The First Four Asteroids: a History of Their Impact on English Astronomy in the Early Nineteenth Century
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Edgar Buckingham: Fluorescence of Quinine Salts
Bull. Hist. Chem., VOLUME 27, Number 1 (2002) 57 EDGAR BUCKINGHAM: FLUORESCENCE OF QUININE SALTS John T. Stock, University of Connecticut Malaria, an often-fatal disease, has been a worldwide factured from cinchona trees that are cultivated in South plague for several thousand years. The discovery of America and in the Far East. the efficacy of substances present in the bark of vari- It must have been known ous cinchona trees, native since ancient times that certain to the Andes, provided substances appear to have one some relief. A real anti- color when viewed by transmit- malarial drug was not ted light and another when available until 1820, when viewed obliquely. Mineralo- Joseph Baptiste Caventou gists recognize a type of fluor- (1795-1877) and Josephe spar, pale green when viewed Pelletier (1788-1842) iso- against the light, but appearing lated quinine from the blue when viewed at an angle bark (1). Eighty years af- to the light. Unrefined petro- ter their discovery, a statue leum shows the same kind of honoring these chemists effect, as do certain substances was erected in Paris (Fig. when in solution. Fluorescein, 1). used both in the laboratory as Other workers estab- an indicator and industrially for lished the formula for qui- the location of leaks in waste nine, showed that it acts as water systems, is a familiar ex- a diacid base, and that it ample. Another is quinine or, is a methoxy derivative of because of its low solubility in a companion alkaloid, cin- water, one of its salts. The so- chonine. The elucidation lution, colorless when viewed of the structure of these directly, appears blue when compounds, largely due to viewed at an angle to the inci- the work of Wilhelm dent light. -
Autobiography of Sir George Biddell Airy by George Biddell Airy 1
Autobiography of Sir George Biddell Airy by George Biddell Airy 1 CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER VII. CHAPTER VIII. CHAPTER IX. CHAPTER X. CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER VII. CHAPTER VIII. CHAPTER IX. CHAPTER X. Autobiography of Sir George Biddell Airy by George Biddell Airy The Project Gutenberg EBook of Autobiography of Sir George Biddell Airy by George Biddell Airy This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg Autobiography of Sir George Biddell Airy by George Biddell Airy 2 License included with this eBook or online at www.gutenberg.net Title: Autobiography of Sir George Biddell Airy Author: George Biddell Airy Release Date: January 9, 2004 [EBook #10655] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK SIR GEORGE AIRY *** Produced by Joseph Myers and PG Distributed Proofreaders AUTOBIOGRAPHY OF SIR GEORGE BIDDELL AIRY, K.C.B., M.A., LL.D., D.C.L., F.R.S., F.R.A.S., HONORARY FELLOW OF TRINITY COLLEGE, CAMBRIDGE, ASTRONOMER ROYAL FROM 1836 TO 1881. EDITED BY WILFRID AIRY, B.A., M.Inst.C.E. 1896 PREFACE. The life of Airy was essentially that of a hard-working, business man, and differed from that of other hard-working people only in the quality and variety of his work. It was not an exciting life, but it was full of interest, and his work brought him into close relations with many scientific men, and with many men high in the State. -
Literary Branding in the Romantic Period
Literary Branding in the Romantic Period by Christopher Laxer A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto © Copyright by Christopher Laxer 2013 Literary Branding in the Romantic Period Christopher Laxer Doctor of Philosophy Department of English University of Toronto 2013 Abstract This thesis argues that, unlike the study of commodity branding, the study of literary branding should not focus solely upon book advertising, but rather investigate all of the processes of attribution that connect conceptual domains with literary labels, enabling their common use in the perception and navigation of the cultural world. Such processes should not be understood exclusively by analogy with the forms of commodity branding that originated in the consumer revolutions of the eighteenth or nineteenth centuries, but rather as the inherent consequences of more ancient and fundamental practices of naming and poetry. Rather than interpret the reactions of historical readers to Byron, for instance, largely in terms of the author as subject – as has been the tendency with earlier approaches to the question – this thesis seeks to explore historical readers’ reactions to the author’s name as label. The readers of Don Juan in 1819 knew Byron, not as we do after two centuries of biographical research, scholarly inquiry, and literary criticism, but as a literary label with relatively few associations. Arguing that the recent vogue for celebrity studies risks reifying elements of what Jerome McGann has called the Romantic Ideology, this thesis attempts to begin to redress this critical imbalance by examining the deployment of a number of interconnected literary labels in a series of case studies. -
