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Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
Airplane! by Michael Schlesinger
Airplane! By Michael Schlesinger In most people’s minds, the 1970s break neatly in two. The first half was the so- called Silver Age of Holly- wood, when a new genera- tion of directors arose and put their stamp on the mov- ies: Scorsese, Coppola, DePalma, Friedkin and oth- ers made ambitious, rule- breaking films that seemed to spell the end of the vaunted studio system (save Peter Bogdanovich, Stewardess Julie Hagerty and erstwhile pilot Robert Hays in the cockpit of the doomed who made traditional pictures ‘Airplane!’ Courtesy Library of Congress Collection. in a modern way). But a funny thing happened on the way to auteur nirvana: two “Zero Hour!” (Davison avers this was totally a coinci- other New Kids inadvertently killed the silver goose, dence.) The brass liked it yet were skeptical, but leg- and by the time the dust settled, Spielberg and Lucas endary producer Howard W. Koch “got” it and volun- were the new white-haired boys, and the studios teered to come aboard. With that reassurance and a were back in the blockbuster business for good. reasonable $3.5 million budget, Michael Eisner gave them the green light. Yet what most people forget is that big money was already being hauled in throughout the decade by an It didn’t begin smoothly. ZAZ, as they were called, exceedingly old-fashioned genre: the disaster film. wanted dramatic actors not known for comedy, who George Seaton’s good-natured “Airport” made a kill- would deliver the goofy dialogue perfectly seriously; ing in 1970, but it was considered a one-off throw- Paramount thought this was bonkers and wanted back. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
3. Groundhog Day (1993) 4. Airplane! (1980) 5. Tootsie
1. ANNIE HALL (1977) 11. THIS IS SPINAL Tap (1984) Written by Woody Allen and Marshall Brickman Written by Christopher Guest & Michael McKean & Rob Reiner & Harry Shearer 2. SOME LIKE IT HOT (1959) Screenplay by Billy Wilder & I.A.L. Diamond, Based on the 12. THE PRODUCERS (1967) German film Fanfare of Love by Robert Thoeren and M. Logan Written by Mel Brooks 3. GROUNDHOG DaY (1993) 13. THE BIG LEBOWSKI (1998) Screenplay by Danny Rubin and Harold Ramis, Written by Ethan Coen & Joel Coen Story by Danny Rubin 14. GHOSTBUSTERS (1984) 4. AIRplaNE! (1980) Written by Dan Aykroyd and Harold Ramis Written by James Abrahams & David Zucker & Jerry Zucker 15. WHEN HARRY MET SALLY... (1989) 5. TOOTSIE (1982) Written by Nora Ephron Screenplay by Larry Gelbart and Murray Schisgal, Story by Don McGuire and Larry Gelbart 16. BRIDESMAIDS (2011) Written by Annie Mumolo & Kristen Wiig 6. YOUNG FRANKENSTEIN (1974) Screenplay by Gene Wilder and Mel Brooks, Screen Story by 17. DUCK SOUP (1933) Gene Wilder and Mel Brooks, Based on Characters in the Novel Story by Bert Kalmar and Harry Ruby, Additional Dialogue by Frankenstein by Mary Wollstonecraft Shelley Arthur Sheekman and Nat Perrin 7. DR. STRANGELOVE OR: HOW I LEARNED TO STOP 18. There’s SOMETHING ABOUT MARY (1998) WORRYING AND LOVE THE BOMB (1964) Screenplay by John J. Strauss & Ed Decter and Peter Farrelly & Screenplay by Stanley Kubrick and Peter George and Bobby Farrelly, Story by Ed Decter & John J. Strauss Terry Southern 19. THE JERK (1979) 8. BlaZING SADDLES (1974) Screenplay by Steve Martin, Carl Gottlieb, Michael Elias, Screenplay by Mel Brooks, Norman Steinberg Story by Steve Martin & Carl Gottlieb Andrew Bergman, Richard Pryor, Alan Uger, Story by Andrew Bergman 20. -
El Cine De Jim Abrahams Y De Los Hermanos Zucker En Las Comedias De Ben Stiller
Heredero del ZAZ: cineSCRUPULOS Volumen 7 el cine de Jim Abrahams y Número 2 Julio a diciembre de los hermanos Zucker en 2019 las comedias de Ben Stiller Heir of ZAZ: Jim Abrahams and 91 Zucker brothers’s cinema in Ben Stiller’s comedies Sebastián Chávez1, Sebastián Gómez2, Daniel Montoya3, Ana Paula Sánchez4, Claudia Torres5 Resumen Dos tipos de comedias nos ofrecen, por un lado, el trío integrado por Jim Abrahams, Je- rry Zucker y David Zucker y, por el otro, las películas dirigidas por Ben Stiller. Sus traba- jos han visto la luz con 20 años de diferencia y se conciben bajo perspectivas del mun- do completamente distintas. En ambos casos se parodian situaciones identificables en la realidad pero cada uno lo hace usando el humor dentro de su propio lenguaje y estilo. Los primeros han establecido un culto gracias a una comedia ligada con lo absurdo, pero Ben Stiller usa la sátira para construir el mundo en el que sus historias cobran vida. Abstract Two types of comedy movies offers, on one hand, Jim Abrahams, Jerry Zucker and David Zucker and, on the other, Ben Stiller’s films. His works are 20 years apart and conceived under completely different perspectives of the world. In both cases they Citar como: parody identifiable situations in reality but each one does so using humor within their Chávez, S., Gómez, S., own language and style. The former have established a cult because comedy is linked Montoya, D., Sánchez, to absurd, but Ben Stiller uses satire to build the world in which his stories come alive. -
