Sonny's Blues
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
James Baldwin As a Writer of Short Fiction: an Evaluation
JAMES BALDWIN AS A WRITER OF SHORT FICTION: AN EVALUATION dayton G. Holloway A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 1975 618208 ii Abstract Well known as a brilliant essayist and gifted novelist, James Baldwin has received little critical attention as short story writer. This dissertation analyzes his short fiction, concentrating on character, theme and technique, with some attention to biographical parallels. The first three chapters establish a background for the analysis and criticism sections. Chapter 1 provides a biographi cal sketch and places each story in relation to Baldwin's novels, plays and essays. Chapter 2 summarizes the author's theory of fiction and presents his image of the creative writer. Chapter 3 surveys critical opinions to determine Baldwin's reputation as an artist. The survey concludes that the author is a superior essayist, but is uneven as a creator of imaginative literature. Critics, in general, have not judged Baldwin's fiction by his own aesthetic criteria. The next three chapters provide a close thematic analysis of Baldwin's short stories. Chapter 4 discusses "The Rockpile," "The Outing," "Roy's Wound," and "The Death of the Prophet," a Bi 1 dungsroman about the tension and ambivalence between a black minister-father and his sons. In contrast, Chapter 5 treats the theme of affection between white fathers and sons and their ambivalence toward social outcasts—the white homosexual and black demonstrator—in "The Man Child" and "Going to Meet the Man." Chapter 6 explores the theme of escape from the black community and the conseauences of estrangement and identity crises in "Previous Condition," "Sonny's Blues," "Come Out the Wilderness" and "This Morning, This Evening, So Soon." The last chapter attempts to apply Baldwin's aesthetic principles to his short fiction. -
Unraveling Native Son: Propagating Communism) Racial Hatred) Societal Change Or None of the Above??
IUSB Graduate Journal Ill 1 Unraveling Native Son: Propagating Communism) Racial Hatred) Societal Change or None of the Above?? by:jacqueline Becker Department of English ABSTRACT: This paper explores the many different ways in which Communism is portrayed within Richard Wright's novel Native Son. It also seeks to illustrate that regardless of the reasoning behind the conflicted portrayal of Communism, within the text, it does serve a vital purpose, and that is to illustrate to the reader that there is no easy answer or solution for the problems facing society. Bigger and his actions cannot be simply dismissed as a product of a damaged society, nor can Communism be seen as an all-encompassing saving grace that will fix all of societies woes. Instead, this novel, seeks to illustrate the type of people that can be produced in a society divided by racial class lines. It shows what can happen when one oppressed group feels as though they have no power over their own lives. I have attempted to illustrate that what Wright ultimately achieved, through his novel Native Son, is to illuminate to readers of the time that a serious problem existed within their society, specifically in Chicago within the "Black Belt" and that the solution lies not with one social group or political party, not through senseless violence, but rather through changes in policy. ~Research~ 2 lll Jacqueline Becker Unraveling Native Son: Propagating Communism) Racial Hatred) Societal Change or None of the Above?? ichard Wright's novel, Native Son, presents Communism in many different lights. On the one hand, the pushy nature R of Jan and Mary, two white characters trying to share their beliefs about an equal society under Communism, by forcing Bigger, the black protagonist, to dine and drink with them, is ultimately what leads to Mary's death. -
How Bigger Was Born Anew
Fall 2020 29 ow Bier as Born new datation Reuration and Double Consciousness in Nambi E elle’s Native Son Isaiah Matthew Wooden This essay analyzes Nambi E. Kelley’s stage adaptation of Native Son to consider the ways tt Aicn Aeicn is itlie by n constitte to cts o etion t sharpens particular focus on how Kelley reinvigorates Wright’s novel’s searing social and cil cities by ctiely ein te oisin etpo o oble consciosness n iin ne o, enin, n se to te etpo, elleys Native Son extends the debates about “the problem of the color line” that Du Bois’s writing helped engender at te beinnin o te tentiet centy into te tentyst n, in so oin, opens citicl space to reckon with the persistent and pernicious problem of anti-Black racism. ewords adaptation, refguration, double consciousness, Native Son, Nambi E. Kelley This essay takes as a central point of departure the claim that African American drama is vitalized by and, indeed, constituted through acts of refguration. It is such acts that endow the remarkably capacious genre with any sense or semblance of coherence. Retion is notably a word with multiple signifcations. It calls to mind processes of representation and recalculation. It also points to matters of meaning-making and modifcation. The pref re does important work here, suggesting change, alteration, or even improvement. For the purposes of this essay, I use etion to refer to the strategies, practices, methods, and techniques that African American dramatists deploy to transform or give new meaning to certain ideas, concepts, artifacts, and histories, thereby opening up fresh interpretive and defnitional possibilities and, when appropriate, prompting much-needed reckonings. -
