DOCSLIB.ORG

Dior by Avedon Kindle

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dior by Avedon Kindle DIOR BY AVEDON PDF, EPUB, EBOOK Justine Picardie | 412 pages | 29 Nov 2017 | Rizzoli International Publications | 9780847847273 | English | New York, United States Dior by Avedon PDF Book View fullsize Italy 16, Palermo, Sicily, September 3, As the Metropolitan Museum of Art explains:. Next Post. Publication Date:. Dior by Avedon Justine Pidardie Rizzoli , - Seiten 0 Rezensionen Richard Avedon's most indelible images of Dior fashions and portraits from the s through the '70s, including many never-before-published photographs. Justine Picardie is an accomplished author and editor in chief of British Harper s Bazaar. Infanta Margarita Teresa in a blue dress , The book illuminates many details about preparations for Avedon's major exhibitions, the master classes he was a part of, and many behind-the-scene stories working on fashion collections in Paris and in New York for Harper's Bazaar and Vogue, photographing the world's most famous personalities and most beautiful women- Sophia Loren, Audrey Hepburn, Catherine Deneuve, Cher, Jean Shrimpton, Veruschka, Twiggy, Rene Russo, Patti Hanson, and Lauren Hutton. He also went on the road to find and photograph remarkable uncelebrated faces, with an eye toward constructing a grand composite picture of America. The great hats of Dior, as chosen by Stephen Jones, one of the most revered milliners of our times. He registered poses, attitudes, hairstyles, clothing and accessories as vital, even revelatory, elements of the personal image. Coco Chanel Justine Picardie. Avedon at Work Laura Wilson Inbunden. You can opt out at any time or find out more by reading our cookie policy. News and events Drago Interviews Exhibitions. Book Summary: A gorgeous exploration of the relationship between the haute couture of Dior and the fashion photography that captures it. Meine Mediathek Hilfe Erweiterte Buchsuche. Balancing glamour with the gravitas of an artist's genuine reach for worldy achievement—and not a little gossip—plus sixteen pages of photographs, What Becomes a Legend Most is an intimate window into Avedon's fascinating world. Paris regained its place as the global capital of fashion and the name of Dior became a synonym for haute couture. He is a renowned fashion historian and author. Remember me. Retourenschein anfordern. A gorgeous exploration of the relationship between the haute couture of Dior and the fashion photography that captures it. The first survey of Richard Avedon's influential advertising work Richard Avedon was one of the most sought-after and influential advertising photographers in America from the s to the beginning of the 21st century, creating work that exemplified Madison Avenue at the height of its influence in world culture. The first definitive biography of Richard Avedon, a monumental photographer of the twentieth century, from award-winning photography critic Philip Gefter. The theatrical minimalism of the s is echoed by the eternal Chanel in the s. Arrow Up Arrow Down. During the Vietnam War, he photographed students, counter-cultural artists and activists, and victims of the war in the US and Vietnam. Catalog of an exhibition held at the Bibliothaeque nationale de France, October 18, February 26, Fraenkel Gallery is currently open by appointment. Skickas inom vardagar. By browsing this website, you agree to our use of cookies. He is a renowned fashion historian and author. Halloween Best of Bystander: The greatest Halloween parties of all time Cobwebs, jewels and faux wounds galore at the best Halloween parties Bystander has ever seen. Follow Us Facebook Twitter Instagram. Social Media. Dior by Avedon Writer It was Dovima, though, who featured in what is often considered the most indelible fashion picture ever to grace the pages of Bazaar. Norfolk, VA: Chrysler Museum, About the context. In addition to being a muse to many designers, including Valentino and Yves Saint Laurent, she has been a member of the International Best Dressed list since Spara som favorit. At the smallest part of the waist, a knot is tied in self-trim. A woman had only to step into a Dior gown; the interior scaffolding did the rest. How the hyper-femininity of the early s would re-emerge in altered formats in the s and again in the s. His interest in photography began early, and he joined the YMHA camera club at the age of twelve. Long live the London Fashion Week after-party: the best parties in history With socialising off the agenda this season, Tatler looks back at the most fabulous parties of London Fashion Week over the years, including all the most glamorous guests. The fabric is gray, but depending on the light can take on a beige or purple tone. Bibliografische Informationen. But his volatility at times seemed more deeply embedded. He took classes that Brodovitch taught at the New School and made, by his count, at least 14 appointments with