tHE 'DIAPASO N AN INTERNATIONAL MONTHLY DEVOTED TO THE ORGAN AND THE INTERESTS OF ORG,ISlSTS
Sixty.third rear. Nu. I - Whole No. 745 DECEMIIER, 19i1 Subscriptions $4.0U a )'t.'iIT - ·10 cents a cop),
AEolian-Skinner Builds New von Beckerath Organ for Ohio State University Dedicated at Yale AEolian-Skinner Organ Com pan, is The lIew J-I. I:runk Uozy:m Memorial building a new 3-m,Ulual and peda or· Org:m in Dwight Chapel, Yale Univ,"'r. g:ut for the music school at Ohio State sit}, ~ew l-Ia\'CII, COIlII ., was dedicatctl Unh·crsity. Columbus, Ohio. and instal :-\0\ . 3. A 42,sl!)p lIIechanical action 01' Iillion is untidpalccJ to begin carly in g.m built bt Rudolf mil Heckemth 01 1972. The organ will be located in H iI :nhurg, Germany, the instnllllent is HughL'S 1-lal1. :l slIlall recital hOi!!. The d l."Signed to phi}' the c1:ISSic works of the instrument will be encased, and it will pcriod o[ Bach and hC£ore, and scrves h:1\'C a movable consulI.'. Thc action will IherC£ore as :t complement to Ihe lar~e he c1cctru.pncum:llic with slider dU.'SIS, :\'ewbl·tI"}· Org:1Il in Wuolsey I-Iall. Char· and the combination action will be solid It s Krigh:ltlt11 , "ide Uni\'ersity ofbr-anist, slate capture type. Robert L. SipI.' He thc headed (he colllmittee which sdected the AEoliall·Skinner £inn designed thc ill organ maker and stlpcni$l.'(1 the dct:lils strumcnt in collahor;Jtioli wilh \\TilbuT o( its illslall:llion. Mr. Krigbaum is I-!chl and Gordon Wilson or the or<~:111 playing a series or fh'e recitals de\'uled f"culty and I.ee Rigby. dean of fine nrts. In the music o[ J.S. 1I:lch during t'lis, the nl"Jtilll'S; first sl'aSOIl of tlsc. GREAT Quintade 16 ft. 61 Ilille!! I'rincillal 8 fl . 61 !liJIClI GREAT SpitlnBte 8 ft. 61 pipes Ulltthm 16 ft. Octa\'e .. rt. 61 pille!! I'rinciral 8 fl . Blodr.flOle 2 ft. 61 Ilipes Rllhrflule 8 ft. fl. Sr!Sqlliahera II 122 pil~ Octave" Mixture IV 244 Ililies Spiclflule .. ft. Nasal 2 7S h . l'OSITI" Octll\'e 2 ft, lIulzgedc:ckt 8 ft . 61 pillt.. F11lchllute 2 h. SllillnBle .. ft. 61 pipcs Tierce 1 3/5 II . Ilrincilial :! fl. 61 pilH'5 l\lixlure V Qllinle I ~ rt. 61 Ilipes TnIIllIN'1 8 ft. Cymbel II 122 !liliCS Knllnmhorn 8 h. 61 pipl'S I'OSITIV Gc:.Iackt 8 h. SWELL QllinladclIll 8 ft. Rohrnole 8 ft. 61 Ilipes l'rillcilJaI ... ft. Gamhe 8 h. 61 PilleS Rllhrrute ... ft. Gambe Celeste 8 ft. 61 IlillCl OClavc 2 ft. SJlitlprincillllo1 .. ft . 61 pilles Qllinle I ~ £t. Scharf IV 244 Ilille!l St'S(luiallclOl II Trompdte 8 £t o 61 pipcs &harf IV Tremulant Rankett 16 h. Crnlllornl~ H It. l'EDAL Trl'lIlUllI Su~ 16 h. 32 pipes Rohrbass 16 ft. 12 pipc::!l (Swell) 1'C'i ncilml 8 It. 32 Ilipes SWELL Choralbass .. ft. 32 Ilipes Gcdackl 8 ft. M UE tut'e III 96 JlillCS I'rincillal .. h. Fagott 16 fl. 32 pillcs WalcUlUt" 2 It. Rohrschalmci .. ft. 32 pillCS New Fisk Organ in Boston's Old West Church Sirniile I It. from the church. Most of the casework Tcnian II The Old Wl.ost Church in Boston, a CymllCl III handsoUle brick mc..: ting housc designed and woodcarving, although in an an· tique style, is new, new cal'\'ings being Trichlcrrt'/o!lIl R ft. AMERICAN STANDARD ADOPTED by Ashel' Bcnjamin alld built in 1806. Trrmolo has; had .111 inleresting history. The ori· the work or Jamcs McClcllan o[ Ipswich, FOR CARILLON CONSOLES Mass. gin:!1 congregation was Unitarian; their PEDAl. first instrument was an English cham· The second storey of the main case Principal 16 h. An American standard for carillon ber organ 1U00·ed from their pre\'ious houses the Great anti Pedal divisiolls. 511bbau 16 ft . cOllsoles was adopted by the Guild of building. This was succeeded by larger The Swell is enclosed at £loor le\·eI ill Octa\'e 8 ft. Carillonneurs in North America at its org:ms, tJleir last being a a·manual the lower portioll uf the main case. The Gcdackt 8 ft . 19; I Congress in Springfield, llIinois. built by E. 8.: G . G . Hook or Hoston in Choir dh'isioll is 011 the gallery railing. Ocb\'e .. h . The adopted standard is similar to the the 1860·s. which stood in the rear g'.Il· with the detached console directh' be· IlohUlote .. It, codes used by carillon manufacturers in hind it, ami separated by £h'e ft'et . from Nachtlmrn 2 h. lery. Latc in the 19th celltury this con Mixture V Europe, the only place where carillons greg-.1tion Ulerged with the First Church the mllill case to allow roum ror singers. arc made. The American code was I'"sallne 16 h . and the building was closed. In 1896 it rhe specification \\".15 drawn lip hl' Trullll)cI 8 It. adopted after six years of intensive becaUle the propel"ly of the City o[ Bos' Charles Fisk, in collaburation with Schahnl"i ... ft • study, consultation, ami deliberation. tOil , at which time the I-look organ dis· .I:UIlt'S nn ~ by, organist and choir director T~molo GCNA president, Mil£ord Myhre, :tppeared. Th\! city cmployed the old of the chnrch. The stop action is me carillonneur at the fiok Singing Tower, building as a branch or the Boston Pub· chankal. the stop :!ction electrical. and Lake Wales, Florida, stated, "The mO\'e there is :I rt'gister ctesl"endo. TilE JURY OF TilE INTERNATIONAL lic Library until 1960, when a new CiAUDEAMUS COl\I1'OSERS' COMPETI to standardization will insure uniformit\· branch libraf')' was builtllearby. In 1962 of future carillon consoles in this conu· GREAT TION 1971, comJlOSed of: Frant:ois Ba)-Ie ownership o[ the building passed from Hourdon 16 ft . 61 flillCS (Frante), S),/t'arro BUllolli (ltnl)'), IJnJ Josi/l nent regardless of the size of the instru· the city tn the Methodist Confcrence l'n'slanl 8 ft. 61 pilles (bllrnislu.'tl lin) "',ojanovit: (Yufollatlia } has awanJed the prires ment, and parallels the crforts of the lind the Old West Church was rc·opcnl.'ti Sllire Flute 8 ft. 61 )lilICS a.\ follows : hi prize of 400 8l1ildt!n 10: john AGO to standardize organ console di· as a Methodist Church in 196·1 with a Oct.we ... It. 61 piJ1C"1 McGuire ( .S.A. ] for his colIIPosition "Decay mensions earHer in thc century." conb"Tegation made up of members from Duublet 2 ft. 61 fllPes for dghl French horns"; 2nd prize of 2000 Drawings and specirications pertain· the merged Joirst l\ft.-thodist and Copley Scsquiaher II, 122 lIil'" Kuilden to: Maurice Weddington (U.S.A.) for ing to the baton·typc console are avail· Methodist churchcs, Mixture IV.VI, 275 pJlles his CORlllOsition " Nina I..arker op. 25, Tina Tnampet 8 h. 61 pipt!s S .. rlov 011. 