Performance Practice Review Volume 17 | Number 1 Article 3 "Baroque Music, The Library of Essays on Music Performance Practice" edited by Peter Walls and Mary Cyr David Schulenberg Follow this and additional works at: http://scholarship.claremont.edu/ppr Part of the Music Performance Commons, and the Music Practice Commons Schulenberg, David (2012) ""Baroque Music, The Library of Essays on Music Performance Practice" edited by Peter Walls and Mary Cyr," Performance Practice Review: Vol. 17: No. 1, Article 3. DOI: 10.5642/perfpr.201217.01.03 Available at: http://scholarship.claremont.edu/ppr/vol17/iss1/3 This Book Review is brought to you for free and open access by the Journals at Claremont at Scholarship @ Claremont. It has been accepted for inclusion in Performance Practice Review by an authorized administrator of Scholarship @ Claremont. For more information, please contact
[email protected]. Walls, Peter, ed. Baroque Music , The Library of Essays on Music Performance Practice , series editor Mary Cyr. Farnham, Surry, UK, and Burlington, VT, USA: Ashgate, 2011. ISBN 978-0-7546-2882-8. David Schulenberg Copyright 2012 © Claremont Graduate University In the sciences, there are foundational articles on which entire disciplines are founded. Physicists today rarely read the papers in which Einstein demonstrated the principles of the theory of relativity, but thousands of papers based on them have been published during the past hundred years, and the results are enshrined in textbooks. The original papers remain of interest as historical documents and as models of style and reasoning. Such cannot be said for most of the papers gathered together in this contribution by Peter Walls to a series called, not without pretension, “The Library of Essays on Music Performance Practice.” Titles in the series are limited to the style-periods of the Western European art-music tradition, implying that the only practices worth studying are those that were employed in the past for “classical” repertories of interest to present-day academics and recording companies.