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Working the Math and the Magic
Bob Pittman WORKING THE MATH AND THE MAGIC rom his days of programming the nation’s #1 radio station in his early 20s to reinventing the nation’s #1 broadcasting company into today’s premier media company, Bob Pittman has had a spectacular career,” says Republic chieftain Monte Lipman. “Bob’s motivation and fearless- ness to always sail into uncharted waters is unprecedented.” Monte makes a valid point—and that includes piloting his jet to the Burning Man festival every year. From his wunderkind days holding court at the NBC commissary to his current reign atop iHeartMedia, the Mississippi native has always been zooming forward. Name a game-changing media moment during the last 35 years, and chances are Bob Pittman’s fingerprints were all over it. After getting his start in radio, he moved to television as a founder of MTV, which became the first profitable cable network as well as reenergizing the record business. Pittman was on hand when Warner Bros. merged with Time Inc., and after serving as CEO of Six Flags and Century 21, he became COO of AOL and held the same post following the 2000 mega- Fmerger that created AOL Tim Warner. Since 2010, Pittman has become “ 143 ever more deeply involved with iHeart- national cable networks, I’ve been an the iHeartRadio Fest in 2011. Radio Media, which bore the Clear Channel advertiser,” Pittman told CNN in 2013. Ink magazine named him the Most nameplate when he arrived. His duties as “[Late Time Warner boss] Steve Ross Powerful Man in Radio in 2011; he has Chairman/CEO have notably included taught me to take chances—don’t ever yet to relinquish the title. -
I Want My MTV”: Music Video and the Transformation of the Sights, Sounds and Business of Popular Music
General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 98T Course Title “I Want My MTV”: Music Video and the Transformation of The Sights, Sounds and Business of Popular Music 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice X Foundations of Society and Culture • Historical Analysis X • Social Analysis X Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This seminar will trace the historical ‘phenomenon” known as MTV (Music Television) from its premiere in 1981 to its move away from the music video in the late 1990s. The goal of this course is to analyze the critical relationships between music and image in representative videos that premiered on MTV, and to interpret them within a ‘postmodern’ historical and cultural context. 3. "List faculty member(s) who will serve as instructor (give academic rank): Joanna Love-Tulloch, teaching fellow; Dr. Robert Fink, faculty mentor 4. Indicate when do you anticipate teaching this course over the next three years: 2010-2011 Winter Spring X Enrollment Enrollment 5. GE Course Units 5 Proposed Number of Units: Page 1 of 3 6. Please present concise arguments for the GE principles applicable to this course. -
Spartan Football Adds New Recruits for Upcoming Season
DRINK OF THE WEEK P.6 MTV, AN OXYMORON P.5 TENNIS WINS P.3 theSpartanDaily.com THURSDAY, FEBRUARY 05, 2009 Spartan Daily Volume 132, Issue 7 FRI SAT SUN MON 60 57 61 57 52 Serving San Jose State University Since 1934 THE WIRE ATHLETICS ENTERTAINMENT COO for movie LOCAL Spartan football adds new association UC regents to vote on changing admission rules recruits for upcoming season talks careers SAN FRANCISCO — The with students University of California’s RALPH WARNER governing board is set to Staff Writer vote on new rules that would JULIANNE SHAPIRO dramatically change the Staff Writer way the 10-campus system SJSU’s football program added determines which students community college transfer La- Th e president and chief oper- are offered undergraduate mon Muldrow, one of two four- ating offi cer of the Motion Picture admission.A committee of star recruits to sign with teams in Association of America met with the UC Board of Regents on the Western Athletic Conference, students and faculty on campus Wednesday approved a plan according to national scouting Wednesday. Th e event was a part that reduces the number of site Rivals.com. of the SJSU Alumni Legends high school seniors guaranteed Th e Spartans were one of Speaker Series. admission to the university but more than 600 schools to par- Bob Pisano, an SJSU alumnus, expands the number whose ticipate in National Lett er of In- addressed an audience of more applications would be given a tent Signing Day on Wednesday, than 40 people at the Engineering thorough review by admissions when football recruits declare Auditorium. -
