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BRS/Gage Elizabeth Sung 6300 Wilshire Blvd., Ste 1430, LA, CA 90048 p: 323 857 6666 SELECTED FILM: (extensive upon request) Pali Road Mrs. Zhang Jonathan Lim For Izzy (post production) Anna Alex Chu The Unbidden Anna Quentin Lee Fallen Stars Joyce Brian Jett Go For Sisters Mother Han John Sayles Anita Ho Mrs. Lee Steve Myung Memoirs of a Geisha Sakamoto’s wife Rob Marshall Ping Pong Playa Mrs. Mei Wang Jessica Yu The Joy Luck Club 2nd Wife Wayne Wang Lethal Weapon 4 Hong’s Wife Richard Donner China Cry Interrogator James Collier Death Ring Ms. Ling R.J. Kizer Tango & Cash Court Interpreter Andrei Konchalovsky SELECTED TV: (extensive upon request) Disjointed Guest Star Jon Cryer. Richie Keen American Girl “Ivy & Julie” Guest Star Sasie Sealy Criminal Minds Beyond Border Guest Star Christophe Schrewe The Night Shift Guest Star Tara Nicole Weyr Elementary Guest Star Larry Teng Mike & Molly Guest Star Phill Lewis Shameless Guest Star Mimi Leder, Danny Cannon Awake Guest Star Michael Waxman Hawaii 5 0 Guest Star Larry Teng Bones Guest Star Kate Woods Curb Your Enthusiasm Co Star David Steinberg NCIS Los Angeles Guest Star Alan J. Levi It’s Always Sunny in Philadelphia Guest Star Matt Shakman Flash Forward Guest Star Michael Nankin, Bobby Roth The Forgotten Guest Star Paul McCrane House M.D. Guest Star Bryan Spicer Suite Life on Deck Guest Star Rich Correll The Sopranos Guest Star Phil Abraham Studio 60 Guest Star Lawrence Trilling, John Fortenberry Crossing Jordan Guest Star Allan Arkush NYPD Blue Guest Star Steven DePaul ER Guest Star Felix Enriquez Alcala CSI LA Co Star Paul McCrane Brothers and Sisters Co Star Bethany Rooney E Ring Co Star Taylor Hackford For the People Guest Star Carl Weathers Touched By An Angel Guest Star Peter Hunt Charmed Guest Star Richard Compton The Young & The Restless Contract Player Various Directors Passions Recurring Various Directors Hiroshima: Out Of The Ashes (MOW) Guest Star Peter Werner Sundance directors lab 2014 actress Johnny Ma THEATER: (extensive upon request) Doonesbury (National Tour) Honey (dance captain) B’way Doonesbury Co. • Jaques Levy (Los Angeles) Tea Atsuko (lead) Odyssey Theatre • Patty Yasutake The Square Ming Taper Too • Lisa Peterson Widows Lucia Mark Taper Forum • Robert Egan (Off Broadway) A Midsummer Nights Dream Hermia (lead) Pan Asian Repertory • Tisa Chang Shogun Macbeth Lady Macduff Pan Asian Repertory • John Briggs Sound & Beauty Girl New Federal Theatre • John Lone TRAINING: Acting Sanford Meisner • Milton Katselas • Joan Darling • Michael Howard • BGB Studios Improv - Lembeck Comedy Workshop (current) David Razowsky • Stephen Book Dance/Movement Juilliard School • BFA Dance • Alvin Ailey Repertory dance theater Directing American Film Institute • MFA Directing SPECIAL SKILLS: Language: Chinese – Cantonese/Mandarin • Translation • Accents: Chinese / Japanese / Korean • VO Echelon talent management • 604 689-3639 • fax 604 689-0638 • [email protected] 2915 Argo Place, Burnaby, BC, V3J 7G4, Canada .