21i , Susanne Rudjodillg op. 28"; 3rd able rrom the corresponding secretary: The first organ acqUired for lhc newly Ilrile of 1000 guilders tO I Tholllas Marcu Mrs. Margo Halsted, 6231 Monero Drh·e, Clarioll .. ft. 61 tl:lles reopened edifice was a small second· ,!,\\,ELL {Spain} for his cOIDJIOSition " Mysteria", en' Palos Verdes Peninsula, Calif. 902;4. A couragemenl prize of 750 guilden to ~ jorge hand electro· pneumatic by James Cole. Violin Diall:lSun 8 It. 61 I,ill" study of proper tower design and COli· r\ntnm:s ( Brasil) for his composition " Music Soon it hCc:lme e\'ident that a lIew or· Swppcd DmllaulII 8 fl. Iii Ilipes struction has now been inaugurated to gall would hc needed, howe\'er, and a Flute .. ft. 61 pipes for ciRhl IICOOIIS playing things." aid architects, builders, and donors of contract was subsequently signed with Cornet III, 183 Ilil'~'5 carillons. c. n. I'isk, Inc., of Gloucester, MUOi. FUllrnitllre III, 183 pipes A NEW WORK BY SAMUEL ADLER, The new Otgilll was huill in 1970 alld Contra lIaudmy 16 h. 61 pil,es "Cclllcerto for Organ and Orchestra". was NORTHWESTERN UNIVERSITY has made dedicated un Easter of 1971. In May of Trullipet 8 ft. hi p:pcs /o!i\'en ils I)rt:miere IlCtfonnance Nov. 12 at Ihe initial acquisition of selections from one CIIOIR f..u lman School of Music as IllIort of the of Ihe world's must important music collec· 1971 :! dedicator), recital of music by nach, Widor, Pepping, Reger and carl)' ChimnL'Y Hille II h . 61 pillt's school's 50Ih anniversary festival. TIle work lions, tbe archive of Ham Moldenlmuer. Mr. I'resL... nt .. h. hi 11 ' lle~ (lltItlli. hnl 1;01 ) was IlerfllnnL-ti by David Craighead and the Spanish composers was gil'en hy Dr. Max Moldenhauer, musicologist, archivist and Sight Hurn ... h . 61 (lipes l::a.stllJaIi l'hilharlllunLa under the di~clion of Kholar, has meticulously COlllililed his out. Miller or noslOIi Unh·cl·sity. Fiheenth :! ft, 61 Ilillt'S Waltcr IIcndl. Pislon's " Concerlo for Organ standing collcr:lion over many yean, and it is The casework of tJle organ, of San Na.ord II, 95 pilles and Orchestra" and Saint·Sai!ns' "Symphony one of Ihe most \"aluable and cOlllllrchemive Domingo and Hondur.ts mahogany, was Sharp IV, 2+1 Iii pes Nil. 3" were also Jletfonllt!d on Ihe program. coll«tions of original music autograllh manu Clelliona 8 h. (j) p'lles scripts and source IMterial in the world. designed especially to complement the PEDAL Among worlu by c1lUSical COlllllOSf'n and pre historic bUilding, and incorporates a 80llnlon 16 ft. 20 (lilICS IGOR STRAVINSKY assigncd 10 BOO$ey &; cunon of the modem Viennese &:hool, the rew parts [rom a Grl.ock Re\'i\'al case Ocla\'e 8 ft. 20 pipcs Hawkes Music I'ublisben the exclusive publica. coll ~ t iD n conbiru a complete archives of made circa 1830 by the Boston organ RohrpillC 8 ft . 32 ,Iii'" tion rights for the material contained in his Anton VOII Webem. Northwestern Univt!nity is SuperOCia\'cs ... It. & !! h. ft-l Ilipcs archives dealing with his IIltlSical life and his nt!gotiating te acquire the com"lete collection builder Thomas '\ppletoll, whose work· Mixture III, 96 "illt·s cUlllllOsiliollS. A committee has lJc:cn established when the neceSlary funds can be secured. shop stood onl), a short distance away T t omboue 16 ft. l2 pipes (or the preparation of a series of Jlublications. Ross Lee Finney (b. 23 Dec.mber 1906) djstin~uisl!ed composer. musicologist. leCKh.,. Kkolar and genllemon ADVICE WHICH THE HOURS OF DARKNESS GIVE for Organ (P66259) BLEHERIS for Tenor. Contralto and Orchestra (P66l1") CHROMATIC fANTASY far Violoncello Solo (P662.52) CONCERTO FOR PERCUSSION and Orchestra (P66097) CONCERTO IN E fOR PIANO and Orch.stra (P66llS) CONCERTO fOR VIOLIN and Orchestra (P6668) CONCERTO NO.2 fOR PIANO and Orchestra (P66262) EACH ANSWeR HID ES FUTURE QUESTIONS far Organ (P66261) EDGE Of SHADOW (Canlata) for SAn and Orchestra (P61 92) FANTASY IN 2 MOVEMENTS for Violin So~ (P6063) INVENTIONS (2") for Plal\O Solo (P66263) THE lEAVES ON THE TREES $POKE for Organ (P6626O) THE MARTYR'S ELEGY for High Voice, Mixed Chorus and Orchestra (P6609") THE NUN'S PRIEST'S TALE far Chamber Orches-tra . Chorus. .. Soloists and a folk Singer (P66OS1 ) PIANO GAMES for Piano Solo (P66256) PIANO QUINTET far Piano and String Quart.t ( P~S7 ) THE REMORSELESS RUSH Of TIME for amplified Voice. SATB, 13 Instruments (P662.55) SO LONG AS THE MIND kEEPS SILENT for Organ (P662S7) SONATA FOR PIANO (P6831 ) SONATA for Viola and Piano (P662504) SONATA NO. 2 lor Viola and Piano (P66253) SPHERICAL MADRIGALS for SATB a cappella (P6833) STILL ARE NEW WORLDS far Speaking Voice, SATB. Orchestra (P6SS3) STRING QUARTET NO.6 (P6458/ 9) STRING QUINTET (P66093) SUMMER IN VAllEY CITY for Ba nd (P6636S) SYMPHONY NO.1 for Orchestra (P6SS7J SYMPHONY NO.2 for Orches-tra (P6381) SYMPHONY NO. 3 lor Orchestra (P6667) The fifth Amerkan instal~ation by the AUlfrian builder Gregor Hradetzky, Krem ..an.th.4 SYMPHONY CONCERTANTE for Orcheltra (P6830) Danube. has recently been atmpletld in the hartHI of Thomas Harmon. Pacific Palisade •• THERE ARE NO SUMMITS WITHOUT ABYSSES lor Organ (P66258) California. Dr. Harmon is uni
2 THE DIAPASON he held Jan. 10. a discussion of music for small organ will takc place on Jan. THE DIAPASON II. and tllC rcmaindcr of the wcek will Ealabluhed in 1900 he givcn o,'cr to Kcnncth List of the Schlickcr Organ Co. for discllssion of pipc construction and its relationship to (Trademark reglalered at U. S. Palen' Olflce) organ registration. Dr. Poistcr will h('it1' students pcrform compositions by Mes S. E. GRUENSTEIN. Publbh ... (1909.1957) siacn. Franck and Reger on Jan. 17. and Cochranc Pcnick will discuss Halian ROBERT SCHUNEMAN DECEMBER. 1971 baroque IUlIsic littcr in the wcek. Mr. Editor Duo Hofmann will discuss problcms re· lated to organ maintenance. More in· FEATURES formation may be obtaincd from Miss DOROTHY lOSER Mary Orth. Tcxas Lutheran College. Buaine •• Manager Problems 01 Harpsichord 'ieguin. Tcxas 78155. Constructloa From An Historical Point 01 View. Part I WESLEY VOS by Mariln Skowroneck 16-17 I'F.TER WRIGHT, associale proIC51Or or Anisian' EdJ'or mmic h"tory and litel'atuM'; and member nf the Westminster Chnir College faculty lincl". Me.. laen: An Introduction to 1967, has been nametl interim Dean of tllr. lila ComposlUoDal Tec:hnlque. & College. AD Anoly.is 01 ''La NatiYUe du SeilJneur," Pari I An lnlemalional Monlhly Deooted '0 by Canol HIU.man 22.