Minutes of the Meeting of Expert Committee
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1 SRUTI August 2011
1 z SRUTI August 2011 south indian classical music and dance magazine Issue 1 October 1983 Welcome to the brand new pages of SRUTI. In the tradition of a sutradhara, I have the pleasant task of telling you what lies in store for you. The lead group of articles on the phenomenon of Mandolin Srinivas shows that ours is a new kind of magazine. Not only do we bring you a fact-filled report on the musical prodigy (Are of Triumph: A Prodigy at Play, p.3) but we place his advent and achievement in perspective through three related articles: What Makes or Unmakes a Prodigy (p.4): The Twain Meet Again (p.7) and A Sextet of Sensations (p.12). Rounding out this lead group is a column by guest writer K.S. Mahadevan (p. 1 1) and a critique of Srinivas as a musician which appears elsewhere (p.42). In this inaugural issue, we also offer the first in a series of in-depth profiles of personalities of the world of South Indian classical music and dance – profiles of a kind you would not have encountered in any other magazine in India. The profile of D.K. Pattammal, under the caption Trailblazing Traditionalist (p.20) will be concluded in the November issue. Along with the profile . we offer this time a critical appreciation written by Contributing Editor K.S. Muthu- raman (p.36) and also an interview with Pattammal by another singer, Sita Rajan (On Pallavi Singing, p.38). Other music-related items are critiques with the unique SRUTI angle. -
List of Artistes Performed Under the “Monthly Baithak” and “Special Programme” Series of Pracheen Kala Kendra, Chandigarh Since 1996
List of artistes performed under the “Monthly Baithak” and “Special Programme” series of Pracheen Kala Kendra, Chandigarh since 1996. Baithak/Spl. Program & Art Form Date of Name of Artist Performance 1st Baithak Sitar Recital 1.6.1996 Ustad Shahid Parvez Kathak Dance Uma Dogra 2nd Baithak 3.8.1996 Students of the Kendra 3rd Baithak Vocal Recital 1.9.1996 Sarathi Chatterjee 4th Baithak Kathak Dance 1.9.1996 Bharati Gupta 5th Baithak Kathak Dance October 1996 Anuradha Arora 6th Baithak Vocal Recital 16.11.1996 Sumitra Guha 7th Baithak Sarod Recital 11.12.1996 Danish Aslam Khan 8th Baithak Odissi Dance 11.1.1997 Ranjana Guhar 9th Baithak Vocal Recital 11.2.1997 Subhagya Vardhan 10th Baithak Kathak Dance 11.3.1997 Geetanjali Lal 11th Baithak Odissi Dance 11.4.1997 Phalguni Sengupta 12th Baithak Violin Recital 11.5.1997 Ashghar Hussain 13th Baithak Vocal Recital 11.7.1997 Usha Parkhi 14th Baithak Vocal Recital 11.8.1997 Rattan Mohan Sharma 15th Baithak Sitar Recital 11.9.1997 Aparna Deodhar 16th Baithak Kathak Dance 11.10.1997 Anuradha Arora 17th Baithak Bhajan Sandhya 11.11.1997 Meera Gautam 18th Baithak Bharatnatyam 11.12.1997 Rani Shingal 19th Baithak Kathak Dance 11.1.1998 Anurekha Ghosh 20th Baithak Sitar Recital 11.2.1998 Manu Kumar Seen 21st Baithak Vocal Recital 11.3.1998 Mahendra Sharma 22nd Baithak Bharatnatyam 11.4.1998 A.R.Tejender 23rd Baithak Vocal Recital 11.5.1998 Suhasini Koratkar 24th Baithak Kathak Dance 11.6.1998 Gourie Verma 25th Baithak Kuchipudi Dance 11.7.1998 Meenu Thakur 26th Baithak Vocal Recital 11.8.1998 Shanti Sharma 27th Baithak Sitar Recital 11.9.1998 Harvinder Kr. -
Hectic Campaign Ends on a Bitter Note
