Bun B Snow Money
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Houston Rapper Kirko Bangz Is Riding a Buzz Right Now Worthy of Attention
Houston rapper Kirko Bangz is riding a buzz right now worthy of attention. With a DJ Drama hosted mixtape blazing the streets now, Kirko’s been gaining a foothold in the talented Southern rap scene. MTV’s RapFix Representing Houston, Kirko Bangz is one of the most popular young MCs on the 'net. He can harmonize and rap, so it's no surprise that the Drake comparisons are starting to roll in. His single, 'Drank In My Cup,' strengthened his star power and after dropping his most recent mixtape, 'The Progression 2: A Young Texas Playa,' Bangz is not only perfecting his craft but well on his way to etching out his own niche in the hip-hop arena. AOL’s TheBoomBox.com - “Black History Month 2012: 10 New Black Artists” (#5) Kirko Bangz is the type of artist that some people may not truly appreciate until hindsight becomes a factor…there’s something authentic about his style that cannot be ignored…As long as he continues with his progression (no pun intended) and shows that he’s more than radio- friendly, he could get there much sooner than later. AllHipHop.com [Kirko Bangz] has a lyrical smoothness emphasizes originality and a modern sexy appeal. Kirko makes racy selections for the women followed by witty street freestyles embraced by the fellas and getting better by the second at mastering his own identity. HipHopDX.com Kirko Bangz may be known solely for his slow trippy hit of the summer, Drank in My Cup, but with his newest project, Procrastination Kills 4, he promises to prove that he is a true artist and not an "auto-tune singing ass n*gga." GlobalGrind.com This kid is going to be a problem once people really take notice. -
Karaoke Songs by Title
Songs by Title Title Artist Title Artist #9 Dream Lennon, John 1985 Bowling For Soup (Day Oh) The Banana Belefonte, Harry 1994 Aldean, Jason Boat Song 1999 Prince (I Would Do) Anything Meat Loaf 19th Nervous Rolling Stones, The For Love Breakdown (Kissed You) Gloriana 2 Become 1 Jewel Goodnight 2 Become 1 Spice Girls (Meet) The Flintstones B52's, The 2 Become 1 Spice Girls, The (Reach Up For The) Duran Duran 2 Faced Louise Sunrise 2 For The Show Trooper (Sitting On The) Dock Redding, Otis 2 Hearts Minogue, Kylie Of The Bay 2 In The Morning New Kids On The (There's Gotta Be) Orrico, Stacie Block More To Life 2 Step Dj Unk (Your Love Has Lifted Shelton, Ricky Van Me) Higher And 20 Good Reasons Thirsty Merc Higher 2001 Space Odyssey Presley, Elvis 03 Bonnie & Clyde Jay-Z & Beyonce 21 Questions 50 Cent & Nate Dogg 03 Bonnie And Clyde Jay-Z & Beyonce 24 Jem (M-F Mix) 24 7 Edmonds, Kevon 1 Thing Amerie 24 Hours At A Time Tucker, Marshall, 1, 2, 3, 4 (I Love You) Plain White T's Band 1,000 Faces Montana, Randy 24's Richgirl & Bun B 10,000 Promises Backstreet Boys 25 Miles Starr, Edwin 100 Years Five For Fighting 25 Or 6 To 4 Chicago 100% Pure Love Crystal Waters 26 Cents Wilkinsons, The 10th Ave Freeze Out Springsteen, Bruce 26 Miles Four Preps, The 123 Estefan, Gloria 3 Spears, Britney 1-2-3 Berry, Len 3 Dressed Up As A 9 Trooper 1-2-3 Estefan, Gloria 3 Libras Perfect Circle, A 1234 Feist 300 Am Matchbox 20 1251 Strokes, The 37 Stitches Drowning Pool 13 Is Uninvited Morissette, Alanis 4 Minutes Avant 15 Minutes Atkins, Rodney 4 Minutes Madonna & Justin 15 Minutes Of Shame Cook, Kristy Lee Timberlake 16 @ War Karina 4 Minutes Madonna & Justin Timberlake & 16th Avenue Dalton, Lacy J. -
A Hip-Hop Copying Paradigm for All of Us
