DOCSLIB.ORG

Unit Sheet 9 Byzantine

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Unit Sheet 9 Byzantine AP Art History Unit Sheet #9: Byzantine – Chapter 9 Mrs. Cook Works of Art Medium Date Page # 9-2: St. Michael the Archangel ivory Early 6 th century 257 9-4: Justinian as world conqueror ( Bar barini Ivory) ivory 650CE 259 9-5 to 9 -8: Hagia Sophia, Constantinople Architecture 537CE 260 -261 Architects: Anthemius of Tralles and Isidorus of Miletus 9.1 & 9.10 to 9 -12: San Vitale, Ravenna Architecture 550CE 263 -265 9-13: Justinian, Bishop Maximianus and attendants Mosaic ca. 547 265 9-14: Theodora and attendants 9-15: Santa Apollinare in Classe, Architecture 550CE 266 9-16: Transfiguration of Jesus mosaic (Egypt) 500CE 267 9-18: Virgin (Theotokos) & Chil d between Saints Theodore and encaustic on wood 600CE 269 George 9-23: Christ the Pantokrator mosaic (Greece) 1100CE 272 9-26: St. Marks, Venice Architecture 900CE 274 9-30: Paris Psalter Tempura on Vellum 950CE 277 9-31: Vladimir Virgin Icon - encaustic wood panel 1100CE 277 9-35 : The Three Angels Tempera on wood Ca. 1410 280 Preview: In 324, Constantine founded Constantinople (modern Istanbul, Turkey) on the site of ancient Byzantium. With the subsequent division of the Roman Empire into eastern and western centers, the city became the capital of the Eastern Christian, or Byzantine Empire. Byzantine art is divided into three periods: Early Byzantine (324-726), Middle Byzantine (843-1204), and Late Byzantine (1261-1453). The art and architecture of Byzantium glorified its emperors and gave visual form to the Orthodox Christian doctrine, which became the official religion of the realm under the Emperor Justinian. Though countless Early Byzantine artworks were destroyed in the era of iconoclasm (726-843), Middle Byzantine art marks a golden age after iconoclasm’s repeal. In the paintings and sculpture, Byzantine artists carry on classical traditions, but their depictions lack the naturalism and illusionism one sees in the art of Ancient Rome. Orthodox church architecture incorporates forms established in Rome, though Byzantine architects favored Greek-cross plans. A hallmark of Byzantine architecture is the construction of the dome set on pendentives, the most spectacular example of which is to be seen in the Hagia Sophia (532-537) in Constantinople. The Byzantine Empire falls when the Ottoman Turks seize Constantinople in 1453, and many of its churches, including the Hagia Sophia, are converted to mosques. Byzantine Art- Context 1 Constantinople – founded in 330 CE by Constantine as center of the eastern Roman Empire. Byzantine Empire ended when Constantinople “falls” in 1453 CE to the Ottoman Turks 2 Theocracy –the belief that the ruler (as head of state) is also the religious leader (head of the church/religion). Emperor Justinian also head of Eastern Orthodox Church- the vicar of Christ on Earth in competition to Pope in Rome. Eastern church splits with Western church in 1054 3 Justinian –c. 550 Emperor of Byzantine Empire. Invades Ravenna - comes under Justinian’s control- Maximian is Justinian’s designate. Declares Christianity to be only lawful religion of his empire . 4 Mosaics –main decorative element on the interiors of churches- best preserved examples in Ravenna iconic representations of complex theological ideas Vocabulary: iconoclast/ icons, theocracy, orthodox, tesserae, encaustic Architecture Terms/ Techniques: Central plan: dome , squinch, pendentive, Basilica plan: atrium, narthex, nave, aisles, transept, crossing, arcade, blind arcade, colonnade, clerestory AP Art History Unit Sheet #9: Byzantine – Chapter 9 Mrs. Cook Byzantine Mosaics- The Golden Age of Mosaics: mosaic from Ravenna, Constantinople, Venice and Rome during the th th 4 - 10 centuries Definition: The art or technique of creating picture or design with tesserae (Latin for cubes or dice) set in a mastic or a plaster grout. Technique: tesserae pieces can be set into wall, ceilings, floors, portable icons. tesserae pieces may be small pieces of colored glass, stones, marble pottery or any other hard imperishable material. Byzantine Mosaics as Iconic Art: (icon=image symbolic of an idea) - Symbolic representation of a message - Conceptual experience of work of art – conceptual reality – primary purpose to convey an idea - Use of simplification and stylization but at the service of concept and less on appearance or rich visual experience - Simplification of presentation of this idea into an easily recognizable form - Move toward realism – but not exact representation of visual reality - Decorative elements secondary to central image or icon .