follow us: friday, may 11, 2018 Delhi City Edition thehindu.com 36 pages ț ₹10.00 facebook.com/thehindu twitter.com/the_hindu Printed at . Chennai . Coimbatore . Bengaluru . Hyderabad . Madurai . Noida . Visakhapatnam . Thiruvananthapuram . Kochi . Vijayawada . Mangaluru . Tiruchirapalli . Kolkata . Hubballi . Mohali . Malappuram . Mumbai . Tirupati . lucknow . cuttack . patna NEARBY Hectic campaign Mahathir stages a surprise comeback Becomes the world’s oldest elected leader; sworn in as Malaysia’s Prime Minister Agence France-Presse won 121 seats, comfortably ends on a bitter note Reuters more than the 112 required to Kuala Lumpur rule. He said he had been as No decision yet on Raja Rajeshwari Nagar seat in Karnataka Ninetytwoyearold Mahath sured of support from a raft SC Collegium to ir Mohamad was on Thurs of parties that would give his meet today Special Correspondent day sworn in as the world’s government 135 members of NEW DELHI Bengaluru oldest elected leader after a parliament. The fivejudge Collegium led A month of highdecibel stunning election win that In a ceremony at the na by Chief Justice of India Dipak campaigning for the Karna swept Malaysia’s establish tional palace steeped in cen Misra is scheduled to meet on taka Assembly election — ment from power after more turiesold Muslim Malay tra Friday to decide on the which saw national and lo than six decades. dition, Mr. Mahathir was government’s objections to the elevation of Uttarakhand cal leaders participating in a In a huge upset, former sworn in as Prime Minister High Court Chief Justice K.M. series of political rallies strongman Mr. -
Vocal Grade 4
VOCAL GRADE 4 Introduction Welcome to Grade 4 You are about to start the wonderful journey of learning to sing, a journey that is challenging, but rewarding and enjoyable! Whether you want to jam with a band or enjoy singing solo, this series of lessons will get you ready to perform with skill & confidence. What will you learn? Grade 4 covers the following topics : 1) Guruvandana and Saraswati vandana 2) Gharanas in Indian Classical Music 3) Pandit Vishnu Narayan Bhatkhande 4) Tanpura 5) Lakshan Geet 6) Music & Psychology 7) Raag Bhairav 8) Chartaal 9) Raag Bihag 10) Raag and Time Theory 11) Raag Kafi 12) Taal Ektaal 13) Bada Khyal 14) Guessing a Raag 15) Alankar 1 What You Need Harmonium /Synthesizer Electronic Tabla / TablaApp You can learn to sing without any of the above instruments also and by tapping your feet, however you will get a lot more out of this series if you have a basic harmonium and a digital Tabla to practice. How to Practice At Home Apart from this booklet for level 1, there will be video clippings shown to you for each topic in all the lessons. During practice at home, please follow the method shown in the clippings. Practice each lesson several times before meeting for the next lesson. A daily practice regime of a minimum of 15 minutes will suffice to start with. Practicing with the harmonium and the digital Tabla will certainly have an added advantage. DigitalTablamachinesorTablasoftware’sareeasilyavailableandideallyshould beusedfor daily practice. 2 Lesson 1 GURUVANDANA SARASWATI VANDANA & Guruvandana Importance of Guruvandana : The concept of Guru is as old as humanity itself. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
Journal of Bengali Studies
ISSN 2277-9426 Journal of Bengali Studies Vol. 6 No. 1 The Age of Bhadralok: Bengal's Long Twentieth Century Dolpurnima 16 Phalgun 1424 1 March 2018 1 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Journal of Bengali Studies (ISSN 2277-9426), Vol. 6 No. 1 Published on the Occasion of Dolpurnima, 16 Phalgun 1424 The Theme of this issue is The Age of Bhadralok: Bengal's Long Twentieth Century 2 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 ISSN 2277-9426 Journal of Bengali Studies Volume 6 Number 1 Dolpurnima 16 Phalgun 1424 1 March 2018 Spring Issue The Age of Bhadralok: Bengal's Long Twentieth Century Editorial Board: Tamal Dasgupta (Editor-in-Chief) Amit Shankar Saha (Editor) Mousumi Biswas Dasgupta (Editor) Sayantan Thakur (Editor) 3 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Copyrights © Individual Contributors, while the Journal of Bengali Studies holds the publishing right for re-publishing the contents of the journal in future in any