Superman: Chronicles Vol.1 Free
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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Superman's Girl Friend, Lois Lane and the Represe
Research Space Journal article ‘Superman believes that a wife’s place is in the home’: Superman’s girl friend, Lois Lane and the representation of women Goodrum, M. Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Please cite this publication as follows: Goodrum, M. (2018) ‘Superman believes that a wife’s place is in the home’: Superman’s girl friend, Lois Lane and the representation of women. Gender & History, 30 (2). ISSN 1468-0424. Link to official URL (if available): https://doi.org/10.1111/1468-0424.12361 This version is made available in accordance with publishers’ policies. All material made available by CReaTE is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Contact: [email protected] ‘Superman believes that a wife’s place is in the home’: Superman’s Girl Friend, Lois Lane and the representation of women Michael Goodrum Superman’s Girl Friend, Lois Lane ran from 1958-1974 and stands as a microcosm of contemporary debates about women and their place in American society. The title itself suggests many of the topics about which women were concerned, or at least were supposed to concern them: the mediation of identity through heterosexual partnership, the pressure to marry and the simultaneous emphasis placed on individual achievement. Concerns about marriage and Lois’ ability to enter into it routinely provide the sole narrative dynamic for stories and Superman engages in different methods of avoiding the matrimonial schemes devised by Lois or her main romantic rival, Lana Lang. -
JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text
JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Click on Properties and set your Page Orientation to Landscape (11 x 8.5). 3. Under Print Range>Pages input the pages you would like to print. (See Table of Contents) 4. Under Page Handling>Page Scaling select Multiple pages per sheet. 5. Under Page Handling>Pages per sheet select Custom and enter 2 by 2. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border. 7. Click OK. ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) TABLE OF CONTENTS Aquaman, 8 Wonder Woman, 6 Batman, 5 Zatanna, 17 Cyborg, 9 Deadman, 16 Deathstroke, 23 Enchantress, 19 Firestorm (Jason Rusch), 13 Firestorm (Ronnie Raymond), 12 The Flash, 20 Fury, 24 Green Arrow, 10 Green Lantern, 7 Hawkman, 14 John Constantine, 22 Madame Xanadu, 21 Mera, 11 Mindwarp, 18 Shade the Changing Man, 15 Superman, 4 ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) 001 DC COMICS SUPERMAN Justice League, Kryptonian, Metropolis, Reporter FROM THE PLANET KRYPTON (Impervious) EMPOWERED BY EARTH’S YELLOW SUN FASTER THAN A SPEEDING BULLET (Charge) (Invulnerability) TO FIGHT FOR TRUTH, JUSTICE AND THE ABLE TO LEAP TALL BUILDINGS (Hypersonic Speed) AMERICAN WAY (Close Combat Expert) MORE POWERFUL THAN A LOCOMOTIVE (Super Strength) Gale-Force Breath Superman can use Force Blast. When he does, he may target an adjacent character and up to two characters that are adjacent to that character. -
Superman Or Batman Cakes