Load more

Recommended publications
  • Download Course Outlines
    Page | 1 Page | 2 Academic Programs Offered 1. BS Graphic Design 2. BS Textile Design 3. BS Fine Arts 4. BS Interior Design 5. MA Fine Arts 6. Diploma in Fashion Design 7. Diploma in Painting BS Graphic Design Eligibility: At least 45% marks in intermediate (FA/FSC) or equivalent, the candidate has to pass with 45% passing marks. Duration: 04 Year Program (08 Semesters) Degree Requirements: 139 Credit Hours Semester-1 Course Code Course Title Credit Hours URCE- 5101 Grammar 3(3+0) URCP- 5106 Pakistan Studies 2(2+0) GRAD-5101 Calligraphy-I 3(0+3) GRAD-5102 Basic Design-I 3(0+3) GRAD-5103 Drawing-I 3(0+3) URCI-5109 Introduction to Information & Communication 3(2+1) Technologies Semester-2 URCE- 5102 Language Comprehension & Presentation Skills 3(3+0) URCI- 5105 Islamic Studies 2(2+0) GRAD-5105 Calligraphy-II 3(0+3) GRAD-5106 Basic Design-II 3(0+3) URCM-5107 Mathematics (Geometry and Drafting) 3(3+0) GRAD-5107 Drawing-II 3(0+3) Semester-3 URCE- 5103 Academic Writing 3(3+0) GRAD-5108 History of Art 3(3+0) GRAD-5109 Drawing-III 3(0+3) GRAD-5110 Graphic Design-I 3(0+3) GRAD-5111 Photography-I 3(0+3) GRAD-5112 Communication Design 3(0+3) URCC-5110 Citizenship Education and Community Engagement 3(1+2) Semester-4 URCE- 5104 Introduction to English Literature 3(3+0) Page | 3 GRAD-5113 Fundamental of Typography 2(0+2) GRAD-5114 History of Graphic Design-I 3(3+0) GRAD-5115 Graphic Design-II 3(0+3) GRAD-5116 Photography-II 3(0+3) GRAD-5117 Techniques of Printing 2(1+1) Semester-5 GRAD-6118 History of Graphic Design-II 3(3+0) GRAD-6119 Graphic Design-III
    [Show full text]
  • About Russian Beginnings
    CK_5_TH_HG_P104_230.QXD 2/14/06 2:23 PM Page 209 At a Glance continued ◗ Ivan III (the Great) and Ivan IV (the Terrible) expanded Russian terri- tory and the authority of the czars. ◗ Peter the Great sought to modernize and westernize Russia in order to enable it to compete with European nations for trade, territory, and prestige. ◗ The desire to find a warm-water port was one factor that encouraged Russian expansion. ◗ Catherine the Great, while once interested in reforming certain abuses of Russian government, became as autocratic as her predecessors after a peasant revolt and the French Revolution. ◗ The lives of peasants worsened under Peter and Catherine. Teaching Idea What Teachers Need to Know You may want to teach section B, A. History and Culture “Geography,” before “History and Culture.” Byzantine Influence in Russia The rise of Russia is closely related to the history of the Byzantine Empire, which students in Core Knowledge schools should have encountered in Grades 3 and 4. For a thousand years after the fall of the Roman Empire in the west, the Eastern or Byzantine Empire continued to build on ancient Greek and Roman tra- ditions and culture. For example, Byzantine architects used the Roman dome to build magnificent churches, such as Hagia Sophia in the Byzantine capital of Constantinople (now called Istanbul). Byzantine artists also created beautiful mosaics and icons. Students in Core Knowledge schools should have studied Hagia Sophia and Byzantine mosaics as part of the art curriculum for Grade 3. However, they may not be acquainted with icons, which are special pictures of Jesus, Mary, and the saints.