Pace University DigitalCommons@Pace Pace Law Faculty Publications School of Law 2011 No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson Jr. Elisabeth Haub School of Law at Pace University Follow this and additional works at: https://digitalcommons.pace.edu/lawfaculty Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Horace E. Anderson, Jr., No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us, 20 Tex. Intell. Prop. L.J. 115 (2011), http://digitalcommons.pace.edu/lawfaculty/818/. This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace Law Faculty Publications by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. No Bitin' Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson, Jr: I. History and Purpose of Copyright Act's Regulation of Copying ..................................................................................... 119 II. Impact of Technology ................................................................... 126 A. The Act of Copying and Attitudes Toward Copying ........... 126 B. Suggestions from the Literature for Bridging the Gap ......... 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying ................................................................. 129 IV. The Hip-Hop Imitation Paradigm ............................................... -
Bun B Underground Thang
Underground Thang Bun B [Chorus: Chamillionaire] Can't knock the hustle man Don't hate the player hate the game Gotta love it man Catch me flipping gripping grain in the turning lane Trunk on bang Cause it's an underground thing Cause I'm an underground king [Bun B] It's Bun B the king of the trill And I'm bringing the steel Bringing the max it bitches of fact It's that gangsta shit I'm bringing it back I went from slanging the crack To slanging the tracks and slanging my skills Since ninety-two and slanging it still So bring who you feel bring who you feeling Bring them around and I'ma lay them down It's just another sound boy killing Rude boy wanna test Better make sure rude boy got on his vest Walk with a bunch of bananas on his chest These monkey niggas on that monkey shit Best to evolve or I'm bouts to go gorilla and kill them with a revolver So go on pimping you's a chip and I'ma blue bat You ain't ready for the blowback Bitch and you already knew that So bring who you wanna bring on I'ma go king kong And squeeze him 'til he come up off his cream like a ding dong Standing on top of the towers the trans go beating my chest So it's best you and your mans know I'm an underground king [Chorus: Chamillionaire] Can't knock the hustle man Don't hate the player hate the game Gotta love it man Catch me flipping gripping grain in the turning lane Trunk on bang Cause it's an underground thing Cause I'm an underground king [Pimp C] I'm an underground king for life ?In my shoes like hittin in your wife? Tattoo that's you *man is an island* Nigga -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
Songs by Title
Songs by Title Title Artist Versions Title Artist Versions #1 Crush Garbage SC 1999 Prince PI SC #Selfie Chainsmokers SS 2 Become 1 Spice Girls DK MM SC (Can't Stop) Giving You Up Kylie Minogue SF 2 Hearts Kylie Minogue MR (Don't Take Her) She's All I Tracy Byrd MM 2 Minutes To Midnight Iron Maiden SF Got 2 Stars Camp Rock DI (I Don't Know Why) But I Clarence Frogman Henry MM 2 Step DJ Unk PH Do 2000 Miles Pretenders, The ZO (I'll Never Be) Maria Sandra SF 21 Guns Green Day QH SF Magdalena 21 Questions (Feat. Nate 50 Cent SC (Take Me Home) Country Toots & The Maytals SC Dogg) Roads 21st Century Breakdown Green Day MR SF (This Ain't) No Thinkin' Trace Adkins MM Thing 