DOCSLIB.ORG

Analisis Sosiologis Tokoh Utama Dalam Film “Memoirs

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Analisis Sosiologis Tokoh Utama Dalam Film “Memoirs ANALISIS SOSIOLOGIS TOKOH UTAMA DALAM FILM “MEMOIRS OF A GEISHA” KARYA ROB MARSHALL ROB MARSHALL NO SAKUHIN “MEMOIRS OF A GEISHA” TO IU EIGA NI OKERU SHUJINKOU NO SHAKAIGAKU NO BUNSEKI SKRIPSI Skripsi ini diajukan kepada panitia ujian Fakultas Ilmu Budaya Universitas Sumatera Utara Medan untuk melengkapi salah satu syarat ujian sarjana dalam bidang Ilmu Sastra Jepang Oleh: DINDA SYAFITRAH 150708002 PROGRAM STUDI SASTRA JEPANG FAKULTAS ILMU BUDAYA UNIVERSITAS SUMATERA UTARA MEDAN 2019 Universitas Sumatera Utara Universitas Sumatera Utara Universitas Sumatera Utara Universitas Sumatera Utara KATA PENGANTAR Assalamu‟alaikum Wr. Wb. Puji dan syukur penulis ucapkan kepada Allah SWT atas segala berkat dan karunia-Nya sehingga penulis dapat menyelesaikan skripsi ini dengan baik yang berjudul “Analisis Sosiologi Tokoh Utama Dalam Film Memoirs Of A Geisha karya Rob Marshall”. Penulisan skripsi ini diajukan untuk memenuhi salah satu syarat memperoleh gelar sarjana di Fakultas Ilmu Budaya Program Studi Strata-1 Sastra Jepang Universitas Sumatera Utara. Dalam menyelesaikan skripsi ini penulis menerima banyak bantuan dari berbagai pihak secara langsung tidak langsung. Oleh karena itu, penulis menyampaikan terima kasih kepada: 1. Bapak Dr. Budi Agustono, M.S. selaku Dekan Fakultas Ilmu Budaya Universitas Sumatera Utara. 2. Bapak Prof. Hamzon Situmorang, M.S.,Ph.D, selaku ketua program studi Sastra Jepang Fakultas Ilmu Budaya Universitas Sumatera Utara dan selaku dosen pembimbing yang telah membimbing penulis dengan kesabaran dan ketelitian. 3. Seluruh Dosen Program Studi Sastra Jepang Fakultas Ilmu Budaya Universitas Sumatera Utara yang telah memberikan Ilmu dan Pengetahuan yang bermanfaat selama perkuliahan di Sastra Jepang sehingga penulis dapat menyelesaikan perkuliahan. 4. Kedua orang tua yang sangat penulis cintai Bapak Achmad Yani dan Ibu Erni Sa‟ari untuk semua kasih sayang, kesabaran, doa, serta dukungan materil yang i Universitas Sumatera Utara tak terhingga untuk pendidikan anak-anaknya. Dan Kak Dila yang juga membantu penulis dalam mengerjakan skripsi ini, serta Adik-adikku Dina dan Dini, terima kasih atas segala dukungannya. 5. Kak Putri selaku Staff kantor jurusan Sastra Jepang yang sudah membantu menyelesaikan berbagai berkas-berkas penulis. 6. Untuk sahabat-sahabat seperjuangan dari semester 1 sampai sekarang ini, Rizkia Putri Rambe as Kiyeaahh dan Sahri Baiti as Betong (mohabeten grup) yang selalu ada untuk penulis dan selalu memberikan dukungan semangat yang tiada batas. Yodala ya gausa apa kali yakann. 7. Nanda selaku teman dikala susah melanda yang telah banyak membantu dalam penyelesaian skripsi ini. 8. Teman-teman Sastra Jepang Angkatan 2015 yang tidak bisa penulis sebutkan satu persatu, terima kasih telah memberikan banyak bantuan dan dukungan kepada penulis dalam menyelesaikan skripsi ini. 9. Mila selaku sahabat sedari SMP yang bersedia memberi semangat dan hiburan walaupun terkadang tak dibutuhkan wqwq. Pitri, Mamel dan Nisa selaku sahabat dari SMA yang juga selalu memberikan dukungan semangat. 