2105-8507SMnBatWebIs50530.qxd 7/12/05 11:42 AM Page 1 Instructions for To Decorate Superman Cake To make the Superman cake in the colors shown you will need Wilton Baking & Decorating Icing Colors in Royal Blue, Christmas Red, Copper (skin tone), and Lemon Yellow, tips 3, 16 and 18. We suggest that you tint all icing at Superman or Batman one time while cake cools. Refrigerate tinted icings in covered containers until ready to use. Cakes Make 3 cups buttercream icing: 1 PLEASE READ THROUGH INSTRUCTIONS BEFORE YOU BEGIN. • Tint 1 ⁄2 cups blue 3 IN ADDITION, to decorate cakes you will need: • Tint ⁄4 cup red • Tint 1⁄4 cup copper (skin tone) • Wilton Decorating Bag and Coupler or • Tint 1⁄4 cup yellow parchment paper triangles • Reserve 1⁄4 cup white • Tips 3, 16, and 18 • Wilton Icing Colors in Royal Blue, WITH RED ICING WITH YELLOW ICING • Use tip 3 and “To Outline” • Use tip 16 and “To Make Stars” Christmas Red, Copper (skin tone), directions to outline details on cape directions to cover belt Lemon Yellow and Black • Use tip 18 and “To Make Stars” • Use tip 16 and “To Make Stars” • Serving plate directions to cover cape directions to squeeze out a second • One 2-layer cake mix or ingredients for layer of stars in a circle to give the your favorite layer cake recipe WITH BLUE ICING appearance of a belt buckle • 3 cups buttercream icing (recipe) or • Use tip 3 and “To Outline” directions to outline details on suit WITH RED ICING 2 packages of creamy vanilla type • Use tip 16 and “To Make Stars” frosting mix (15.4 oz. -
Alter Ego #78 Trial Cover
Roy Thomas ’Merry Mar vel Comics Fan zine No. 50 July 2005 $ In5th.e9U5SA Sub-Mariner, Thing, Thor, & Vision TM & ©2005 Marvel Characters, Inc.; Conan TM & ©2005 Conan Properties, Inc.; Red Sonja TM & ©2005 Red Sonja Properties, Inc.; Caricature ©2005 Estate of Alfredo Alcala Vol. 3, No. 50 / July 2005 ™ Editor Roy Thomas Roy Thomas Associate Editors Shamelessly Celebrates Bill Schelly 50 Issues of A/E , Vol. 3— Jim Amash & 40 Years Since Design & Layout Christopher Day Modeling With Millie #44! Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editors Emeritus Jerry Bails (founder) Ronn Foss, Biljo White, Contents Mike Friedrich Production Assistant Writer/Editorial: Make Mine Marvel! . 2 Eric Nolen-Weathington “Roy The Boy” In The Marvel Age Of Comics . 4 Cover Artists Jim Amash interviews Roy Thomas about being Stan Lee’s “left-hand man” Alfredo Alcala, John Buscema, in the 1960s & early ’70s. & Jack Kirby Jerry Ordway DC Comics 196 5––And The Rest Of Roy’s Cover Colorist Color-Splashed Career . Flip Us! Alfredo Alcala (portrait), Tom Ziuko About Our Cover: A kaleidoscopically collaborative combination of And Special Thanks to: three great comic artists Roy worked with and admired in the 1960s and Alfredo Alcala, Jr. Allen Logan ’70s: Alfredo Alcala , John Buscema , and Jack Kirby . The painted Christian Voltan Linda Long caricature by Alfredo was given to him as a birthday gift in 1981 and Alcala Don Mangus showed Rascally Roy as Conan, the Marvel-licensed hero on which the Estelita Alcala Sam Maronie Heidi Amash Mike Mikulovsky two had labored together until 1980, when R.T. -
AKA Clark Kent) Middle Name Is Joseph
Superman’s (AKA Clark Kent) Middle Name Is Joseph. What’s that?! There in the sky? Is it a bird? Is it a plane? No! It’s the Man of Tomorrow! Superman has gone by many names over the years, but one thing has remained the same. He has always stood for what’s best about humanity, all of our potential for terrible destructive acts, but also our choice to not act on the level of destruction we could wreak. Superman was first created in 1933 by Joe Shuster and Jerry Siegel, the writer and artist respectively. His first appearance was in Action Comics #1, and that was the beginning of a long and illustrious career for the Man of Steel. In his unmistakable blue suit with red cape, and the stylized red S on his chest, the figure of Superman has become one of the most recognizable in the world. The original Superman character