format, as per our terms and conditions and submission guidelines. Editorial©Tamal Dasgupta. Cover design©Tamal Dasgupta. Further, Journal of Bengali Studies is an open access, free for all e-journal and we promise to go by an Open Access Policy for readers, students, researchers and organizations as long as it remains for non-commercial purpose. However, any act of reproduction or redistribution (in any format) of this journal, or any part thereof, for commercial purpose and/or paid subscription must accompany prior written permission from the Editor, Journal of Bengali Studies. -
Minutes of the Meeting of the Expert Committee Held on 14Th, 15Th,17Th and 18Th October, 2013 Under the Performing Arts Grants Scheme (PAGS)
No.F.10-01/2012-P.Arts (Pt.) Ministry of Culture P. Arts Section Minutes of the Meeting of the Expert Committee held on 14th, 15th,17th and 18th October, 2013 under the Performing Arts Grants Scheme (PAGS). The Expert Committee for the Performing Arts Grants Scheme (PAGS) met on 14th, 15th ,17thand 18th October, 2013 to consider renewal of salary grants to existing grantees and decide on the fresh applications received for salary and production grants under the Scheme, including review of certain past cases, as recommended in the earlier meeting. The meeting was chaired by Smt. Arvind Manjit Singh, Joint Secretary (Culture). A list of Expert members present in the meeting is annexed. 2. On the opening day of the meeting ie. 14th October, inaugurating the meeting, Sh. Sanjeev Mittal, Joint Secretary, introduced himself to the members of Expert Committee and while welcoming the members of the committee informed that the Ministry was putting its best efforts to promote, develop and protect culture of the country. As regards the Performing Arts Grants Scheme(earlier known as the Scheme of Financial Assistance to Professional Groups and Individuals Engaged for Specified Performing Arts Projects; Salary & Production Grants), it was apprised that despite severe financial constraints invoked by the Deptt. Of Expenditure the Ministry had ensured a provision of Rs.48 crores for the Repertory/Production Grants during the current financial year which was in fact higher than the last year’s budgetary provision. 3. Smt. Meena Balimane Sharma, Director, in her capacity as the Member-Secretary of the Expert Committee, thereafter, briefed the members about the salient features of various provisions of the relevant Scheme under which the proposals in question were required to be examined by them before giving their recommendations. -
Dear Aspirant with Regard
DEAR ASPIRANT HERE WE ARE PRESENTING YOU A GENRAL AWERNESS MEGA CAPSULE FOR IBPS PO, SBI ASSOT PO , IBPS ASST AND OTHER FORTHCOMING EXAMS WE HAVE UNDERTAKEN ALL THE POSSIBLE CARE TO MAKE IT ERROR FREE SPECIAL THANKS TO THOSE WHO HAS PUT THEIR TIME TO MAKE THIS HAPPEN A IN ON LIMITED RESOURCE 1. NILOFAR 2. SWETA KHARE 3. ANKITA 4. PALLAVI BONIA 5. AMAR DAS 6. SARATH ANNAMETI 7. MAYANK BANSAL WITH REGARD PANKAJ KUMAR ( Glory At Anycost ) WE WISH YOU A BEST OF LUCK CONTENTS 1 CURRENT RATES 1 2 IMPORTANT DAYS 3 CUPS & TROPHIES 4 4 LIST OF WORLD COUNTRIES & THEIR CAPITAL 5 5 IMPORTANT CURRENCIES 9 6 ABBREVIATIONS IN NEWS 7 LISTS OF NEW UNION COUNCIL OF MINISTERS & PORTFOLIOS 13 8 NEW APPOINTMENTS 13 9 BANK PUNCHLINES 15 10 IMPORTANT POINTS OF UNION BUDGET 2012-14 16 11 BANKING TERMS 19 12 AWARDS 35 13 IMPORTANT BANKING ABBREVIATIONS 42 14 IMPORTANT BANKING TERMINOLOGY 50 15 HIGHLIGHTS OF UNION BUDGET 2014 55 16 FDI LLIMITS 56 17 INDIAS GDP FORCASTS 57 18 INDIAN RANKING IN DIFFERENT INDEXS 57 19 ABOUT : NABARD 58 20 IMPORTANT COMMITTEES IN NEWS 58 21 OSCAR AWARD 2014 59 22 STATES, CAPITAL, GOVERNERS & CHIEF MINISTERS 62 23 IMPORTANT COMMITTEES IN NEWS 62 23 LIST OF IMPORTANT ORGANIZATIONS INDIA & THERE HEAD 65 24 LIST OF INTERNATIONAL ORGANIZATIONS AND HEADS 66 25 FACTS ABOUT CENSUS 2011 66 26 DEFENCE & TECHNOLOGY 67 27 BOOKS & AUTHOURS 69 28 LEADER”S VISITED INIDIA 70 29 OBITUARY 71 30 ORGANISATION AND THERE HEADQUARTERS 72 31 REVOLUTIONS IN AGRICULTURE IN INDIA 72 32 IMPORTANT DAMS IN INDIA 73 33 CLASSICAL DANCES IN INDIA 73 34 NUCLEAR POWER -