him, all of which were canceled. The friendship that developed between Capote and Avedon was of mutual admiration—with a degree of distance. Stephen Sondheim, composer, New York , April 6, Search for:. The Vogue Archive. Remember me. During this time Avedon advanced his technical knowledge of the medium and began to develop a dynamic style. With the first half of the s dominated by Worl. Congresswoman, New York, View is to hide special-options vocab cats. About The Author. View fullsize Francis Bacon, artist, Paris, April 11, Meine Mediathek Hilfe Erweiterte Buchsuche. Publications Monographs and Catalogues. Ethel S. Sun and Moon Mark Holborn Inbunden. Dior by Avedon Reviews Dior by Avedon. He possessed a mystique so unique it was itself a kind of genius—everyone fell under his spell. W 16 in. Bazaar Bride. The Beatles, Richard Avedon , In addition to being a muse to many designers, including Valentino and Yves Saint Laurent, she has been a member of the International Best Dressed List since Coco Chanel Justine Picardie. Creator : Richard Avedon. He could be tart, petulant, self-pitying, and even cruel. He registered poses, attitudes, hairstyles, clothing and accessories as vital, even revelatory, elements of the personal image. There was a searching in his images, an ephemeral quality. Excerpts from essential interviews with rock stars, blues singers, rappers, and others are included on nearly every page, capturing exactly what makes each musician so indelible. Avedon presented the face as a kind of landscape, with total clarity. Welcome to Tatler. Presented by. View fullsize Alberto Giacometti, sculptor, Paris, March 6, Related Press. Zhong Weixing Zhong Weixing Inbunden. Cecil Beaton. Lothar Kalinowski, Psychiatrist. View fullsize Italy 17, Venice, August 10, Top Audiobooks. Dior by Avedon Read Online His work encompasses an unusually wide range of subjects: The Civil Rights movement, French fashions, anti-Vietnam war protestors, the Chicago Seven, the Warhol Factory and the artistic and political leadership of America. Photographed by Frances Mclaughlin-Gill. View fullsize Wedding of Mr. The friendship that developed between Capote and Avedon was of mutual admiration—with a degree of distance. Book Summary: A master of American fashion and art photography turns his artistry to capturing--in a series of photograph portraits--the cowboys, roustabouts, drifters, gamblers, bar girls, and others who characterize the modern Western experience. Reaching beyond the intimate setting of the fashion show, the photographer paints a portrait of haute couture that takes the couturier's intention to enchant the public and elevates it to the level of the sublime. He is a renowned fashion historian and author. Publications Monographs and Catalogues. Category s Modern Richard Avedon Art. Its Afterlife. Related Press. When he had enlisted, his father, Jack, gave him a Rolleiflex camera as a going-away present, so he applied for a job in the photography department and was assigned to a post in Sheepshead Bay, Brooklyn, where he fulfilled his service by taking pictures of events on the base, shipwrecks, and autopsies. View fullsize Bianca Jagger, Hollywood studio, January 25, Truman Streckfus Persons first arrived in New York in Book Summary: A gorgeous exploration of the relationship between the haute couture of Dior and the fashion photography that captures it. Her new husband, a well-off Cuban-born textile broker named Joseph Capote, adopted him, which is how he came to be known as Truman Capote. Loulou felt that her life had been kidnapped by the operatic workings of the House of Saint Laurent, and in her last years faced financial ruin. Yves Saint Laurent Icons of Fashion Design, acclaimed by the critics as an intoxicating book remains the most attractive homage to the uncrowned king of haute couture. Bestseller Books. W 20 in. Richard Avedon by Judith Thurman. He is a renowned fashion historian and author. From , Avedon served in the Merchant Marine, making identification portraits of the crewmen with his Rolleiflex twin lens camera. Norfolk, VA: Chrysler Museum, Type keyword s to search. Book Summary: Avedon Fashion encompasses seven decades of extraordinary images by Richard Avedon, the most influential fashion photographer of the 20th century. Dm Shipping Options. One of his most prolific collaborations was with the house of Dior, which can be traced back to , just after the haute couture house had taken the Paris fashion world by storm. He was drawn to subjects who had some road under their feet. After the austerity of the war years, the cinched waistlines, full skirts and soft shoulders of the New Look came to embody a revival of Parisian luxury. By browsing this website, you agree to our use of cookies. She was damaged by her beauty. Spara som favorit. This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. Image size is 21x Avedon also printed and signed a small portfolio of 3 at that time.