    [Show full text]
  • Ancient Rome and Byzantium: the Birth of the Byzantine Empire
    Ancient Rome and Byzantium: The Birth of the Byzantine Empire Ancient Rome and Byzantium: The Birth of the Byzantine Empire by ReadWorks Constantinople, 15th century In 330 A.D., the Emperor Constantine moved the capital of the Roman Empire from Rome. He chose Byzantium, a city far east of Rome, as his new capital. He renamed the city Constantinople. In 476 A.D., the city of Rome was conquered. The western part of the Roman Empire was defeated. After that, only the eastern part of the empire was left. This was centered in Constantinople and became known as the Byzantine Empire. Latin and Greek were the two most important languages of the Byzantine Empire. Greek was spoken in daily life. Latin was used for religious ceremonies and government work. The Byzantine Empire's rulers made it a Christian empire. Christianity became the core of Byzantine life. Constantinople became the center of the Christian world. In 1453 A.D., the Byzantine Empire fell to the Turks. Today, Constantinople is called Istanbul, and it is the largest city in Turkey. ReadWorks.org · © 2012 ReadWorks®, Inc. All rights reserved. Ancient Rome and Byzantium: The Birth of the Byzantine Empire - Comprehension Questions Name: ___________________________________ Date: _______________ 1. According to the text, which of the following was an important language in the Byzantine Empire? A. Italian B. Greek C. Turkish D. English 2. What was the effect of the western part of the Roman Empire being defeated? A. Emperor Constantine moved the capital from Rome to Byzantium. B. Emperor Constantine renamed the city of Byzantium to Constantinople.
    [Show full text]
  • Archaeology and History of Lydia from the Early Lydian Period to Late Antiquity (8Th Century B.C.-6Th Century A.D.)
    Dokuz Eylül University – DEU The Research Center for the Archaeology of Western Anatolia – EKVAM Colloquia Anatolica et Aegaea Congressus internationales Smyrnenses IX Archaeology and history of Lydia from the early Lydian period to late antiquity (8th century B.C.-6th century A.D.). An international symposium May 17-18, 2017 / Izmir, Turkey ABSTRACTS Edited by Ergün Laflı Gülseren Kan Şahin Last Update: 21/04/2017. Izmir, May 2017 Websites: https://independent.academia.edu/TheLydiaSymposium https://www.researchgate.net/profile/The_Lydia_Symposium 1 This symposium has been dedicated to Roberto Gusmani (1935-2009) and Peter Herrmann (1927-2002) due to their pioneering works on the archaeology and history of ancient Lydia. Fig. 1: Map of Lydia and neighbouring areas in western Asia Minor (S. Patacı, 2017). 2 Table of contents Ergün Laflı, An introduction to Lydian studies: Editorial remarks to the abstract booklet of the Lydia Symposium....................................................................................................................................................8-9. Nihal Akıllı, Protohistorical excavations at Hastane Höyük in Akhisar………………………………10. Sedat Akkurnaz, New examples of Archaic architectural terracottas from Lydia………………………..11. Gülseren Alkış Yazıcı, Some remarks on the ancient religions of Lydia……………………………….12. Elif Alten, Revolt of Achaeus against Antiochus III the Great and the siege of Sardis, based on classical textual, epigraphic and numismatic evidence………………………………………………………………....13. Gaetano Arena, Heleis: A chief doctor in Roman Lydia…….……………………………………....14. Ilias N. Arnaoutoglou, Κοινὸν, συμβίωσις: Associations in Hellenistic and Roman Lydia……….……..15. Eirini Artemi, The role of Ephesus in the late antiquity from the period of Diocletian to A.D. 449, the “Robber Synod”.……………………………………………………………………….………...16. Natalia S. Astashova, Anatolian pottery from Panticapaeum…………………………………….17-18. Ayşegül Aykurt, Minoan presence in western Anatolia……………………………………………...19.
