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December 1992
VOLUME 16, NUMBER 12 MASTERS OF THE FEATURES FREE UNIVERSE NICKO Avant-garde drummers Ed Blackwell, Rashied Ali, Andrew JEFF PORCARO: McBRAIN Cyrille, and Milford Graves have secured a place in music history A SPECIAL TRIBUTE Iron Maiden's Nicko McBrain may by stretching the accepted role of When so respected and admired be cited as an early influence by drums and rhythm. Yet amongst a player as Jeff Porcaro passes metal drummers all over, but that the chaos, there's always been away prematurely, the doesn't mean he isn't as vital a play- great discipline and thought. music—and our lives—are never er as ever. In this exclusive interview, Learn how these free the same. In this tribute, friends find out how Nicko's drumming masters and admirers share their fond gears move, and what's tore down the walls. memories of Jeff, and up with Maiden's power- • by Bill Milkowski 32 remind us of his deep ful new album and tour. 28 contributions to our • by Teri Saccone art. 22 • by Robyn Flans THE PERCUSSIVE ARTS SOCIETY For thirty years the Percussive Arts Society has fostered credibility, exposure, and the exchange of ideas for percus- sionists of every stripe. In this special report, learn where the PAS has been, where it is, and where it's going. • by Rick Mattingly 36 MD TRIVIA CONTEST Win a Sonor Force 1000 drumkit—plus other great Sonor prizes! 68 COVER PHOTO BY MICHAEL BLOOM Education 58 ROCK 'N' JAZZ CLINIC Back To The Dregs BY ROD MORGENSTEIN Equipment Departments 66 BASICS 42 PRODUCT The Teacher Fallacy News BY FRANK MAY CLOSE-UP 4 EDITOR'S New Sabian Products OVERVIEW BY RICK VAN HORN, 8 UPDATE 68 CONCEPTS ADAM BUDOFSKY, AND RICK MATTINGLY Tommy Campbell, Footwork: 6 READERS' Joel Maitoza of 24-7 Spyz, A Balancing Act 45 Yamaha Snare Drums Gary Husband, and the BY ANDREW BY RICK MATTINGLY PLATFORM Moody Blues' Gordon KOLLMORGEN Marshall, plus News 47 Cappella 12 ASK A PRO 90 TEACHERS' Celebrity Sticks BY ADAM BUDOFSKY 146 INDUSTRY FORUM AND WILLIAM F. -
Intermezzo May/June 2021
Virtual Membership Meeting: Virtual Membership Meeting: May/June 2021 Monday, May 10th, 2021 Monday, June 14th, 2021 Vol. 81 No. 3 @ 6:00 pm @ 6:00 pm Musician Profile: Chicago’s Jimmy Pankow and Lee Loughnane Page 6 Looking Back Page 11 The Passing of Dorothy Katz Page 28 Local 10-208 of AFM CHICAGO FEDERATION OF MUSICIANS TABLE OF CONTENTS OFFICERS – DELEGATES 2020-2022 Terryl Jares President Leo Murphy Vice-President B.J. Levy Secretary-Treasurer BOARD OF DIRECTORS FROM THE PRESIDENT Robert Bauchens Nick Moran Rich Daniels Charles Schuchat Jeff Handley Joe Sonnefeldt Janice MacDonald FROM THE VICE-PRESIDENT CONTRACT DEPARTMENT Leo Murphy – Vice-President ASSISTANTS TO THE PRESIDENT - JURISDICTIONS FROM THE SECRETARY-TREASURER Leo Murphy - Vice-President Supervisor - Entire jurisdiction including theaters (Cell Phone: 773-569-8523) Dean Rolando CFM MUSICIANS Recordings, Transcriptions, Documentaries, Etc. (Cell Phone: 708-380-6219) DELEGATES TO CONVENTIONS OF THE RESOLUTION ILLINOIS STATE FEDERATION OF LABOR AND CONGRESS OF INDUSTRIAL ORGANIZATIONS Terryl Jares Leo Murphy WHO, WHERE, WHEN B.J. Levy DELEGATES TO CHICAGO FEDERATION OF LABOR AND INDUSTRIAL UNION COUNCIL Rich Daniels Leo Murphy LOOKING BACK Terryl Jares DELEGATES TO CONVENTIONS OF THE AMERICAN FEDERATION OF MUSICIANS Rich Daniels B.J. Levy HEALTH CARE UPDATE Terryl Jares Leo Murphy Alternate: Charles Schuchat PUBLISHER, THE INTERMEZZO FAIR EMPLOYMENT PRACTICES COMMITTEE Terryl Jares CO-EDITORS, THE INTERMEZZO Sharon Jones Leo Murphy PRESIDENTS EMERITI CFM SCHOLARSHIP WINNERS Gary Matts Ed Ward VICE-PRESIDENT EMERITUS Tom Beranek OBITUARIES SECRETARY-TREASURER EMERITUS Spencer Aloisio BOARD OF DIRECTORS EMERITUS ADDRESS AND PHONE CHANGES Bob Lizik Open Daily, except Saturday, Sunday and Holidays Office Hours 9 A.M. -
CONGRESSIONAL RECORD— Extensions of Remarks E2431 HON