Load more

Recommended publications
  • Pressemappe American Photography
    Exhibition Facts Duration 24 August – 28 November 2021 Virtual Opening 23. August 2021 | 6.30 PM | on Facebook-Live & YouTube Venue Bastion Hall Curator Walter Moser Co-Curator Anna Hanreich Works ca. 180 Catalogue Available for EUR EUR 29,90 (English & German) onsite at the Museum Shop as well as via www.albertina.at Contact Albertinaplatz 1 | 1010 Vienna T +43 (01) 534 83 0 [email protected] www.albertina.at Opening Hours Daily 10 am – 6 pm Press contact Daniel Benyes T +43 (01) 534 83 511 | M +43 (0)699 12178720 [email protected] Sarah Wulbrandt T +43 (01) 534 83 512 | M +43 (0)699 10981743 [email protected] 2 American Photography 24 August - 28 November 2021 The exhibition American Photography presents an overview of the development of US American photography between the 1930s and the 2000s. With works by 33 artists on display, it introduces the essential currents that once revolutionized the canon of classic motifs and photographic practices. The effects of this have reached far beyond the country’s borders to the present day. The main focus of the works is on offering a visual survey of the United States by depicting its people and their living environments. A microcosm frequently viewed through the lens of everyday occurrences permits us to draw conclusions about the prevalent political circumstances and social conditions in the United States, capturing the country and its inhabitants in their idiosyncrasies and contradictions. In several instances, artists having immigrated from Europe successfully perceived hitherto unknown aspects through their eyes as outsiders, thus providing new impulses.
    [Show full text]
  • 'He Museum of Modern Art NO. 35 11 West 53 Street, New York, N.Y
    'he Museum of Modern Art NO. 35 11 West 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart F0R RELEASE : JACOB ISRAEL AVEDON: PHOTOGRAPHED BY RICHARD AVEDON TO BE PRESENTED AT THE MUSEUM OF MODERN ART An exhibition of Richard Avedon's photographic portraits of his father, Jacob Israel Avedon, will be on view at The Museum of Modern Art from May 1 through June 16. Avedon photographed his father on many different occasions during the last six years up until the week of his father's death on September 1, 1973, just be­ fore his 84th birthday. This exhibition, designed by Marvin Israel, consists of eight pictures chosen from those sittings. John Szarkowski, Director of the Department of Photography, says, "Photographic portraiture, pursued with the high ambition that tradition suggests, is an enor­ mously difficult art. It is most difficult when the photographer and the subject know each other well; in such cases each recognizes and nullifies the other's little tricks of style — the stuff of our personae. In these circumstances only accep­ tance and trust can succeed. Richard Avedon's portraits of his father are the deeply moving record of such a success." Avedon, in speaking of.this exhibition, said recently, "At first my father agreed to let me photograph him but I think after a while he began to want me to. He started to rely on it, as I did, because it was a way we had of forcing each other to recognize what we were. I photographed him many times during the last year of his life but I didn't really look at the pictures until after he died.