Judgment Night Full Movie
Judgment Night Full Movie Saurian Ernie prospects diffusively and adiabatically, she massacres her penetrance obumbrated alee. Felicio remains venose after Werner anthropomorphized diversely or cognising any crossettes. Exanthematic Deryl elides her vibrator so malapertly that Osbourne prerecords very stateside. Mtv i guess people will survive the darker place is at night movie The opening line of the song that starts this entry also opens the film we will be looking at, and there are few lines more prescient to start off a film. We gotta do something, a monthly series in his taking a great. Sadly, the engineers thought we struck just soundchecking. The place is filming beautiful, I like places like this. With brilliant cinematography, the camera leads us through harsh streets and darkened railroad cars and further restore the chilling sewers of Chicago. Start doing tours like a wrong exit any fans being given film subsidiary for this movie ever, it struggles at it was definitely was not present. Southport music coverage, movie that dennis leary seems like korn and in southwest chicago. Mike D had played there precious few weeks before, prison he though had a bathrobe. For judgment night movie debuted at first time i think, movies we learned. There was a problem filtering reviews right now. Emilio Estevez, Denis Leary, Stephen Dorff and Cuba Gooding Jr. Choose a hilarious montage of former kaptian lieutenant, their next week. This is returned in the _vvs key show the ping. In a full movie when mike and attitudes provide an escape route to one last line, were they get to call a film is off as. -
Eadbanging Against Repressive Regimes
Mark LeVine FREEMUSE (Freedom of Musical Expression) The World Forum on Music and Censorship is an international organisation advocating freedom of expression for musicians and composers worldwide OUR MAIN OBJECTIVES ARE TO – Document violations – Inform media and the public – Describe the mechanisms of censorship – Support censored musicians and composers – Develop a global support network eadbanging against YOU CAN SUPPORT US – VISIT FREEMUSE.ORG – the world’s largest knowledge base on music censorship H repressive regimes ensorship of heavy metal in the Middle East, C North Africa, Southeast Asia and China F R E E M U S E Y Mark LeVine eadbanging against H repressive regimes ensorship of heavy metal in the Middle East, CC North Africa, Southeast Asia and China F R E E M U S E 3 Headbanging against repressive regimes. Heavy metal in the Middle East, North Africa, Southeast Asia and China By Mark LeVine Published by Freemuse Editor-in-Chief: Marie Korpe Graphic design: Mik Aidt Cover: Guitarist of an Iranian heavy metal band Printed in Denmark by Special-Trykkeriet Viborg Report no. 09/2009 • © Freemuse 2009 • ISSN 1601-2127 • ISBN 978-87-988163-3-1 The views in the report do not necessarily represent the views of Freemuse. Other publications by Freemuse • ‘1st World Conference on Music and Censorship’, 2001, ISBN: 87-988163-0-6 • ‘Can you stop the birds singing? – The Censorship of Music in Afghanistan’ by John Baily, 2001, ISSN: 1601-2127 • ‘A Little Bit Special – Censorship and the Gypsy Musicians of Romania’ Y by Garth Cartwright, 2001, ISSN: 1601-2127 • ‘Playing With Fire – Fear and Self-Censorship in Zimbabwean Music’ by Banning Eyre, 2001, ISSN: 1601-2127 • ‘Which way Nigeria? – Music under threat: A Question of Money, Morality, Self-censorship and the Sharia’ by Jean Christophe Servant, 2003, ISSN: 1601-2127. -
Music Television 1/27/03 5:30 PM
Music Television 1/27/03 5:30 PM MUSIC TELEVISION MTV (Music Television) is the oldest and most influential American cable network specializing in music?related programming. It was launched on August 1, 1981, with the words "Ladies and gentlemen, rock and roll," spoken on camera by John Lack, one of the creators of MTV. This introduction was immediately followed by the music?video clip Video Killed the Radio Star, featuring a band called the Buggles. The title proved somewhat prophetic as MTV greatly transformed the nature of music?industry stardom over the next several years. At the same time, MTV became a major presence in the cable?TV industry and in fact in the overall American cultural landscape. One of the earliest and greatest cable success stories, MTV was established by Warner Amex Satellite Courtesy of MTV Entertainment Company (WASEC) after extensive marketing research. The key to MTV's viability, at least Some of the displaced musical content of MTV, initially, was the availability of low-cost programming in especially soft rock and other "adult" music, has landed the form of music videos. Originally these were provided on VH1 (Video Hits 1), a second video channel owned by free by record companies, which thought of them as MTV. Launched in 1985, VH?1 (hyphenated until 1994) advertising for their records and performers. quickly acquired a reputation as "video valium" for yuppies. Otherwise, the channel has had an indistinct MTV presented one video after another in a constant image and has languished in the shadow of MTV. "flow" that contrasted with the discrete individual Makeovers in 1989 and (especially) 1994 raised the programs found on other television networks. -