%3 Ihe Orean and 1o Organlal. and Church Muaic Donald S. Sutherland has been appointed REVIEWS director of music at Bradley Hills Presby terian Church, Bethesda, Md. He was for O/fIc/QI10umal of 110. New Cantata by Jobn Fenia merly assistant profeSlor of organ at the Union Nadona! de Or,anUta. of Maleo • School of Music, Syracuse University. where Kantorei Barmen-Gemarke ,., he tauAht since 1965. Last year he also The Diap4aon Anion Heiller , served as a part.time member of the faculty at Hamilton ColleAe. Clinton, N.Y. While at Editorial and Bunne.. Office Edward Torr & Georqe Xent 15. 2.5 Syracuse he was orAanist and choirmaster 434 So"'h WalHuh Aoenue, ChIcGlO. of the First Universalist Church. In.; 60603. Telephone 312·HA7-31.fO New Books IS Mr. Sutherland is a pent-PeCin of fhQ SublCriplion price, $4.00 a fI~ar in ad· CALENDAR 12·13 Syracuse Chapter. AGO. and has appeared oance. Single copie. 40 cent.. Back as a recitalist in the U.S. and EnRland. often number. more ,han Itco yeara old, 75 EDITORIALS 14 in concert with his wife. soprano Phyllis Bryn-Julson. cmll_. Foreign ..,b.cri"tlona mud be lETTERS TO THE EDITOR '4 paid in Uni,ed Slale. lunda or the eqUioalen, 'hereof_ HARPSICHORD NEWS '7 BOESE, SPELMAN, POlSTER ORGAN RECITAL PROGRAMS 18-21 TO HEAD TEXAS SEMINAR AdoerlUing rale. on appllcaUon. CHAPTER & CLUB NEWS 24 Roullne ;'ems for publlcal10tt mud be NUNC DIMlmS 24 Rcgi~tratiol1 and. perfonnance prOle· receioed not later Ihan 'he ~O'h of 'he tices Will be the mam concern of an o r- month 1o llUUre in.terllon '" 'he laue CLASSIFIED ADVERTISEMENTS 26-27 gan seminar offcred at Texas Lutheran for 'he ne.d month. For recital pro- Collcge from Jan. 3 through Jan. 24 , gNlml and adoerlUing COPfl, 'he clo,. All subscribers are urged to send 19;2 . .AII classes will bc hcld on the 3- . ing da'e ,. Ihe 5,h. A-Iolffrlal.lor reo change. of address promptly to the manual Schlicker tracker action orgll.n , Dr. Ronald HOUAh has been a~polnted ciew should reach 'he office bfl 'he office of The Diapason. Changa and they will bc arranged so that stu- a,!istant profe~r .of ara.ah. and I~ eTZxa~1 1.,. mUlt read! us ~fore the 15th of the dents will perrorl!' for the ins~ruclors. ~~dwe:~~i: u~;lv~~~:h t W~~ dHa:din~immon~ . mont!t preceding the date of thc Ra),mOlu! Boesc wllllca~ a class m ba~- Univ!sity. Abilene. Texas. Dr. Hough co~- Second-clau podDie paid at Chi. fint lSSUC to be mailed to the DCW que musIc Jan. 5; Lcshc Spelman wIll pleted the DMA from the University of 1111- calO, lU., and at addilionol maRlni address. The Diapason cannot pro- deal with thc Chorale Preludes f!r nois in 1969 where he studied with Jerald office. luued monthly. The Dlapcqon vidc duplicate copia missed because Brahms and colltempo~ary Dureh Int~SlC Hamilton. In Wic~ita .Falls ht; is a!so orRa.n- O/lice of ".,bllcalion, 434 Soulh Wabdlh of a 5Ubscri~r'1 failure to noti£y. the following dOl)'. Dunng rhe folloWl,:,g ilt at the UniverSity United Methodist Aoenue, Chicago. In. 80805 week. a church o.,;:tnist's workshop Will Ch",,,tb. --~ .. I"""" IVV\7\7\
DECEMBER, 1971 Illinois Churches Get Two Organs by Wicks New Or{Jan Two new organs in Illinois, both of them u(."signed by Thomas E. Gieschen of Rh'cr Forest. Ill .• ha\'c been installed in Lutheran churcht.-s. The Hrst, at Im manuel LUlhcran Church, Palatine, is " and 3·manucl instrument encased in thc rear brallcry. Thc ncw church of modern architecture has excellent proustics, al Instrumental lowing (he organ 10 speak dearly (rom its gallery location. GREAT Principal 8 h . 61 PilK'$ "Music RllhrUule 8 ft. 6t pipes Ocla\'r! -I It. 6t p i l~ SllilZniile 4 ft. 61 pipes Twelfth 2 ~ ft. 61 pipe!! Mixture IV 244 pipes Tmlllllcl1c 8 ft. 61 pipes Chimes SWELL Gl"dcckl 8 It. 61 pipes Enahler Celesle 8 ft. 49 pilles Kirbv L. Koriath has been oPpointed auist· J'rincipal .. fe. 61 pipes ant professor of oraan and church music ot 97-5001 Busarow, Donald - Chorale Prelude on " Dear KIIPllelnalc 4 ft . 61 pil'es Boll State Univenilv. Muncie. Indiana. Mr. HohUla lc 2 ft. 61 pipes Koriath is a Araduate of Concordia Senior Christians, One and All, Re joice" ...... $1 .00 Scharf III 183 I,ipes Colleae. Ft. Wovne. Indiana. and Concor· Fasot! 16 ft. 12 Pi lJeS dia TheolOAical Seminary. St. Louis. MilS FaSlltt 8 h . 61 piJlCll ouri. A student of Russell Sounders. Mr. Schalml'}' 4 h . 61 pipe!! 97-5002 Krapf, Gerhard- Reformation Suite. Four move Koriath received the moster's degree from ments based on chorale melodies. May be I'OSIT IV the Eastman School of Music. where he Is "11m mer 8 ft . 61 pipes preHtntlv enrolled in the doctoral prOAram, performed individually for worship services ...... $2.00 Gemllmm .. It. 61 PilleS He comes to Ball State after a vear as in'er· Nasal 2 o/.s h . 49 pipes 1m instrudor at Kent State Univenltv. Kont. Principal 2 fl. 6t "iJlCll Ohio. 97-5006 Six Adagios from the Italian Baroque-edited by Ten I 3/5 ft . 49 pipf':S Quint I ~ ft. 12 pipes McMANIS TO BUiLO FOR S. Drummond Wolff. Compositions by Albinoni, Zimhd II 122 "ilIes FLORIDA JUNIOR COlLEGE Vivaldi, Marcello, Pergolesi, Pietro Nardini ...... $2.25 Knlmmhorn 8 ft. 61 pipes Tn-molo Manatee junior College. Brandenton. .. EIlAl. Florida. has awarded to the McManis 97-5031 Scheidt, Samuel-Symphonias (for strings or Principal 16 ft. 32 pipes Companr, Kansas City. Kansas. a con· SlIbbass 16 ft. 32 pipes tract to build a three·mauual. 45-rank woodwinds or brass and continuo) (Score) ...... $2.00 Octave 8 h. 32 pipcs organ for its well·dcsigned. acoustically 97-5032 (Instr. Parts) ...... $1.75 Gedcckt 8 ft. 32 pipes excellent auditorium. With console on a Chllrnlbass .. ft. 12 pipcs dollr permitting usc anywhere on stage. Gedeckt .. ft. 12 pipes the encased organ is to occupy an ell" Rauschqllintc II 6.J pipes ,'ated area at stage rear - without "bene P05allne 16 ft. 12 pipes Fagott 16 h. fit" of usual hanging stage impcdimenL, T mmpetle 8 h . that swallow an organ whole. Classic Schahncy .. ft. 1I't:rk/lrimi/, will be "isibly apparent In ~C9ncopdia encased dh·isions. 16' Principal in the MUSIC l'a The second imilrument is located at I'edal case facade. 