10. Kepada keluarga Cempaka kelompok 2 KKN 2018 desa Harian, Samosir yaitu Aldi, Boni, Yusuf, Shinta, Donna, Horna, Enda, Friska, Venny, Sri, Trifena, Vera, Herlina, Sarah, dan Novian yang telah membuat penulis sadar kalau hidup ngekost itu susahhh. 11. Abang-abangcu Bang Randu, Bang Vandy, dan Bang Amry yang juga membantu penulis dalam menyelesaikan skripsi ini. Muehehhehe.. ii Universitas Sumatera Utara 12. Seluruh member EXO, terutama Sehun yang sudah banyak memberi inspirasi kepada penulis. Penulis juga berterimakasih kepada Dynamic Duo ft. Chen EXO berkat lagunya yang berjudul Nosedive penulis selalu termotivasi. EXO Saranghajaa.. Penulis menyadari bahwa dalam penyusunan skripsi ini masih terdapat banyak kekurangan. Oleh karena itu, penulis mengharapkan kritik dan saran yang bersifat membangun guna kesempurnaan skripsi ini. Semoga skripsi bermanfaat bagi penulis sendiri, pembaca, dan pengembangan ilmu pengetahuan dalam bidang Sastra Jepang. Medan, 2 Oktober 2019 Penulis Dinda Syafitrah NIM: 150708002 iii Universitas Sumatera Utara DAFTAR ISI KATA PENGANTAR ....................................................................................... i DAFTAR ISI .................................................................................................... iv BAB I PENDAHULUAN 1.1 Latar Belakang Masalah ............................................................................... 1 1.2 Rumusan Masalah ........................................................................................ 4 1.3 Ruang Lingkup Pembahasan ........................................................................ 6 1.4 Tinjauan Pustaka dan Kerangka Teori ......................................................... 6 1.5 Tujuan dan Manfaat Penelitian .................................................................... 9 1.6 Metode Penelitian ....................................................................................... 10 BAB II TINJAUAN UMUM TERHADAP FILM MEMOIRS OF A GEISHA KARYA ROB MARSHALL DAN SOSIOLOGI SASTRA 2.1 Definisi Film .............................................................................................. 12 2.2 Resensi Film “Memoirs Of A Geisha” ....................................................... 13 2.2.1 Tema .................................................................................................. 13 2.2.2 Alur ................................................................................................... 14 2.2.3 Penokohan ......................................................................................... 15 2.2.4 Latar .................................................................................................. 16 2.2.5 Gaya Penceritaan ............................................................................... 19 iv Universitas Sumatera Utara 2.3 Kajian Sosiologi Sastra .............................................................................. 20 2.4 Definisi Geisha ........................................................................................... 23 BAB III ANALISIS SOSIOLOGI TERHADAP TOKOH UTAMA DALAM FILM MEMOIRS OF A GEISHA 3.1 Sinopsis Film Memoirs Of A Geisha ......................................................... 26 3.2 Analisis Sosiologi Tokoh Utama Dalam Film Memoirs Of A Geisha ....... 31 3.2.1 Kehidupan Sosial Geisha Pada Masa Sebelum sampai Sesudah Perang Dunia ke II Dalam Film Memoirs Of A Geisha .................. 