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2019 Gala Program Art Booklet.Indd
The Okura MentalK. Patrick &Health Lily Okura, Leadership Founders Foundation is proud to support Past//Forward 2019: The Present Okura Mental Health Leadership Foundation 340 East Second Street, Suite 409 Los Angeles, CA 90012-4249 Phone: 213.625.2387 Karen ISHIZUKA, MSW, PHD Peggy SAIKA, MSW Bertram S. BROWN, MD President Secretary Founding Member Cindy SANGALANG, MSW, PHD Ford H. KURAMOTO, DSW Phillip HALLEN, MPH Vice-President Treasurer Founding Member Glen KOMATSU, MD At-Large PAST // FORWARD 2018 // COMING HOME 2019 // THE PRESENT 2020 // 50 MORE PAST//FORWARD I S V I S U A L C O MMUNI cat I O N S ’ S E R IE S of S IGN at U R E E V EN ts to celebrate the organization’s upcoming 50th anniversary. Our goal is to celebrate VC’s past, present, and future by (re)connecting with people and communities who made great things happen. Founded in 1970 with the understanding that media and the arts are powerful forms of storytelling, Visual Communications has dedicated five decades to creating cross cultural connections between peoples and generations through the media arts. While Visual Communications’ mission and programming has shifted to meet the changing needs of our diverse communities, the organization has always had a constant element — a group of people passionate about social and cultural acceptance through the arts. PAST//FORWARD recognizes and appreciates the people behind the charge for change (builders + connectors + mobilizers + believers + storytellers) and what we have all accomplished together. Saturday, May 18, 2019 THE L.A. GRAND HOTEL DOWNTOWN 333 South Figueroa Street Los Angeles, CA 90071 W EL co ME to PAST//FORWARD.
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Deconstruction on Feminism in Arthur Golden's Geisha
DECONSTRUCTION ON FEMINISM IN ARTHUR GOLDEN’S GEISHA A Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Sarjana Humaniora in English and Literature Department of the Faculty of Adab and Humanities of UIN Alauddin Makassar By RIDHA SYAFRIANY RIDWAN Reg. No. 40300106056 ENGLISH AND LITERATURE DEPARTMENT ADAB AND HUMANITIES FACULTY ALAUDDIN STATE ISLAMIC UNIVERSITY MAKASSAR 2010 PERNYATAAN KEASLIAN SKRIPSI Dengan penuh kesadaran, penyusun yang bertanda tangan dibawah ini, menyatakan bahwa skripsi ini benar adalah hasil karya penyusun sendiri, dan jika dikemudian hari terbukti ia merupakan duplikat, tiruan, plagiat, atau dibuat oleh orang lain secara keseluruhan ataupun sebagian, maka skripsi ini dan gelar yang diperoleh batal demi hukum. Makassar, Desember 2010 Penyusun, RIDHA SYAFRIANY RIDWAN NIM 40300106047 ABSTRACT Title : Deconstruction on Feminism in Arthur Golden’s Geisha Researcher : Ridha Syafriany Ridwan Reg number : 40300106056 Consultant I : Dr. H. Barsihannor, M. Ag Consultant II : Syahruni Junaid, S.S., M. Pd The main aim of this research is to find out the meaning of a true Geisha. The problem statements in this thesis are, (1) “how Arthur Golden represented a true Geisha in his work “, (2) “are there the changes of meaning of Geisha in the work of Arthur Golden “ This research is consisted of 35 chapters on the novel Memoirs of a Geisha by Arthur Golden as the sample. To get the data, this research used the feminism approach to deconstruct the meaning of true Geisha, because when we talked about women, one of theories which commonly appear is feminism. Besides that, the writer read the novel of Memoirs of a Geisha as the main source of the data, and then to analyze this data, the writer used descriptive method which described accurately the meaning of a true Geisha.