8' in the Great and 4' CONCDRDIA rUBUSHING HOUSl ST. lOUIS. MO. 13111 Trinhy Lutheran Church. Rosellc. 111. in tJle Posith' facade. Console prepara· It is located in the rear gallery of thc tions will allow additions o[ nine ranks. new huilding of striking modern archi· including a lIIounted trumpet and a 32' !Ccturl' designed h \" Cooley 8: Borrc &: I'edal reed. at a later date. \s"ncialcs. Inc. The ofJ!an consists of :m Consuhant to the junior College is enclosed Swcll and encased Great. Posi· Willis Bodine. head o[ Florida Unh'cr Ih', and I'edal dh'isiol1!l. Classical pipe shy organ departlllent at Gainesville. ' Gllcs and \"oicint;" pmcedures werc spL'd Organ instructors for Manatee junior "-ied h,· Dr. Gie!chen. who worked clost'lv Colk-ge arc l;ranz Engc1, organist·choir wilh Wicks tonal din.'Clor. John E. Spero master of First Methodist Church, Sara ling. sota. and jerome l\Ienchen. organist· choirmasler of Church of the Rctlcemer. CREAl.' Sarasota. Qllintad-:n 16 ft. 56 pipes Among other contracts in process at l'rinCil131 8 ft. 56 J,ipes Ihe McManis plant nrc a 2/23 for South Spitzrale 8 ft. 56 "illd Street Chrislia" Church. Springfield. Octave 4 It. 56 ,lipes Rllbrna le 4 ft . Mo .• a 3/ 31 for Calvary Baptist Church, fluinte 2 ~ h , 56 pipes Dell\'cr. and a 3/ 31 for First Baplist Fladinute 2 h . S6 pipes Church. noultler, Colorado. Mil!: ~ tlre IV ~ .J "i,JC$ Ten I 3/5 ft. TC 44 "ipe5 Chimcs
S W ELI ~ Ru:u fliilc 8 ft . 56 piprs Gt"nl5horll 4 h . 56 pipes Itol:lru'e 2 ft. 56 "ipes R:mschz'llIbel II 112 pipes Faglllt 16 ft. 56 Ilipes Trom:x'ie 8 It 56 IlilleS Klarine" ft , I:! l,il't'S Tremolo
POSITlV HollScdcckt 8 h . 56 JlillCS I'n:s'ant 4 ft, 56 pipes Kop?"lflo'e 4 ft. S6 pilleS Schwegel 2 ft. 56 "illl"' S i fro ~c I y, ft, 56 pipes St '"ar( 111 168 Ilipcs Knumnllllnl 8 h. 56 "ilies PEDAL "rinci,ml 16 ft . 32 Ilipcs SIIbha55 16 ft. 32 pi"es Qllinladen 16 h . Octa\'e 8 ft. 32 pip('$ Quintadcn 8 fl . Holy Trinity Lutheran Church, Lebanon, Pennsylvania ChnrnllJM.I 4 ft. 12 Ilil'" ~- Ouintadell 4 fl. Nancy Bookout Wolcott has become direc Rauscllquinte 11 fi4 pip" tor of music at the Ashland Avenue Baptist THREE MANUALS Pmalllic 16 ft, 32 pipM Church. Toledo. Ohio. where she will super Fagot! 4 ft, vise a prOAram of five chain. She comes to To'edo from the Fint United Methodist THIRTY-THREE RANKS COM" OSER MALCOLM WILLIAMSON. Church. Bowling Green. ~fter relurning home to England last month Mrs. Wolcott is 0 Araduate of the East· follllwins se\'crnl American organ redlals o( lib man School of Music and also has the MSM own romposilillns and prCKhlctill 1lS IIf bis operas. from Union Seminary. New York City. She P.a\'e the Enslish premiere of his <' Peace l'ieccs" has studi. d condudina with Morgoret Hitlis. WICKS ORGAN COMPANY I Highland, Illinois 62249 for IIrgan at KillS', CoIlt'ge. Cambridge, on Herman Genhart. and liar Jones. Her hUI No\', 28 , "Peat'e Pie("d" was com"osed last bond. Vernon Wolcott, is ossociole professor Pipe Organ Craftsmen Since 1906 'f,ring and premiN'et:1 by Dr. Williammn al of organ a' Bowlina Green State Univenity. the Cathedral or St. J ohn Ihe Divint' in New They hove two children - Deborah. 13. and York City. David. 8.
4 THE DIAPASON ~. ~...... ~NVt\ VSV:)
. · Lexington, North Carolina COMMISSIONED WORKS To Have New Casavant The First United Church of Christ. Organ Composition by Vincent Persichetti Lexington, North Carolina. is planning the installation of a new 3-tnanual or gan by Casa\'D.nt Fren.'S Limilce, St. Organ-Harpsichord Concerto by Anton Heiller H)acinlhc, Quebec. The organ wi1l be located behind the pulpit. in front of Sacred Music Drama by Samuel Adler the choir, and will speak directly into tllC s:mctuary. Lawrence I. Phelps, prdident and ORGAN ARTISTS tonal diret:lor of Casavant Freres Marie-Claire Alain Anion Hellier designed the instrument. Negotiations were handled by Charles M. Schleigh. George Baker Marilyn Keiser district sales rcprcsclllalivc. Mrs. Joe David Craighead lUigi Tagliavini LconanJ is orgamst of the church. Catharine Crozier Fred Tulan GREAT Gedacktpommer 16 ft . 61 pipes Prinzi)J:a1 8 h. 61 pipes CHORAL CONCERTS WITH ORCHESTRA Borolln 8 ft. 61 pipl!S Schola Canlorum of Fort Worth American Kanlorei of SI. louis Oktav oJ ft. 61 pipd Rohrfliite 2 ft. 61 pipes R. Bev Henson, Conductor Robert Bergt, Conductor M ~ tur oJ mnD 2+1- pipes Trompete 8 It. 61 pipes Chimes Murrav Somerville. student at Union CHAMBER MUSIC CONCERT POSITIV TheoloAical Seminary School of Music. has DallaS MUsica dol Camera Grcbckt 8 fL 61 pipes been appointed auistan. to Robert &aker l'rinzipal oJ ft. 61 pipes ot St. Jomes Episcopal Church, New York Koppelfliite oJ It. 61 pipl!S City. Mr. Somerville is a native of Landon Gemshorn 2 h. 61 pipes and hos studied with David Lumsden at OTHER PROGRAMS Quintnale I ~ h. 61 pipes New ColieRe. Oxford. and Karl Richter In Sacred Music Drama Contemporary Trends in Scharf 4 ranks 2+1 pipes Munich. Last year he was visi.lnR assillant profeuor of orRon at the Univenity of lectures by Paul Henry lang Church Music Krummhorn 8 h. 61 pipes SWELL Nebraska. Multi-Media Program Electronic Organs on Di splay Gemshorn 8 h. 61 pipes Improvisation Competition Organ Playing Competition Schwebung 8 ft. 49 pipes RoJ,rflole 8 re. 61 pipes Ontko to Rebuild Anthem Reading Session Choristers Guild Program Spitznote 4 h. 61 pipes Organ Building Seminar Priuzipal 2 ft. 61 pillCS Leonia, N.J., Organ St$QlIialtem 2 ranks 98 pipes Zimbel 3 mnks 183 pipes The United Methodist Church of Oboe 8 ft. 61 pipes L~ nia , N.J .• hat contracted with Allan Tremulanl J. Ontko. organbuilder of Englewoed. PEDAL N.J .• ror the complete rebuilding and Subbau 16 ft. 32 pipes enlargement of the present !I-manual GedacJr.tpommer 16 fL (Great) organ. The original instrument was Okta\'bass 8 ft. 32 pipes Boroun 8 It. 32 pipes built in 1919. and a new console was Chomlbau oJ h. 32 pipes installed in 1961 when the church was M~tur 4 romks 128 pipes rebuilt. Some of the old universal wind Convention Headquarters: Ilosallne 16 It. 32 pipes chests will be utilized in the rebuilding Sehalmei oJ ft. 32 pipes of the swell and pedal divisions. and FAIRMONT HOTEL, DALLAS also in the choir division with vacuum exhawt in order to aHow Ole use of June 17 - June 24, 1972 RENZO BUjA will gi\"c a mlUler class at low wind pressure. The great division the William Fawk residence in Salem, Ore .• Dec. 8 and a recital at St. Mark's Episcopal will be cantilevered from the front wall Church. Portland 011 Dec. 10. He was a fea of the chancel on both sides of the or tun-d organ soloist at the Illtemational Con gan grille. Completion of the instru· gress of Organists in Mexico City last june and ment is scheduled for mid·October of is on his first journey to the U.S. Mr. Buja t1Wyear. is professor of organ at the Conscl'Vatory In stitute Musicale "F. E, Dall'l\ooco" in Verona, GREAT Italy. Lieblich Gedadt 16 ft. 12 pipes Prestant 8 fL 61 pipes Hoh Gedackt 8 ft. 61 pipes Octave PreslaRt 4 ft. 61 pipes Koppelfliile 4 h. 61 pipes Sesquialtera II 2% ft. 122 pipes Flac.hflote 2 fL 61 pipes Mixture IV 1~ h. 244 pipes Trompete 8 ft. 61 pipes