Hamilton College Library "Home Notes"
American Communal Societies Quarterly Volume 3 Number 4 Pages 232-236 October 2009 Hamilton College Library "Home Notes" Follow this and additional works at: https://digitalcommons.hamilton.edu/acsq This work is made available by Hamilton College for educational and research purposes under a Creative Commons BY-NC-ND 4.0 license. For more information, visit http://digitalcommons.hamilton.edu/about.html or contact [email protected]. et al.: Hamilton College Library "Home Notes" Hamilton College Library “Home Notes” Communal Societies Collection New Acquisitions SEAL OF JOANNA SOUTHCOTT FIRST MEssENGER OF THE CHRISTIAN ISRAELITES Hamilton College Library recently acquired a remarkable collection of documents relating to Joanna Southcott (1750-1814) for its Communal Societies Collection. Southcott is considered to have been the first messenger of the Christian Israelite faith.1 In 1792 Southcott realized she was the woman spoken of in Revelation 12: 1And there appeared a great wonder in heaven; a woman clothed with the sun, and the moon under her feet, and upon her head a crown of twelve stars: 2And she being with child cried, travailing in birth, and pained to be delivered. Southcott gained an increasing number of followers throughout the late 1790s. Many adherents of contemporary messenger Richard Brothers, considered second in the lineage by the followers of Benjamin and Mary Purnell (House of David and Mary’s City of David), defected to Southcott upon Brothers’ imprisonment in 1795. Among these was the engraver William Sharp who brought Southcott to London to begin the process of “sealing” the elect, or the 144,000 who would be saved at the Day of Judgment. -
Soho Depicted: Prints, Drawings and Watercolours of Matthew Boulton, His Manufactory and Estate, 1760-1809
SOHO DEPICTED: PRINTS, DRAWINGS AND WATERCOLOURS OF MATTHEW BOULTON, HIS MANUFACTORY AND ESTATE, 1760-1809 by VALERIE ANN LOGGIE A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of History of Art College of Arts and Law The University of Birmingham January 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis explores the ways in which the industrialist Matthew Boulton (1728-1809) used images of his manufactory and of himself to help develop what would now be considered a ‘brand’. The argument draws heavily on archival research into the commissioning process, authorship and reception of these depictions. Such information is rarely available when studying prints and allows consideration of these images in a new light but also contributes to a wider debate on British eighteenth-century print culture. The first chapter argues that Boulton used images to convey messages about the output of his businesses, to draw together a diverse range of products and associate them with one site. Chapter two explores the setting of the manufactory and the surrounding estate, outlining Boulton’s motivation for creating the parkland and considering the ways in which it was depicted. -
Graves of Artists and Architects Buried There
Graves of architects and artists in the Chiswick Churchyard and Old Burial Ground A noteworthy feature of the burial ground associated with St Nicholas, Chiswick, is the remarkable number of graves of artists and architects buried there. This article records the graves of an important eighteenth-century architect and garden designer, a respected bricklayer and site manager, two well-regarded Victorian sculptors, and no fewer than six painters and printmakers. In comparison, I know of only one literary figure who was buried there: the maverick Italian poet and patriot, Ugo Foscolo (1778–1827). But perhaps he does not count, since his bones were exhumed in 1871 and returned to Italy for re-burial in Sta Croce, Florence. The churchyard harbours the tomb of only one theatrical figure, Charles Holland (1733–1769), but – as far as I am aware – of not one single composer. Two possible reasons for this bias in favour of the visual arts may be connected with two leading figures in the British eighteenth-century art world who were associated with St Nicholas, Chiswick. Lord Burlington (1694–1753) and William Hogarth (1697–1764) were close contemporaries, although they seldom if ever saw eye to eye. Lord Burlington was the architect of his ground- breaking Chiswick Villa, and he was also a celebrated aesthete and connoisseur. During highly profitable visits to Italy in the second decade, he amassed an important collection of Italian Renaissance and Baroque paintings. Chiswick Villa was designed in part specifically to display this collection, which enhanced Burlington’s status in the British art scene. His semi-permanent residence at Chiswick in the last 20 or so years of his life, and the inheritance of his estate by the Dukes of Devonshire from 1764, perhaps attracted other artists to the area, seeking aristocratic and royal patronage. -
This Season's Colours