was a bald telepathic villain that was focused on world domination. It was like a mix of Lex Luthor and Professor X. Superman’s powers include incredible strength, the ability to fly. X-ray vision, super speed, invulnerability to most attacks, super hearing, and super breath. He is nearly unstoppable. However, Superman does have one weakness, Kryptonite. When exposed to this radioactive element from his home planet, he becomes weak and helpless. Superman’s alter ego is mild-mannered reporter Clark Kent. He lives in the city of Metropolis and works for the newspaper the Daily Planet. Clark is in love with fellow reporter Lois Lane. -
30Th ANNIVERSARY 30Th ANNIVERSARY
July 2019 No.113 COMICS’ BRONZE AGE AND BEYOND! $8.95 ™ Movie 30th ANNIVERSARY ISSUE 7 with special guests MICHAEL USLAN • 7 7 3 SAM HAMM • BILLY DEE WILLIAMS 0 0 8 5 6 1989: DC Comics’ Year of the Bat • DENNY O’NEIL & JERRY ORDWAY’s Batman Adaptation • 2 8 MINDY NEWELL’s Catwoman • GRANT MORRISON & DAVE McKEAN’s Arkham Asylum • 1 Batman TM & © DC Comics. All Rights Reserved. JOEY CAVALIERI & JOE STATON’S Huntress • MAX ALLAN COLLINS’ Batman Newspaper Strip Volume 1, Number 113 July 2019 EDITOR-IN-CHIEF Comics’ Bronze Age and Beyond! Michael Eury TM PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST José Luis García-López COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek IN MEMORIAM: Norm Breyfogle . 2 SPECIAL THANKS BACK SEAT DRIVER: Editorial by Michael Eury . 3 Karen Berger Arthur Nowrot Keith Birdsong Dennis O’Neil OFF MY CHEST: Guest column by Michael Uslan . 4 Brian Bolland Jerry Ordway It’s the 40th anniversary of the Batman movie that’s turning 30?? Dr. Uslan explains Marc Buxton Jon Pinto Greg Carpenter Janina Scarlet INTERVIEW: Michael Uslan, The Boy Who Loved Batman . 6 Dewey Cassell Jim Starlin A look back at Batman’s path to a multiplex near you Michał Chudolinski Joe Staton Max Allan Collins Joe Stuber INTERVIEW: Sam Hamm, The Man Who Made Bruce Wayne Sane . 11 DC Comics John Trumbull A candid conversation with the Batman screenwriter-turned-comic scribe Kevin Dooley Michael Uslan Mike Gold Warner Bros. INTERVIEW: Billy Dee Williams, The Man Who Would be Two-Face . -
The Dark Knight Manual: Tools, Weapons, Vehicles & Documents from the Batcave, 2012, Brandon T
The Dark Knight Manual: Tools, Weapons, Vehicles & Documents from the Batcave, 2012, Brandon T. Snider, 1781162859, 9781781162859, Titan Publishing Group, 2012 DOWNLOAD http://bit.ly/16SXNyt http://www.amazon.com/s/?url=search-alias=stripbooks&field-keywords=The+Dark+Knight+Manual%3A+Tools%2C+Weapons%2C+Vehicles+%26+Documents+from+the+Batcave In 2005, filmmaker Christopher Nolan redefined Batman for a new generation with "Batman Begins," followed in 2008 by "The Dark Knight," and now 2012's conclusion to the trilogy, "The Dark Knight Rises." Here, for the first time, is an in-world exploration of Christopher Nolan's Batman: "The Dark Knight Manual," the definitive guide to his tools, vehicles, and technologies. Following the destruction of Wayne Manor, Bruce Wayne began to assemble key sketches, diagrams, observations, and other top-secret documents germane to becoming Batman; he then entrusted this manual to his faithful butler, Alfred. Every defining moment is detailed here, charting Wayne's collaborations with Lucius Fox at Wayne Enterprises on the latest cutting-edge technology. Featuring removable documents, including the design and capability of the famed utility belt, the hi-tech functions of Batman's cowl, and every detail of his amazing arsenal of weapons and gadgets, "The Dark Knight Manual" reveals how Bruce Wayne operates as Gotham's greatest protector. BATMAN and all related characters and elements are trademarks of and (c) DC Comics. (s12) DOWNLOAD http://tiny.cc/tzpBvm http://bit.ly/1veOZsX The Dark Knight Rises: I Am Bane , Lucy Rosen, Jun 5, 2012, Juvenile Fiction, 24 pages. Bane is a super-villain with a bad attitude. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Batman in the 50S Free