    [Show full text]
  • Byzantine Art and Architecture
    Byzantine Art and Architecture Thesis The development of early Christian religion had a significant impact on western art after the fall of the Roman Empire in the 4th century (AD). Through examining various works of art and architecture, it becomes evident that the period of Byzantium marked a significant transition in aesthetic conventions which had a previous focus on Roman elements. As this research entails, the period of Byzantium acted as a link between the periods of Antiquity and the Middle Ages and thus provides insight on the impact of Christianity and its prevalence in art and architecture during this vast historical period. Sources/Limitations of Study Primary Sources: Adams, Laurie Schneider. Art Across Time. McGraw­Hill: New York, 2007. Figures: 8.4 Early Christian sarcophagus, Santa Maria Antiqua, Rome, 4th century. Marble. 8.5 Plan of Old Saint Peter’s basilica, Rome, 333­390. 8.6 Reconstruction diagram of the nave of Old Saint Peter’s Basilica. 8.12 Exterior of the mausoleum of Galla Placidia, Ravenna, c. 425­426. 8.13 Interior of the mausoleum of Galla Placidia showing niche with two apostles (above) and the Saint Lawrence mosaic (below), Ravenna, c. 425­426. 8.14 Christ as the Good Shepherd, the mausoleum of Galla Placidia, Ravenna, c. 425­ 426. Mosaic. 8.28 Hagia Sophia, Constantinople (now Instanbul), illuminated at night, completed 537. 8.29 Plan, section, and axonometric projection of Hagia Sophia. 8.30 View of the interior of Hagia Sophia after its conversion to a mosque. Colour lithograph by Louis Haghe, from an original drawing by Chevalier Caspar Fussati.
    [Show full text]
  • Iconoclasm: a Christian Dilemma
    ICONOCLASM: A CHRISTIAN DILEMMA - A BYZANTINE CONTROVERSY By STEPHEN CHARLES STEACY •• Bachelor of Arts Oklahoma State University Stillwater, Oklahoma 1969 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS December, 1978 ICONOCLASM: A CHRISTIAN DILEMMA - A BYZANTINE CONTROVERSY Thesis Approved: '. ~- Dean of the Graduate College 1019541 ii P~F~E This thesis is concerned with Iconoclasm, the religious upheaval which troubled the Byzantine conscience for over a century. There have been numerous theories adduced by his­ torians to account for this phenomenon. It is the purpose of this study to view the varying interpretations, analyze their shortcomings, and to put forth a different view of the controversy, one that more adequately expresses the deeply rooted religious nature of the movement, a movement not only of the eighth and ninth centuries but an idea which was nurtured in fertile soil of the Old Testament and Apostolic Christianity. The author wishes to express heartfelt appreciation to his thesis adviser, Dr. George Jewsbury, whose unflagging solicitude, support, and inspiration were instrumental in the preparation of this work. A note of thanks is given to Mrs. Karen Hoyer, whose typing expertise, in the final analysis, made the difference between success and failure. iii TABLE OF CONTENTS Chapter Page I. INTRODUCTION AND HISTORIOGRAPHICAL ESSAY 1 II. THEOLOGICAL AND PHILOSOPHICAL COURSES OF THE CONTROVERSY. • • . • . • • . • . 13 Genesis of the Cult of Icons .•.• 13 The Scriptures as the Foundation of Iconoclasm. 26 Precursors of ·the Iconoclast Movement . 30 Origen . 31 Eusebius .
    [Show full text]
  • Vol. Xii. 2014. Full Text
    SERIES BYZANTINA Virgin Mary; glassware decoration, from catacombs in Rome, 4th c. AD; N. P. Kondakov, Ikonografi a Bogomateri, St. Petersburg 1914, p. 77 SERIES BYZANTINA Studies on Byzantine and Post -Byzantine Art VOLUME XII POLISH INSTITUTE OF WORLD ART STUDIES CARDINAL STEFAN WYSZYŃSKI UNIVERSITY Warsaw 2014 EDITOR: Waldemar Deluga EDITORIAL BOARD: Anca Bratuleanu, Bucharest Viktoria Bulgakova, Berlin Ana Dumitran, Alba Iulia Mat Immerzeel, Amsterdam Michał Janocha (chairman), Warsaw Catherine Jolivet-Levy, Paris Alina Kondratjuk, Kiev Magdalena Łaptaś, Warsaw Jerzy Malinowski, Warsaw Márta Nagy, Debrecen Daniela Rywikova, Ostrava Athanassios Semoglou, Thessaloniki Tania Tribe, London Natasha Tryfanava, Minsk ADMINISTRATOR: Dominika Macios WEBMASTER: Rafał Zapłata EDITORIAL ADDRESS: Institut of History of Art Cardinal Stefan Wyszyński University ul. Wóycickiego 1/3 PL 01-938 Warszawa [email protected] Revised by Nicholas Barber, Anette and Denis Morin Cover design, typhographic project, illustrations editing and typesetting by Paweł Wróblewski Continuation of the series published by the NERITON Publishing House The issue subsidized by the Ministry of Science and Higher Education (Program „Index Plus”) © Copyright by Waldemar Deluga ISSN 1733–5787 Printed by Sowa - Druk na Życzenie www.sowadruk.pl tel. (48 22) 431 81 40 Edition of 400 copies Contents Introduction (Waldemar Deluga).................................................................................................7 Agnieszka Gronek, Eschatological elements in the schemes of
    [Show full text]
  • Art and Architecture of Ravenna & Bologna