November 15, 2007 CONGRESSIONAL RECORD — Extensions of Remarks E2431 their staff on many of our most critical edu- Chicago reached the top of the charts with fa- In 1959, he was appointed by U.S. Presi- cational issues. In the past 10 years, she has vorites such as ‘‘If You Leave Me Now,’’ ‘‘Hard dent Dwight D. Eisenhower to serve as special specialized in elementary and secondary edu- to Say I’m Sorry,’’ and ‘‘Look Away.’’ In addi- assistant to U.S. Secretary of State John Fos- cation, including No Child Left Behind. Sandra tion to their incredible commercial success, ter Dulles. A year later, he ran and was elect- was involved in helping to pass NCLB and has Chicago has garnered considerable respect ed to the U.S. House of Representatives from kept the lines of communication open between among critics and has won numerous awards, the 10th Congressional District of Pennsyl- the Executive and Legislative branches of including three Grammy Awards as well as a vania. Government. Favorite Rock Group award at the American In 1962, he was elected governor of the Sandra is a career civil servant who knows Music Awards. Commonwealth of Pennsylvania and, during that Federal education policy matters. She has Awards and honors aside, Chicago has a his term, he signed into law sweeping reforms served under administrations of both parties special gift for bringing people together, some- in the State’s educational system including and has consistently received internal recogni- thing I have personally experienced. My wife, creation of the State community college sys- tion for her professionalism and commitment Judy, and I are long-time fans of the band, tem, the State board of education and the to excellence. -
Jay Graydon Discography (Valid July 10, 2008)
Jay Graydon Discography (valid July 10, 2008) Jay Graydon Discography - A (After The Love Has Gone) Adeline 2008 RCI Music Pro ??? Songwriter SHE'S SINGIN' HIS SONG (I Can Wait Forever) Producer 1984 258 720 Air Supply GHOSTBUSTERS (Original Movie Soundtrack) Arista Songwriter 1990 8246 Engineer (I Can Wait Forever) Producer 2005 Collectables 8436 Air Supply GHOSTBUSTERS (Original Movie Soundtrack - Reissue) Songwriter 2006 Arista/Legacy 75985 Engineer (I Can Wait Forever) Producer Air Supply DEFINITIVE COLLECTION 1999 ARISTA 14611 Songwriter (I Can Wait Forever) Producer Air Supply ULTIMATE COLLECTION: MILLENNIUM [IMPORT] 2002 Korea? ??? Songwriter (I Can Wait Forever) BMG Entertainment 97903 Producer Air Supply FOREVER LOVE 2003 BMG Entertainment, Argentina 74321979032 Songwriter (I Can Wait Forever) FOREVER LOVE - 36 GREATEST Producer Air Supply HITS 1980 - 2001 2003 BMG Victor BVCM-37408 Import (2 CDs) Songwriter (I Can Wait Forever) Producer Air Supply PLATINUM & GOLD COLLECTION 2004 BMG Heritage 59262 Songwriter (I Can Wait Forever) Producer Air Supply LOVE SONGS 2005 Arista 66934 Songwriter (I Can Wait Forever) Producer Air Supply 2006 Sony Bmg Music, UK 82876756722 COLLECTIONS Songwriter Air Supply (I Can Wait Forever) 2006 Arista 75985 Producer GHOSTBUSTERS - (bonus track) remastered UPC: 828767598529 Songwriter (I Can Wait Forever) Producer Air Supply 2007 ??? ??? GRANDI SUCCESSI (2 CD) Songwriter (I Can Wait Forever) ULTIMATE COLLECTION Producer Air Supply 2007 Sony/Bmg Import ??? [IMPORT] [EXPLICIT LYRICS] [ENHANCED] Songwriter (I Can Wait Forever) Producer Air Supply ??? ??? ??? BELOVED Songwriter (I Can Wait Forever) Producer Air Supply CF TOP 20 VOL.3 ??? ??? ??? Songwriter (Compilation by various artists) (I Can Wait Forever) Producer Air Supply COLLECTIONS TO EVELYN VOL. -
Pacad286-All Access#7
The band Chicago has always boasted multiple singer/songwriters—that’s one reason they’ve been able to generate so many memorable hits during their 38-year career. But the man most responsible for the songs that put the group on the map is keyboardist/vocalist Robert Lamm, who wrote such classics as “Beginnings,” “Does Anybody Really Know What Time It Is?” and “Saturday in the Park.” “P EOPLE HAVE NO IDEA HOW MUCH I APPRECIATE IT WHEN THEY TELL ME In the ensuing years, Lamm created four solo albums, most how much those songs have meant in their lives,” says recently 2003’s Subtlety and Passion . While they’ve never Lamm. “That’s always been hard to grasp for me. But I do sold as astronomically as some Chicago discs, they are “I realized the Motif know that I love doing what I do, and I’m lucky to be able beloved by many of the group’s fans, some of whom insist could do everything to have done it for so long. And I’m still engaged in the the Lamm records are closer to the original sound and spirit exploration and discovery that is songwriting.” of Chicago than many of the group’s own releases. Says that’s required in the Lamm, “Those solo albums have been as necessary to me as Brooklyn-born Lamm relocated to Chicago as a teen, where live version of Chicago, life itself.” he studied classical music while also playing in bands. “By so now it’s the only the time Chicago formed, I was a total Beatles kid,” he recalls. -