Richard Wright and Ralph Ellison: Conflicting Masculinities
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1994 Richard Wright and Ralph Ellison: Conflicting Masculinities H. Alexander Nejako College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Nejako, H. Alexander, "Richard Wright and Ralph Ellison: Conflicting Masculinities" (1994). Dissertations, Theses, and Masters Projects. Paper 1539625892. https://dx.doi.org/doi:10.21220/s2-nehz-v842 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. RICHARD WRIGHT AND RALPH ELLISON: CONFLICTING MASCULINITIES A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by H. Alexander Nejako 1994 ProQuest Number: 10629319 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10629319 Published by ProQuest LLC (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. -
Native Son (Questions)
Native Son (Questions) 1 Wright writes of Bigger Thomas: “these were the rhythms of his life; indifference and violence; periods of abstract brooding and periods of intense desire; moments of silence and moments of anger” … Does Wright intend us to relate to Bigger as a human being – or has he deliberately made him an embodiment of oppressive social and political forces? Is there anything admirable about Bigger? Does he change by the end of the book? 2 James Baldwin, an early protégé of Wright’s, later attacked the older writer for his self-righteousness and reliance on stereo-types… In his famous essay “Everybody’s Protest Novel” Baldwin compared Bigger to Harriet Beecher Stowe’s Uncle Tom, and dismissed Native Son as “protest” fiction. Do you agree? 3 When Bigger stands confronted by his family in jail, he thinks… they ought to be glad he was a murderer; “had he not taken on himself the crime of being black?” Talk about Bigger as a victim and sacrificial figure. If Wright wanted us to pity Bigger, why did he portray him as so brutal? 4 How dated does this book seem in its depiction of racial hatred and guilt? Have we as a society moved beyond the rage and hostility that Wright depicts between blacks and whites? Or are we still living in a culture that could produce a figure like Bigger Thomas? https://www.litlovers.com/reading-guides/fiction/719-native-son-wright?start=3 Native Son (About the Author) Author: Richard Wright Born: September 4, 1908 Where: near Natchez, MS Education: Smith-Robertson Junior High, Jackson MS Died: November 28, 1960 Where: Paris, France Richard Wright was the first 20th century African-American writer to command both critical acclaim and popular success. -
Paul Green Foundation
Paul Green Foundation NEWS – October 2017 Native Son’s New Adaptation PAUL GREEN ANNUAL MEETING Playwright Nambi Kelley NOVEMBER 4, 2017 has written plays for NC BOTANICAL GARDEN Steppenwolf, Goodman Theatre and Lincoln Center CHAPEL HILL, NC and most recently was named playwright-in-residence at The 2017 the National Black Theatre in New York. Kelley’s adaptation of Native Son was National Theatre Conference presented to critical acclaim for the premiere December 1-3 in New York City production at the Court Theatre/American Blues Each year the National Theatre Conference Festival. Since that first production it has been Person of the Year names the Paul Green produced in New York, California, Georgia and Award winner. This year’s Person of the Year – Arizona, and published by Samuel French in 2016. Molly Smith selected June Schreiner, a highly The Green Foundation joined with the Wright acclaimed young actor. Since 1989, the Paul Estate to sanction these productions. Green Foundation has honored a “young theatre professional” with this Paul Green Award. A bit of history: Paul Green and Richard Wright’s Native Son that opened on March 24, Founded in 1925, the National Theatre 1941, at the St. James Theatre in New York City, Conference is a not-for-profit organization made was produced by Orson Welles and John up of distinguished members of the American Houseman. Of the very serious disagreement that Theatre Community; Green was instrumental in ensued between Green and Wright, Dr. Laurence the founding the organization and served as Avery, Professor Emeritus, UNC-Chapel Hill president in the early years. -