21st Century Christmas Cliff Richard MR + 1 Martin Solveig SF 21st Century Girl Willow Smith SF '03 Bonnie & Clyde (Feat. Jay-Z SC 22 Lily Allen SF Beyonce) Taylor Swift MR SF ZP 1, 2 Step Ciara BH SC SF SI 23 (Feat. Miley Cyrus, Wiz Mike Will Made-It PH SP Khalifa And Juicy J) 10 Days Late Third Eye Blind SC 24 Hours At A Time Marshall Tucker Band SG 10 Million People Example SF 24 Hours From Tulsa Gene Pitney MM 10 Minutes Until The Utilities UT 24-7 Kevon Edmonds SC Karaoke Starts (5 Min 24K Magic Bruno Mars MR SF Track) 24's Richgirl & Bun B PH 10 Seconds Jazmine Sullivan PH 25 Miles Edwin Starr SC 10,000 Promises Backstreet Boys BS 25 Minutes To Go Johnny Cash SF 100 Percent Cowboy Jason Meadows PH 25 Or 6 To 4 Chicago BS PI SC 100 Years Five For Fighting SC 26 Cents Wilkinsons, The MM SC SF 100% Chance Of Rain Gary Morris SC 26 Miles Four Preps, The SA 100% Pure Love Crystal Waters PI SC 29 Nights Danni Leigh SC 10000 Nights Alphabeat MR SF 29 Palms Robert Plant SC SF 10th Avenue Freeze Out Bruce Springsteen SG 3 Britney Spears CB MR PH 1-2-3 Gloria Estefan BS SC QH SF Len Barry DK 3 AM Matchbox 20 MM SC 1-2-3 Redlight 1910 Fruitgum Co. -
PIMP C’S HURRICANE LAST CHRIS WORDS MR
OZONE MAGAZINE MAGAZINE OZONE YOUR FAVORITE RAPPER’S FAVORITE MAGAZINE PIMP C’S HURRICANE LAST CHRIS WORDS MR. COLLIPARK BUN B, TOO $HORT, SCARFACE, BIG GIPP LIL BOOSIE DAVID BANNER & LIL WAYNE REMEMBER TRILL N*GGAS DON’T DIE DON’T N*GGAS TRILL TRAPSTARZ THEIR THREE DEEP FRIEND YOUNG CASH & MIDGET MAC SOULJA BOY +OZONE WEST THE BOY BOY YOUNG MESS JANUARY 2008 ICE CUBE | MITCHY SLICK HOT ROD 50 CENT’S PROTEGE OZONE MAG // YOUR FAVORITE RAPPER’S FAVORITE MAGAZINE PIMP C’S LAST WORDS SOULJA BUN B BOY TOO $HORT CRANKIN’ IT SCARFACE ALL THE WAY BIG GIPP TO THE BANK WITH DAVID BANNER MR. COLLIPARK LIL WAYNE FONSWORTH LIL BOOSIE’S BENTLEY JEWELRY CORY MO 8BALL & FASCINATION MORE TRAPSTARZ SHARE THEIR THREE DEEP FAVORITE MEMORIES OF THE YOUNG CASH SOUTH’S & MIDGET MAC FINEST HURRICANE CHRIS +OZONE WEST THE BOY BOY YOUNG MESS ICE CUBE | MITCHY SLICK HOT ROD 50 CENT’S PROTEGE 8 // OZONE WEST 2 // OZONE MAG OZONE MAG // // OZONE MAG OZONE MAG // // OZONE MAG OZONE MAG // 8 // OZONE MAG OZONE MAG // 0 // OZONE MAG OZONE MAG // 11 PUBLISHER/EDITOR-IN-CHIEF // Julia Beverly CHIEF OPERATIONS OFFICER // N. Ali Early MUSIC EDITOR // Randy Roper FEATURES EDITOR // Eric Perrin ART DIRECTOR // Tene Gooden features ADVERTISING SALES // Che’ Johnson 54-59 YEAR END AWARDS PROMOTIONS DIRECTOR // Malik Abdul 76-79 REMEMBERING PIMP C MARKETING DIRECTOR // David Muhammad Sr. 22-23 RAPPERS’ NEW YEARS RESOLUTIONS LEGAL CONSULTANT // Kyle P. King, P.A. 74 DIRTY THIRTY: PIMP C’S GREATEST HITS SUBSCRIPTIONS MANAGER // Adero Dawson ADMINISTRATIVE // Cordice Gardner, Kisha Smith CONTRIBUTORS // Bogan, Charlamagne the God, Chuck T, Cierra Middlebrooks, Destine Cajuste, E-Feezy, Edward Hall, Felita Knight, Jacinta Howard, Jaro Vacek, Jessica Koslow, J Lash, Jason Cordes, Jo Jo, Johnny Louis, Kamikaze, Keadron Smith, Keith Kennedy, K.G. -
Lil Wayne, Tip “T.I.” Harris, Gucci Mane, Yo Gotti, Cardi B., YG, and A$AP Rocky Set to Perform at the BET “HIP HOP AWARDS” 2018
