Feel Like a Star at Grand-Hôtel Du Cap-Ferrat, a Four Seasons Hotel

Total Page：16

File Type：pdf, Size：1020Kb

Feel Like a Star at Grand-Hôtel du Cap-Ferrat, A Four Seasons Hotel Guests may follow the footsteps of the most glamorous movie stars thanks to a partnership with the legendary photographic studio Harcourt Paris May 26, 2017, Saint-Jean Cap-Ferrat, France Just as the French Riviera is hosting the annual Festival du Film in Cannes, Grand-Hôtel du Cap-Ferrat, A Four Seasons Hotel launches a new experience allowing guests to immortalise their stay through a portrait from one of the most mythical photo studios in France from June 8 to 14 and from July 14 to 21, 2017. The Hotel will host a temporary Studio Harcourt where a photographer will be at guests’ disposal to get their portrait taken. Either choosing the glamour of the timeless black and white or a colour photo, a single portrait or a family shot, guests will benefit from the expertise of the studio that has photographed over decades an impressive list of celebrities including Halle Berry, Cate Blanchett, Catherine Deneuve, Jean Dujardin, Julia Roberts, Monica Bellucci, John Malkovich, Kevin Spacey, Marion Cotillard and more. 1 The Studio Harcourt has established itself as a legend since its creation in Paris in the 1930s. A visual record of great 20th century figures in art, culture and politics, Studio Harcourt Paris has raised the portrait to its most noble and timeless artistic state, halfway between mystery and legend. As stated by Francis Dagnan, the owner of the Studio Harcourt: "Leaving a trace, a glorious imprint, is the very raison d'être of the Harcourt photo." “Feel Like a Star” is an experience offered exclusively at Grand Hôtel du Cap-Ferrat, A Four Seasons Hotel and includes: • A two hour photo shoot • Make up and light hair retouch • A private session with the photographer to select the portrait • Photo retouch • Portrait shipping Price is EUR 1,750 per portrait. Advance booking required at the Concierge. RELATED May 26, 2017, Saint-Jean Cap-Ferrat, France Le Grand-Hôtel du Cap-Ferrat, A Four Seasons Hôtel annonce l’arrivée d’un nouveau Chef http://publish.url/fr/capferrat/hotel-news/2017/new-executive-chef-yoric-tieche.html May 5, 2017, Paris, France When the City of Light Meets French Riviera Splendour: The Best of France with Four Seasons http://publish.url/paris/hotel-news/2017/best-of-france.html PRESS CONTACTS Caroline Mennetrier Director of PR and Marketing Communication 71 Boulevard du General de Gaulle Saint-Jean Cap-Ferrat France [email protected] +39 02 7708 1795 2 Aurore Escrihuela Public Relations Manager 71 Boulevard du General de Gaulle Saint-Jean Cap-Ferrat France [email protected] +33 (0)4 93 76 50 10 3 .

Copy Link

Recommended publications

Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
[Show full text]
Interview: Francesco Vezzoli
Financial Times: 'Antidotes to Absurdity', by Rachel Spence, August 28th 2015 Interview: Francesco Vezzoli The Italian artist and film-maker on his ‘obsession’ with truth and the connection between sexuality, art and capitalism Generally, videos are a cross that art-lovers have to bear. Most are too long and pretentious, made by practitioners who would never have survived were they obliged to use a less generous medium such as paint or marble. So it was with a heavy heart that I pushed open the curtain that shielded Francesco Vezzoli’s film at the 2005 Venice Biennale. Six minutes later, I was reeling. For “Trailer for a Remake of Gore Vidal’s ‘Caligula’ ” was a hilarious riff on Bob Guccione’s 1979 movie Caligula. Disavowed by Vidal, the original screenwriter, Caligula had been panned by critics as a piece of hard-porn kitsch masquerading as a feature film. Vezzoli had made a trailer for a movie that didn’t exist inspired by one that was never what it pretended to be. Furthermore, he had scooped up Hollywood stars, including Helen Mirren — who had also appeared in Guccione’s film — Milla Jovovich and Benicio del Toro. Vidal himself intoned the introduction. Courtney Love popped up in a cameo as Caligula. Not only was it far more engaging than most artists’ films, the logistics were baffling. How did Vezzoli persuade his all-star cast to participate? Mirren is a busy woman. Vidal was no pushover. “Sincerity and flowers!” Vezzoli replies when I ask him, 10 years later, how he had convinced such legends to work with him.