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Woman's Position in Memoirs of Geisha
WOMEN’S POSITION IN MEMOIRS OF A GEISHA WRITTEN BY ARTHUR GOLDEN (1997): A FEMINIST APPROACH RESEARCH PAPER Submitted as a Partial Fulfilment of the Requirements for Getting Bachelor Degree of Education in English Department by: NANANG MUHAMMAD MAHFUDH A 320 060 176 ENGLISH DEPARTMENT SCHOOL OF TEACHER TRAINING AND EDUCATION FACULTY MUHAMADIYAH UNIVERSITY OF SURAKARTA 2010 APPROVAL WOMEN’S POSITION IN MEMOIRS OF GEISHA WRITTEN BY ARTHUR GOLDEN (1997): A FEMINIST APPROACH Research Paper Written by: NANANG MUHAMMAD MAHFUDH A 320 060 176 Had been approved by: Consultant I Consultant II (Dr. Phil. Dewi Candraningrum, S.Pd. M. Ed.) (Titis Setyabudi, S.S) ii WOMEN’S POSITION IN MEMOIRS OF A GEISHA WRITTEN BY ARTHUR GOLDEN (1997): A FEMINIST APPROACH Accepted by the Board Examiners School of Teacher Training and Education Muhammadiyah University of Surakarta On November, 2010 The Board of Examiners: 1. Dr. Phil. Dewi Candraningrum, S.Pd. M. Ed ( ) Chairperson 2. Titis Setyabudi, S.S ( ) Member I 3. Drs. H. Abdillah Nugroho M.Hum ( ) Member II School of Teacher Training Education Dean, Drs. H. Sofyan Anif, Msi. iii TESTIMONY In this occasion, the writer states that there is no work had been submitted to degree in any University in this research paper and as far as the writer concerns there is no work or opinion had been written or published by someone else except the written references which are referred in this paper and mentioned in the bibliography. If only there will be any incorrectness proven in the future in the writer’s statement above, the writer will be fully responsible for that.
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Memoirs of a Geisha by Arthur Golden Discussion Questions Taken From
Memoirs of a Geisha by Arthur Golden Discussion Questions 1. Many people in the West think of geisha simply as prostitutes. After reading Memoirs of a Geisha, do you see the geisha of Gion as prostitutes? What are the similarities, and what are the differences? What is the difference between being a prostitute and being a "kept woman," as Sayuri puts it [p. 291]? 2. "The afternoon when I met Mr. Tanaka Ichiro," says Sayuri, "really was the best and the worst of my life" [p. 7]. Is Mr. Tanaka purely motivated by the money he will make from selling Chiyo to Mrs. Nitta, or is he also thinking of Chiyo's future? Is he, as he implies in his letter, her friend? 3. In his letter to Chiyo, Mr. Tanaka says "The training of a geisha is an arduous path. However, this humble person is filled with admiration for those who are able to recast their suffering and become great artists" [p. 103]. The word "geisha" in fact derives from the Japanese word for art. In what does the geisha's art consist? How many different types of art does she practice? 4. Does Sayuri have a better life as a geisha than one assumes she would have had in her village? How does one define a "better" life? Pumpkin, when offered the opportunity to run away, declines [p. 53]; she feels she will be safer in Gion. Is her decision wise? 5. How does Sayuri's status at the Nitta okiya resemble, or differ from, that of a slave? Is she in fact a slave? 6.
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Women's Position in Memoirs of a Geisha Written by Arthur Golden
WOMEN’S POSITION IN MEMOIRS OF A GEISHA WRITTEN BY ARTHUR GOLDEN (1997): A FEMINIST APPROACH RESEARCH PAPER Submitted as a Partial Fulfilment of the Requirements for Getting Bachelor Degree of Education in English Department by: NANANG MUHAMMAD MAHFUDH A 320 060 176 ENGLISH DEPARTMENT SCHOOL OF TEACHER TRAINING AND EDUCATION FACULTY MUHAMADIYAH UNIVERSITY OF SURAKARTA 2010 CHAPTER I INTRODUCTION A. Background of the Study The novel, "Memoirs of a Geisha", was written by Arthur Golden. Published in 1997 in the United States, it was a bestseller of the year. For a few years after reading it, Steven Spielberg worked on a film adaptation version of the book and was attached as the director. Being busy with other projects, Spielberg decided to drop the director title in early 2002. The project had a few other director candidates during 2002 and 2003 including Spike Jonze and Kimberley Peirce, and eventually settled with Rob Marshall (Chicago). Spielberg is now one of the producers of the film. Memoirs of a Geisha, published in 1997, is Arthur Golden's debut novel. The bestselling novel was a long time in the making, Golden spent more than ten years on the novel, throwing out the first two drafts before finding his "voice" in the first person account that was a publishing success. Golden was born in 1957 in Chattanooga, Tennessee, to a family of journalists. His parents, Ben and Ruth, published the Chattanooga Times, and in the early 2000 his cousin, Arthur Ochs Sulzberger, published the New York Times. Golden's parents divorced when he was eight, and his father died five years later.
