Visual Performance As a Function of Spectral Power Distribution of Light Sources at Luminances Used for General Outdoor Lighting
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1 LIGHT PHYSICS Light and Lighting Francesco Anselmo Light Intro Light Animates and Reveals Architecture
1 LIGHT PHYSICS Light and Lighting Francesco Anselmo Light intro Light animates and reveals architecture. Architecture cannot fully exist without light, since without light there would be nothing to see. Yet in architectural design light is usually either expected from nature or developed as an add-on attachment very late in the design process. The course explores the symbiotic relationship between architecture and light. As much as light can reveal architecture, architecture can animate light, making it bounce, scatter, refract, altering its spectrum and colour perception, absorbing it or reflecting it, modulating its path and strength in both space and time. It aims at developing a sensibility and intuition to the qualities of light, whilst giving the physical and computational tools to explore and validate design ideas. 4 7 1 2 5 3 6 1 LIGHT PHYSICS 4 LIGHT ELECTRIC 7 LIGHT CONNECTED 2 LIGHT BIOLOGY 5 LIGHT ARCHITECTURE 3 LIGHT NATURAL 6 LIGHT VIRTUAL Reading list Books Free online resources Bachelard, Gaston. The poetics of space, Beacon Press 1992 • http://hyperphysics.phy-astr.gsu.edu/hbase/ligcon.html Banham, Reyner. The architecture of the well-tempered Environment, Chicago University Press 1984 • http://thedaylightsite.com/ Bazerman, Charles. The languages of Edison’s light, MIT Press 2002 Berger, John. Ways of seeing, Pearson Education, Limited, 2002 • http://issuu.com/lightonline/docs/handbook-of-lighting-design Berger, John. About looking, Bloomsbury Publishing 2009 • http://www.radiance-online.org/ Bluhm, Andreas. Light! The industrial age 1750-1900, Carnegie Museum of Art 2000 Boyce, Peter R. Human Factors in Lighting, Taylor & Francis 2003 Calvino, Italo. -
CIE Technical Note 004:2016
TECHNICAL NOTE The Use of Terms and Units in Photometry – Implementation of the CIE System for Mesopic Photometry CIE TN 004:2016 CIE TN 004:2016 CIE Technical Notes (TN) are short technical papers summarizing information of fundamental importance to CIE Members and other stakeholders, which either have been prepared by a TC, in which case they will usually form only a part of the outputs from that TC, or through the auspices of a Reportership established for the purpose in response to a need identified by a Division or Divisions. This Technical Note has been prepared by CIE Technical Committee 2-65 of Division 2 “Physical Measurement of Light and Radiation" and has been approved by the Board of Administration as well as by Division 2 of the Commission Internationale de l'Eclairage. The document reports on current knowledge and experience within the specific field of light and lighting described, and is intended to be used by the CIE membership and other interested parties. It should be noted, however, that the status of this document is advisory and not mandatory. Any mention of organizations or products does not imply endorsement by the CIE. Whilst every care has been taken in the compilation of any lists, up to the time of going to press, these may not be comprehensive. CIE 2016 - All rights reserved II CIE, All rights reserved CIE TN 004:2016 The following members of TC 2-65 “Photometric measurements in the mesopic range“ took part in the preparation of this Technical Note. The committee comes under Division 2 “Physical measurement of light and radiation”. -
Luminance Requirements for Lighted Signage
Luminance Requirements for Lighted Signage Jean Paul Freyssinier, Nadarajah Narendran, John D. Bullough Lighting Research Center Rensselaer Polytechnic Institute, Troy, NY 12180 www.lrc.rpi.edu Freyssinier, J.P., N. Narendran, and J.D. Bullough. 2006. Luminance requirements for lighted signage. Sixth International Conference on Solid State Lighting, Proceedings of SPIE 6337, 63371M. Copyright 2006 Society of Photo-Optical Instrumentation Engineers. This paper was published in the Sixth International Conference on Solid State Lighting, Proceedings of SPIE and is made available as an electronic preprint with permission of SPIE. One print or electronic copy may be made for personal use only. Systematic or multiple reproduction, distribution to multiple locations via electronic or other means, duplication of any material in this paper for a fee or for commercial purposes, or modification of the content of the paper are prohibited. Luminance Requirements for Lighted Signage Jean Paul Freyssinier*, Nadarajah Narendran, John D. Bullough Lighting Research Center, Rensselaer Polytechnic Institute, 21 Union Street, Troy, NY 12180 USA ABSTRACT Light-emitting diode (LED) technology is presently targeted to displace traditional light sources in backlighted signage. The literature shows that brightness and contrast are perhaps the two most important elements of a sign that determine its attention-getting capabilities and its legibility. Presently, there are no luminance standards for signage, and the practice of developing brighter signs to compete with signs in adjacent businesses is becoming more commonplace. Sign luminances in such cases may far exceed what people usually need for identifying and reading a sign. Furthermore, the practice of higher sign luminance than needed has many negative consequences, including higher energy use and light pollution. -