Setting the Stage: a Materialist Semiotic Analysis Of
SETTING THE STAGE: A MATERIALIST SEMIOTIC ANALYSIS OF CONTEMPORARY BENGALI GROUP THEATRE FROM KOLKATA, INDIA by ARNAB BANERJI (Under the Direction of Farley Richmond) ABSTRACT This dissertation studies select performance examples from various group theatre companies in Kolkata, India during a fieldwork conducted in Kolkata between August 2012 and July 2013 using the materialist semiotic performance analysis. Research into Bengali group theatre has overlooked the effect of the conditions of production and reception on meaning making in theatre. Extant research focuses on the history of the group theatre, individuals, groups, and the socially conscious and political nature of this theatre. The unique nature of this theatre culture (or any other theatre culture) can only be understood fully if the conditions within which such theatre is produced and received studied along with the performance event itself. This dissertation is an attempt to fill this lacuna in Bengali group theatre scholarship. Materialist semiotic performance analysis serves as the theoretical framework for this study. The materialist semiotic performance analysis is a theoretical tool that examines the theatre event by locating it within definite material conditions of production and reception like organization, funding, training, availability of spaces and the public discourse on theatre. The data presented in this dissertation was gathered in Kolkata using: auto-ethnography, participant observation, sample survey, and archival research. The conditions of production and reception are each examined and presented in isolation followed by case studies. The case studies bring the elements studied in the preceding section together to demonstrate how they function together in a performance event. The studies represent the vast array of theatre in Kolkata and allow the findings from the second part of the dissertation to be tested across a variety of conditions of production and reception. -
Concert | Pangaea | 16 June | 7Pm
Bipannata The Play Bipannata is the story of the helplessness of Sulagna Dutta, a woman in her late 50s, a widow and a single parent. She represents the middle class, who wakes up to a daily routine expecting a more or less secured lifestyle. She is neither a political bigwig nor a celebrity, but one of those you wouldn’t even notice when passing by. She has raised her son Ujaan to be a responsible man and who is now a computer engineer. The only problem is that he has his own well defined opinions. He is sensitive and reacts like a normal human being to events happening around him…events of large scale state generated violence that permeate into our lives and induce a constant state of fear. Sulagna is worried for her son, who goes into bouts of depression and hides at home, refusing to go out and participate in a world he cannot question. She sets up an appointment with a renowned psychoanalyst Dr. Ahana Roy. What follows is a heartrending search into fear psychosis and the resulting helplessness. Are we all trying to hide in our cocoons? Are we afraid to question? How is an individual supposed to negotiate in these circumstances? Do we need help? And who can help? Director’s note Choice of Bipannata – a rationale: The play tries to address the feelings of fear and helplessness that we carry within us in these hard times. How is one supposed to react to the violence that one witnesses daily? To questions of state induced terrorism, rape, capital punishment…….? Is one expected merely to drink it in with his morning cup of coffee? Or can one exercise his basic right of speech and thought? Can one help himself? Is there someone who can help? Can he expect any help at all? The Director Sohini Sengupta is an upcoming director and a leading stage artist and trainer of Nandikar. -