CHICAGO TRANSIT AUTHORITY 50 Th ANNIVERSARY REMIX
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] CHICAGO TRANSIT AUTHORITY 50 th ANNIVERSARY REMIX Chicago feiern das 50-jährige Jubiläum ihres bahnbrechenden Debüts mit einer neu abgemischten Version ihres 2-fach Platin-ausgezeichneten Doppelalbums LOS ANGELES – Chicagos Debütalbum Chicago Transit Authority (bei Erscheinen noch selbstbetitelt) war eine bahnbrechende Doppel-LP, die das einfallsreiche Songwriting der Band, ihre meisterliche Musikalität und eine Genre-übergreifende Mixtur aus Rock, Jazz, Funk und Pop unter Beweis stellte. In Anerkennung seines prägenden Einflusses wurde das Album 2014 in die Grammy Hall of Fame aufgenommen. Anlässlich des 50. Jubiläums des Albums haben sich Chicago mit Toningenieur Tim Jessup zusammengetan, um das gesamte Album neu abzumischen. CHICAGO TRANSIT AUTHORITY (50th ANNIVERSARY REMIX) erscheint am 30. August auf CD und Doppel-LP auf 180g-Vinyl. Es wird auch eine nummerierte Limited Edition des 2LP-Sets auf Gold-Vinyl geben, die über rhino.com erhältlich ist. Das neu abgemischte Album wird am 30.August auch als Download und Stream veröffentlicht. Ursprünglich veröffentlicht am 28. April 1969, stieg Chicago Transit Authority in die US-Charts ein, erreichte Doppel- Platin und erhielt eine Grammy-Nominierung als „Best New Artist“. Das Werk erreichte zudem das seltene Alleinstellungsmarkmal, sich ganze drei Jahre (171 Wochen) in den US-Charts zu halten – zur damaligen Zeit ein neuer Rekord. Das zeitlose Doppelalbum enthält einige der unvergesslichsten Hits der Band: „Beginnings”, „Does Anybody Really Know What Time It Is?” und „Questions 67 and 68”. Es enthält außerdem das unverkennbare Gitarrenspiel des 1978 verstorbenen Terry Kath auf „South California Purple”, „Free Form Guitar” und ein gleißendes Cover von „I’m A Man”. -
Dionne Warwick How Many Times Can We Say Goodbye & Friends in Love Mp3, Flac, Wma
Dionne Warwick How Many Times Can We Say Goodbye & Friends In Love mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: How Many Times Can We Say Goodbye & Friends In Love Country: UK Released: 2010 MP3 version RAR size: 1181 mb FLAC version RAR size: 1753 mb WMA version RAR size: 1781 mb Rating: 4.8 Votes: 157 Other Formats: TTA MP1 MPC AA MMF MP2 TTA Tracklist Hide Credits How Many Times Can We Say Goodbye Got A Date 1 5:14 Written-By – Luther Vandross, Marcus Miller So Amazing 2 3:44 Written-By – Luther Vandross I Do It Cause I Like It 3 4:55 Written-By – Luther Vandross, Marcus Miller How Many Times Can We Say Goodbye 4 3:26 Featuring [Duet] – Luther VandrossWritten-By – Steve Goldman What Can A Miracle Do 5 4:41 Written-By – Don Grolnick, Luther Vandross Two Ships Passing In The Night 6 4:54 Written-By – Dionne Warwick I Can Let Go Now 7 2:49 Written-By – Michael McDonald Will You Still Love Me Tomorrow 8 5:25 Written-By – Carol King / Gerry Goffin* Friends In Love For You 9 4:55 Written-By – Jay Graydon, John Bettis, Richard Page Friends In Love 10 Featuring [Duet] – Johnny MathisWritten-By – Bill Champlin, David Foster, 4:02 Jay Graydon Never Gonna Let You Go 11 4:50 Written-By – Barry Mann / Cynthia Weil* Can't Hide Love 12 4:50 Written-By – Skip Scarborough Betcha By Golly Wow 13 3:28 Written-By – Linda Creed, Thomas Bell* More Than Fascination 14 4:02 Written-By – Tom Snow Got You Where I Want You 15 3:38 Featuring [Duet] – Johnny MathisWritten-By – Candy Parton, Jim Andron With A Touch 16 4:40 Written-By – Stevie Wonder What Is This 17 3:58 Written-By – Jay Graydon, Myra Waters* A Love So Right 18 3:55 Written-By – Gloria Sklerov, Harry Lloyd Companies, etc. -