DVD Profiler
101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV). -
The Future: the Fall and Rise of the British Film Industry in the 1980S
THE FALL AND RISE OF THE BRITISH FILM INDUSTRY IN THE 1980S AN INFORMATION BRIEFING National Library Back to the Future the fall and rise of the British Film Industry in the 1980s an information briefing contents THIS PDF IS FULLY NAVIGABLE BY USING THE “BOOKMARKS” FACILITY IN ADOBE ACROBAT READER SECTION I: REPORT Introduction . .1 Britain in the 1980s . .1 Production . .1 Exhibition . .3 TV and Film . .5 Video . .7 “Video Nasties” & Regulation . .8 LEADING COMPANIES Merchant Ivory . .9 HandMade Films . .11 BFI Production Board . .12 Channel Four . .13 Goldcrest . .14 Palace Pictures . .15 Bibliography . .17 SECTION II: STATISTICS NOTES TO TABLE . .18 TABLE: UK FILM PRODUCTIONS 1980 - 1990 . .19 Written and Researched by: Phil Wickham Erinna Mettler Additional Research by: Elena Marcarini Design/Layout: Ian O’Sullivan © 2005 BFI INFORMATION SERVICES BFI NATIONAL LIBRARY 21 Stephen Street London W1T 1LN ISBN: 1-84457-108-4 Phil Wickham is an Information Officer in the Information Services of the BFI National Library. He writes and lectures extensively on British film and television. Erinna Mettler worked as an Information Officer in the Information Services of the BFI National Library from 1990 – 2004. Ian O’Sullivan is also an Information Officer in the Information Services of the BFI National Library and has designed a number of publications for the BFI. Elena Marcarini has worked as an Information Officer in the Information Services Unit of the BFI National Library. The opinions contained within this Information Briefing are those of the authors and are not expressed on behalf of the British Film Institute. Information Services BFI National Library British Film Institute 21 Stephen Street London W1T 1LN Tel: + 44 (0) 20 7255 1444 Fax: + 44 (0) 20 7436 0165 Try the BFI website for film and television information 24 hours a day, 52 weeks a year… Film & TV Info – www.bfi.org.uk/filmtvinfo - contains a range of information to help find answers to your queries. -
Cine Y Humor: Una Exploración Por El Mundo De La Comedia Que Surge De Cinemalore, Componente De Elitelore
1 Cine y humor: Una exploración por el mundo de la comedia que surge de Cinemalore, componente de Elitelore. Por: Samuel Schmidt y Gina Bardavid Szclar Introducción La comedia llegó muy temprano al cine, de hecho prácticamente empezó con una comedia, y ha sido uno de lo géneros más prolíficos en este arte, posiBlemente porque en ella caBe desde la estética, el entretenimiento por sí mismo, hasta la crítica política más profunda. Ahí se acompañan Buster Keaton en El General y su heroísmo para sin querer ganar una Batalla salvar a la joven mujer, Adam Sandler en Grown ups soBre cinco amigos que se reúnen después de varias décadas, la crítica contundente de Charles Chaplin contra Hitler en El Gran Dictador y la Burla de Mel Brooks contra la inquisición y Hitler en La historia del mundo. Del análisis de Wilkie (1973) se desprende que el cine es un componente del elitelore, o sea que es parte del corpus que compone el lore de las elites, sus valores, principios, creencias y forma de vida, al mismo tiempo es un medio para estaBlecer hechos históricos y hasta para “reescriBir” desde una óptica alternativa o recordar eventos traumáticos para la sociedad (entre muchas: Rojo amanecer soBre el 68 mexicano, Canoa soBre la iglesia y la persecución anti comunista en México, Walz for Bashir soBre la guerra de Israel en LíBano, Apocalypse Now soBre la guerra en Viet Nam). Wilkie (en Geffner y Wilkie (1976, 222) sugiere el concepto Cinemalore que: “otorga una forma consciente al análisis del film en tanto que parte de las costumbres, creencias, rituales y mitos sociales que deBen examinarse si vamos a empezar a entender nuestro tiempo, así como los tiempos pasados”, y continúan: “Dentro del terreno del cinemalore, el film puede interpretarse ya sea como imagen de la realidad y como un elemento del lore. -
2019 Sponsorship Program a Week of Film and Series Premieres in Hollywood