[Show full text]
L'art Du Bonheur / Huit Femmes De François Ozon
Document generated on 09/23/2021 6:02 a.m. 24 images L’art du bonheur Huit femmes de François Ozon Jacques Kermabon Le cinéma par lui-même Number 112-113, Fall 2002 URI: https://id.erudit.org/iderudit/24570ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Kermabon, J. (2002). Review of [L’art du bonheur / Huit femmes de François Ozon]. 24 images, (112-113), 72–72. Tous droits réservés © 24 images, 2002 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Huit femmes de François Ozon du cinéaste d'enfermer ces poupées de chair dans ce huis clos et de les regarder, non sans parfois une certaine cruauté, passer de la ten dresse sirupeuse aux répliques assassines, des sous-entendus perfides aux crêpages de chi gnons? Nous pouvons d'ailleurs être à peu près sûrs que les créatures en question ne se sont pas toujours pliées sans résister aux exi gences du jeune maître des lieux. Il n'en transparaît rien, on ne sent que leur plaisir d'interprérer qui la femme fatale, qui la sœur revêche, qui la fausse ingénue..
[Show full text]
Persons Nominated for Foreign Language (Non-English) Performances
PERSONS NOMINATED FOR FOREIGN LANGUAGE (NON-ENGLISH) PERFORMANCES * Denotes winner [Updated thru 88th Awards (2/16)] 1961 (34th) * Sophia Loren – Actress, Two Women [Italian] 1962 (35th) Marcello Mastroianni – Actor, Divorce - Italian Style [Italian] 1964 (37th) Sophia Loren – Actress, Marriage Italian Style [Italian] 1966 (39th) Anouk Aimee – Actress, A Man and a Woman [French] Ida Kaminska – Actress, The Shop on Main Street [Czech] 1972 (45th) Liv Ullmann – Actress, The Emigrants [Swedish] 1974 (47th) Valentina Cortese – Supporting Actress, Day for Night [French] * Robert De Niro – Supporting Actor, The Godfather Part II [Italian] 1975 (48th) Isabelle Adjani – Actress, The Story of Adele H. [French] 1976 (49th) Marie-Christine Barrault – Actress, Cousin, Cousine [French] Giancarlo Giannini – Actor, Seven Beauties [Italian] Liv Ullmann – Actress, Face to Face [Swedish] 1977 (50th) Marcello Mastroianni – Actor, A Special Day [Italian] 1978 (51st) Ingrid Bergman – Actress, Autumn Sonata [Swedish] 1986 (59th) * Marlee Matlin – Actress, Children of a Lesser God [American Sign Language] 1987 (60th) Marcello Mastroianni – Actor, Dark Eyes [Italian] 1988 (61st) Max von Sydow – Actor, Pelle the Conqueror [Swedish] 1989 (62nd) Isabelle Adjani – Actress, Camille Claudel [French] 1990 (63rd) Gerard Depardieu – Actor, Cyrano de Bergerac [French] Graham Greene – Supporting Actor, Dances With Wolves [Lakota Sioux] 1992 (65th) Catherine Deneuve – Actress, Indochine [French] 1995 (68th) Massimo Troisi – Actor, The Postman (Il Postino) [Italian] 1998 (71st) * Roberto Benigni – Actor, Life Is Beautiful [Italian] Fernanda Montenegro – Actress, Central Station [Portuguese] 2000 (73rd) * Benicio Del Toro – Supporting Actor, Traffic [Spanish] 2004 (77th) Catalina Sandino Moreno – Actress, Maria Full of Grace [Spanish] 2006 (79th) Penélope Cruz – Actress, Volver [Spanish] Rinko Kikuchi – Supporting Actress, Babel [Japanese Sign Language] 2007 (80th) * Marion Cotillard – Actress, La Vie en Rose [French] © Academy of Motion Picture Arts and Sciences.