SWELL Bourdon 8 ft. 68 pipes Viole de Gambe 8 ft. 68 pipes Viole Celeste 8 fL 68 pipes Spitz Principal 4 ft. 68 pipes Cor de Nuit 2 IL 68 pipes Plein jeu IV 1 ft. 244 pipes Basson·HaUlbois 16 ft. 12 pipes Hautboil 8 ft. 68 pipes Break forth, a beauteous heavenly light Tremolo CHOIR HoWlote 8 ft. 61 pipes Principal 4 ft. 61 pipes MAY THE bRilliANCE Robrfiotc <4- fL 61 pipes Octave 2 ft. 61 pipes of THE SEASON'S STAR Quinte I~ ft. 61 pipes Scharf II-IV % ft. 192 pipes Krummhom 8 fL 61 pipes bE ANTidOTE Trompetc 8 ft. (great) TO EARTH'S bEWildERMENT Noack Positive to Tremulant -New Mexico Church PEDAL -ANd RECAll Hoh Principal 16 fl. 32 pipes A small one-manual and pedal posi 5ubbass 16 fL 32 pipes THE iNTRiNSic HARMONY tive organ is being buill by the Noack LidJlich Gedackt 16 ft. (great) Organ Co. for the Church of the Holy Quintn6te 1~ ft. 32 pipes Mount, Episcopal, Ruidoso. New Mexico. Principal 8 ft. 32 pipes bETWEEN lifE ANd liqHT. The new organ was installed locally by Hoh Gedackt 8 fL (great) David Hinshaw. The instrument has a Quintfliite 5~ ft. 12 pipes self-oontaincd blow6r located within Cboralbass 4 ft. 32 pipes TravenHiite 4 It. 32 pipes the organ. retractable carrying handlt:S, Hohlpfeife 2 ft. 12 pipes and a cover for the pt.' 6 THE DIAPASON , - . From :.11.! • , .r'1·o,", . t I :.,.' ,. I Math ' . ,1 t ,>., IP \ ,~ ". 1:1! ' II . •6 . to Music \r f !r qNfL1l All musical sounds possess ft : ",;'l.HIf harmonic structures of varying 1\ complexity. Precise control of these harmonics, however, has I a never been an easy matter. For - , ~ centuries, the only approach has , , 'I been to manipulate the mater ials of our instruments, which, '. , I in turn, hopefully results in a harmonic structure of the des ," pI u ired character. At best its been a difficult and elusive task: J \ ,. ~ Consider the physical difference J ~~ ~ ~ & Ii between a Strad and its $125 __,,' I \.Il. J '0&..,\.11 \Lt __ __ counterpart. Very slight indeed! ..... ~ -~ _... -- Yet the difference in harmonic structure when the two are played is quite perceptible. Actual photograph of a Rohrnote harmonic spectrum, showing characteristic strong fundamental and third harmonics, prominent seventh harmonic, small amounts of even harmonics (2nd, 4th, etc.). the A 11 plus fringe of upper harmonics comprising a sublle yel clearly newIUlen audible edge tone. In the Allen Compuler Organ, this spectrum is crealed digitally, wilh positive control over ind ividual harmonics. Computer Inset shows greatly magnified detail of "edge tone" harmonics. Interestingly, the computer system provides random activity among Ihese slight but lei ling frequencies, thus completing Organ ... the lotal aeslhetic effecl. the first musical instrument to create precise harmonic strUctures directly. It is fully capable of creating the harmonic structure of a fine Principal, as well as almost any other tone. Its theoretical capacity of four decillion different harmonic structures - vastly more than the ear can distinguish - can effect the subtlest nuance in harmonic structure. This new solution to the basic problems of good musical tone production is, in itself, sufficient to make the Allen Computer Organ a most exciting electronic musical instrument. Actually, it is just one of many surprising innovations. # 2 in a Series © 1971 Attm Organ Com pany Macungie, Pa. 18062 careful to handle the tcxture in such Kantorci Bannen-Gemarke New Ferris a way that it is lIot o\'erbcarins- on the Cantata Premiered words, and his organ accompannuellt to For He will give His angels dlaq;c is Ihe I,ieee carcfull)' made tn a\'oicl ((i· 01 )'OU, My Cod, why hast Thou rorsaken rcd colli~ion with or doubling of the Willi:uu Ferris' new canlala. 0", 0/ mt.'~, Mendelssohn; Inlroduction and Ji.PJ'I' t, was premicred by the Chicago \'Dice pa r l~. It is :111 excel)ent inde· I·... acaglia in D minor ror organ, 0 Chapter AGO at its Guild Scrvice at pendent part o[ thc texture, I)e:llh, how biUer thou urt, Reger; Hyde Park Union Church, Chicago Unfortunately. the performance of Wherefore h ... light bet'll givCll, Brahms; on Sunday Oct, 10, The picce, winncr the piece could ha\'c u5Cd more carc in Jnw and the Tr.KIen, Kudaly; Prelude of the Chapter's 1009 Sowerby Mcmorial all th,.>se rcspects. It w:u heavy, overly _md Fugue in E-Oat major ror organ, Competition, was conducted by the com· loud. one could IIOt understand the Molet. Sing unto the Lord, Bach. I'ror. poser. Appropriately enough. \Villiam words, and. in general, it 5bundl-d as if Helmut Kahlhorer, director. Prof. Gis· }.'crris is a student of Leo Sowcrbr. and the sinl,OCfS had not rehearsed the piece bert Schneider, organist. a uc\'oted olle besides, and the work enough to r.roduce the kind of sensi· "The Kantorci Uarmcll·Gemarke, !lho"'s all the illnuence of Sowerb)"s th-ity that ~ r. Ferri, wantl-d (rom them. Wupperlal, is a group o( largely Ilon· thought. manner and lII usical expres· It also made the picrc somewhat ",'ooden professional singers (rom the Wupper. sion. for it IISCS much the salllC har· and k-ss rhythmically flexible Ulan tal a rea of 'Vl"Stern Gennany, It was monic idiom. \'ocal and IIleiodic style, would seem to be called for in !udl a founded in 1946 by its present director, and texturc, This is not to say that Mr. piece, Furthermore. we would have liked I'rofessor Helmut Kahlhofer. and is this Ferris has not brought his own indio a lUore "pure" sound from the singers, H_'ar Ct.'lebrating its twenty.