    Art and Architecture of Ravenna & Bologna Travel Passports Baggage allowance Please ensure your 10-year British Passport is not We advise you to check the baggage allowances out of date and is valid for a full six months beyond carefully as you are likely to be charged the excess the duration of your visit. EU, Andorra, if you exceed the weight limit. Maximum weights Liechtenstein, Monaco, San Marino or Switzerland for single bags apply. valid national identification cards are also acceptable for travel to Italy. With British Airways your ticket includes one hold bag of up to 23kg plus one cabin bag no bigger than 56 x 45 x 5 cm and a personal bag (handbag or Visas computer case) no bigger than 45 x 36 x 20 cm. British and EU passport holders are not required to have a visa. Please contact the airline for further information. http://www.britishairways.com For all other passport holders please check the visa requirements with the appropriate embassy. Labels Please use the luggage labels provided. It is useful Italian Consulate-General: “Harp House”, 83/86 to have your home address located inside your Farringdon Street, London EC4A 4BL. suitcase should the label go astray. Tel: (0)20 7936 5900. Fax: (0)20 7583 9425. Email: [email protected] Website: http://www.conslondra.esteri.it/Consolato_Londra Transfers Open Mon-Fri 0900-1200 On arrival in Bologna, transfer to Ravenna (approx. 1 hour) to Hotel Bisanzio for three-night stay. Departure Tax Tickets The departure tax is included in the price of your Included with your detailed itinerary is an e-ticket, flight tickets.
    [Show full text]
  • 8 Heaven on Earth
    Heaven on Earth The Eastern part of the Roman empire from the mid 5 th century to the mid 15 th century is referred to as the Byzantine Empire [62] but that term 8 would not have meant anything to the people living either in the Eastern or the Western parts of the Roman Empire at the time. The residents of the East thought of them- 62 selves as “Romans” as Map of the maximum extent much as the residents of of the Byzantine Empire (edited map: xenohistorian.faithweb.com/ the West did. In fact, Con- europe/eu08.html ) stantine the Great had The Byzantine Empire expanded moved the capital of the and contracted many times from Roman Empire in 330 476, when the last emperor of the from “old” Rome in the Western Roman Empire abdi- West to what he called cated, until its demise in 1453. The “New” Rome ( Nova map gives us some idea of the core of the Byzantine Empire’s Roma ) in the East. There political and cultural influence. was already a city in the new location, Byzantion, and that is where the term Byzantine comes from. The name Constantinople was given to the new capital after the death of Constantine. Constantinople grew in power, cultural, and diplo- matic influence while old Rome was repeatedly plundered by barbarians. By the end of the 5 th century the Western Roman Empire was out of busi- ness. So it was that the citizens in the East saw themselves as simply the continuation of the Roman Empire. We call that remnant of the old em- pire in the east, Byzantium, in recognition of the changed political situa- tion centered on Constantinople between 476 and 1453.
    [Show full text]
  • The Concept of “Sister Churches” in Catholic-Orthodox Relations Since
    THE CATHOLIC UNIVERSITY OF AMERICA The Concept of “Sister Churches” In Catholic-Orthodox Relations since Vatican II A DISSERTATION Submitted to the Faculty of the School of Theology and Religious Studies Of The Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy © Copyright All Rights Reserved By Will T. Cohen Washington, D.C. 2010 The Concept of “Sister Churches” In Catholic-Orthodox Relations since Vatican II Will T. Cohen, Ph.D. Director: Paul McPartlan, D.Phil. Closely associated with Catholic-Orthodox rapprochement in the latter half of the 20 th century was the emergence of the expression “sister churches” used in various ways across the confessional division. Patriarch Athenagoras first employed it in this context in a letter in 1962 to Cardinal Bea of the Vatican Secretariat for the Promotion of Christian Unity, and soon it had become standard currency in the bilateral dialogue. Yet today the expression is rarely invoked by Catholic or Orthodox officials in their ecclesial communications. As the Polish Catholic theologian Waclaw Hryniewicz was led to say in 2002, “This term…has now fallen into disgrace.” This dissertation traces the rise and fall of the expression “sister churches” in modern Catholic-Orthodox relations and argues for its rehabilitation as a means by which both Catholic West and Orthodox East may avoid certain ecclesiological imbalances toward which each respectively tends in its separation from the other. Catholics who oppose saying that the Catholic Church and the Orthodox Church are sisters, or that the church of Rome is one among several patriarchal sister churches, generally fear that if either of those things were true, the unicity of the Church would be compromised and the Roman primacy rendered ineffective.