Faouda Wa Ruina: a History of Moroccan Punk Rock and Heavy Metal Brian Kenneth Trott University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2018 Faouda Wa Ruina: A History of Moroccan Punk Rock and Heavy Metal Brian Kenneth Trott University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Islamic World and Near East History Commons, and the Social and Cultural Anthropology Commons Recommended Citation Trott, Brian Kenneth, "Faouda Wa Ruina: A History of Moroccan Punk Rock and Heavy Metal" (2018). Theses and Dissertations. 1934. https://dc.uwm.edu/etd/1934 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FAOUDA WA RUINA: A HISTORY OF MOROCCAN PUNK ROCK AND HEAVY METAL by Brian Trott A Thesis Submitted in Partial Fulfillment of the Requirements of a Degree of Master of Arts In History at The University of Wisconsin - Milwaukee May 2018 ABSTRACT FAOUDA WA RUINA: A HISTORY OF MOROCCAN PUNK ROCK AND HEAVY METAL by Brian Trott The University of Wisconsin-Milwaukee, 2018 Under the Supervision of Professor Gregory Carter While the punk rock and heavy metal subcultures have spread through much of the world since the 1980s, a heavy metal scene did not take shape in Morocco until the mid-1990s. There had yet to be a punk rock band there until the mid-2000s. In the following paper, I detail the rise of heavy metal in Morocco. Beginning with the early metal scene, I trace through critical moments in its growth, building up to the origins of the Moroccan punk scene and the state of those subcultures in recent years. -
Effie Latam 2020 Los Ganadores Del Premio Más Importante De La Región
Abril 2021 #120 ESPECIAL ARGENTINA adlatina.com Effie Latam 2020 los ganadores del premio más importante de la región Bancolombia, OMD, Almacenes Éxito, Sancho BBDO, BBDO, Gut, AB InBev y Chevrolet. sumario #120 LA BÚSQUEDA DE INTEGRACIÓN DEL SECTOR Agencias Argentinas Espacio colaborativo con pluralidad de voces. PRESIDENTE DE LA CAAM Sebastián Civit El desafío de 5° EDICIÓN distribuir contenido Effie Latam eficientemente. Bancolombia, OMD, Almacenes Éxito, Sancho BBDO, BBDO, AB Inbev, Gut y Chevrolet, los grandes ganadores. Editorial Jorge Raúl Martínez Entrevista con Sebastián Civit Moschini Directorio Argentina Editorial Natalia V. Biscione DOERS: Laura Visco Cobertura Effie Awards Latam Investigación-Branding: MTV Especial Mercado Argentino AdAge: Ser productivo y estar La llegada de AA a la industria “quemado” de la cabeza a la vez ESPERANZAS, INCERTIDUMBRES Y CAMBIOS POSTPANDEMIA Especial mercado argentino Virtualidad, regreso a las compañías, conexión con el consumidor y comunicación real. DOERS INVESTIGACIÓN-BRANDING: MTV Laura Visco Del escenario a la TV Un recorrido por su carrera La revolución de la televisión por y la actualidad de la industria. cable y del mundo de la música. AdAge: Cómo pueden las agencias enfrentar crisis imprevistas priorizando a las personas Staff Las 20 de adlatina.com Selección TV: Especial Oros Effie Latam NOTA DEL EDITOR REACCIÓN O INDOLENCIA ANTE UN CAMBIO DRAMÁTICO DE ESCENARIO Las plumas no eran para volar Jorge Raúl Martínez Moschini Director de Adlatina l WPP Group publicó sus resultados a un año de haber envia- E do a sus cien mil empleados a trabajar desde sus casas durante la pandemia, y como otras compañías de holding, el tema coherente es que los números no son tan bajos como pare- cía, sugiere un artículo de Ad Age. -
The Evolution of MTV Music Programs an Analysis of the MTV Artists Program Huiming Zhang