SMP-Saidpur Zone
Social Assessment and Management Plan for Sewerage Schemes for Patna City (Saidpur Zone) Social Assessment and Management Plan for Sewerage Schemes for Patna City SMP-Saidpur Zone July 2015 i | P a g e Social Assessment and Management Plan for Sewerage Schemes for Patna City (Saidpur Zone) ii | P a g e Social Assessment and Management Plan for Sewerage Schemes for Patna City (Saidpur Zone) Table of Contents Chapter 1: Introduction ........................................................................................................................ 1 1.1 The Project Area ............................................................................................................................ 1 1.1.1 Saidpur Zone .................................................................................................................................. 1 1.2 Met and Climate ............................................................................................................................ 2 1.3 Topography .................................................................................................................................... 2 1.4 Condition Assessment of Existing Sewerage System .................................................................... 2 1.4.1 Existing STPs Scenario ............................................................................................................... 3 1.5 Contract Agreement (for Existing Condition) ............................................................................... 3 1.6 Need -
Sangeet Natak Akademi National Academy of Music, Dance and Drama New Delhi
Sangeet Natak Akademi National Academy of Music, Dance and Drama New Delhi PRESSRELEASE 15 February 2010 DECLARATION OF SANGEET NA T AK AKADEMI FELLOWSHIPS (AKADEMI RA TN A) AND AKADEMI AWARDS (AKADEMI PURASKAR) FOR THE YEAR 2009 The General Council of Sangeet Natak Akademi, the National Academy of Music, Dance and Drama, New Delhi at its meetings held on 29 January and 12 February 2010 elected six (6) eminent personalities in the field of performing arts namely Lalgudi Jayaraman, Shreeram Lagoo, Yamini Krishnamurti, Kamlesh Dutt Tripathi, Pandit Jasraj and Kishori Amonkar as Sangeet Natak Akademi Fellows (Akademi Ratna). The Fellowship of the Akademi is the most prestigious and rare honour, which is restricted to a very limited number at a given time. Presently there are only 32 Fellows of the SangeetNatak Akademi. The General Council of the Akademi also selected 33 persons from the fields of Music, Dance, and Theatre for the Sangeet Natak Akademi Awards (Akademi Puraskar) for the year 2009. In the field of Music, eight eminent artists namely Abdul Rashid Khan and Vasundhara Komkali for Hindustani Vocal Music, Lachman Singh Seen (Tabla) and Ali Ahmad Hussain (Shehnai) for Hindustani Instrumental Music, Parassala B Ponnammal for Carnatic Vocal, U Srinivas (Mandolin) and Dandamudi Sumathi Rama Mohan Rao (Mridangam) for Carnatic Instrumental Music, and L. Ibohalmacha Singh (Nata Sankirtana) for Other Major Traditions of Music have beenselected. In the field of Dance, eight eminent practitioners namely Ananda Shankar Jayant (Bharatanatyam), Prerana Shrimali (Kathak), Kalamandalam Rajan (Kathakali), L. Bino Devi (Manipuri), Geeta Mahalik (Odissi), Vyjayanathi Kashi (Kuchipudi), Daksha Sheth (Creative & Experimental Dance) and Kala Krishna (Other Major Traditions of Dance -Andhranatyam) have beenselected.