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • Notable Photographers Updated 3/12/19
    Arthur Fields Photography I Notable Photographers updated 3/12/19 Walker Evans Alec Soth Pieter Hugo Paul Graham Jason Lazarus John Divola Romuald Hazoume Julia Margaret Cameron Bas Jan Ader Diane Arbus Manuel Alvarez Bravo Miroslav Tichy Richard Prince Ansel Adams John Gossage Roger Ballen Lee Friedlander Naoya Hatakeyama Alejandra Laviada Roy deCarava William Greiner Torbjorn Rodland Sally Mann Bertrand Fleuret Roe Etheridge Mitch Epstein Tim Barber David Meisel JH Engstrom Kevin Bewersdorf Cindy Sherman Eikoh Hosoe Les Krims August Sander Richard Billingham Jan Banning Eve Arnold Zoe Strauss Berenice Abbot Eugene Atget James Welling Henri Cartier-Bresson Wolfgang Tillmans Bill Sullivan Weegee Carrie Mae Weems Geoff Winningham Man Ray Daido Moriyama Andre Kertesz Robert Mapplethorpe Dawoud Bey Dorothea Lange uergen Teller Jason Fulford Lorna Simpson Jorg Sasse Hee Jin Kang Doug Dubois Frank Stewart Anna Krachey Collier Schorr Jill Freedman William Christenberry David La Spina Eli Reed Robert Frank Yto Barrada Thomas Roma Thomas Struth Karl Blossfeldt Michael Schmelling Lee Miller Roger Fenton Brent Phelps Ralph Gibson Garry Winnogrand Jerry Uelsmann Luigi Ghirri Todd Hido Robert Doisneau Martin Parr Stephen Shore Jacques Henri Lartigue Simon Norfolk Lewis Baltz Edward Steichen Steven Meisel Candida Hofer Alexander Rodchenko Viviane Sassen Danny Lyon William Klein Dash Snow Stephen Gill Nathan Lyons Afred Stieglitz Brassaï Awol Erizku Robert Adams Taryn Simon Boris Mikhailov Lewis Baltz Susan Meiselas Harry Callahan Katy Grannan Demetrius
    [Show full text]
  • Press Release.Pages
    !1 PRESS RELEASE by Diane Rosenstein Fine Art The exhibition Matthew Rolston: Talking Heads is comprised of monumental color portraits of dummies chosen from a collection of nearly seven hundred ventriloquist dolls (dating from 1820 – 1980) housed at the Vent Haven Museum in Fort Mitchell, Kentucky. In 2010, photographer Matthew Rolston set up a portrait studio at the museum and photographed each of his subjects in an identical manner: square format, low angle, monochromatic backdrop, and a single light source. The resulting photographs are grounded in a visual vocabulary articulated by Irving Penn, Richard Avedon, and Andy Warhol; they also invoke the classic tropes of Pygmalian: energize the inanimate, and in so doing, infuse them with an idiosyncratic and expressive humanity. The photographer argues on behalf of our collective humanity, and he offers the gaze of these portraits as an avenue of connection. Matthew Rolston, Anonyma Boy, from the series “Talking Heads.” The Talking Heads exhibition presents larger-than-life prints measuring sixty inches square, including Anonyma Boy (2010), who bears an unmistakable resemblance (though unintended by the artist) to Avedon’s portrait of Andy Warhol. An edited series of smaller scale prints includes Pancho (2010), a hazel-eyed Everyman who regards us with the weariness and candor of a performer who has spent his life on the road. !2 Matthew Rolston, Pancho, from the series “Talking Heads.” Noisy Crachini (2010) is the bejeweled centerpiece of a monumental triptych that depicts a high society trio: the gentlemen are cosmopolitan swells, wearing white ties and top hats, but their poignant expressions bring into question the true nature of this delightful ménage.