(i(th anlll\'er vidual expression ((J his work. One of since it would ha\'e improved the intona· Sal')'." So bt.-gins the program introduc, the things that is must noticeable about tion. blend. ensemble, diction, and tion for the Amcrican tour of the Bar· GEORGE McPHEE the work is its brc\'ity and compactness, clearness of the \'ocal line, This is ter· IlIclI.Gemarke Singers, and we will at· Paisley Abbey organist, Decca re· a drtue that was uc\er one of Sowerby's ribly important to a work that has so tLos t to the fact that Ihis JironI' which is cording artist, and Royal Scottish strong points. mau)' counter melodies in the tenor and "largely non-profcssional' can literally Academy 0' Music 'acuity member Out 0/ Egypt is scored for mixed alto register that dialogue ..... ith those in sing rings around man)' of the best pro· in American concert lour next Sep chorus, tenor and baritone solos amI lhe soprano register, fessional choirs in this country. Their tember. "George McPhee plays with organ. and the text is drawn by John E\'cn so, the perrormance of tJle work concert on Oct. 18 at Rh'ersidc Church a zest, a discernment and a rhyth Vorrasi from the Book or Hosca. Char.. by the choirs of St. ChrY50stom', Epis~ in New York was among the fincst mic drive which are met with only, ter II. ]t has all UIC fla\'or or the a d copal Church and Hyde IJark Union choral concerts that we h:..ve ever heam in organists 0' the hl~hest calibre.' 11... 5tament 1lt.'Oplc who were ridden in Church, and the accompaniment pro~ anywherc. This is not to say that there (Records and Recordings, England) oppr~ioll, alld whose gre:llest desire vided by Robert Looille provided us were nol £aults. (or we suspect that "Mr. McPhee is "",vlng his mettle ~'as to be 100ken out or bondage. h with a chancc to hear Mr. Ferris' o(£er· this group of Genllans is just as as an oraanist • • • French oraan is a text laden with the imagc!)' or the ing as a composer. It is a lIscful and human as anyone else, but they Idt music Is his specialty ••• he has 010 Testament people, an imagery or well-constructed piece, and we hope little to desire in their pczfformance. admirably caught the insistent slruggle against heathen pt.'Oplc and a that UI(~ planned publication o( it will ,,'rom UlC very first notes o( thc Men· rhythms and characteristic colours harsh natur.11 world. Yahweh is the take placc, ror it will surely find its delssohn motet. we kncw that we were .••" (The Gramophone, England) Lord, and the text and music of this way into the repertory o( those who arc listcning to an extraordinary group. ''The playing throuahout is metlcu· cantata put grcat weight on it, as lhe de\'otcd 10 the music and style of Sowcr~ With a purity of tune and blend that lous but not finicky and the regis. COlling makes that qUite dear. by. We also think that it will find its is " 'pical of European chain. they han· tralia" aptly chosen in aU cases." The music is built on a harmonic way cOIDplelc1y on jts own, - RS died every melodic (ragment of musIC (Hi·Fi News & Record Review, Eng· Idiom that moves slowly o\'er long per~ wiul thc uunost sensitiVity of \'owel pru· land) iods. and its form follows the four main CONCORDIA SENIOR COLLEGE', choin duction and subtleness of dynamics so Sl'!tions of text. The melodic idiom alld iNlrumenla'ilu and IIlemben 01 die Fon that each.rart o( the music came imme· grows out or the harmonic construction, Wayne (Ind. ) Philharmonic combined under diOltc1y an delicately alivc. Their tulling the di~dion of Herbert Nuechterlcin on Oct. and is lyriC. It is a kind or idiom that 31 to IJCrlorm the cantata "The Lon! Shall Be waS excellent, faltering only on the l:t ~ l rl'quires a l,rt'cat amount of sensitivity Our Stnnst.b" by Jolu,nn Ludwig Bach, Can ~ chord (a really difficult place) 01 from the perrormers, ror all angular tala 78, "We Hasten to Atk for Thine Aid" by Kudaly's j eJIIs alltl tile Traders. and in metrical treatment CUI min the expnos· J, S, U;Kh, AbsnirlCat based on l.oItin·Amer. SOUle of the I1ach motel where the sian of the Whole piece, It also requires ican rhythm. by BJ'1lIIn Kdly, and psalms. lessitura was III thc upper rangcs ror sensitive treatment of dynamics. for this Inotets and hymn settings by Be,!er, Lend cxtclldt"ll perioos. \\'e suspcct that sumc i$ what makes the long melodies and Schiiu, Thonll~ 1I and Pepping, of this was due to fatigue brought on by a busy schedule - a fact with which any the long harmonic phrascs "sing." THE HOWARD UNIVERSITY CHOIR, .t\bovc all, there must be a concern (or Marl Fa:'(. director, san, Fredcridr. Delila' tnuring performer will admit much spn the text, with careful \'owcls ami enun· "Appabc:hia" for chonu and ordu:slr.l wilh lhc palhy. Somelhing more IIlIlSI \x: 53itl ciation from Ihe singers. for the texture National Symphony O n:hcstr.t under Antal :lhout their luning: rrolU a harmonic is somewhat hc:1\'y and can therefore Dorad'. direetion on Nov, I.J at Philhannonic sl:llUlpoilll the), sound as i£ they have hlot out the words. Mr•• ·err;s has been Hall. Lincoln Center. New York City. heen trained away rrom the keyboard Harpsichords I'One of Australia's most prolific and gifted composers ••• his Id.as SCHLICKER are good in themselves, brilliantly developed and 'orce'ully projected. In dellance 0' contemporary fa.h. Clavichords ion he does not scorn the gilt a' for excellence of design, the fine.t of quality materials, and the expansive melodic writin, ••• He ,ayed the Ilittering p,ano part high ••t order of croh.mon.hip in mechanical and electric action CriUianlly." (The Times, Landon) Dr. Williamson will perform his own pipe organs. organ works in recitals nexl March and April, as well as present work shops, lecture and produce audi. ence participation operas. DAVID BRUCE·PAYNE Buffalo, New York 14217 Westminster Abbey assistant and Abbey Choir School Music Master 1530 Military Road in first American performances next April brochure available member APOBA RICHARD HESCHKE Louisiana State University, Baton Rouge BRADLEY HULL 51. Bartholomew'S Church, New York, assistant Sperrhake JOHN ROSE ORGAN SUPPLY CORPORATION Cathedral of the Sacred Heart, Harpsichords Newark U. S. Distributors FRANK SPELLER University of Texas at Austin ROBERT TWYNHAM Passau/Vf.