[Show full text]
Cannes Film Review: 'Standing Tall'
lifestyle THURSDAY, MAY 14, 2015 MUSIC AND MOVIES US directors and Presidents of the Feature Film jury Ethan Coen (center) and Joel Coen (4th right) jury members Rossy de Palma, Sienna Miller, Joel Coen, Ethan Coen, Rokia Traore and Sophie Marceau pose for photographers US actor Jake Gyllenhaal (left), Mexican director Guillermo del Toro (2nd left), French actress Sophie Marceau (3rd during a photo call for members of the jury, at the 68th international film festival, Cannes, southern France yester- left), Malian singer/songwriter Rokia Traore (4th left), Spanish actress Rossy de Palma (3rd right), Canadian direc- day.—AP photos tor Xavier Dolan (2nd right) and British actress Sienna Miller during a photocall ahead of the opening. Women take spotlight as curtain rises on Cannes film fest he Cannes Film Festival marks a change from the normally making her the first woman to them contradictory orders, and then eschewed its usual blockbuster flashy opening hits such as “Moulin receive an honorary Palme d’Or. see what happens,” Ethan joked. Topening yesterday to give its Rouge!” or “The Fifth Element”. The Oscar winner Natalie Portman is “That’s exactly what we do on the set coveted first slot to a film by a pace will pick up quickly over the presenting a special screening of her of our films,” his brother Joel added. woman director for only the second coming 12 days, with a number of directorial debut “A Tale of Love and “Up to now it’s worked pretty well. time. But it is another woman, Cate high-octane extravaganzas, includ- Darkness” about the early years of Order comes from chaos.” They will Blanchett, who stole the headlines ing “Mad Max: Fury Road” starring Israel.
[Show full text]
Kering and the Festival De Cannes Welcomed Isabelle Huppert
Kering and the Festival de Cannes welcomed Isabelle Huppert, Catherine Deneuve, Uma Thurman, and Jessica Chastain, at the official Women in Motion Awards’ dinner Photos : Venturelli/Getty Images for Kering Photos : Venturelli/Getty The Women in Motion Awards' official dinner welcomed 200 guests on Place de la Castre, Le Suquet, on the hills of Cannes on Sunday, 21 May 2017. The Women in Motion programme aims to shine a spotlight on women’s contribution to cinema. On this occasion, François-Henri Pinault, Chairman and CEO of Kering, Pierre Lescure, President of the Festival de Cannes, and Thierry Frémaux, General Delegate of the Festival of Cannes, presented the Women in Motion Award to international film icon Isabelle Huppert. In turn, Isabelle Huppert has chosen to honor director Maysaloun Hamoud with the Young Talents Award. Actresses Uma Thurman, Jessica Chastain, Salma Hayek Pinault, Catherine Deneuve, Isabelle Huppert, Claudia Cardinale, Liv Ullmann, Juliette Binoche, Marina Foïs, Sandrine Kiberlain, Charlotte Gainsbourg, Laetitia Casta, Valeria Golino, Elodie Bouchez, Béatrice Dalle, Dominique Blanc, Agnès Jaoui, Chris Lee, Clotilde Courau, were among the guests, as well as Charlotte Casiraghi. Actors Mads Mikkelsen, Reda Kateb, Yvan Attal, Christopher Thompson, Diego Luna and Yang Yang also attended. Press Release – 22 May 2017 Kering and the Festival de Cannes also welcomed director Agnès Varda, directors Claire Denis, Paolo Sorrentino, Tonie Marshall, Costa-Gavras, Nicole Garcia, Eric Lartigau, Valérie Donzelli, Jerry Schatzberg, Maren Ade, Shlomi Elkabetz, and musicians Michel Legrand, Thomas Bangalter and Michael Barker. Designers Anthony Vaccarello and Jean-Paul Gaultier, or models Anja Rubik and Kouka Webb were also among the guests.
[Show full text]
Cinema Against AIDS Thursday, May 22, 2014 Cannes, France
Sharon Stone Cinema Against AIDS Thursday, May 22, 2014 Cannes, France Event Produced by Andy Boose / AAB Productions A Golden Opportunity Cinema Against AIDS Cinema Against AIDS is the most eagerly anticipated and well-publicized event held during the Cannes Film Festival, and is one of the most successful and prominent charitable events in the world. The evening is always marked by unforgettable moments, such as Sharon Stone dancing to an impromptu performance by Sir Elton John and Ringo Starr, Dame Shirley Bassey giving a rousing performance of the song “Goldfinger,” George Clooney bestowing a kiss on a lucky auction bidder, and another lucky bidder winning the chance to go on a trip to space with Leonardo DiCaprio. Leonardo DiCaprio The 2012 and 2013 galas also included a spectacular fashion show curated by Carine Roitfeld and featuring the world’s leading models and one-of-a-kind looks. The event consistently has the most exciting and diverse guest list of any party held during the festival. It includes many of the celebrities and personalities associated with the film festival while also attracting familiar faces from the worlds of fashion, music, business, and international society. Madonna Natalie Portman Adrien Brody Jessica Chastain Karolína Kurková and Antonio Banderas Milla Jovovich A Star-Studded Cast amfAR’s international fundraising events are world renowned for their ability to attract a glittering list of top celebrities, entertainment industry elite, and international society—as well as the press that goes along with such star power. In just the past few years, the guest list has included such luminaries as: Ben Affleck • Jessica Alba • Prince Albert of Monaco Marc Anthony • Giorgio Armani • Lance Armstrong Lauren Bacall • Elizabeth Banks • Javier Bardem Dame Shirley Bassey • Kate Beckinsale • Harry Belafonte Gael Garcia Bernal • Beyoncé • Mary J.