31 3.2.2 Kehidupan Sosial Tokoh Utama Sebelum, Sesudah, Dan Setelah Tidak Lagi Menjadi Geisha .............................................................. 36 BAB IV KESIMPULAN DAN SARAN 4.1 Kesimpulan ................................................................................................ 47 4.2 Saran ........................................................................................................... 49 DAFTAR PUSTAKA ABSTRAK v Universitas Sumatera Utara BAB I PENDAHULUAN 1.1 Latar Belakang Masalah Dalam bahasa Indonesia dikenal dengan istilah “kesusastraan”. Kata kesusasteraan merupakan bentuk dari konfiks ke-an dan susastra (Rokhmansyah, Alfiansyah. 2014 : 1). Studi dan Pengkajian Sastra. Sastra didefinisikan sebagai suatu ciptaan, suatu kreasi yang merupakan luapan emosi yang spontan dan sastra itu bersifat otonom, tidak mengacu pada suatu yang lain, dan mempunyai koherensi antara unsur-unsurnya. Sastra dalam bahasa Sansekerta berasal dari kata sas yang berarti mengarahkan, memberi petunjuk atau instruksi, sedang tra berarti alat atau sarana (Teeuw, 1984: 23). Karya sastra adalah ungkapan pribadi manusia yang berupa pengalaman, pemikiran, perasaan, ide, semangat, keyakinan, dalam suatu bentuk gambaran kehidupan, yang dapat membangkitkan pesona dengan alat bahasa dan dilukiskan dalam bentuk tulisan. Jakob Sumardjo dan Saini dalam bukunya yang berjudul “Apresiasi Kesusasteraan” mengatakan bahwa karya sastra adalah sebuah usaha merekam isi jiwa sastrawannya. Rekaman ini menggunakan alat bahasa. Sastra adalah bentuk rekaman dengan bahasa yang disampaikan kepada orang lain. Pada dasarnya, karya sastra sangat bermanfaat bagi kehidupan, karena karya sastra dapat memberi kesadaran kepada pembaca tentang kebenaran- kebenaran hidup, walaupun dilukiskan dalam bentuk fiksi. Karya sastra dapat memberikan kegembiraan dan kepuasan batin. Hiburan ini adalah jenis hiburan vi Universitas Sumatera Utara intelektual dan spiritual. Karya sastra juga dapat dijadikan sebagai pengalaman untuk berkarya, karena siapapun bisa menuangkan isi hati dan pikiran dalam sebuah tulisan yang bernilai seni. Perkembangan sastra pun bermekaran dari “yang bersifat tekstual” hingga “yang bersifat visual” berkat kemajuan ilmu pengetahuan dan teknologi. Cerpen, novel, dan drama kini sudah dapat ditonton dalam bentuk film. Film didefinisikan dalam KBBI (Kamus Besar Bahasa Indonesia) sebagai “kisah gambar hidup”. Klarer (1998 : 56-57) dalam bukunya berjudul “An Introduction to Literary Studies” mengemukakan: Film termasuk karya sastra dan segala macam mode presentasi film sesuai dengan fitur-fitur teks sastra dan dapat pula dijelaskan dalam kerangka tekstual. Pendek kata, film ialah pergerakan kontemporer dari mode sastra tekstual ke mode sastra visual. Winokur dan Holsinger (2001:8-9) menyebutkan adanya 2 fungsi utama dari sebuah film, yaitu fungsi hiburan (entertainment) dan fungsi didaktisme (deductism). Adapun yang dimaksud dengan fungsi didaktisme di sini adalah fungsi di mana film seringkali mengandung alegori, teks-teks yang makna permukaannya seringkali
Load more

Recommended publications
  • Deconstruction on Feminism in Arthur Golden's Geisha