news & views one critical bundle radius, derived from the the assemblies can be tuned (it should be e-mail: [email protected]; relative energetic costs of filament bending noted that the models are idealized and [email protected] and interfilament spacing distortion. Below do not contain all the relevant elements; this critical radius, the preferred morphology particularly, entropic and thermal effects References corresponds to bundles with a circular are not yet included, and could turn out 1. King, H., Schroll, R. D., Davidovitch, B. & Menon, N. Proc. Natl Acad. Sci. USA 109, 9716–9720 (2012). cross-section, whereas above it ribbon-like to be important). The task now is to find 2. Irvine, W. T. M., Vitelli, V. & Chaikin, P. M. Nature assemblies are favoured. Experimental experimental ways of controlling and 468, 947–951 (2010). and numerical verification of the authors’ manipulating these physical parameters, 3. Hure, J., Roman, B. & Bico, J. Phys. Rev. Lett. 106, 174301 (2011). 4. Meng, G., Paulose, J., Nelson, D. R. & Manoharan, V. N. Science predictions provides reinforcement of this for example via variation of temperature, 343, 634–637 (2014). simple yet insightful theory. solvents and concentrations. ❐ 5. Hall, D. M., Bruss, I. R., Barone, J. R. & Grason, G. M. Grason and colleagues’ modelling study Nature Mater. 15, 727–732 (2016). 6. Chiti, F. & Dobson, C. M. Annu. Rev. Biochem. is an important step towards the quantitative Eran Sharon is at the Racah Institute of Physics, 75, 333–366 (2006). understanding — and eventually, better The Hebrew University of Jerusalem, Jerusalem, 7. Seung, H. -
“Photography in the United States,” 22 April 1853
“Photography in the United States,” 22 April 1853 (keywords: Louis Jacques Mandé Daguerre, François Arago, Joseph Nicéphore Niépce, crystalotype, stereoscope, David Brewster, Levi L. Hill, Samuel F. B. Morse, James R. Chilton, James Miles Wattles, William Henry Fox Talbot, James Campbell, Mathew B. Brady, ivorytype, John A. Whipple, Dr. George Phillip Bond, Armand Hippolyte Louis Fizeau, Antoine François Jean Claudet, Charles H. Williamson, talbotype, calotype, crystalotype,” ivorytype, Niepce de Saint Victor, history of the daguerreotype, history of photography.) ———————————————————————————————————————————— THE DAGUERREOTYPE: AN ARCHIVE OF SOURCE TEXTS, GRAPHICS, AND EPHEMERA The research archive of Gary W. Ewer regarding the history of the daguerreotype http://www.daguerreotypearchive.org EWER ARCHIVE N8530001 ———————————————————————————————————————————— Published in: New-York Tribune (semi-weekly) 8:825 (22 April 1853): 1. PHOTOGRAPHY IN THE UNITED S TATES. HISTORY OF THE INVENTION. The art of Photography—more popularly known as Daguerreotyping—is brought to so great a perfection in this country, and prosecuted on a scale of such magnitude, and the different manufactures connected with it are of such importance, especially in this City, that we propose giving a few details respecting them, and also a sketch of the origin and progress of this important discovery. Several designations distinguish this new art—it was originally called Photography, or writing by light; afterward, the art of Photogenic drawing, or drawing produced or occasioned by light; then Heliography, or writing by the sun—the latter term being that used by the experimenter who first succeeded in fixing the delineations of pictures produced by light—Mons. Daguerre, whose name has originated another and the most general title by which the art is known—Daguerreotyping—a compliment to the discoverer which will hand his name down to the latest posterity. -
John Boydell's Shakespeare Gallery and the Promotion of a National Aesthetic
JOHN BOYDELL'S SHAKESPEARE GALLERY AND THE PROMOTION OF A NATIONAL AESTHETIC ROSEMARIE DIAS TWO VOLUMES VOLUME I PHD THE UNIVERSITY OF YORK HISTORY OF ART SEPTEMBER 2003 2 TABLE OF CONTENTS Page Volume I Abstract 3 List of Illustrations 4 Introduction 11 I Creating a Space for English Art 30 II Reynolds, Boydell and Northcote: Negotiating the Ideology 85 of the English Aesthetic. III "The Shakespeare of the Canvas": Fuseli and the 154 Construction of English Artistic Genius IV "Another Hogarth is Known": Robert Smirke's Seven Ages 203 of Man and the Construction of the English School V Pall Mall and Beyond: The Reception and Consumption of 244 Boydell's Shakespeare after 1793 290 Conclusion Bibliography 293 Volume II Illustrations 3 ABSTRACT This thesis offers a new analysis of John Boydell's Shakespeare Gallery, an exhibition venture operating in London between 1789 and 1805. It explores a number of trajectories embarked upon by Boydell and his artists in their collective attempt to promote an English aesthetic. It broadly argues that the Shakespeare Gallery offered an antidote to a variety of perceived problems which had emerged at the Royal Academy over the previous twenty years, defining itself against Academic theory and practice. Identifying and examining the cluster of spatial, ideological and aesthetic concerns which characterised the Shakespeare Gallery, my research suggests that the Gallery promoted a vision for a national art form which corresponded to contemporary senses of English cultural and political identity, and takes issue with current art-historical perceptions about the 'failure' of Boydell's scheme. The introduction maps out some of the existing scholarship in this area and exposes the gaps which art historians have previously left in our understanding of the Shakespeare Gallery. -