[Show full text]
Press-Release-Films
FRENCH CULTURE IN THE UNITED STATES HIGHER EDUCATION, ARTS, FRENCH LANGUAGE For Immediate Release The 5th Annual Films on the Green Festival A series of free French screenings adapted from French and American literature in NYC parks Screening of “Two Days in Paris” (Deux Jours à Paris) by Julie Delpy at Columbia University, 2011 New York, May 2, 2012—The Cultural Services of the French Embassy and the City of New York Parks & Recreation announce the return of its popular free outdoor series of French screenings. For the fifth consecutive year, Films on the Green will present French films in New York City parks in June and July, as well as a special screening at Columbia University in September. The 2012 Films on the Green Festival will feature 8 free French screenings all adapted from French and American literature. Through an array of different cinematic genres – thriller, comedy, drama, romance and musical, the 2012 line-up includes films adapted from a wide range of literary styles – fairy tale (“Donkey Skin”), poetry (“The Snows of Kilimanjaro”) and graphic novel (“Persepolis”) – and highlights how great French directors like François Truffaut, Jacques Demy or Costa-Gavras have adapted works of literature. The series begins on Friday June 1st in Central Park with the screening of the comedy “OSS 117: Cairo, Nest of Spies” by the 2012 Oscar winning director of “The Artist,” Michel Hazanavicius. The film stars the talented Bérénice Bejo Press Contact: Kathryn Hamilton Tel: (646) 316 6926 — [email protected] FRENCH CULTURE IN THE UNITED STATES HIGHER EDUCATION, ARTS, FRENCH LANGUAGE and 2012 Oscar winning actor Jean Dujardin who plays a James Bond-type with rather unorthodox methods.
[Show full text]
Kyle Stevens and Murray Pomerance
Close-up: great international performances Kyle Stevens and Murray Pomerance Humans are storytelling creatures, and as, in the last century, the dominant medium for public narratives shift ed from theater to cinema, cinema placed the fruits of performative labor before the eyes of the world in an unprecedented way. What actors do in front of the camera remains central to the att raction of cinema for audiences, and infl uences—even marks the standard for—performance styles in other audiovisual media. Indeed, one could go further: many of the fi gures discussed in the pages that follow became cultural and mythical icons in the global consciousness of their time. Audiences care about actors, the characters they create, and the responses they engender. Performances are even the reason some fi lms are preserved. But beyond vague assertions about which performances are ineff ably great, profoundly moving, hopelessly terrible, or cringe-worthy, relatively litt le discussion of what actors really do exists, either in popular or academic fi lm criticism. Movements within the discipline of Film Studies (semiotics, psychoanalysis, cognitive psychology, and so forth) tend to look fi rst to the sciences, and thus outside fi lms themselves, for legitimate—meaning objective—means of verifying claims about movies. Th is poses a problem for the analysis of performance, as we respond to and love the displays of feelings, desires, and intentions at a personal level, if also collectively. We might thus wish to grapple with questions of what makes a performance meaningful, how we can share this sense, and, in sharing, possibly come to agreement.