    DECONSTRUCTION ON FEMINISM IN ARTHUR GOLDEN’S GEISHA A Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Sarjana Humaniora in English and Literature Department of the Faculty of Adab and Humanities of UIN Alauddin Makassar By RIDHA SYAFRIANY RIDWAN Reg. No. 40300106056 ENGLISH AND LITERATURE DEPARTMENT ADAB AND HUMANITIES FACULTY ALAUDDIN STATE ISLAMIC UNIVERSITY MAKASSAR 2010 PERNYATAAN KEASLIAN SKRIPSI Dengan penuh kesadaran, penyusun yang bertanda tangan dibawah ini, menyatakan bahwa skripsi ini benar adalah hasil karya penyusun sendiri, dan jika dikemudian hari terbukti ia merupakan duplikat, tiruan, plagiat, atau dibuat oleh orang lain secara keseluruhan ataupun sebagian, maka skripsi ini dan gelar yang diperoleh batal demi hukum. Makassar, Desember 2010 Penyusun, RIDHA SYAFRIANY RIDWAN NIM 40300106047 ABSTRACT Title : Deconstruction on Feminism in Arthur Golden’s Geisha Researcher : Ridha Syafriany Ridwan Reg number : 40300106056 Consultant I : Dr. H. Barsihannor, M. Ag Consultant II : Syahruni Junaid, S.S., M. Pd The main aim of this research is to find out the meaning of a true Geisha. The problem statements in this thesis are, (1) “how Arthur Golden represented a true Geisha in his work “, (2) “are there the changes of meaning of Geisha in the work of Arthur Golden “ This research is consisted of 35 chapters on the novel Memoirs of a Geisha by Arthur Golden as the sample. To get the data, this research used the feminism approach to deconstruct the meaning of true Geisha, because when we talked about women, one of theories which commonly appear is feminism. Besides that, the writer read the novel of Memoirs of a Geisha as the main source of the data, and then to analyze this data, the writer used descriptive method which described accurately the meaning of a true Geisha.
    [Show full text]
  • Woman's Position in Memoirs of Geisha
    WOMEN’S POSITION IN MEMOIRS OF A GEISHA WRITTEN BY ARTHUR GOLDEN (1997): A FEMINIST APPROACH RESEARCH PAPER Submitted as a Partial Fulfilment of the Requirements for Getting Bachelor Degree of Education in English Department by: NANANG MUHAMMAD MAHFUDH A 320 060 176 ENGLISH DEPARTMENT SCHOOL OF TEACHER TRAINING AND EDUCATION FACULTY MUHAMADIYAH UNIVERSITY OF SURAKARTA 2010 APPROVAL WOMEN’S POSITION IN MEMOIRS OF GEISHA WRITTEN BY ARTHUR GOLDEN (1997): A FEMINIST APPROACH Research Paper Written by: NANANG MUHAMMAD MAHFUDH A 320 060 176 Had been approved by: Consultant I Consultant II (Dr. Phil. Dewi Candraningrum, S.Pd. M. Ed.) (Titis Setyabudi, S.S) ii WOMEN’S POSITION IN MEMOIRS OF A GEISHA WRITTEN BY ARTHUR GOLDEN (1997): A FEMINIST APPROACH Accepted by the Board Examiners School of Teacher Training and Education Muhammadiyah University of Surakarta On November, 2010 The Board of Examiners: 1. Dr. Phil. Dewi Candraningrum, S.Pd. M. Ed ( ) Chairperson 2. Titis Setyabudi, S.S ( ) Member I 3. Drs. H. Abdillah Nugroho M.Hum ( ) Member II School of Teacher Training Education Dean, Drs. H. Sofyan Anif, Msi. iii TESTIMONY In this occasion, the writer states that there is no work had been submitted to degree in any University in this research paper and as far as the writer concerns there is no work or opinion had been written or published by someone else except the written references which are referred in this paper and mentioned in the bibliography. If only there will be any incorrectness proven in the future in the writer’s statement above, the writer will be fully responsible for that.