Report on Digital Sign Brightness
REPORT ON DIGITAL SIGN BRIGHTNESS Prepared for the Nevada State Department of Transportation, Washoe County, City of Reno and City of Sparks By Jerry Wachtel, President, The Veridian Group, Inc., Berkeley, CA November 2014 1 Table of Contents PART 1 ......................................................................................................................... 3 Introduction. ................................................................................................................ 3 Background. ................................................................................................................. 3 Key Terms and Definitions. .......................................................................................... 4 Luminance. .................................................................................................................................................................... 4 Illuminance. .................................................................................................................................................................. 5 Reflected Light vs. Emitted Light (Traditional Signs vs. Electronic Signs). ...................................... 5 Measuring Luminance and Illuminance ........................................................................ 6 Measuring Luminance. ............................................................................................................................................. 6 Measuring Illuminance. .......................................................................................................................................... -
Lecture 3: the Sensor
4.430 Daylighting Human Eye ‘HDR the old fashioned way’ (Niemasz) Massachusetts Institute of Technology ChriChristoph RstophReeiinhartnhart Department of Architecture 4.4.430 The430The SeSensnsoror Building Technology Program Happy Valentine’s Day Sun Shining on a Praline Box on February 14th at 9.30 AM in Boston. 1 Happy Valentine’s Day Falsecolor luminance map Light and Human Vision 2 Human Eye Outside view of a human eye Ophtalmogram of a human retina Retina has three types of photoreceptors: Cones, Rods and Ganglion Cells Day and Night Vision Photopic (DaytimeVision): The cones of the eye are of three different types representing the three primary colors, red, green and blue (>3 cd/m2). Scotopic (Night Vision): The rods are repsonsible for night and peripheral vision (< 0.001 cd/m2). Mesopic (Dim Light Vision): occurs when the light levels are low but one can still see color (between 0.001 and 3 cd/m2). 3 VisibleRange Daylighting Hanbook (Reinhart) The human eye can see across twelve orders of magnitude. We can adapt to about 10 orders of magnitude at a time via the iris. Larger ranges take time and require ‘neural adaptation’. Transition Spaces Outside Atrium Circulation Area Final destination 4 Luminous Response Curve of the Human Eye What is daylight? Daylight is the visible part of the electromagnetic spectrum that lies between 380 and 780 nm. UV blue green yellow orange red IR 380 450 500 550 600 650 700 750 wave length (nm) 5 Photometric Quantities Characterize how a space is perceived. Illuminance Luminous Flux Luminance Luminous Intensity Luminous Intensity [Candela] ~ 1 candela Courtesy of Matthew Bowden at www.digitallyrefreshing.com. -
Fundametals of Rendering - Radiometry / Photometry
Fundametals of Rendering - Radiometry / Photometry “Physically Based Rendering” by Pharr & Humphreys •Chapter 5: Color and Radiometry •Chapter 6: Camera Models - we won’t cover this in class 782 Realistic Rendering • Determination of Intensity • Mechanisms – Emittance (+) – Absorption (-) – Scattering (+) (single vs. multiple) • Cameras or retinas record quantity of light 782 Pertinent Questions • Nature of light and how it is: – Measured – Characterized / recorded • (local) reflection of light • (global) spatial distribution of light 782 Electromagnetic spectrum 782 Spectral Power Distributions e.g., Fluorescent Lamps 782 Tristimulus Theory of Color Metamers: SPDs that appear the same visually Color matching functions of standard human observer International Commision on Illumination, or CIE, of 1931 “These color matching functions are the amounts of three standard monochromatic primaries needed to match the monochromatic test primary at the wavelength shown on the horizontal scale.” from Wikipedia “CIE 1931 Color Space” 782 Optics Three views •Geometrical or ray – Traditional graphics – Reflection, refraction – Optical system design •Physical or wave – Dispersion, interference – Interaction of objects of size comparable to wavelength •Quantum or photon optics – Interaction of light with atoms and molecules 782 What Is Light ? • Light - particle model (Newton) – Light travels in straight lines – Light can travel through a vacuum (waves need a medium to travel in) – Quantum amount of energy • Light – wave model (Huygens): electromagnetic radiation: sinusiodal wave formed coupled electric (E) and magnetic (H) fields 782 Nature of Light • Wave-particle duality – Light has some wave properties: frequency, phase, orientation – Light has some quantum particle properties: quantum packets (photons). • Dimensions of light – Amplitude or Intensity – Frequency – Phase – Polarization 782 Nature of Light • Coherence - Refers to frequencies of waves • Laser light waves have uniform frequency • Natural light is incoherent- waves are multiple frequencies, and random in phase. -