Alicia Warrington Arrington a Licia Licia the BLACK PAGE 3Rd Anniversary Edition: Dedicated to James Forbes Chapin
AUGUST 2009 Alicia arrington WThe Many Sides of Alicia Warrington THE BLACK PAGE THE BLACK PAGE 3rd Anniversary Edition: Dedicated to James Forbes Chapin Forward by Dom Famularo first met Jim in 1969 here on Long Island. He was friends Iwith my teacher Al Miller, and we would go to see Buddy Rich perform backstage. Jim would tell me what Buddy was doing and an- alyze it to the slightest movement. My visit with the “Chapin Magic” started. Jim was always so sharing with his hard-earned knowledge. He simply taught the best drummers in the 20th century and was work- ing on the 21st century. His books, CDs and DVD is a university of information; owning them all is a must! I have learned from him, taught with him, performed with him and even played for him while he sang. He loved life and music equally. I am a better person for having experienced the “Chapin Mag- ic!” He was called the Father of Drumming Independence. How ironic of him to pass away on July 4th, America’s Independence. Jim will live long in his contributions ... I ask the future generations of drummers to continue in seeking out the wealth of sharing that Jim gave us. Now on the 4th of July, look up at the fireworks and cel- ebrate the magic of Jim Chapin! Dom Famularo THE BLACK PAGE AUGUST 2009 5 Alicia Warrington by Sean Mitchell Independence, eh?: 12 by Sean Mitchell The Kenny Aronoff Experience: 15 by Jayson Brinkworth Virg’n It Up Part II 20 by Ryan Carver Global Educators Database 21 Solo drums, beautiful drums, warm drum tones and full-on exhilarating 23 The Final Word drums. -
David Frank Interview
Do you generally write songs to order? What's your mixdown format of choice? Not really. My collaborators and I just write different songs and then I usually still end up using 1/2" analog tape, but that's generally speak try to fit them to whatever artists need songs. Often wc end up co ing. With [Dream's] "This Is Me," we used the 24-bit digital mix for producing the songs when they're placed. mastering. Analogjust didn't work on that particular song for some rea son; the extra compression that it added was sort of overbearing. But I When you say you co-produce, does that mean you're doing all the playing and still like the way analog tape sounds. Part of it, of course, is what your arrangements yourself and presenting the artist with finished backing tracks? ears are used to, and I think my ears are getting more and more used to Dr is it producing in a more traditional sense? the digital sound. Often I'll do a whole musical track. I did the whole thing on "Genie in a Bottle." I had already written all the music that you hear, and then we What's your vocal mic of choice? wrote the songon top ofthat. Many times there arc a lot ofthings added I have a [Neumann] 147 here in the studio, and that's pretty much what to the basic track, but on "Genie in a Bottle," there actually wasn't-what we've been using, although Stcve has aU 67. -
Song Link Tips Service
SongLink is one of the most acclaimed and widely-used tipsheets for music publishers and songwriters around the world, providing up-to-date and accurate "who's looking" leads and information to its hundreds of satisfied subscribers, many of whom have successfully placed songs and made valuable industry contacts through the London and LA-based service. Edited and published by music business veteran David Stark since 1993, SongLink's subscribers include all the major music publishers, independent companies, professional songwriters (including many top names) along with selected unsigned writers, who must meet certain standards in order to subscribe. SongLink provides listings on artists in all styles of music, including Pop, Rock, R&B, Dance, Soul, Country, Blues, Jazz and Crossover etc, whatever is required. Our leads are sent out by mail and/or email each month, along with interim updates, and provide the essential information needed to pitch songs, including details about the act and their style of music, links to their website or