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SYON the Thames Landscape Strategy Review 3 3 7
REACH 11 SYON The Thames Landscape Strategy Review 3 3 7 Landscape Character Reach No. 11 SYON 4.11.1 Overview 1994-2012 • There has been encouraging progress in implementing Strategy aims with the two major estates that dominate this reach, Syon and Royal Botanic Gardens, Kew. • Syon has re-established its visual connection with the river. • Kew’s master-planning initiatives since 2002 (when it became a World Heritage Site) have recognised the key importance of the historic landscape framework and its vistas, and the need to address the fact that Kew currently ‘turns its back on the river’. • The long stretch of towpath along the Old Deer Park is of concern as a fl ood risk for walkers, with limited access points to safe routes. • Development along the Great West Road is impacting long views from within Syon Park. • Syon House and grounds: major development plan, including re- instatement of Capability Brown landscape: re-connection of house with river (1997), opening vista to Kew Gardens (1996), re-instatement of lakehead in pleasure grounds, restoration of C18th carriage drive, landscaping of car park • Re-instatement of historic elements of Old Deer Park, including the Kew Meridian, 1997 • Kew Vision, launched, 2008 • Kew World Heritage Site Management Plan and Kew Gardens Landscape Masterplan 2012 • Willow spiling and tree management along the Kew Ha-ha • Invertebrate spiling and habitat creation works Kew Ha-ha. • Volunteer riverbank management Syon, Kew LANDSCAPE CHARACTER 4.11.2 The Syon Reach is bordered by two of the most signifi cant designed landscapes in Britain. Royal patronage at Richmond and Kew inspired some of the initial infl uential works of Bridgeman, Kent and Chambers. -
The Local Landscape Landscape Character Reach No 11: SYON
154 Thames Landscape Strategy: The Local Landscape Landscape Character Reach No 11: SYON LANDSCAPE CHARACTER The Syon Reach is bordered by two of the most significant designed landscapes in Britain. Royal patronage at Richmond and Kew inspired some of the initial influential works of Bridgeman, Kent and Chambers. The current layouts of Syon and the Royal Botanic Gardens are still basically the work of Lancelot Brown and William Nesfield. Syon Park is still essentially a Capability Brown landscape. The ha-ha, water meadows and tree clumps survive, though advancing willow and poplar scrub growth have merged the clumps, obliterated much of the meadow and blocked views to the river. An aerial photograph from as recently as the 1920s shows the 18th-century landscape intact. The imposing house, with the lion The Nesfield Avenues in the Royal Botanic The Nesfield Avenues in the Royal Botanic silhouetted on the roof, is now only revealed by a single narrowing window Gardens, Kew focus onto the Syon vista. This 1920s photo shows the traditional through the scrub. The channels of the water meadow have become blocked management of Syon Park, maintaining the open and the clay land drains are steadily eroding away into the Thames. tide meadow and Capability Brown tree clumps The Countryside Commission, English Nature and English Heritage are currently working with Syon Park to re-instate the tide meadow, the Capability Brown clumps and the visual connections to Kew and the river. Syon Park Limited has commissioned a landscape masterplan to advise on the management of the historic landscape and the layout and organisation of visitor facilities, parking and public access. -
4. the Observatory Compound
THE KING’S OBSERVATORY OLD DEER PARK, RICHMOND HISTORICAL REPORT BY JOHN CLOAKE VOL. 1 TEXT THE KING’S OBSERVATORY HISTORICAL REPORT VOL. 1 – TEXT – CONTENTS 1. Chronology of occupants of the Observatory – and responsible Government agencies 2. Early history of the site 3. The Observatory building 4. The Observatory compound 5. The work of the Observatory while in Royal hands – and the Royal collections 6. The work of the Observatory for scientific purposes 1842-1980 a. The British Association for the Advancement of Science 1842-1871 b. The Royal Society 1871-1899 c. The National Physical Laboratory 1900-1910 d. The Meteorological Office 1910-1980 7. The internal arrangement of the Observatory building 8. The outbuildings 9. Adaptation to use as a commercial office 10. Archaeological remains Appendix I General chronology II Site chronology III Sources – documents IV Sources – books and articles Note: Maps, plans and illustrations (with a note of their sources) are in Vol.2. 