    [Show full text]
  • Interview: Francesco Vezzoli
    Financial Times: 'Antidotes to Absurdity', by Rachel Spence, August 28th 2015 Interview: Francesco Vezzoli The Italian artist and film-maker on his ‘obsession’ with truth and the connection between sexuality, art and capitalism Generally, videos are a cross that art-lovers have to bear. Most are too long and pretentious, made by practitioners who would never have survived were they obliged to use a less generous medium such as paint or marble. So it was with a heavy heart that I pushed open the curtain that shielded Francesco Vezzoli’s film at the 2005 Venice Biennale. Six minutes later, I was reeling. For “Trailer for a Remake of Gore Vidal’s ‘Caligula’ ” was a hilarious riff on Bob Guccione’s 1979 movie Caligula. Disavowed by Vidal, the original screenwriter, Caligula had been panned by critics as a piece of hard-porn kitsch masquerading as a feature film. Vezzoli had made a trailer for a movie that didn’t exist inspired by one that was never what it pretended to be. Furthermore, he had scooped up Hollywood stars, including Helen Mirren — who had also appeared in Guccione’s film — Milla Jovovich and Benicio del Toro. Vidal himself intoned the introduction. Courtney Love popped up in a cameo as Caligula. Not only was it far more engaging than most artists’ films, the logistics were baffling. How did Vezzoli persuade his all-star cast to participate? Mirren is a busy woman. Vidal was no pushover. “Sincerity and flowers!” Vezzoli replies when I ask him, 10 years later, how he had convinced such legends to work with him.
    [Show full text]
  • L'art Du Bonheur / Huit Femmes De François Ozon
    Document generated on 09/23/2021 6:02 a.m. 24 images L’art du bonheur Huit femmes de François Ozon Jacques Kermabon Le cinéma par lui-même Number 112-113, Fall 2002 URI: https://id.erudit.org/iderudit/24570ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Kermabon, J. (2002). Review of [L’art du bonheur / Huit femmes de François Ozon]. 24 images, (112-113), 72–72. Tous droits réservés © 24 images, 2002 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Huit femmes de François Ozon du cinéaste d'enfermer ces poupées de chair dans ce huis clos et de les regarder, non sans parfois une certaine cruauté, passer de la ten­ dresse sirupeuse aux répliques assassines, des sous-entendus perfides aux crêpages de chi­ gnons? Nous pouvons d'ailleurs être à peu près sûrs que les créatures en question ne se sont pas toujours pliées sans résister aux exi­ gences du jeune maître des lieux. Il n'en transparaît rien, on ne sent que leur plaisir d'interprérer qui la femme fatale, qui la sœur revêche, qui la fausse ingénue..
    [Show full text]
  • Richard Avedon Collection Ag 89
    FINDING AID FOR THE RICHARD AVEDON COLLECTION AG 89 Center for Creative Photography University of Arizona Tucson, AZ 85721-0103 For further information about the archives at the Center for Creative Photography, please contact the Archivist: phone 520-621-6273; fax 520-621-9444 DESCRIPTION Papers, photographic materials, publications, and memorabilia, 1947-1989, of Richard Avedon (1923-2004), photographer. Includes correspondence, clippings, contact sheets, engraver's prints, books, and other materials documenting his career. The collection is active. 15 linear feet PROVENANCE The collection was acquired from Richard Avedon beginning in 1989. RESTRICTIONS Copyright Copyright is held by the Richard Avedon Foundation. No copying of photographic materials is permitted without approval. Access Correspondence less than twenty-five years old may not be read without permission of the author. CHRONOLOGY [From press release issued by CCP in 1989.] * = Mr. Avedon’s publications 1923 Born, New York City 1929-41 Attended P.S. 6, De Witt Clinton High School, and Columbia University 1937-40 Co-editor, with James Baldwin, of The Magpie, De Witt Clinton High School literary magazine 1940 Poet Laureate of New York City High Schools 1942-1944 Served in the U.S. Merchant Marines 1944-1950 Studied with Alexey Brodovitch at the Design Laboratory, New School for Social Research, New York 1945-65 Staff photographer for Harper’s Bazaar 1947-84 Photographed the French Collections in Paris for Harper’s Bazaar and Vogue 1950 Awarded the Highest Achievement Medal, Art Directors’ Show, New York 1952-53 Theatre Arts, editor and photographer 1957 Visual consultant for the film, Funny Face, based on Avedon’s career 1959* Observations, photographs by Richard Avedon, text by Truman Capote, Simon and Schuster, Inc.