Myspace, plus - most importantly - direct contact details for their manager, A&R person or producer who has placed the lead. There are also listings for co-writers, masters and licensing deals wanted, plus upcoming events and other items of interest. Apart from the subscription fees, there are no extra charges for pitching songs through SongLink. However, in order to subscribe to the service, unsigned writers or new publishers must first supply at least 2 sample demos of their work for subscription approval. Writing or co-writing cover songs is a highly competitive and specialized business, and SongLink is not a service for writers with non-suitable material or sub- standard demos. -
Legendary American Rock Band Chicago to Perform Live with Charlotte Symphony One Night Only: 8 Pm Sat, Sept 21 at Belk Theater
FOR IMMEDIATE RELEASE Contact: Jamie Wolf, 704-714-5112 or [email protected] LEGENDARY AMERICAN ROCK BAND CHICAGO TO PERFORM LIVE WITH CHARLOTTE SYMPHONY ONE NIGHT ONLY: 8 PM SAT, SEPT 21 AT BELK THEATER August 21, 2013 | CHARLOTTE, NC - Chicago—one of the most successful rock groups in history—is bringing its powerful live show to open the Charlotte Symphony's Pops Series this fall. From the signature sound of the Chicago horns, their iconic vocalists and a few dozen ever-classic songs, this band’s concerts are celebrations! The band line-up includes original Chicago members Robert Lamm on keyboards and vocals, Lee Loughnane on trumpet, James Pankow on trombone and Walt Parazaider on woodwinds. Other members are Jason Scheff on bass and vocals, drummer Tris Imboden, guitarist Keith Howla, Lou Pardini on keyboards and vocals and Wally Reyes on percussion. Symphony-goers may find this interesting: original member Parazaider, a De Paul University graduate, was offered a spot with the Chicago Symphony in the early years but opted to stick with the band instead. The “legendary rock and roll band with horns,” Chicago is the first American rock band to chart Top 40 albums in six consecutive decades. In Billboard Magazine's list of Top 100 artists of all time, Chicago came in at #13, the highest charting American band, having produced an incredible 47 gold and platinum records. Most recently, in March of 2013, Chicago’s multi-platinum two-disc bestseller, The Very Best Of Chicago, Only The Beginning charted at #1 on two Billboard charts: the Catalog Chart and the Digital Catalog chart. -
August 2002 Readers’ Platform
• APEX THEORY • YAMAHA OAK CUSTOM KIT • GGOOOO GGOOOO DDOLLSOLLS’’ MIKEMIKE MALININ MALININ MMAXIMUMAXIMUM PPOPOP JJEFFEFF PPORCAROORCARO TTRIBUTERIBUTE TTOO AA SSTUDIOTUDIO GGIANTIANT MMATTATT WWILSONILSON’’SS IIMPROVMPROV PPLAYHOUSELAYHOUSE HHOTOT LLATINATIN JJAZZAZZ:: MMETHENYETHENY’’SS AANTONIONTONIO SSANCHEZANCHEZ TTHREADGILLHREADGILL’’SS DDAFNISAFNIS PPRIETORIETO BBRAZILRAZIL’’SS VVERAERA FFIGUEIREDOIGUEIREDO $4.99US $6.99CAN 08 SSHOPHOP TTALKALK:: BBUILDINGUILDING YYOUROUR OOWNWN DDRUMSETRUMSET!! 0 74808 01203 9 Redefining “Drum Machine” Ever wonder why Evans heads are so consistent and easy to tune? Designed and built in-house by our staff of engineers, this robotic “Drum Machine,” called the Gluing Gantry, ensures that every Evans head has a true collar. A series of vacuum fixtures holds the film in place for each head while the robotic gluing arm circles above the hoop and dispenses epoxy. The result is a drumhead that tunes both easily and consistently. At Evans, we do it right the first time. And every time. Check out what Peter Erskine has to say about Evans drumheads at www.evansdrumheads.com PO Box 290 • Farmingdale, NY 11735 We’ve been making the world’s finest sticks for years. And experience tells us that there are no shortcuts when it comes to making a stick. There is, however a very good short- cut when choosing one. The journey from wooden dowel to finished drumstick is a tough one. Each stick makes its way through the hands of several craftsmen before it leaves us. And at every test, there’s always the chance of getting turned into firewood. But it does get easier when our sticks reach the store. Because once you feel a pair in your hands, you’ll appreciate the time it spent in ours.