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Winter 2020 NEWSLETTER : BULLETIN Hiver 2020
Société d' Opéra National Capital de la Capitale Nationale Opera Society Winter 2020 NEWSLETTER : BULLETIN Hiver 2020 Frankenstein - The Opera, 2019 by Shelagh Williams How did you celebrate Hallowe’en? You should have actually done! In his work he is supported by his been enjoying Andrew Ager’s Frankenstein: The Op- fiancée Elizabeth, sung by soprano Bronwyn Thies- era, 2019! Thompson, his friend Clerval, sung by baritone James Composer Ager himself adapted the novel Fran- Coole-Stevenson, and his brother William, sung by kenstein for his original production, sung in English, 12-year old Elliott Mennier, head chorister of Christ and for this Ottawa premier adjusted some of the voice Church Cathedral. parts for this cast, just as Mozart would do! The result The charming mountain interlude was animated was a fully-staged production directed by Suzanne by baritone Gary Dahl, who sang the sympathetic blind Bassett and featuring excellent Canadian and Ottawa old DeLacey, and soprano Carmen Harris and tenor singers. The composer himself was on one of the two Jeffrey Boyd, who portrayed the young couple. pianos playing the score, with Ian Bevell on the thun- But the centre of the opera is the Creature created dering organ for the ex- by Victor Frankenstein: a citing events, and Zac very large figure with a Pulak on percussion. complex nature. For this Set designer Mark role, Ager had carefully Shulist supplied the selected huge bass Con- electrical machine to stantine Meglis, whom “awaken” the Creature, he had introduced at the and it was quite impres- Opera Launch this sum- sive, with umpteen cop- mer.
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English Song Booklet
English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR.
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2010 Annual Report
2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M.
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UFW's Vicepresident Clarifies Their Present Position
Seattle nivU ersity ScholarWorks @ SeattleU The peS ctator 4-24-1974 Spectator 1974-04-24 Editors of The pS ectator Follow this and additional works at: http://scholarworks.seattleu.edu/spectator Recommended Citation Editors of The peS ctator, "Spectator 1974-04-24" (1974). The Spectator. 1418. http://scholarworks.seattleu.edu/spectator/1418 This Newspaper is brought to you for free and open access by ScholarWorks @ SeattleU. It has been accepted for inclusion in The peS ctator by an authorized administrator of ScholarWorks @ SeattleU. Pies, carnival, dances, party to raise money for Pat Smith CARE week continues today the highest donation will receive through Friday with a talk with an award at Friday's ASSU- FR.JOE MAGUIRE, S.J.,faces up to a pie for a good cause. Dr. Pat Smith, abarbecue and a sponsoreddance. Clowns got in on the action too at this weekend's carnival. dance still to come. Activities still tocomeinclude the talk with Dr. Smith at noon THE WEEK'S events are today inPigott Auditorium. She designed to raise money for Dr. will also present a slide show. Smith and her Kontum, Viet- nam, hospital. In conjunction THE BLACK Student Union with CARE, various clubs and and SAGA will sponsor dinner organizations have sponsored on the lawn tomorrow. Cost is several activities since Fridayin- $l-$1.50,dependingonthe meat. cluding dance, show, a talent a Friday, the week will carnival,live entertainment and culminate withthe ASSU beer party. dance a at 8:30 p.m.intheChieftain. Ad- Preliminary count, excluding mission is $1.50. Two bands, in- yesterday's beer party profits, cluding one that toured with show that at least a little over Earth, play.
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ISC-2018-Program-FINAL-For-Web
INDEPENDENT SHAKESPEARE CO. SHAKESPEARE SET FREE Our first performance in the Park was 2004 attended by 15 S H people and a dog. Until 2009, we performed in 2007 Barnsdall Park, which we outgrew when our audiences began to top 500 a night. A K E The flag backdrop from Henry V was used in 2009 our very first indoor production in 1999. S P We’ve still got it! The move to Griffith 2010 Park felt like a huge 2011 risk. Would our E audience follow us? 2012 A R E You may hear coyotes Fortunately, they did! calling during a Since our move to performance, and 2013 the Old Zoo, we’ve on your way out at performed for over night you might spot 200,000 Angelenos. S a family of deer! About 20% of the Festival audience is 2014 2016 seeing Shakespeare for the first time. E T 2017 F R This fall, the City breaks Thank you for making ground on a permanent us part of your life... stage at the Old Zoo, help- ing ISC bring you free Happy 15th Anniversary, Shakespeare for the next Los Angeles! 15 years...and beyond! E E For the past 15 years, it’s been our great joy to create theater in Los Barnsdall Park Angeles City Parks! 2004: The Two Gentlemen of Verona 2005: Hamlet, Richard III, The Two Gentlemen of Verona From our start on the grounds of the Hollyhock House in Barns- 2006: As You Like It, Hamlet dall Park, we have been guided by our belief that classical theater 2007: A Midsummer Night’s Dream, Richard II, Macbeth provides something both unique and critical to audiences, and that it 2008: Twelfth Night, Henry IV, Dr.