Lil Wayne, Tip “T.I.” Harris, Gucci Mane, Yo Gotti, Cardi B., YG, and A$AP Rocky Set to Perform at the BET “HIP HOP AWARDS” 2018 October 2, 2018 Lil Pump, Lil Baby, Lil Duval, Flipp Dinero, Ball Greezy, Gunna, and Pardison Fontaine Also Hitting the BET Stage for the First Time ------ DJ Khaled, Wale, Bun B, City Girls’ Yung Miami, and Cast of BET’s Hustle in Brooklyn to Present ------ The BET “HIP HOP AWARDS” 2018 Hosted by Audacious Comedian Deray Davis Will Honor Lil Wayne with “I Am Hip Hop” Award BET “HIP HOP AWARDS” 2018 Premieres on Tuesday, October 16, 2018 at 8PM ET/PT ----- #HipHopAwards ----- NEW YORK--(BUSINESS WIRE)--Oct. 2, 2018-- BET “HIP HOP AWARDS” 2018, the biggest night for hip-hop on television, is only getting bigger and better with Lil Wayneperforming fresh off the heels of the release of his highly anticipated album Tha Carter V. Other confirmed performers include hip-hop mogul and BET’s The Grand Hustle star TIPT.I. Harris, Gucci Mane, Yo Gotti, YG, and a breakout from the BET “Hip Hop Awards” highly anticipated cyphers A$AP Rocky. The first female hip-hop artist with three Hot 100 number one singles Cardi B., will be doing a special performance from LIV Nightclub at Fontainebleau. The BET “Hip Hop Awards” 2018 stage will serve as the first nationally televised performance for some of the year's hottest artists & songs in hip hop including Best New Hip-Hop Artist nominee Lil Pump, Lil Baby,Lil Duval,Flipp Dinero, Ball Greezy, Gunna, and Pardison Fontaine. -
No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of
20 Tex. Intell. Prop. L.J. 115 Texas Intellectual Property Law Journal Fall, 2011 Article NO BITIN’ ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr.a1 Copyright (c) 2011 Intellectual Property Law Section of the State Bar of Texas; Horace E. Anderson, Jr. I. History and Purpose of Copyright Act’s Regulation of Copying 119 II. Impact of Technology 126 A. The Act of Copying and Attitudes Toward Copying 126 B. Suggestions from the Literature for Bridging the Gap 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying 129 IV. The Hip-Hop Imitation Paradigm 131 A. Structure 131 1. Biting 131 2. Beat Jacking 133 3. Ghosting 135 4. Quoting 136 5. Sampling 139 B. The Trademark Connection 140 C. The Authors’ Rights Connection 142 D. The New Style - What the Future of Copyright Could Look Like 143 V. Conclusion 143 VI. Appendix A 145 VII. Appendix B 157 VIII. Appendix C 163 *116 Introduction I’m not a biter, I’m a writer for myself and others. I say a B.I.G. verse, I’m only biggin’ up my brother1 It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected.2 The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs.3 These are but a few examples of past inflection points; the current one demands a similar level of change. -
The Peter Beste and Lance Scott Walker Houston Rap Collection by Stacey Lavender
From thE archivES The Peter Beste and Lance Scott Walker Houston Rap Collection By Stacey Lavender rom hip hop mu- Collections began collecting GET INSIDER ACCESS Fsic’s earliest days, “Texas tatted on my arm, primary source materials Houston has contrib- on the genre in 2010 when to the Most Exclusive Texas History Club in the Nation uted greatly to the curator Julie Grob estab- genre’s development. got Houston on my back lished Houston Hip Hop as a In the 1990s Hous- collecting area. Since 1897, a select group of very special people have made a pledge to ton icon DJ Screw Cause I love the city I’m from, The newest accession, keep Texas history alive. They have been driven by the belief that without an gave us “chopped and acquired in the spring of understanding of our history, every generation must start over. They are a proud screwed,” arguably hands up if you feel that” 2015, is the Peter Beste and the city’s most nota- Lance Scott Walker Houston group. Like the defenders of the Alamo, they stand up while others stand down. ble contribution, but – Slim Thug, “Houston” Rap Collection, which con- Like Sam Houston, they lead rather than follow. They are helping to preserve the Houston can claim tains materials gathered and important lessons from the past so that our children and their children will have many others. A handful of Houston-area rappers, like produced during the creation of Beste and Walker’s book something to look forward to and learn from. Geto Boys, Bun B and Pimp C of UGK, and Paul Wall, Houston Rap. -