Download the DIA Color Chart
DEMI-PERMANENT HAIRCOLOR 2 COMPLIMENTARY LINES OF HAIRCOLOR Each with its own benefit & expertise both provide maximum creativity & freedom ADVANCED ALKALINE TECHNOLOGY GENTLE ACID TECHNOLOGY HIGH PERFORMANCE HIGH PERFORMANCE • Demi-permanent crème • Luminous demi-permanent gel-crème • Rich tones, exceptional softness • Zero lift • Covers up to 70% grey • Intense care for the hair THE PROCESS THE PROCESS • Lifts (up to 1.5 Levels with 15-vol), then deposits • Zero lift, deposit only BEFORE COLOR DURING COLOR AFTER COLOR BEFORE COLOR DURING COLOR AFTER COLOR On natural hair, the cuticle The alkaline agents slightly open DIA Richesse has the ability to lighten up On color-treated & DIA Light has an acid The cationic polymers in scales are closed. the hair fiber allowing colorants to 1.5 levels, cover up to 70% white hair sensitized hair, the cuticle pH close to the natural pH of the hair. DIA Light have a resurfacing to penetrate the cuticle. & create rich, profound tones. scales are already open. effect on the cuticle, leaving There is no lift with gentle penetration the hair with amazing shine. of colorants for long lasting color. ADVANCED ALKALINE TECHNOLOGY ADVANCED ALKALINE TECHNOLOGY HIGH PERFORMANCE • Demi-permanent crème • Rich tones, exceptional softness • Covers up to 70% grey THE PROCESS • Lifts (up to 1.5 Levels with 15-vol), then deposits BEFORE COLOR DURING COLOR AFTER COLOR On natural hair, the cuticle The alkaline agents slightly open DIA Richesse has the ability to lighten scales are closed. the hair fiber allowing colorants up to 1.5 levels, cover up to 70% white to penetrate the cuticle. -
WHITE LIGHT and COLORED LIGHT Grades K–5
WHITE LIGHT AND COLORED LIGHT grades K–5 Objective This activity offers two simple ways to demonstrate that white light is made of different colors of light mixed together. The first uses special glasses to reveal the colors that make up white light. The second involves spinning a colorful top to blend different colors into white. Together, these activities can be thought of as taking white light apart and putting it back together again. Introduction The Sun, the stars, and a light bulb are all sources of “white” light. But what is white light? What we see as white light is actually a combination of all visible colors of light mixed together. Astronomers spread starlight into a rainbow or spectrum to study the specific colors of light it contains. The colors hidden in white starlight can reveal what the star is made of and how hot it is. The tool astronomers use to spread light into a spectrum is called a spectroscope. But many things, such as glass prisms and water droplets, can also separate white light into a rainbow of colors. After it rains, there are often lots of water droplets in the air. White sunlight passing through these droplets is spread apart into its component colors, creating a rainbow. In this activity, you will view the rainbow of colors contained in white light by using a pair of “Rainbow Glasses” that separate white light into a spectrum. ! SAFETY NOTE These glasses do NOT protect your eyes from the Sun. NEVER LOOK AT THE SUN! Background Reading for Educators Light: Its Secrets Revealed, available at http://www.amnh.org/education/resources/rfl/pdf/du_x01_light.pdf Developed with the generous support of The Charles Hayden Foundation WHITE LIGHT AND COLORED LIGHT Materials Rainbow Glasses Possible white light sources: (paper glasses containing a Incandescent light bulb diffraction grating). -
Light, Color, and Atmospheric Optics
Light, Color, and Atmospheric Optics GEOL 1350: Introduction To Meteorology 1 2 • During the scattering process, no energy is gained or lost, and therefore, no temperature changes occur. • Scattering depends on the size of objects, in particular on the ratio of object’s diameter vs wavelength: 1. Rayleigh scattering (D/ < 0.03) 2. Mie scattering (0.03 ≤ D/ < 32) 3. Geometric scattering (D/ ≥ 32) 3 4 • Gas scattering: redirection of radiation by a gas molecule without a net transfer of energy of the molecules • Rayleigh scattering: absorption extinction 4 coefficient s depends on 1/ . • Molecules scatter short (blue) wavelengths preferentially over long (red) wavelengths. • The longer pathway of light through the atmosphere the more shorter wavelengths are scattered. 5 • As sunlight enters the atmosphere, the shorter visible wavelengths of violet, blue and green are scattered more by atmospheric gases than are the longer wavelengths of yellow, orange, and especially red. • The scattered waves of violet, blue, and green strike the eye from all directions. • Because our eyes are more sensitive to blue light, these waves, viewed together, produce the sensation of blue coming from all around us. 6 • Rayleigh Scattering • The selective scattering of blue light by air molecules and very small particles can make distant mountains appear blue. The blue ridge mountains in Virginia. 7 • When small particles, such as fine dust and salt, become suspended in the atmosphere, the color of the sky begins to change from blue to milky white. • These particles are large enough to scatter all wavelengths of visible light fairly evenly in all directions. -