[Show full text]
MARIN KARMITZ and MK2 April 6 - 17, 1989
The Museum of Modern Art For Immediate Release April 1989 MARIN KARMITZ AND MK2 April 6 - 17, 1989 A ten-day international retrospective of films by Marin Karmitz, French film director, producer, exhibitor, and distributor, opens on April 6 at The Museum of Modern Art. MARIN KARMITZ AND MK2 presents twelve features and two short films produced by the filmmaker between 1965 and 1988, including the New York premieres of Claude Chabrol's A Story of Women (1988) and Masques (1986) and Etienne Chatiliez's Life Is a Long Quiet River (1988). Through his commitment to supporting high quality and original work, Karmitz has helped to rejuvenate the French film industry and enrich world cinema. The series features works by major international directors, including Jean-Luc Godard, Every Man for Himself (1980); Alain Resnais, M61o (1986); Theo Angelopoulos, The Beekeeper (1986); Ken Loach, Looks and Smiles (1981); and Yilmaz Guney, The Wall (1983). Sabine Azema, Catherine Deneuve, Isabelle Huppert, Marcello Mastroianni, Philippe Noiret, and Jean-Louis Trintignant are among those actors appearing in the films. Films directed by Karmitz include two politically oriented works, Comrades (1970) and Blow for Blow (1972), and two short films, ComSdie (1965), based on a screenplay by Samuel Beckett, and Dark Night Calcutta (1964), based on a story by Marguerite Duras. Many of the films produced by Karmitz and MK2 have won strong critical recognition, including fifty-two awards and prizes, among them thirteen from the Cannes Film Festival, seven from the Venice Film Festival, and eighteen C6sars (the French equivalent of the Oscar). -more- 11 West 53 Street, New York, N.Y.
[Show full text]
Constructs of Gender and Female Sexuality in Post WWII American and European Cinema
City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects CUNY Graduate Center 6-2021 Sartorial Semiotics: Constructs of Gender and Female Sexuality in Post WWII American and European Cinema Patricia Cabral The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/4392 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SARTORIAL SEMIOTICS: CONSTRUCTS OF GENDER AND FEMALE SEXUALITY IN POST WWII AMERICAN AND EUROPEAN CINEMA by PATRICIA CABRAL A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2021 ii © 2021 PATRICIA CABRAL All Rights Reserved iii SARTORIAL SEMIOTICS: CONSTRUCTS OF GENDER AND FEMALE SEXUALITY IN POST WWII AMERICAN AND EUROPEAN CINEMA by Patricia Cabral This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts _____________________________ _________________________________________ Date Eugenia Paulicelli Thesis Advisor _____________________________ _________________________________________ Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iv Abstract Sartorial Semiotics: Constructs of Gender and Female Sexuality in Post WWII American and European Cinema By Patricia Cabral Advisor: Dr. Eugenia Paulicelli Cinematic costume design functions as a system of visually-perceived, material and indexical signifiers, an effective and compelling language further informed by styling and embodiment.
[Show full text]
Film Collection
Film Collection 1. Abe Lincoln in Illinois, US 1940 (110 min) bw (DVD) d John Cromwell, play Robert E. Sherwood, ph James Wong Howe, with Raymond Massey, Ruth Gordon, Gene Lockhart, Howard de Silva AAN Raymond Massey, James Wong Howe 2. Advise and Consent, US 1962 (139 min) (DVD) d Otto Preminger, novel Allen Drury, ph Sam Leavitt, with Don Murray, Charles Laughton, Henry Fonda, Walter Pidgeon. 3. The Age of Innocence, US 1993 (139 min) (DVD) d Martin Scorsese, novel Edith Wharton, m Elmer Bernstein, with Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder, Alexis Smith, Geraldine Chaplin. 4. Alexander France/US/UK/Germany, Netherlands 2004 (175 min) (DVD) d Oliver Stone, m Vangelis, with Antony Hopkins, Val Kilmer, Colin Farrell 5. Alexander Nevsky, USSR 1938 (112 min) bw d Sergei Eisenstein, w Pyotr Pavlenko, Sergei Eisenstein, m Prokofiev, ph Edouard Tissé, with Nikolai Cherkassov, Nikolai Okhlopkov, Andrei Abrkikosov. 6. The Age of Innocence, US 1993 (139 min) (DVD) d Martin Scorsese, novel Edith Wharton, with Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder, Alexis Smith, Geraldine Chaplin. AA Best Costume Design AAN Best Music; Best Screenplay; Winona Ryder; 7. The Agony and the Ecstacy, US 1965 (140 min) (DVD) d Carol Reed, novel Irving Stone, ph Leon Shamroy, with Charlton Heston, Rex Harrison, Diane Cilento, Harry Andrews. 8. All Quiet on the Western Front, US 1930 (130 min) bw (DVD) d Lewis Milestone (in a manner reminiscent of Eisenstein and Lang), novel Erich Maria Remarque, ph Arthur Edeson, with Lew Ayres, Louis Wolheim, Slilm Sum- merville, John Wray, Raymond Griffith.
[Show full text]