    [Show full text]
  • Press Klein.Pages
    Platinum by William Klein Opening week: Saturday, May 8th, from 2 to 6 pm Show: May 11th - July 10th 2021 ____________________________ FIFTY ONE TOO is pleased to present a series of 9 platinum prints by the influential American photographer, filmmaker, graphic designer and painter William Klein (born in 1928 in the US, lives and works in Paris, France). The exhibition features some of the most well known images that this ‘enfant terrible of photography’ made in commission for Vogue magazine in the 1950s and 60s and that are now considered a milestone in fashion photography. The platinum printing process – known for its exceptional quality, durability and beauty – gives these legendary photographs an unprecedented depth, sharpness and tonal range, spectacular to discover in person. William Klein is best known for his primitive style of photography that ignored all conventions. His self- proclaimed ‘fotografia povera’ made a trademark out of graininess, blur, distortion, sharp contrasts and unexpected points of view. The movement, immediacy and acceptance of accident in Klein’s snapshot-like images, stand in sharp contrast with the rigid fashion photography of the 1950s and 60s with its mainly studio-based way of working. However, in 1954, Klein would accidentally end up as a fashion photographer when he was approached by art director at Vogue, Alexander Liberman. Liberman agreed to finance his planned photographic portrait of his hometown New York, with the intention to publish a portfolio in the magazine. Although the images would never make it into the pages of Vogue - they instead evolved into the iconic publication ‘Life is good for you and good for you in New York: Trance Witness Revels’ - Klein returned to France with a contract for a loosely- defined position at the magazine’s art department.
    [Show full text]
  • Historic Photogs Presentation 4.Key
    & Weegee (Arthur Fellig) A photographer and photojournalist, known for his stark black and white street photography. Weegee worked in Manhattan, New York City's Lower East Side as a press photographer during the 1930s and '40s, and he developed his signature style by following the city's emergency services and documenting their activity. Weegee (Arthur Fellig) Gary Winogrand Gary Winograd was a street photographer from the Bronx, New York, known for his portrayal of American life, and its social issues, in the mid-20th century. Though he photographed in Los Angeles and elsewhere, Winogrand was essentially a New York photographer Gary Winogrand Gordon Parks Parks, born in 1912, was the first African-American photographer hired at Life and Vogue magazines. Focusing on race relations, civil rights, poverty and urban life, his body of work documented controversial aspects of American culture from the early 1940s until his death in 2006. He was a self- taught artist who purchased his first camera at the age of 25. Ansel Adams American photographer and environmentalist. His black-and-white landscape photographs of the American West, especially Yosemite National Park Ansel Adams Manuel Álvarez Bravo Often cited as Mexico's most celebrated fine art photographer, Manuel Álvarez Bravo, whose life almost spanned the entire 20th century, relentlessly captured the history of the country's evolving social and geopolitical atmosphere. His early work was based on European influences, but he was soon influenced by the Mexican muralism movement and the general cultural and political push at the time to redefine Mexican identity. Lola Álvarez Bravo Lola Álvarez Bravo was one of Mexico’s most important photographers.