Perched in Potential: Mobility, Liminality, and Blues Aesthetics
PERCHED IN POTENTIAL: MOBILITY, LIMINALITY, AND BLUES AESTHETICS IN THE WRITINGS OF JAMES BALDWIN by TAREVA LESELLE JOHNSON (Under the Direction of Valerie Babb) ABSTRACT James Baldwin’s mobility and appreciation for African American musical traditions play an integral part in the writer’s crossing of genre and subgenre, his unique style, and his preoccupation with repeated themes. The interplay of music and shifting space in Baldwin’s life and texts create liminal spaces for Baldwin and readers to enter. In these spaces, clearer understandings of the importance of exteriority and interiority, simultaneously, are achieved. This in-betweenness is a place of potential and power. Baldwin’s writing uses this power to chronicle his own growing consciousness and to create, with his collective works, and through them, Baldwininan literary theory that applies to his own works’ use of liminality, the blues and travel. One is able to overhear Baldwin speaking to himself via his texts at multiple points in his nearly forty-year career. INDEX WORDS: James Baldwin, Transatlantic, Liminal, Mobility, Blues, African American, Go Tell It on the Mountain, The Amen Corner, Sonny’s Blues, The Uses of the Blues, Paris, Turkey, Exile PERCHED IN POTENTIAL: MOBILITY, LIMINALITY, AND BLUES AESTHETICS IN THE WRITINGS OF JAMES BALDWIN by TAREVA LESELLE JOHNSON B.A., COLUMBIA UNIVERSITY, 2008 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2012 © 2012 Tareva Leselle Johnson All Rights Reserved PERCHED IN POTENTIAL: MOBILITY, LIMINALITY, AND BLUES AESTHETICS IN THE WRITINGS OF JAMES BALDWIN by TAREVA LESELLE JOHNSON Major Professor: Valerie Babb Committee: Cody Marrs Barbara McCaskill Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2012 iv DEDICATION I dedicate this project to my brother, Jerome, and everyone else who makes their way back time and time again. -
2. Why Theater, Mr. Baldwin?
SUSAN WATSON TURNER 2. WHY THEATER, MR. BALDWIN? The Amen Corner and Blues for Mister Charlie The personal relationship each author has with another author can be tangible or intangible since great authors make themselves known to us through their work. Great authors travel with us, go to bed with us, and enter other very personal aspects of our lives. Such is the case with James Baldwin and me. Before I ever actually set eyes on him, his book Another Country was my constant companion for almost a month. Admittedly I was a slow reader, yet I remember savoring this particular book like a favorite ice cream cone—and then finishing reluctantly, since finishing meant an end to the amazing sensation I was experiencing. When I did turn the last page of that book (on a bus ride in Cleveland Ohio on a brutally cold day) I distinctly recall wanting more. I was saddened that the last page had been turned—but also delighted to begin what I hoped would be a lifetime connection to Baldwin’s work and fervent life. I devoured his fiction, studied his dramatic work, and painstakingly analyzed his essays. This unknowingly prepared me to meet him at Ohio University, the site of my undergraduate study in theater. Causally walking across campus one day, I noticed a standing-room-only crowd overflowing from the theater. I asked what was going on or who was speaking, and in a hushed tone someone said, “Oh, James Baldwin is lecturing for the English Department.” An uncontrollable, unbelievable emotional rush came over me. -
Understanding the Black Male's Quest for Identity As Illustrated Through
Understanding the Black Male’s Quest for Identity as Illustrated through Native Son Martez Files The history of African-American writing merger will make them quest their own real is a complex subject. Since the foregrounding of identity, because they have become the emptied this literary canon there have been writers who out shell.” He contends that because Blackness is have attempted to present African-Americans as so diverse and Whiteness is so sovereign that Black agents of their social realities. These writers have people are becoming lost in the White world literally had to write Black people into history because their various character traits are because societal norms, historically, dehumanized suppressed by the oppressive presence of this group into anonymity. Some of the first Whiteness. His argument is one in which he writings of African-Americans that gained national presents Blacks as an “emptied-out shell” and attention are the ex-slave narratives which offer the another in which he echoes the sentiment that reader some clues as to what the human experience Whites are “sovereign,” meaning they reign of suffering was like for these people. In many supreme, even in Black literature. ways Black writers have mimicked the tradition of One might contend that Nejad does not take depicting Black characters battling human into account that this “emptied-out shell” to which experiences. Richard Wright is no different in he refers is not influenced first by White these literary pursuits as he also, expressly, sovereignty but by that of a Black parental figure. humanizes his characters. Nonetheless, some This is true in many African-American writings. -