1. CHRONOLOGY OF OCCUPANTS 1768-69 Observatory built 1769-1840 Directly in Crown hands [1840-1842 negotiations with Royal Society] 1842-71 British Association for the Advancement of Science (by ‘grace & favour grant’) (Kew Committee established 1849) 19.6.1871 Handed over to Kew Committee of Royal Society 1881-82 Office of Works finds that no official notification of the 1871 handover was given. The Queen’s permission was given for continued occupation by the Royal Society, still on a grace & favour licence (but with ‘acknowledgement’ rent of 55 shillings p.a.) 30.11.1882 Licence to Royal Society issued: enrolled 22.12.1882 6.4.1883 Revised licence enrolled 1.1.1900 National Physical Laboratory (under auspices of Royal Society) takes over 1.7.1910 Meteorological Office (under auspices of Royal Society) takes over (1910-1913 – all NPL work transferred to Bushy House) 1920 Meteorological Office transferred to control of Air Ministry 1964 Air Ministry merged into Ministry of Defence 1980 Meteorological Office work at ‘Kew’ terminated. -
Architectural Remains of Richmond Twickenham
ARC HITECTURAL REMAINS OF RI C HMOND TWI C KEN HAM KEW MO RTLAKE AND PETERSHAM TH I S E DI T I O N CONS I S TS O F 400 C O P I E S 6 FO R S A L A N D T H E DRA W I NG S A V E. (3 5 E) , H N B EE E RAS E D F ROM TH E S TO N ES . T HE L I TH OG RA P H S H AV E B EE N P RI N T ED B Y O MAS “I AY 2 1 \V E LLI NGTO N S R E TH , , T ET ' I S P I N TH CO Y S Oo. 3 3 / oawf FR ON T IS PI ECE T HE OLD PA L A CE R I CH MO N D F R OM T HE COU RT Y A R D R CH IT E CT UR A L R E M A I N S O I CHMO N D TW ICKE N HA M KEVI E T E R S HA M A N D M O R T L A K W D RAWN I N L I TH O G RAPH Y BY TH O MAS R . AY W I TH N O TES C O M P I LED BY F REDE R I C C HA P MAN L ONDO N AN D N EW Y O RK oH N A C M N E A . -
Memories of Old Richmond
MEM O RIE S OF OL D RICHMOND M EM ORIES OF O L D R I C H M O N D WITH SOM E SIDELI GHTS ON EN GLISH HISTO RY ' B Y E S T E L L A C A V E WITH SK ET HES A N D A PLAN BY G EORGE A BRA N DRA M C . A N D OTHER ILLUSTRATIONS LONDON N U A Y A LBEMA RLE JOH M RR , 1 9 2 2 PRE FA CE m HEN . or B randra W Mr Ge ge , son of the late amu l B randram su st d to Mr . S e , gge e me that I sh ould write down the facts which I had from time to time gathered about the Old Palace of i Richmond , and said that he would llustrate it for h orrified—I ul v r me , I was , who co d ne e remember a date (excepting my sheet -anchor But when I saw the drawings and the plan that Mr . B randram o l had made , I thought other pe p e might like to see them too ; and as I like collecting , I began to and collect facts fancies , and have tried to piece t of them into a sor patchwork, and from time to a time, as gaps appeared , I h ve worked in a fancy e stitch here and th re to cover up deficiencies . Therefore , as someone once said to me, You must not take my history too seriou sly ; I do not myse I have been frequently warned by my Immediate Family not to be so discursive and to avoid side shows but I live to -day where these Kings and n C are Quee s and their ourt have lived , and they very real to me . -
Kew Gardens Painted by T
KEW GARDENS PAINTED BY T. MOWER MARTIN DESCRIBED BYAR'HOPEMONCRIEFF Ex Libris C. K. OGDEN THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES V UNIFORM WITH THIS VOLUME THE COTSWOLDS By G. F. NICHOLLS and FRANCIS DUCKWORTH NORTH DEVON By HENRY B. WIMBUSH and F. J. SNELL SOUTH DEVON By C. B. HANNAFORD and CHARLES ROWE, M. J.I. GALLOWAY By JAMES FAED, Jun., and J. M. SLOAN IRELAND By FRANCIS S. WALKER, R.H.A., and FRANK MATHEW LIVERPOOL By J. HAMILTON HAY and DIXON SCOTT THE PEAK COUNTRY By W. BISCOMBE GARDNER and A. R. HOPE MONCRIEFK KEW GARDENS AGENTS AMERICA . THE MACMILLAN COMPANY 64 & 66 FIFTH AVENUE, NEW YORK AUSTRALASIA THE OXFORD UNIVERSITY PRESS, MELBOURNE CANADA . THE MACMILLAN COMPANY OF CANADA, LTD. 27 RICHMOND STREET WEST, TORONTO INDIA . MACMILLAN & COMPANY, LTD. MACMILLAN BUILDING, BOMBAY 309 Bow BAZAAR STREET, CALCUTTA THE RHODODENDRON KEW GARDENS PAINTED BY T. MOWER MARTIN, R.C.A. DESCRIBED BY A. R. HOPE MONCRIEFF WITH 24 FULL-PAGE ILLUSTRATIONS IN COLOUR LONDON ADAM AND CHARLES BLACK 1908 73 K51M7 PREFACE KEW GARDENS contain what seems the com- pletest botanical collection in the world, handi- capped as it is by a climate at the antipodes of Eden, and by a soil that owes less to Nature than to patient art. Before being given up to public pleasure and instruction, this demesne was a royal country seat, specially favoured by George III. That homely King had two houses here and began to build a more pretentious palace, a design cut short by his infirmities, but for which Kew might have usurped the place of Windsor. -
The Kew Palaces