    [Show full text]
  • Memoirs of a Geisha by Arthur Golden Discussion Questions Taken From
    Memoirs of a Geisha by Arthur Golden Discussion Questions 1. Many people in the West think of geisha simply as prostitutes. After reading Memoirs of a Geisha, do you see the geisha of Gion as prostitutes? What are the similarities, and what are the differences? What is the difference between being a prostitute and being a "kept woman," as Sayuri puts it [p. 291]? 2. "The afternoon when I met Mr. Tanaka Ichiro," says Sayuri, "really was the best and the worst of my life" [p. 7]. Is Mr. Tanaka purely motivated by the money he will make from selling Chiyo to Mrs. Nitta, or is he also thinking of Chiyo's future? Is he, as he implies in his letter, her friend? 3. In his letter to Chiyo, Mr. Tanaka says "The training of a geisha is an arduous path. However, this humble person is filled with admiration for those who are able to recast their suffering and become great artists" [p. 103]. The word "geisha" in fact derives from the Japanese word for art. In what does the geisha's art consist? How many different types of art does she practice? 4. Does Sayuri have a better life as a geisha than one assumes she would have had in her village? How does one define a "better" life? Pumpkin, when offered the opportunity to run away, declines [p. 53]; she feels she will be safer in Gion. Is her decision wise? 5. How does Sayuri's status at the Nitta okiya resemble, or differ from, that of a slave? Is she in fact a slave? 6.
    [Show full text]
  • Women's Position in Memoirs of a Geisha Written by Arthur Golden
    WOMEN’S POSITION IN MEMOIRS OF A GEISHA WRITTEN BY ARTHUR GOLDEN (1997): A FEMINIST APPROACH RESEARCH PAPER Submitted as a Partial Fulfilment of the Requirements for Getting Bachelor Degree of Education in English Department by: NANANG MUHAMMAD MAHFUDH A 320 060 176 ENGLISH DEPARTMENT SCHOOL OF TEACHER TRAINING AND EDUCATION FACULTY MUHAMADIYAH UNIVERSITY OF SURAKARTA 2010 CHAPTER I INTRODUCTION A. Background of the Study The novel, "Memoirs of a Geisha", was written by Arthur Golden. Published in 1997 in the United States, it was a bestseller of the year. For a few years after reading it, Steven Spielberg worked on a film adaptation version of the book and was attached as the director. Being busy with other projects, Spielberg decided to drop the director title in early 2002. The project had a few other director candidates during 2002 and 2003 including Spike Jonze and Kimberley Peirce, and eventually settled with Rob Marshall (Chicago). Spielberg is now one of the producers of the film. Memoirs of a Geisha, published in 1997, is Arthur Golden's debut novel. The bestselling novel was a long time in the making, Golden spent more than ten years on the novel, throwing out the first two drafts before finding his "voice" in the first person account that was a publishing success. Golden was born in 1957 in Chattanooga, Tennessee, to a family of journalists. His parents, Ben and Ruth, published the Chattanooga Times, and in the early 2000 his cousin, Arthur Ochs Sulzberger, published the New York Times. Golden's parents divorced when he was eight, and his father died five years later.
    [Show full text]
  • Memoirs of a Geisha
    CHAPTER ONE The Little Fish Girl I wasn't born and brought up to be a Kyoto geisha. I wasn't even born in Kyoto. I'm a fisherman's daughter from a little town called Yoroido on the Sea of Japan. We lived in a tiny house, high above the sea, and my father smelled like the sea even after he washed. One day, many years ago, I was entertaining at a party in Kyoto and a man said he was in Yoroido only last week. I felt like a bird that has flown across the ocean and finds another bird that knows its nest. I couldn't stop myself-I said: "Yoroido! That's where I grew up." The man didn't believe me. "You can't mean it," he said, and laughed. "You, growing up in Yoroido! That's like making tea in a bucket." Well, I'd never thought of Yoroido as a bucket, though it's not pretty. In those days, the early 1930s, it had only one road leading to the Japan Coastal Seafood Company, which sold all the fish that my father and the other fishermen caught. My father was a very old man. I was twelve then, but from the day I was born I never looked like him at all. I always looked like my mother. We had the same strange eyes; you hardly ever saw eyes like ours in Japan. Instead of being dark brown like everyone rise's, my mother's eyes were a shining gray and mine are just the same.