James Baldwin and James Cone: God, Man, and the Redeeming Relationship
Obsculta Volume 8 Issue 1 Article 3 5-22-2015 James Baldwin and James Cone: God, Man, and the Redeeming Relationship Rea McDonnell S.S.N.D. College of Saint Benedict/Saint John's University Follow this and additional works at: https://digitalcommons.csbsju.edu/obsculta Part of the Christianity Commons, Race and Ethnicity Commons, and the Religious Thought, Theology and Philosophy of Religion Commons ISSN: 2472-2596 (print) ISSN: 2472-260X (online) Recommended Citation McDonnell, Rea S.S.N.D.. 2015. James Baldwin and James Cone: God, Man, and the Redeeming Relationship. Obsculta 8, (1) : 13-54. https://digitalcommons.csbsju.edu/obsculta/vol8/iss1/3. This Article is brought to you for free and open access by DigitalCommons@CSB/SJU. It has been accepted for inclusion in Obsculta by an authorized administrator of DigitalCommons@CSB/SJU. For more information, please contact [email protected]. OBSCVLTA J AMES B ALDWIN AND J AMES C ONE : G OD , M AN , AND THE R EDEEMIN G R ELATIONSHI P Sister Rea McDonnell, S.S.N.D. (1972) Abstract - Pope Francis calls us to live among the wounded and marginalized, letting them heal us and free us. How very cur- rent that makes this article, written as a Master’s thesis in 1972. Apart from anachronisms such as writing about God as “man” (instead of men/women), about redeeming (when I meant sav- ing), what is so apropos is the good news proclaimed by both James Cone and James Baldwin. James Cone wrote ground- breaking books on liberation theology. James Baldwin, as an author, expresses Black theology through his characters. -
Beauford Delaney & James Baldwin
BEAUFORD DELANEY & JAMES BALDWIN: THROUGH THE UNUSUAL DOOR selected timeline Beauford Delaney 1940 Meets Delaney for the first time 1961 While traveling by boat across 1970 Buys a home at Saint-Paul-de- James Baldwin at the artist’s 181 Greene Street studio. the Mediterranean to Greece, jumps Vence, in the South of France. 1941 Spends Christmas with his fam- overboard in a suicide attempt and is 1971 Travels to London to appear with 1901 Born Knoxville, Tennessee, ily in Knoxville. Appears in Delaney’s rescued by a fisherman. Friends pay poet/activist Nikki Giovanni on the on December 30 to Delia Johnson art for the first time in Dark Rapture for his return to Paris and hospitaliza- television program Soul. At his new Delaney and the Reverend John Samuel (James Baldwin). tion. Second essay collection, Nobody home, he is visited frequently by an Delaney, 815 East Vine Avenue. Knows My Name, published by Dial. 1942 Graduates from DeWitt Clinton increasingly unstable Delaney, who 1919 Father dies on April 30. Rioting Makes first trip to Istanbul, where he High School. sees Baldwin’s home as a refuge. breaks out in August after an African finishes writing his third novel, Another 1972 Publishes No Name in the Street, American man, Maurice Franklin Mays, 1943 Stepfather David Baldwin dies. Country. his fourth book of non-fiction, and is accused of murdering a white woman 1944 Appears in Delaney’s pastel 1962 Moves to 53 Rue Vercingetorix dedicates it to Delaney. in what would later become known as Portrait of James Baldwin. in Montparnasse. -
Sonny's Blues Study Guide
Sonny's Blues Study Guide © 2018 eNotes.com, Inc. or its Licensors. ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher. Summary The narrator, a teacher in Harlem, has escaped the ghetto, creating a stable and secure life for himself despite the destructive pressures that he sees destroying so many young blacks. He sees African American adolescents discovering the limits placed on them by a racist society at the very moment when they are discovering their abilities. He tells the story of his relationship with his younger brother, Sonny. That relationship has moved through phases of separation and return. After their parents’ deaths, he tried and failed to be a father to Sonny. For a while, he believed that Sonny had succumbed to the destructive influences of Harlem life. Finally, however, they achieved a reconciliation in which the narrator came to understand the value and the importance of Sonny’s need to be a jazz pianist. The story opens with a crisis in their relationship. The narrator reads in the newspaper that Sonny was taken into custody in a drug raid. He learns that Sonny is addicted to heroin and that he will be sent to a treatment facility to be “cured.” Unable to believe that his gentle and quiet brother could have so abused himself, the narrator cannot reopen communication with Sonny until a second crisis occurs, the death of his daughter from polio.