Local History Notes The Kew Palaces The name of ‘Kew Palace’ is nowadays synonymous with the red-brick, Dutch-gabled building which stands in the Royal Botanic Gardens at Kew, about 300 yards inside the main entrance. This house, in fact, is only one of 3 royal palaces which have stood in this vicinity. Today there is nothing on the riverbank to remind us of the strange Gothic palace which was once erected there for George III; but just west of the Orangery there is a Tompion sundial which marks the site of the other ‘lost’ palace – Kew House or the White House, built for Frederick, Prince of Wales. The sundial, marked with the initials of William III, was originally at Kensington Palace and was placed on the lawn by William IV. The White House Prince Frederick, the eldest son of George II, spent most of his childhood and youth in Hanover. He was summoned to England in December 1728 and in the following year was made Prince of Wales. Self-willed and sometimes devious, Frederick’s relationship with his parents was as unfortunate as that between his father and grandfather in the previous generation. In 1730, having been denied the right of occupying an official residence in London itself, Frederick took the lease on a house in Kew, situated scarcely a mile from his father’s house, Richmond Lodge. In the middle of the 17th century, the house had been the property of Richard Bennet, the son of a former Lord Mayor of London, Sir Thomas Bennet. Richard’s daughter and heiress, Dorothy, brought the property to Sir Henry Capel, afterwards Lord Capel of Tewkesbury and Lord Lieutenant of Ireland. -
The Building of Maids of Honour Row, Richmond’, the Georgian Group Journal, Vol
Sally Jeffery, ‘The Building of Maids of Honour Row, Richmond’, The Georgian Group Journal, Vol. XVIII, 2010, pp. 65–76 TEXT © THE AUTHORS 2010 THE BUILDING OF MAIDS OF HONOUR ROW, RICHMOND SALLY JEFFERY This article reveals the dates and details of building eldest son of George I, first came to live in Richmond of the terrace of four houses known as Maids of Lodge in the summer of and leased the house as Honour Row, Richmond-on-Thames. Although it was a summer residence in . It was originally built as undertaken as a speculative development by Thomas a hunting lodge to Richmond Palace, and was Honour and William Walmesley, some of the situated in the Old Park to the north of what is now accommodation was soon occupied by the Maids of the Twickenham Road, in the area occupied by the Honour to Princess Caroline, Princess of Wales, and it Royal Mid-Surrey Golf Club. This article will show is possible that the builders intended it for that purpose. that, according to building accounts recently found in The National Archives, Maids of Honour Row aids of Honour Row, Richmond, is a terrace of was in fact originally built in – as a speculative Mfour houses facing onto Richmond Green on development, and that some of the accommodation land which once belonged to Richmond Palace. was rented to the Prince of Wales as a residence for (Fig. ) It has previously been accepted that these the ladies in waiting to the Princess of Wales, four houses were built in – specifically to house Caroline of Brandenburg-Ansbach. -
Journal-Index-13-July-2017.Pdf
Richmond History JOURNAL OF THE RICHMOND LOCAL HISTORY SOCIETY Numbers 1–38: Contents, Author Index and Subject Index This listing combines, and makes available online, two publications previously available in print form – Journal Numbers 1 to X: Contents and Index, republished with corrections in October 2006, and Journal Numbers XI to XXV: Contents and Index, published in November 2004. This combined version has been extended to cover all issues of Richmond History up to No. 38 (2017) and it now also includes an author index. Journal numbers are in Arabic numerals and are shown in bold. Although we have taken care to check the accuracy of the index we are are aware that there may be some inaccuracies, inconsistencies or omissions. We would welcome any corrections or additions – please email them to [email protected] List of Contents There were two issues in 1981, Richmond History's first year of publication. Since then it has been published annually. No. 1: 1981 The Richmond ‘Riverside Lands’ in the 17th Century James Green Vincent Van Gogh in Richmond and Petersham Stephen Pasmore The development of the top of Richmond Hill John Cloake Hesba Stretton (1832–1911), Novelist of Ham Common Silvia Greenwood Richmond Schools in the 18th and 19th centuries Bernard J. Bull No. 2: 1981 The Hoflands at Richmond Phyllis Bell The existing remains of Richmond Palace John Cloake The eccentric Vicar of Kew, the Revd Caleb Colton, 1780–1832 G. E. Cassidy Miscellania: (a) John Evelyn in 1678 (b) Wordsworth’s The Choir of Richmond Hill, 1820 Augustin Heckel and Richmond Hill Stephen Pasmore The topography of Heckel’s ‘View of Richmond Hill Highgate, 1744’ John Cloake Richmond in the 17th century – the Friars area James Green No. -
Local History of Richmond Palace!
