 2006 The National Day Labor Study was made possible through generous support from The Ford Foundation, The Rockefeller Foundation, The Community Foundation for the National Capital Region’s Washington Area Partnership for Immigrants and UCLA’s Center for the Study of Urban Poverty through the dean of social sciences. The report can be viewed or downloaded at http://www.sscnet.ucla.edu/issr/csup/index.php or http://www.uic.edu/cuppa/uicued ON THE CORNER: Day Labor in the United States Executive Summary This report profiles, for the first time, the national phenomenon of day labor in the United States. Men and women looking for employment in open-air markets by the side of the road, at busy intersections, in front of home improvement stores and in other public spaces are ubiquitous in cities across the nation. The circumstances that give rise to this labor market are complex and poorly understood. In this report, we analyze data from the National Day Labor Survey, the first systematic and scientific study of the day-labor sector and its workforce in the United States. This portrait of day labor in the United States is based on a national survey of 2,660 day laborers. These workers were randomly selected at 264 hiring sites in 139 municipalities in 20 states and the District of Columbia. -
This Week's Essential Reading
10 Saturday, February 23, 2013 www.thenational.ae The National thereview The National thereview Saturday, February 23, 2013 www.thenational.ae 11 this week’s essential reading ’Warrior Petraeus’ by Interesting essay on the former US army general David Petraeus’s career from Vietnam Thomas Powers, The to Afghanistan. The ideas that shaped him, and how he shaped Washington’s strategy music { New York Review of Books } playlist Four significant jazz fusion albums by Miles Freaky & fried-out Davis, Herbie Hancock and Chick Corea Weather Report The Columbia Albums 1971-1975 (2012) An album by the Stark Reality, recorded for a children’s show This recent box set gathers six albums on American public television, is one of the most memorable by a group featuring members of Miles examples of jazz fusion from the 1970s, writes Andy Battaglia Davis’s fitful fusion bands (Wayne Shorter and Joe Zawinful “Wouldn’t you like to be a whale wrote a clutch of charming, cheery Again Records, which grew out looseness, the Stark Reality were an and sail serenely by – an 80-foot of the popular Los Angeles label improbably tight band that locked among them). See the whale, from your tip to your tail, Stones Throw. into grooves and spacey excursions title of one for a taste: I and a tiny, briny eye?” It’s a good The set comes decorated with fortified enough to maintain their Sing the Body Elect. question, and one likely to lead to psychedelic cover art and photo- striking shapes as they travel for- an answer in the affirmative.