FREE BATMAN IN THE 50S PDF Joe Samachson,Various,Edmond Hamilton,Bill Finger,Bob Kane,Dick Sprang,Stan Kaye,Sheldon Moldoff | 191 pages | 01 May 2002 | DC Comics | 9781563898105 | English | United States Batman in the Fifties (Collected) | DC Database | Fandom An instantly recognizable theme song, outrageous death traps, ingenious gadgets, an army of dastardly villains and femme fatales, and a pop-culture phenomenon unmatched for generations. James Bondright? When it first premiered inBatman was the most faithful adaptation of a bona fide comic book superhero ever seen on the screen. It was a nearly perfect blend of the Saturday matinee movie serials where most comic book characters had their first Hollywood break and the comics of its time. But the TV series, particularly during its genesis, was both a product of its own time, and that of an earlier era. Both Flash Gordon and Dick Tracy had made the leap to the big screen before Superman had even hit newsstands, and both saw their serial adventures get two sequels. While Flash Gordonparticularly the first one, was a faithful within the limitations of its budget translation of the Alex Raymond comic strips, Dick Tracy was less so. Years before Richard Donner and Christopher Reevethis one made audiences believe a man could fly, and featured a perfectly cast Tom Tyler in the title role, but was still rather beholden to serial storytelling conventions and the aforementioned budgetary limitations. Ad — content continues below. Batman and Robin are portrayed much as they are in the comics, despite some unfortunately cheap costumes, and less than physically convincing actors in the title roles. -
Marvel Comics Marvel Comics
Roy Tho mas ’Marvel of a ’ $ Comics Fan zine A 1970s BULLPENNER In8 th.e9 U5SA TALKS ABOUT No.108 MARVELL CCOOMMIICCSS April & SSOOMMEE CCOOMMIICC BBOOOOKK LLEEGGEENNDDSS 2012 WARREN REECE ON CLOSE EENNCCOOUUNNTTEERRSS WWIITTHH:: BIILL EVERETT CARL BURGOS STAN LEE JOHN ROMIITA MARIIE SEVERIIN NEAL ADAMS GARY FRIIEDRIICH ALAN KUPPERBERG ROY THOMAS AND OTHERS!! PLUS:: GOLDEN AGE ARTIIST MIKE PEPPE AND MORE!! 4 0 5 3 6 7 7 2 8 5 6 2 8 1 Art ©2012 Marvel Characters, Inc.; Human Torch & Sub-Mariner logos ™ Marvel Characters, Inc. Vol. 3, No. 108 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) AT LAST! Ronn Foss, Biljo White LL IN Mike Friedrich A Proofreader COLOR FOR Rob Smentek .95! Cover Artists $8 Carl Burgos & Bill Everett Cover Colorist Contents Tom Ziuko With Special Thanks to: Writer/Editorial: Magnificent Obsession . 2 “With The Fathers Of Our Heroes” . 3 Glenn Ald Barbara Harmon Roy Ald Heritage Comics 1970s Marvel Bullpenner Warren Reece talks about legends Bill Everett & Carl Burgos— Heidi Amash Archives and how he amassed an incomparable collection of early Timelys. Michael Ambrose Roger Hill “I’m Responsible For What I’ve Done” . 35 Dave Armstrong Douglas Jones (“Gaff”) Part III of Jim Amash’s candid conversation with artist Tony Tallarico—re Charlton, this time! Richard Arndt David Karlen [blog] “Being A Cartoonist Didn’t Really Define Him” . 47 Bob Bailey David Anthony Kraft John Benson Alan Kupperberg Dewey Cassell talks with Fern Peppe about her husband, Golden/Silver Age inker Mike Peppe.