Pimp C Greatest Hits Zip 15
1 / 5 Pimp C Greatest Hits Zip 15 CD Albums with the greatest sales gains this week. •Recording Industry Assn. Of America (RIM) certification for net shipment of 500,000 album units (Gold). ... State, Zip E-mail Please note: Orders are payable in U.S. funds drawn on a U.S. ... 50 44 15 B.G. • CASH MONEY 860909/UNIVERSAL (11.98/17.98) CHECKMATE 5 .... Aug 7, 2007 — [Intro: Pimp C (screwed)] Know what I'm ... I keep a whole zip (Whole zip), a whole clip (A whole clip) In case these ... Swinging big-bodies. Swishers and ... This is UGK, get it? Bun and ... Trill Niggaz Don't Die. 14. How Long Can It Last. 15. Still Ridin' Dirty. 16. ... Underground Kingz [Tracklist + Album Art].. DOWNLOAD ALBUM: UGK - Ridin' Dirty Zip & Mp3 | HIPHOPDE. Xay The DJ - Best Of UGK-2020 : Free Download, Borrow, and ... Bun B & Talib Kweli playing .... Aug 13, 2020 — Z r0 z ro greatest hits chopped n screwed hosted by dj killa tex ... by Z-Ro on Napster Download full album Z-Ro - Sadism (2018) . pimp c .. Autoblog brings you car news; expert reviews of cars, trucks, crossovers and SUVs; and pictures and video. Research and compare vehicles, find local dealers, .... Preview the embedded widget. First off, the tracks I picked were some of my favorite tracks from UGK. P!nk – Raise Your Glass. Pimp C Greatest Hits Zip 15 -- .... Jun 4, 2019 — The second track off James Blake's feature-heavy Assume Form hits you ... the biggest pop star on the planet, and they're beautifully devastating. -
NEW RELEASE for the Week of January 29, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now!
NEW RELEASE for the week of January 29, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now! DECEMBERISTS "Live Home Library Vol. (YOUTH AND 843563132449 LP 1 (2LP) 8-11-09 Royal Oak, MI" February 5 street date. Extremely limited exclusive Decemberist live 2LP. Limited edition one time only pressing. Recorded at Royal Oak Music Theatre in Michigan during the Hazards Of Love tour (2009). The first volume in the Decemberists' Live Home Library series, from the band’s own label — Youth and Beauty Brigade. Vinyl exclusive, not available on streaming services. Mixed by Hazards of Love co-producer/mixer Tucker Martine. Packaging details: 140-gram Double LP on limited edition black vinyl, custom wide-spine jacket / Etched Vinyl D-Side / 24” fold-out insert with oral history and photos of the tour from the band. GUIDED BY VOICES "Propeller" (SCAT) SCAT49 LP/ /CASS/ CD March 19 street date. "Propeller" was the fifth album by Guided By Voices, and was intended to be the group's last. Released as a limited edition of 500 LPs in 1992, the album featured handmade covers and blank labels to keep expenses as low as possible. Their other albums hadn’t sold much, why would this one? As fate would have it, the band wound up releasing an album chock full of gems Pollard had stockpiled, and for the first time sounded distinctly like the band that fans have since come to love. "Propeller" also marks the return of Tobin Sprout to the GBV fold, along with an increased songwriting presence. "Propeller" is a hell of a ride, and remains one of the most important albums in the band's discography.