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WEB Amherst Sp18.Pdf
ALSO INSIDE Winter–Spring How Catherine 2018 Newman ’90 wrote her way out of a certain kind of stuckness in her novel, and Amherst in her life. HIS BLACK HISTORY The unfinished story of Harold Wade Jr. ’68 XXIN THIS ISSUE: WINTER–SPRING 2018XX 20 30 36 His Black History Start Them Up In Them, We See Our Heartbeat THE STORY OF HAROLD YOUNG, AMHERST- WADE JR. ’68, AUTHOR OF EDUCATED FOR JULI BERWALD ’89, BLACK MEN OF AMHERST ENTREPRENEURS ARE JELLYFISH ARE A SOURCE OF AND NAMESAKE OF FINDING AND CREATING WONDER—AND A REMINDER AN ENDURING OPPORTUNITIES IN THE OF OUR ECOLOGICAL FELLOWSHIP PROGRAM RAPIDLY CHANGING RESPONSIBILITIES. BY KATHARINE CHINESE ECONOMY. INTERVIEW BY WHITTEMORE BY ANJIE ZHENG ’10 MARGARET STOHL ’89 42 Art For Everyone HOW 10 STUDENTS AND DOZENS OF VOTERS CHOSE THREE NEW WORKS FOR THE MEAD ART MUSEUM’S PERMANENT COLLECTION BY MARY ELIZABETH STRUNK Attorney, activist and author Junius Williams ’65 was the second Amherst alum to hold the fellowship named for Harold Wade Jr. ’68. Photograph by BETH PERKINS 2 “We aim to change the First Words reigning paradigm from Catherine Newman ’90 writes what she knows—and what she doesn’t. one of exploiting the 4 Amazon for its resources Voices to taking care of it.” Winning Olympic bronze, leaving Amherst to serve in Vietnam, using an X-ray generator and other Foster “Butch” Brown ’73, about his collaborative reminiscences from readers environmental work in the rainforest. PAGE 18 6 College Row XX ONLINE: AMHERST.EDU/MAGAZINE XX Support for fi rst-generation students, the physics of a Slinky, migration to News Video & Audio Montana and more Poet and activist Sonia Sanchez, In its interdisciplinary exploration 14 the fi rst African-American of the Trump Administration, an The Big Picture woman to serve on the Amherst Amherst course taught by Ilan A contest-winning photo faculty, returned to campus to Stavans held a Trump Point/ from snow-covered Kyoto give the keynote address at the Counterpoint Series featuring Dr.
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Academic Faculty Address-2017
A Ressourcement Vision for Graduate Theological Education Academic Faculty Address-2017 Thomas A. Baima Mundelein Seminary August 11, 2017 I want to welcome everyone to the first of our Academic Faculty meetings for the 2017- 2018 school year. I hope all of you had a refreshing summer. This meeting is the result of comments by some of you that the academic department did not have the same opportunity as the formation department for planning and interaction. It is for this reason that I added this morning to the meetings at the opening of the school year. We do need time to work together as a group on the common project of seminary education. Those of you who are more senior will remember that we used to meet for two full days at the opening of the school year and again at the opening of the beginning of the new year. Without those meetings, we have lost much of the time we used to work together. So, I hope this morning will restore some of that, and at the same time not wear everyone out. Here is my plan for the morning. First, I’m going to do some introductions of our new members. Next, I want to offer some remarks about the vision of higher education. I do this because the academic department is entrusted with the responsibility for the intellectual pillars and shares responsibility for the pastoral pillar 1 with Formation. As such, we are part of the larger higher education enterprise both of this country and of the Catholic Church internationally.
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