    [Show full text]
  • Symbolism in Arthur Golden's
    SYMBOLISM IN ARTHUR GOLDEN’S MEMOIRS OF A GEISHA RESEARCH PAPER Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education in English Department by: DIYAH WAHYU SAPTONINGRUM A 320 050 016 SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2009 CHAPTER I INTRODUCTION A. Background of the Study Literature is flow of thinking, and expression of feelings, thoughts, and ideas, which have been expressed into something permanent. Naturally, a literary work contains the nature of life and human experience of life. The author of literary work always tries to make the reader understand and feel, as they are involved in those experiences. Barnet (1963: 8) states “literary work also presents a special kind of delight and some short of truth in various factual proportions”. The researcher should make sure on the concern in comprehending the work of literature since to some extent all literary work is symbolic. Literary works, absolutely, which contain extreme theme is very rich of symbols. It means that all aspects, which have been presented by his extreme theme of novels, plays, poetry, and short story, are totally symbolic; there is no doubt about that ideas of workaday world, its decencies, passion, or rationale, are unwanted indeed are disturbing. Only two things counted, the first is the language itself: the linguistics structure of words, their connotation, sound, etymologies, etc. the second is symbol: the fire, ice, heaven, hell, sign, tools, soul life, death, wind, water, trees, animal, mountain, etc. explored and developed by all researchers around the world. The symbol is not arbitrary, and is more discovered than created by many authors.
    [Show full text]
  • Geisha Essay
    Xiu Ling Stein-Leonard November 30, 2017 Asian Conversation Professor Quimby Understanding the Geisha Community When hearing the word Geisha, I assumed young women who have been trained at a ​ ​ young age to be idealist women for Japanese men. However this idea of geisha is not accurate and quite demeaning. I knew geisha were trained women to “seduce” older men, and would ​ ​ dress up in lavish kimonos and had elaborate makeup. There is more than appearances that meet the eye. The knowledge that is engrained in a maiko such as traditional fan dances, tea ceremonies along with learning music travels with these girls for a very long time. For me, I always thought that geisha were high class courtesans who entertained their guest but ending the night with their host. After reading several novels that were written by geisha women I soon ​ ​ realized that the geisha community was quite detailed and complex. For example the ranking ​ ​ within the Okiya is as followed Shikomi, young girls who are events for the house, minarai, older ​ ​ ​ ​ girls who are servants to the geisha, maiko, apprentice geisha who are studying under a senior ​ ​ geisha and geisha, professional entertainers.However there are higher ranks such as atotori, who ​ ​ ​ ​ is the heiress for the house. From an outside point of view, it is hard to see the caste system, but when reading from several novels you see this complexity within the house.Even though there is ranking within the Okiya, there is also rankings of buildings where Geisha go. Such as Gion versus Suwa. Geisha are a symbol of Japanese culture and highly prized.
    [Show full text]
  • The Case of Memoirs of a Geisha Student
    Grau d’Estudis Anglesos Treball de Fi de Grau Curs 2018-2019, G3 ORIENTALISM IN AMERICAN NARRATIVE AND CINEMA: THE CASE OF MEMOIRS OF A GEISHA STUDENT’S NAME: Elisabet Obradors Noguera TUTOR’S NAME: Dra. Ana Moya Gutierrez Barcelona, 11 June 2019 Coordinació d’Estudis Gran Via Tel. +34 934 035 594 Facultat de Filologia de les Corts Catalanes, 585 [email protected] 08007 Barcelona www.ub.edu Declaració d’autoria Amb aquest escrit declaro que sóc l’autor/autora original d’aquest treball i que no he emprat per a la seva elaboració cap altra font, incloses fonts d’Internet i altres mitjans electrònics, a part de les indicades. En el treball he assenyalat com a tals totes les citacions, literals o de contingut, que procedeixen d’altres obres. Tinc coneixement que d’altra manera, i segons el que s’indica a l’article 18, del capítol 5 de les Normes reguladores de l’avaluació i de la qualificació dels aprenentatges de la UB, l’avaluació comporta la qualificació de “Suspens”. Barcelona, a 11 de Juny de 2019 Signatura: ABSTRACT Orientalist thoughts are a heritage from the colonialist era that still permeate today’s society; examples can be seen in media such as movies, books or TV shows that portray the Eastern world as the West views it: as something exotic and strange which the West has power over. In this dissertation, different theories of Orientalism are discussed, the main base being Edward Said’s work on Orientalist culture, which has been the work of reference for every theory since its publication.