Exposure Metering and Zone System Calibration
Exposure Metering Relating Subject Lighting to Film Exposure By Jeff Conrad A photographic exposure meter measures subject lighting and indicates camera settings that nominally result in the best exposure of the film. The meter calibration establishes the relationship between subject lighting and those camera settings; the photographer’s skill and metering technique determine whether the camera settings ultimately produce a satisfactory image. Historically, the “best” exposure was determined subjectively by examining many photographs of different types of scenes with different lighting levels. Common practice was to use wide-angle averaging reflected-light meters, and it was found that setting the calibration to render the average of scene luminance as a medium tone resulted in the “best” exposure for many situations. Current calibration standards continue that practice, although wide-angle average metering largely has given way to other metering tech- niques. In most cases, an incident-light meter will cause a medium tone to be rendered as a medium tone, and a reflected-light meter will cause whatever is metered to be rendered as a medium tone. What constitutes a “medium tone” depends on many factors, including film processing, image postprocessing, and, when appropriate, the printing process. More often than not, a “medium tone” will not exactly match the original medium tone in the subject. In many cases, an exact match isn’t necessary—unless the original subject is available for direct comparison, the viewer of the image will be none the wiser. It’s often stated that meters are “calibrated to an 18% reflectance,” usually without much thought given to what the statement means. -
Spectral Light Measuring
Spectral Light Measuring 1 Precision GOSSEN Foto- und Lichtmesstechnik – Your Guarantee for Precision and Quality GOSSEN Foto- und Lichtmesstechnik is specialized in the measurement of light, and has decades of experience in its chosen field. Continuous innovation is the answer to rapidly changing technologies, regulations and markets. Outstanding product quality is assured by means of a certified quality management system in accordance with ISO 9001. LED – Light of the Future The GOSSEN Light Lab LED technology has experience rapid growth in recent years thanks to the offers calibration services, for our own products, as well as for products from development of LEDs with very high light efficiency. This is being pushed by other manufacturers, and issues factory calibration certificates. The optical the ban on conventional light bulbs with low energy efficiency, as well as an table used for this purpose is subject to strict test equipment monitoring, and ever increasing energy-saving mentality and environmental awareness. LEDs is traced back to the PTB in Braunschweig, Germany (German Federal Institute have long since gone beyond their previous status as effects lighting and are of Physics and Metrology). Aside from the PTB, our lab is the first in Germany being used for display illumination, LED displays and lamps. Modern means to be accredited for illuminance by DAkkS (German accreditation authority), of transportation, signal systems and street lights, as well as indoor and and is thus authorized to issue internationally recognized DAkkS calibration outdoor lighting, are no longer conceivable without them. The brightness and certificates. This assures that acquired measured values comply with official color of LEDs vary due to manufacturing processes, for which reason they regulations and, as a rule, stand up to legal argumentation. -
Variable Star Photometry with a DSLR Camera
Variable star photometry with a DSLR camera Des Loughney Introduction now be studied. I have used the method to create lightcurves of stars with an amplitude of under 0.2 magnitudes. In recent years it has been found that a digital single lens reflex (DSLR) camera is capable of accurate unfiltered pho- tometry as well as V-filter photometry.1 Undriven cameras, Equipment with appropriate quality lenses, can do photometry down to magnitude 10. Driven cameras, using exposures of up to 30 seconds, can allow photometry to mag 12. Canon 350D/450D DSLR cameras are suitable for photome- The cameras are not as sensitive or as accurate as CCD try. My experiments suggest that the cameras should be cameras primarily because they are not cooled. They do, used with quality lenses of at least 50mm aperture. This however, share some of the advantages of a CCD as they allows sufficient light to be gathered over the range of have a linear response over a large portion of their range1 exposures that are possible with an undriven camera. For and their digital data can be accepted by software pro- bright stars (over mag 3) lenses of smaller aperture can be grammes such as AIP4WIN.2 They also have their own ad- used. I use two excellent Canon lenses of fixed focal length. vantages as their fields of view are relatively large. This makes One is the 85mm f1.8 lens which has an aperture of 52mm. variable stars easy to find and an image can sometimes in- This allows undriven photometry down to mag 8.