2019 SPONSORSHIP PROGRAM A WEEK OF FILM AND SERIES PREMIERES IN HOLLYWOOD We are proud to introduce the 23rd COLCOA FESTIVAL SPONSORSHIP PROGRAM COLCOA (City Of Light, City Of Angels) is the most comprehensive Festival dedicated to French films and series worldwide. This cultural event, presented by SACEM, the DGA, the WGA West, and the MPA, will celebrate its 23rd edition at the Directors Guild of America’s theaters in Hollywood, September 23rd to 28th, 2019. With 85 films (including 80 premieres), 23,000 attendees in 2018, and an occupancy rate of 92%, the festival has become a mainstay cultural event in the U.S. COLCOA is a destination for brands to achieve consumer marketing objectives that only a Los Angeles based entertainment platform can offer. In 2019, COLCOA will continue to find new ways to connect with audiences in Los Angeles, nationwide, and around the globe. We look forward to engaging with our partners, new and returning, for COLCOA 2019. Please visit our website at www.colcoa.org, and contact us for more details. Very sincerely, Francois Truffart Anouchka van Riel Festival Director Festival Deputy Director [email protected] [email protected] 1/ TABLE OF CONTENT 1/ Festival Presentation 3/ Sponsoring Presentation 6/ A Powerful Marketing Tool 7/ 2018 Key Figures 8/ A Steady Growth 9/ Talent at COLCOA 12/ A Unique Educational Program 13/ Recent Media Coverage and Advertisement 14/ Recent Partners 16/ 2019 Sponsorship Opportunities Program – Overview 17/ Discounted Publicity 20/ 2019 Digital Sponsorship 23/ 2019 Sponsorship Benefits Program 2/ COLCOA FRENCH FILM FESTIVAL A WEEK OF FILM AND SERIES PREMIERES IN HOLLYWOOD COLCOA FRENCH FILM FESTIVAL was founded in 1997 by The Franco-American Cultural Fund, a unique collaborative effort of the Directors Guild of America, the Motion Picture Association, the Writers Guild of America West, and France’s Society of Authors Composers and Publishers of Music (SACEM). -
FWB Production Notes
PRODUCTION NOTES "We need to talk." "We're heading in different directions." "You deserve better than me." "Let's stay friends." Dylan (JUSTIN TIMBERLAKE) and Jamie (MILA KUNIS) certainly aren't in a settling-down frame of mind. When New York-based executive recruiter Jamie trains her considerable headhunting skills on luring hotshot LA-based art director Dylan to take a dream job in the Big Apple, they quickly realize what kindred spirits they are. They've each been through so many failed relationships that they're both ready to give up on love and focus on having fun. So when Dylan relocates to New York and the pair start hanging out regularly, they share plenty of laughs over a twin belief that love is a myth propagated by Hollywood movies. That's when these two begin a deliciously sexy, decidedly grown-up experiment. Could these two fast friends – who are successful, unattached, and scornful of commitment - explore new terrain? If they add casual "no emotions" sex to their friendship, can they avoid all the pitfalls that come with thinking about someone else as more than just a pal? As two people weaned on the disappointing promises of romantic comedies, Dylan and Jamie shouldn’t be entirely surprised when their bold move becomes a bawdy, sexy ride into uncharted territory, exposing much more of themselves than they ever thought they'd get to see. Friends with Benefits stars Justin Timberlake (The Social Network), Mila Kunis (Black Swan), Patricia Clarkson (Easy A), Jenna Elfman (“Dharma & Greg”), Bryan 1 Greenberg (“How to Make It in America”), with Richard Jenkins (Dear John) and Woody Harrelson (2012). -
2007–08 Annual Report
THE POWER OF TRUTHAnnual Report 2007–08 THE TRUTH. iT HappenEd THEREFORE iT can HaPPEn again and iT can HaPPEn EvERyWHERE —Primo Levi, Holocaust survivor and author Contents 4 From Our Leadership 6 A Year of Outreach 8 Our Relentless Search for Truth 20 The Power of Truth to Confront Hate 28 The Power of Truth to Prevent Genocide 36 The Power of Truth to Change the World 46 Days of Remembrance Events 48 Our Partners 52 Our Donors 68 Financial Statement 69 United States Holocaust Memorial Council 2 annual report 2007–08 Our Relentless Search for Truth 3 DeaR FRiEndS, That the Holocaust can happen again is a fundamental truth The Holocaust teaches one of the greatest lessons about individual of the Museum. We are teaching people the world over another responsibility—the choice we each have to act or not to act and the truth: It didn’t have to happen, and that they have the power to prevent consequences of that decision. With your support, we continue building the next one. what is the world’s most comprehensive collection of evidence of this “crime of all crimes” against humanity. And what this evidence makes Three years ago, one of our Belfer Teachers so motivated his eighth painfully clear is that the Holocaust happened because ordinary people graders at a Catholic school in Louisville, Kentucky, by what they learned became accomplices to mass murder. Whether motivated by indifference, studying the Holocaust that they began to wonder why every student career advancement, peer approval, or antisemitism, in the long span did not have the same opportunity.