    [Show full text]
  • The Expansion and Fall of Rome
    Chapter The Expansion 2 and Fall of Rome Before You Read: People Search Use the following sentences to conduct a search for classmates who have the following information: • Find someone to explain who Caesar Augustus was. • Find a person who knows something about the Byzantine Empire. • Find someone who can point to a modern-day legacy of Rome. Record what you learn in your notebook. Big Ideas About Ancient Rome Government Governments create law codes and political bodies to organize a society. The Romans built a large and powerful empire. They held their empire together with military force and a highly organized government. After Rome’s fall, the Byzantines created a long-lasting empire. Integrated Technology INTERNET RESOURCES • Interactive Maps Go to ClassZone.com for • Interactive Visuals • WebQuest • Quizzes • Starting with a Story • Homework Helper • Maps • Research Links • Test Practice • Internet Activities • Current Events 284 Diocletian 330 becomes emperor. Emperor Constantine 476 L (gold coin showing moves capital from Western Roman Diocletian) Rome to Byzantium. Empire falls. 300s Aksum kingdom in East Africa reaches its height. (ruin of Aksum tower) L 42 P 10°W 0° 10°E 20°E 30°E 40°E Roman Empire, A.D. 120 North Sea BRITAIN London The Romans built the Pantheon as a tribute to their 50°N gods. The attached dome measures 142 feet in diameter and was the largest built until modern times. ATLANTIC GAUL OCEAN Massilia ITALY Black Sea Rome Byzantium SPAIN 40°N GREECE ANATOLIA M e d Ephesus i Athens Carthage t e Antioch r r SYRIA a n e a n S e a Jerusalem Alexandria 30°N AFRICA EGYPT Tropic of Cancer N Red Sea 0 300 600 miles W E 0 300 600 kilometers The Arch of Titus was completed in the late S 20°N fi rst century to honor the emperor Titus and his most famous military victory, the conquest of Jerusalem in A.D.
    [Show full text]
  • Houses, Streets and Shops in Byzantine Constantinople from the fifth to the Twelfth Centuries K.R
    Journal of Medieval History 30 (2004) 83–107 www.elsevier.com/locate/jmedhist Houses, streets and shops in Byzantine Constantinople from the fifth to the twelfth centuries K.R. Dark à Research Centre for Late Antique and Byzantine Studies, The University of Reading, Humanities and Social Sciences Building, Whiteknights, Reading RG6 6AA, UK Abstract This paper presents an analysis and reinterpretation of current evidence for houses, streets and shops in fifth- to twelfth-century Byzantine Constantinople, focussing on archaeological evidence. Previously unidentified townhouses and residential blocks are located. These show greater similarities to Roman-period domestic architecture than might be expected. Changes in the architectural style may be related to social change in the seventh century. Berger’s reconstruction of the early Byzantine street plan is shown to be archaeologically untenable. This has implications for the identification of formal planning and the boundaries of urban districts in the Byzantine capital. The limited archaeological evidence for streets and shops is also discussed. # 2004 Elsevier Ltd. All rights reserved. Keywords: Byzantine; Constantinople; Houses; Shops; Streets; Archaeology; Cultural change 1. Introduction This paper aims to ask what archaeology can tell us about the houses, streets and shops of Byzantine Constantinople between the fifth and 12th centuries. Abundant textual sources exist for the political, ecclesiastical and intellectual history of the city, but these provide much less information about the everyday life of its inhabitants. One would suppose that archaeology ought to play a central role in elucidating these aspects of urban history, but this has not been the à E-mail address: [email protected] (K.R.
    [Show full text]