The Fresnel Equations and Brewster's Law
The Fresnel Equations and Brewster's Law Equipment Optical bench pivot, two 1 meter optical benches, green laser at 543.5 nm, 2 10cm diameter polarizers, rectangular polarizer, LX-02 photo-detector in optical mount, thick acrylic block, thick glass block, Phillips multimeter, laser mount, sunglasses. Purpose To investigate polarization by reflection. To understand and verify the Fresnel equations. To explore Brewster’s Law and find Brewster’s angle experimentally. To use Brewster’s law to find Brewster’s angle. To gain experience working with optical equipment. Theory Light is an electromagnetic wave, of which fundamental characteristics can be described in terms of the electric field intensity. For light traveling along the z-axis, this can be written as r r i(kz−ωt) E = E0e (1) r where E0 is a constant complex vector, and k and ω are the wave number and frequency respectively, with k = 2π / λ , (2) λ being the wavelength. The purpose of this lab is to explore the properties the electric field in (1) at the interface between two media with indices of refraction ni and nt . In general, there will be an incident, reflected and transmitted wave (figure 1), which in certain cases reduce to incident and reflected or incident and transmitted only. Recall that the angles of the transmitted and reflected beams are described by the law of reflection and Snell’s law. This however tells us nothing about the amplitudes of the reflected and transmitted Figure 1 electric fields. These latter properties are defined by the Fresnel equations, which we review below. -
Back Matter (PDF)
[ 229 • ] INDEX TO THE PHILOSOPHICAL TRANSACTIONS, S e r ie s B, FOR THE YEAR 1897 (YOL. 189). B. Bower (F. 0.). Studies in the Morphology of Spore-producing Members.— III. Marattiaceae, 35. C Cheirostrobus, a new Type of Fossil Cone (Scott), 1. E. Enamel, Tubular, in Marsupials and other Animals (Tomes), 107. F. Fossil Plants from Palaeozoic Rocks (Scott), 1, 83. L. Lycopodiaceae; Spencerites, a new Genus of Cones from Coal-measures (Scott), 83. 230 INDEX. M. Marattiaceae, Fossil and Recent, Comparison of Sori of (Bower), 3 Marsupials, Tubular Enamel a Class Character of (Tomes), 107. N. Naqada Race, Variation and Correlation of Skeleton in (Warren), 135 P. Pteridophyta: Cheirostrobus, a Fossil Cone, &c. (Scott), 1. S. Scott (D. H.). On the Structure and Affinities of Fossil Plants from the Palaeozoic Ro ks.—On Cheirostrobus, a new Type of Fossil Cone from the Lower Carboniferous Strata (Calciferous Sandstone Series), 1. Scott (D. H.). On the Structure and Affinities of Fossil Plants from the Palaeozoic Rocks.—II. On Spencerites, a new Genus of Lycopodiaceous Cones from the Coal-measures, founded on the Lepidodendron Spenceri of Williamson, 83. Skeleton, Human, Variation and Correlation of Parts of (Warren), 135. Sorus of JDancea, Kaulfxissia, M arattia, Angiopteris (Bower), 35. Spencerites insignis (Will.) and S. majusculus, n. sp., Lycopodiaceous Cones from Coal-measures (Scott), 83. Sphenophylleae, Affinities with Cheirostrobus, a Fossil Cone (Scott), 1. Spore-producing Members, Morphology of.—III. Marattiaceae (Bower), 35. Stereum lvirsutum, Biology of; destruction of Wood by (Ward), 123. T. Tomes (Charles S.). On the Development of Marsupial and other Tubular Enamels, with Notes upon the Development of Enamels in general, 107. -
13. Fresnel's Equations for Reflection and Transmission
13. Fresnel's Equations for Reflection and Transmission Incident, transmitted, and reflected beams Boundary conditions: tangential fields are continuous Reflection and transmission coefficients The "Fresnel Equations" Brewster's Angle Total internal reflection Power reflectance and transmittance Augustin Fresnel 1788-1827 Posing the problem What happens when light, propagating in a uniform medium, encounters a smooth interface which is the boundary of another medium (with a different refractive index)? k-vector of the incident light nincident boundary First we need to define some ntransmitted terminology. Definitions: Plane of Incidence and plane of the interface Plane of incidence (in this illustration, the yz plane) is the y plane that contains the incident x and reflected k-vectors. z Plane of the interface (y=0, the xz plane) is the plane that defines the interface between the two materials Definitions: “S” and “P” polarizations A key question: which way is the E-field pointing? There are two distinct possibilities. 1. “S” polarization is the perpendicular polarization, and it sticks up out of the plane of incidence I R y Here, the plane of incidence (z=0) is the x plane of the diagram. z The plane of the interface (y=0) T is perpendicular to this page. 2. “P” polarization is the parallel polarization, and it lies parallel to the plane of incidence. Definitions: “S” and “P” polarizations Note that this is a different use of the word “polarization” from the way we’ve used it earlier in this class. reflecting medium reflected light The amount of reflected (and transmitted) light is different for the two different incident polarizations.