-Gennany The new electric Action Motor Cathedral of Mary Our Queen, Baltimore, and Catholic Univer Box 532 for slider chests silY, Washington, D.C. AVA Quiet v~v D.S. WENTZ, INC. Compact Accurate Pipe Organs Dependable Arts Image P. O. Box 222 Box 1041 Worth, III. 60482 540 East Second St. Erie, Po. 16512 Newark, N.J. 07101 WA 5·0534 GI 8-0534 Suppliers 10 Ihe organ trade Phone (201) 484-6021 8 THE DIAPASON instrument, fo r their harmonic thirds Anton ReiIIer players who has studied as lite Illusico were \'cr)' pure. This is typical of many logist docs. but who does not play 35 the lIlusicologist often docs, Therc is vir. contincntal ;lIld English choirs, but is "relude and Fugue in G minor, Es h:J:ru 10 find in this country where sing· tlle in thc undogmatic and frec way in isl das Hell uns Imlfun~1l her, Buxte t.'I':'I 3rc trained en imitate the equal I"ule; Fancasla on NUll Konuu' dcr which he :Ipplin knowlcdge to Ih e mu C\'ct'}' sic. tempered piano which graces Heidcn Hclland, Bruhns, 0 Mensch, be ... studio and church rehearsal 1"00111. weiu' dcin' SOnde gross BWV 622, lire· All or these Ihings bccollle quite clear But dead)' the most remarkable thillg lude and Fuguc in n minor, BWV 544. in his performance - as thc), did ror us :lhOUl Ihe Harmcn·Gcmarl..c Singers is Hach: SchlllUck!.! dich, 0 Hebe Seele, 011 ~(J\- . 8. An extreme amount or ru aheir 5t) Ie. Every piece of music which Umhms; FaIllOl5,. and Fuguc Oil 'Vachet balo and rh) Ihmic freedom charac. Ihey sang was handled with its imli. aur, opus 52/ 2, Rt-gcr; hnpro\'isation 011 terized his pla)'ing or all the works. \ idual st}lc lIludl in evidence. Thus a submitted theme. What made It sensible was thc \'arieties ~It!lldclssohll ' s lIIutcts were handled deli. "'or many. including: this rc\'icwer, with which he handled lhis rubato in calely wilh lIIuch lyricislIl of line and each piet:e: hllproviQtol)' rret.tJom over with great h:mnonic care to put the Antnn Hciller has collie 10 be a lowcring the oslinato in thc opening or Ihn.:te interpreter of 8ach and his ~orlh Ger· Iilll'5 IUgclher into a whole song. Imdc's Prelflde ill C minor; ornamenla· Ihuhms' motct. (rom the opening ex m,II) conlcmpof:lIil'S. amI also DC Max ilt.'gcr. Limiting his roncerts primaril)' lion with moti\'e5 oC small roundt.'t1 plcti\'c cf)'. " Warum", to the dosing l1Io\'ements over a sturdy accompani chorale, " Mit Flied ulld Freud," was an to Ihese composer.;. he has romc 10 bc ment or the chor31c prelude b)' Buxte cXllrey h'c statement of lllC lext. Reger's onc or the must powerful perConnet!l. hude; extreme decoration O\'er, around, sung un death, with its sliding chroma· Righll)' so, for his recitals seldom lea\·c in, and with all of the various textures ti c: harmunk-s and M}lI1bcr texture, con· us hored, and the)' a1wa,'s challenge out thoughts as wcll as our senses, in Bruhns' 100'eI,. fantas),; a subtle \'cyed that uncertainty and sUte knowl· speeding aud slowing (0 point out sec· edge cr,articularly in the lI10st trying of l'rof, Heiller'!Ii recilal at Millar Chapel, 110115, choralc phrases. and points or dumll lafJlIonic writing) that Rt-ger wa5 Xorthl\'l'S ICt l1 Uni\-ersit,-, Ewnstoll, Ill. tension and rc1easc in thc chorale pre· telling us what death is about. Thc 011 ~o\' . 8 did not fail 10 keep Ihe high hides: a stretching of thc rhythm with "lIitcrath"c and imitative sounds of qualilr th:1l wc ha\'c comc to expect great rreedom in the U minor bl' Uach John Brombauah, orAan builder of the Koduly's motet were brought orr slrik· of him. Since his playing is accnroltc to bring power and rorm to the preludc firm John Srombauah & Co,. Middletown. ingl)'. allowing the ucitement of the and sirollg. we would prerer to ignore and a sense about the subjects which arc Ohio, was awarded a afont earlier this year !Otary to come out in musical drama. technic-oll UI • This is what the new Aeolian·Skinner mechanical action instruments have· with elegant deSigns, original and flexible tonal concepts, space age technical improvements and an unmatched sound. They help you to get to your destination - GREA T MUSIC! AEOLIAN-SKINNER ORGAN COMPANY, INC. PACELLA PARK DRIVE RANDOLPH, MASS. 02368 DECEMBER, 1971 9 J N.J. Church Gets Avenir H. STEINER New Austin Organ de Monfred t\ustill OrgolllS, Inc., II"rtford. Conn., will shortl}' complete Ihe installation of ORGANS ;1 new 3-lIIal1l1al org,lII in Trinity Epis THE NOM PRINCIPLE cupal Church. '\'illiamsport. Pellllsyl· vania. T his installation coincides with the 100lh annh'ersary of the comer· OF RELATIVE MUSIC slone laying of the present d:lUrch. The entire chancel area has been renovated Introduction by Nicolas Sionimsky and the choir pews ha\e lx.'C11 mo\'ed Foreword by Joseph Yalser into the forefnml of the na\'e. In ad dition, the organ case in front of the l1a\'c (nne opcning has bccn redesigned. These and other altcrations 10 the in teriur wcre planned and supcn ised by the fi rm of Adams and Woodbridge. :-':cw York Cit)'. Of particular interest mc facts that the first \'l.'Sted boy choir in Williamsport was organized in Trin· ity Church, and the first towcr chimes in the city were installed in the belfry of Trinil) Church in 18i5. Contract ne· gotiations for the new organ were han· died b)' J. Bertram Strickland. Austin n ..·prescllt'lti\c nnll urgallist·choinllas· lei of T rinity Church. II A stimulating pre ..ntation of the new New Pels Organ Dedicated diatonic mod.1 principle which gives at Hopc College compose, and perforrnar freedom 10 GREA'f interpret a given piece of music In an SCHOOL OF CHURCH MUSIC, SOUTHERN I'rincitu l 8 ft. 61 pipes '1 he series or dcdication and inaugural infinite variety of melodic and har. BAPTIST THEOLOGICAL SEMINARY Uunr!!" .. 8 It. Iii lri pn red tOlls on the new l't'ls &: Van Ll.'Cuwcn monic combinations," - ASCAP Taday Flaulu Dulcc 8 It. 61 Ili,11'S UTgitll at lJimncIII Memorial Chapel, Louisville, Kentucky Ocla'·c " h. 61 Ili,ICS Hupe Collcge. Holland. Michig'dn . was "A composing or improvising technique, Man. I: 8' Spitdloe.e 61 pipes S .. l'IlI lw rn " ft. 61 Ililll'S models of which con b. found from Fihl'l'llth "2 ft . 61 pilH'$ H.'Sttmcd un :-':o\t:lllbcr 2. with a rcdtal 4' Principal 61 pipes h) Anion Udllcr. Vicnm.'Sc concert Bartok back to B•• thoven," - The 2' Gemshorn 61 pipes SC'Slluialtn a II 122 pillcs Piano Quarterly M i."