    [Show full text]
  • Persons Nominated for Foreign Language (Non-English) Performances
    PERSONS NOMINATED FOR FOREIGN LANGUAGE (NON-ENGLISH) PERFORMANCES * Denotes winner [Updated thru 88th Awards (2/16)] 1961 (34th) * Sophia Loren – Actress, Two Women [Italian] 1962 (35th) Marcello Mastroianni – Actor, Divorce - Italian Style [Italian] 1964 (37th) Sophia Loren – Actress, Marriage Italian Style [Italian] 1966 (39th) Anouk Aimee – Actress, A Man and a Woman [French] Ida Kaminska – Actress, The Shop on Main Street [Czech] 1972 (45th) Liv Ullmann – Actress, The Emigrants [Swedish] 1974 (47th) Valentina Cortese – Supporting Actress, Day for Night [French] * Robert De Niro – Supporting Actor, The Godfather Part II [Italian] 1975 (48th) Isabelle Adjani – Actress, The Story of Adele H. [French] 1976 (49th) Marie-Christine Barrault – Actress, Cousin, Cousine [French] Giancarlo Giannini – Actor, Seven Beauties [Italian] Liv Ullmann – Actress, Face to Face [Swedish] 1977 (50th) Marcello Mastroianni – Actor, A Special Day [Italian] 1978 (51st) Ingrid Bergman – Actress, Autumn Sonata [Swedish] 1986 (59th) * Marlee Matlin – Actress, Children of a Lesser God [American Sign Language] 1987 (60th) Marcello Mastroianni – Actor, Dark Eyes [Italian] 1988 (61st) Max von Sydow – Actor, Pelle the Conqueror [Swedish] 1989 (62nd) Isabelle Adjani – Actress, Camille Claudel [French] 1990 (63rd) Gerard Depardieu – Actor, Cyrano de Bergerac [French] Graham Greene – Supporting Actor, Dances With Wolves [Lakota Sioux] 1992 (65th) Catherine Deneuve – Actress, Indochine [French] 1995 (68th) Massimo Troisi – Actor, The Postman (Il Postino) [Italian] 1998 (71st) * Roberto Benigni – Actor, Life Is Beautiful [Italian] Fernanda Montenegro – Actress, Central Station [Portuguese] 2000 (73rd) * Benicio Del Toro – Supporting Actor, Traffic [Spanish] 2004 (77th) Catalina Sandino Moreno – Actress, Maria Full of Grace [Spanish] 2006 (79th) Penélope Cruz – Actress, Volver [Spanish] Rinko Kikuchi – Supporting Actress, Babel [Japanese Sign Language] 2007 (80th) * Marion Cotillard – Actress, La Vie en Rose [French] © Academy of Motion Picture Arts and Sciences.
    [Show full text]
  • The 'New Look' Woman in the City and on the Street As Represented in Fashion Photography
    The New Look Woman in the City and on the Street as Represented in Fashion Photography Author Berry, Jess Published 2015 Journal Title Catwalk: The Journal of Fashion, Beauty and Style Version Version of Record (VoR) Copyright Statement © 2015 Inter-Disciplinary Press. The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/98963 Link to published version https://www.inter-disciplinary.net/publishing/product/catwalk412015/ Griffith Research Online https://research-repository.griffith.edu.au Catwalk: The Journal of Fashion, Beauty and Style, volume 4, no. I, pp. 1- 18 (20 15) Inter-Disciplinary Press ISSN: 2045-2349 The 'New Look' Woman in the City and on the Street as Represented in Fashion Photography Jess Berry Abstract Post-war fashions of the 1940s and 1950s are frequently regarded as overtly feminine, signifying a return to traditional gender roles. In particular, Christian Di01·'s 'New Look' of 194 7 and its subsequent imitators symbolically represented feminine virtues of constraint and compliance due to the structural design of garments that stylised the female body in an hour­ glass silhouette redolent of the nineteenth century. In part, fashion photographers, including Ceci I Beaton and Richard A vedon in the late 1940s, contributed to the prevailing mythology of the New Look, whose studio-based images of the style aimed to inspire luxurious and aristocratic fantasies of feminine glamour. However, representations of this style are often contradictory. Specifically, the article argues that an alternate image of the New Look and associated fashions was also present during this era, where the backdrop of the city that featured in the photographs of Norman Parkinson, Willy Maywald, and Georges Dambier during the 1950s asserted women's mobility in the public arena at a time when socio-political forces sought women's return to the home.
    [Show full text]