    [Show full text]
  • Human Needs in Arthur Golden's Memoirs of a Geisha
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Jurnal Mahasiswa Universitas Negeri Surabaya Human Needs in Arthur Golden’s Memoirs of A Geisha Human Needs in Arthur Golden’s Memoirs of A Geisha Dhimas Citra Permana Putra English Literature, Faculty of Languages and Arts, State University of Surabaya [email protected] Abstrak Studi ini bertujuan untuk mengetahui motivasi dari karakter utama yang mendorong perilakunya, perbuatan, pikiran dan perasaan bahwa karakter utama memiliki dan mengidentifikasi masalah kebutuhan dasar dari karakter utama yang terungkap dalam perjalanannya untuk mencapai mimpinya menjadi seorang geisha yang sukses. Studi ini juga menganalisis cara pemenuhan kebutuhan dasar manusia karakter utama dalam novel Memoirs of a Geisha milik Arthur Golden ketika dia berjuang untuk mencapai mimpinya menjadi seorang geisha yang sukses berdasarkan teori hirarki kebutuhan manusia dari Abraham H. Maslow dan bagaimana karakter utama tersebut memenuhi kebutuhannya. Metode yang digunakan dalam penelitian ini adalah deskriptif kualitatif. Dalam studi ini, teori kebutuhan dasar manusia dari Abraham Maslow H. diklasifikasikan ke dalam lima tingkat kebutuhan. Kebutuhan tersebut adalah kebutuhan fisiologis, kebutuhan keselamatan , kebutuhan cinta dan keterlibatan, kebutuhan harga diri, dan kebutuhan aktualisasi diri. Namun, dalam novel Memoirs of a Geisha milik Arthur Golden digambarkan bahwa karakter utama dapat memenuhi kebutuhan saat dia tinggal di Okiya. Tapi di tingkat kebutuhan keselamatan, kebutuhan cinta dan keterlibatan, dan kebutuhan harga diri dia mendapat tantangan dalam memenuhi kebutuhannya karena adanya Hatsumomo . Motivasinya untuk menjadi seorang geisha dan menemani The Chairman memberikan semangat untuknya dalam memenuhi kebutuhan. Semangatnya yang membuat dia bisa melewati proses dari kehidupan.
    [Show full text]
  • Reading Group Guide Spotlight
    Spotlight on: Reading Group Guide Memoirs of a Geisha Author: Arthur Golden Arthur Golden was born in Chattanooga, Tennessee, Name: Arthur Golden- and was educated at Harvard College, where he re- Born: 956, in Chattanoo- ceived a degree in art history, specializing in Japanese ga, TN. art. In 980 he earned an M.A. in Japanese history from Columbia University, where he also learned Mandarin Education: Harvard Col- Chinese. Following a summer in Beijing University, lege, B.A. (art history); he worked in Tokyo, and, after returning to the United Columbia University, States, earned an M.A. in English from Boston Univer- M.A. (Japanese history), sity. He resides in Brookline, Massachusetts, with his 980; Boston University, wife and two children. Memoirs of a Geisha is his first novel. M.A. (English), 988. Interests: Classical guitar Career: Writer. Worked for an English-language magazine in Tokyo, 980-82. Past Writings: Memoirs of a Geisha, Knopf (New York, NY), 997. Works in Progress: A historical novel set in the United States. Media Adaptations: Memoirs of a Geisha was recorded as an audiobook, Random House (New York, NY), 997. Memoirs of a Geisha has been translated into thirty-three languages, and rights were sold for an American film adaptation in 997 to Red Wagon Productions. Memoirs of a Geisha will be adapted for a film directed by Steven Spielberg. Production begins in September 2004. www.kpl.gov/bookclubkit . Author: Arthur Golden (2) Sidelights: Arthur Golden made a splash when he came on the literary scene in 997 with the publication of his novel Mem- oirs of a Geisha, the fictional autobiography of a Japanese geisha during the 920s and 930s.