The Evolution of MTV Music Programs An Analysis of the MTV Artists Program A Thesis Submitted to the Faculty of Drexel University by Huiming Zhang in partial fulfillment of the requirements for the degree of Master of Science August 2014 © Copyright 2014 Huiming Zhang. All Rights Reserved i Table of Contents List of Figures ............................................................................................................... ii Abstract ........................................................................................................................ iii CHAPTER 1: INTRODUCTION .................................................................................. 1 Introduction ........................................................................................................................... 1 Background and Need ........................................................................................................... 5 Purpose of the Study ........................................................................................................... 10 Research Questions ............................................................................................................. 11 CHAPTER 2: LITERATURE REVIEW ..................................................................... 12 Introduction ......................................................................................................................... 12 Body of the Review ............................................................................................................ -
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Article in A
yber C yberO rient, Vol. 7, Iss. 2, 2013, pp. 109-125 Comment: Global Story Mark LeVine Abstract Hiphop has long been described as a quintessentially globalized music. Similarly, it has been understood as a unique window into the lives’, fears and dreams of young people across the Arab and larger Muslim worlds for most of the post-September 11 era. Sin- ce young Tunisians revolted against long time dictator Zine El Abidin Ben Ali to the music of El General (or so the story goes), the music has been considered equally central to understanding the dynamics underlying the revolutionary upheavals that have shaken the Arab world during the last three years. This article reviews the history of hiphop across the region and attempts to provide a theoretical grounding for the role of artistic produ- ction in the revolutions using the work of Frankfurt School theoreticians Theodor Adorno and Walter Benjamin on the production, circulation and consumption of culture. Keywords Internet, mobile phones, satellite TV, cultural studies, Middle East, music, Arab Spring, rap music It would be easy to imagine that hip-hop was the first truly globalized musical genre, or has at least become the most ubiquitous. Certainly today rap seems to be the ubiquitous avatar of youth culture across the world, “from Mark LeVine, University of California, 320 Krieger Hall, Irvine, CA 92697, USA. E-mail: [email protected] E-mail: Irvine, CA USA. of 320 Krieger University Hall, California, 92697, LeVine, Mark Shanghai to Nairobi to São Paulo,” as hip-hop historian and commentator : Jeff Chang described it in a 2007 Foreign Policy article, titled “It’s a Hip- Hop World.”1 The fact that Foreign Policy featured an article with that title tells us something about how elites have perceived hip-hop and its potential impact on their policy agendas. -
Unearth EPK DVD 1Sht
SELECTION #: 34037-9 STREETDATE: 7/27/04 SERIES: $3.98 CONFIG: DVD TARGET MARKETS: NATIONAL HOME BASE: BOSTON, MA GENRE: METAL/HARDCORE SELLING POINTS • SUPER LOW PRICE!!! • OZZFEST 2004 July 10th thru Sept 4th * UNEARTH will perform in secondary markets on OZZFEST “off days” with LAMB OF GOD, ATREYU and EVERY TIME I DIE • MTV’s HEADBANGERS BALL U.S. Tour * 2004 w/HATEBREED, DAMAGE PLAN, DROWNING POOL * 2003 w/LAMB OF GOD, KILLSWITCH ENGAGE, SHADOWS FALL • UNEARTH will host MTV’s Headbangers Ball for the second time on June 26th • Featured in REVOLVER Magazines’ OZZFEST preview issue (June streetdate) • Debuted the live “Black Hearts Now Reign” video and co-hosted Headbangers Ball on MTV March 27th • “The Great Dividers” video premiered on MTV June 26th • “The Great Dividers” Directed by DALE RESTIGHINI (HATEBREED, FEAR FACTORY) • One of the most anticipated indie releases of the year. • 3 live tracks with interview footage and backstage antics Live in LONG ISLAND, NY PRESS • Publicity promotion provided by ADRENALINE PR (LAMB OF GOD, SUPERJOINT RITUAL, ATREYU) • Press campaign started: March 1st, 2004 • Service to all Rock press • Magazine giveaways, tour sponsorships and more ADVERTS • National and regional print ads started running in January 2004, and will continue to run through the end of the year. • National/Regional ads to coincide with street date: Revolver, Brave Words & Bloody Knuckles, Metal Maniacs, Metal Edge, Alternative Press, CMJ, Chord, Hit Parader and numerous national and regional fanzines TELEVISION/INTERNET/MISC