Local History Notes Richmond Palace The mediaeval palace Henry VII built Richmond Palace on the site of the former Palace of Shene which was severely damaged by fire when the king and his court were there for Christmas 1497. Henry I had first divided the manor of Shene from the royal manor of Kingston and granted it to a Norman knight. It returned to royal hands in the reign of Edward II and after his deposition it was held by his wife, Queen Isabella. After her death Edward III extended and embellished the manor house and turned it into the first Shene Palace where he died on 21st June 1377. His successor, his grandson Richard II, was only a boy when he came to the throne. As a teenager he was married to Anne of Bohemia and the young couple turned the dynastic marriage into a love match. Shene was their favourite home. Anne died of the plague at Shene on Whit Sunday 7th June 1394 and, stricken with grief, the king ordered the complete demolition of the buildings. Henry V determined to rebuild Shene He first had the, mostly timber, royal manor house at Byfleet demolished and moved to Shene as temporary quarters, then proceeded to begin the construction of a massive new castle-like building. His death in 1422 put a stop to the work. Henry VI was only a baby, but the King’s Council resumed the building work at the time of his coronation when he was 8 years old. Further enlargement of the palace was put in hand in the mid-1440s when the king was married. -
Capability Brown, Royal Gardener: the Business of Place-Making in Northern Europe, Pp
CHAPTER 4 Seeing an Eden from a Desert: Topographical Views of Kew and Richmond Gardens in the 1760s Matthew Storey What can contemporary visual representations of eighteenth-century Kew and Richmond Gardens tell us about what the gardens looked like, the design intentions of the makers, and the experience of the historical visitor? From late 1764 Lancelot ‘Capability’ Brown re-designed Richmond Gardens, a site directly adjacent to Kew Gardens. In the eighteenth century these two royal gardens had separate and distinct topographies, but now respectively form the western and eastern parts of the Royal Botanic Gardens, Kew. Investigation of a range of visual sources, including maps, topographical prints, and paintings, show not only the physical development of these landscapes, but also how these images were adapted to represent the gardens in specific ways. The changing design and appearance of the gardens reflect the changing debates ongarden design, and the rivalries of their makers. Eighteenth-century landscape gardens can now be experienced at a level of maturity that was never possible when they were first landscaped and planted. As trees have grown and matured, these gardens have taken on an appearance that their creators could only have imagined. However, analysis of topographical views shows the extent to which artists represented these new landscapes as completed visual experiences. The views represent the design intentions of their makers, as much as their actual appearance. Kew and Richmond Gardens developed and expanded separately from 1718 onwards, when George II and Queen Caroline, when Prince and Princess of Wales, leased Ormonde Lodge, renaming it Richmond Lodge.1 Thomas Richardson’s 1771 survey, represented in several versions, including a version on vellum from George III’s topographical collection now in the British Library, shows the two separate gardens together on the same plan (Figure 4.1).2 Most traces of them have now been obscured or obliterated entirely by the later development of the Royal Botanic Gardens, Kew. -
Max Lankester the Name of Every Feature in the Park Will Have Evolved for One Reason Or Another
Features of Richmond Park By Max Lankester The name of every feature in the Park will have evolved for one reason or another. In some cases we know the reason, but in others we don’t. The following list sets out what is known about names currently in use. It also includes former names, particularly in the case of some Lodges, even where the present name is obvious. Acknowledgements With thanks to Rachel Hirschler and Mary Pollard for their invaluable help in producing this booklet. Photographs by Charlotte Boreham, Michael Davison, Patrick Eagar, Ben Hirschler, Max Lankester and Mary Pollard. © Max Lankester, December 2015 Contents Acknowledgements ..................................................................................................................2 Buildings ....................................................................................................................................4 Holly Lodge [E2] ........................................................................................................................................ 4 Pembroke Lodge [C3] ............................................................................................................................... 4 Thatched House Lodge [B6] ...................................................................................................................... 5 White Lodge [F4] ...................................................................................................................................... 5 Woods and Plantations ............................................................................................................6