    [Show full text]
  • Memoirs of a Geisha
    LEVEL 6 Teacher’s notes Teacher Support Programme Memoirs of a Geisha Arthur Golden becomes a successful geisha, renowned for her beauty. EASYSTARTS Then one day she meets the man who had comforted her by the stream. But life does not run smoothly for Sayuri and there are powerful obstacles that prevent the two from coming together. LEVEL 2 Chapter 1: Born in Yoroido, a small fishing village, young Chiyo leaves her home when her mother falls ill. She LEVEL 3 becomes a maid to beautiful Hatsumomo in an okiya in Gion, a famous geisha area in Kyoto. Chapter 2: Chiyo meets Pumpkin, another young girl. LEVEL 4 They have to please cruel Hatsumomo, who makes her life miserable at the okiya. About the author Chapter 3: Feeling useless, unhappy Chiyo cries by a LEVEL 5 stream. A gentleman speaks kind words to her, offers her Arthur Golden was born and brought up in Tennessee, a handkerchief, and praises her beautiful grey eyes. She in the southern United States. He graduated from falls in love with the Chairman. Mameha initiates her in Harvard in 1978 with a degree in art history, specializing the geisha culture and protects her from Hatsumomo. LEVEL 6 in Japanese art. In 1980 he obtained a postgraduate qualification in Japanese History and also studied Mandarin Chapter 4: Chiyo goes to geisha school and after Chinese. He then went to work for a magazine in Tokyo, two years of hard work; she learns to pour tea, play where he met a young man whose father was a famous instruments and apply makeup.
    [Show full text]
  • Memories of a Geisha Film Review
    Memoirs of a Geisha Film Review: "People think of the geisha as a prostitute, because prostitutes started wearing white makeup and silk kimonos and calling themselves geishas, and the line became blurred. But the actual word means 'artist.' Yes, they entertain men. But, more important, they're great dancers and musicians and great conversationalists. They were also the fashionistas of their time. They were like supermodels."…Rob Marshall “A story like mine should never be told... I wasn't born to a life of a Geisha”…Sayuri Nitta “In 1929 an impoverished nine-year-old named Chiyo from a fishing village is sold to a Geisha house in Kyoto's Gion district and subjected to cruel treatment from the owners and the head Geisha Hatsumomo. Her stunning beauty attracts the vindictive jealousy of Hatsumomo, until she is rescued by and taken under the wing of Hatsumomo's bitter rival, Mameha. Under Mameha's mentorship, Chiyo becomes the Geisha named Sayuri, trained in all the artistic and social skills a Geisha must master in order to survive in her society. As a renowned Geisha she enters a society of wealth, privilege, and political intrigue. As World War II looms Japan and the Geisha's world are forever changed by the onslaught of history”…dumpster_cakes, IMDB.com www.Hiphopbattle.com • P.O. Box 6313 • Lancaster, CA 93539-6313 • [email protected] • host&hiphopbattle.com I liked Memoirs of a Geisha a lot because it is a great example of how to correctly and smartly retell the immortal classic Cinderella saga with passion, respect and excitement.
    [Show full text]