~turc IV :!H mnk. OI·branist. l'ro£. Rogcr E. Davis, who was Man. II: 8' Geclack.pommer 61 pipes instrulllcntal in obtaining the organ, 4' Rahrfloete 61 pipes 5o WELl. playcd thc dcdica.tion rec ~ lal on May .8. "Th. autho,'s .:ncerity and depth of 1 1/3' Q.uint 61 pipes musical thinking bring a fresh outlook Rllhrfliile 8 ft . 61 IlillCS T he wl't!k 1ollowlllg, tlurmg the Tuhp Pedal: 16' Pommer 32 pipes Sllillgambl' 8 It, 61 pipl" on lome of Fl.'Sliul. 21 concerts wcre gi\'cn by Hopc today'. confused attitudes 8' Gadacktbass 32 pipes Camhc Celate TC 8 h. -19 lIil"-'S about the elsential nature of music." alulllni and studcnts. In July, Hope Couplers: 11 / 1, I/ P.d, IIIPed by faD. PU'5tilnt " h. 61 pipt's - NIALL O'LOUGHLlN, Mus;ca' Times, Will:..l lCh e 61 pillcS Lolh.'ge held a church organists' work· London levers. shop and during this confercnce Bcr· Mechanical key and stop action. III ntk Flnte 2 ft. 61 Ilipes l'ld" Jt'li III 183 I,ipcs nard Hartclink professor of music at the 226 pageli 191 musical illustrations; Located in facuhy practice studio for F:llflll 16 h . 61 Ilipcs Cuuscnatory at Utrecht the Nellicr. 63 mod., equivalence, scol. struelure practic. and leaching of Dr. Donald T rulll,ll·lte 8 fl. 61 Ililies limd was the gUL'St organist. . Huslad and Dr. James W. Good of the and key lignalur. table.. Appendix of R"!lr Sdmhllci " h . 61 pillCS Thc organ of 25 SlOpS of claSSIC de· 397 NOM scales and their conversions. arsan facuhy. sign was uuitt by thc firm of I'els &: Van $15.0. FACTORY: 1138 Garvin Ploco l'OSITIV Lecuwcn of Alkmaar Holland. Both kcy P.O. Box 895 Nason Fluh: 8 ft, 61 pillf'5 I\. nll,lclflii tc " h. 61 Ililin ,lIul SlOp anions ,Ire mcchauiC'dl. Tilt: CHARLES SCRIBNER'S SONS Louisville, Ky. 40201 Octa \'in 2 h . 61 Ilipt'S custom built casc is of solid oak, The 5'7 Fifth Avenue, New York, N.Y. 10017 phone (502) S83·5032 Larigllt I ~ h . fJl Il illcS tullal spccifications wcre dmwn up hy Zimbd II 122 Ilil'es I'mf. Da\·is aud Johann Hcers/link, thc KrUlIIlIIllIJrll (TC) 8 ft. 49 pipc$ Amcrican rcpn.'Sentati\'c of I'c s !!.: Van I.ccllwcn. l'EDAL Rt'Suitant 32 ft. I'rilldllal 16 h . 32 Jlil'C5 JlOOFDWERK Ullllniun 16 h. 12 pillcs (Grcat) lIuurdoli 16 h. 56 IliJlCl Gedcckt 16 It. 12 pillcS (Swell) I'n:stanl 8 h. 56 pipes Octave 8 h. 32 JliJit'S RUl'rfluit 8 h. 56 pipes Rohrnii tc 8 h. (Swell) Oclaaf " ft, 56 pillCl Super Oda'·c " h. SlIilsfluil " h. 56 pipes Rohrfl6te " h. (Swell) N"alilrd 2 ~ h. 56 pipes Rallschlluillt II fi.I Jlille.l SUl'eroclaaf 2 h. 56 IIiI'd l'milUUc 16 h . h 1rcpaft'll) Terts I 3/5 h. 56 pipes Fasot 16 £t o (51,·cll ) Millluur IV 1 Y, h . 224 p illcs 'frmuIr.. 8 h. (prcltarell) Cirnllel 111 v.z ft, 168 pipes l'wmpeltc 4 h, (Swcll) Trumpet 8 ft. 56 pipes BOVENWERK 1I0lpijp 8 ft. 56 ,liPd New Greenwood Organ l'~tant " h. 56 pipes In Albemarle, N.C. RllerOuit " h. 56 pipCl Franz Liszt Kegell)ijll 2 ft. 56 pillC~ Spilsquint 1 ~ fe. 56 pipes The Greenwood Organ Co., Charlottc. Schcl'Jl 111 I h. 168 pipes N.C. has instnlled a 2·manllal organ in I\.romhoorn 8 h. 56 pillt.'5 recommended Altenburg the ne\\' sanctuary of St. Martin's Luth· Trcllllliant erun Church, Albemarle, N.C. T he ncw Franz LiszC, musical genius, the greatest pianist of his organ replaccs all electronic in the ror· l'ImAL age, made exciting news in 1847 when he endorsed the superb mer church. The specification was prc. Suhh•.., 16 ft . 30 pillCS musical instruments created by the House of Altenburg. This l'rl'11alll 8 h . 30 pipel pared by Norman A, Grcenwood and Gt"dckt 8 h . 30 pillCS historic achievement of personal recognition for Altenburg, is Mrs. Karl 1\1. llark, organist. Manuals OClnar 4 h. 30 pilles still exciting news, 124 years later. The traditional Altenburg arc 61 notes, pedal 32 !'otes. Mh:tllur IV 2 h . 120 Jlipcs policy of integrity and customer satisfaction continues. Ua min 16 It. 3:1 pipt'S Today, among the fine instruments sold by Altenburg are GRE.\T Schalmd -I h . 30 pipCl Dllunlon 8 h. (A ) IIl1unllln 16 h . llooldwerk Rodgers Organs, the most musical, tonaDy authentic organs Gt'lTIshom 8 ft. (D) ever built. They are available, in all standard models, for Principal 4 ft. (0) JlROMINl-:r\T TIIEATER ORGANISTS duro demonstration, immediate delivery and installation. For eus Fiftcenth 2 ft. (C ) illS thc pcak )·ears I>f radio and valldedllc arc IlI'ing IIH;St'lIh:d in a uniquc series of conccrts tom designed organs, additional time will be required. Flaseolet 2 fl , (Al LariSll1 I ~ ft. (A ) at the Uni'·crsity III Ci"cinnali Collcgc.Con. Catht'tlml Chilllt'S (Prepared) servalllr), 01 Music. Thc series ha.s slKlIlsored YIN' inquiry 'rg3,ding any 01 the magnilicenl Rodgers O'ga"5 Rosa Rio and Gaylord Carter, who illcluded a is always pe,sonally handled by M, Ono A. Altenbu'g. sl'glllcnt Willi films showins hllw silent movics 01 the House 01 Altenburg. or Mr. Wilham S. W,enn. SWELL wcre sCllred . Lcc Em·in will opcn thc 1972 Bourdon 8 ft. (A ) Oi,«lo,ol the Rodgers O.gan Division. W,ile Of all them ~crics . All III thc ll'citals lire performcd 011 10' any addllional informalion you may ,equin~. Gemsl'om 8 ft . (8 ) the. Balcohll and Vaughan organ. Bourdlln .. ft. (Al Octave Gemshom " ft . (C ) Exclusive Dealer in Fiftcenth 2 h. (C ) EMMANUEL CHURCH , BALTIMORE, New Jersey and New York Flageolet 2 h . (Al Md., was thc scene of thc lirst conccrt in the TrompeUe 8 ft. (Prepared) chnrch' , 1971 ·72 concert 5eriCli on Nov. 7. Tremolo Ft'alllrcd on the program tlndcr Mcrrill Gt'r· lIlan'. direction wcre the cantatll <'God's Tillie 11 the Bcst Timc" by Bach and the molct PEDAL " 0 I' m~ the Lord. All You Nations" by Bonrdon 16 ft. (Al MOlarl. Mcmbers III thc Baltimorc Symphony Bourdon 8 h . (AI played, and Vcrlc Larson was thc organist . Principal 4 h. (C ) Fifteenth 2 ft. (C ) TilE GREGG SMITH SINGERS wcre rca· Flageolet 2 ft. (A) lun:d in a progmm of works by J osquin dd I'res, William Billings, Charles Ives, Igor ANALYSIS Siravinslr.y , Michael Hennagin, Edmund Na· Bourdon 16 It. 97 pipes (Al jera, I~rl Brown a nd Gregg Smit" on Nov. 15 Gemshorn 8 (t. 73 pipes fB) ill a cllncert at Fin t I'~byl cri.an Church, Fort I'rilldpal " h . 73 Jlipes ( ro} Wayne. Indiana. 10 THE DIAPASON t:IIIIC tI II. Large Conn to Princillal 4 It. New York Church ~Iil[tllre III JloJaune 16 h. Tnlmpet B h. A new three· manual Conn has been installed recently in the Peekskill Pres hyterian Church, Peekskill. New York. Morel Rebuilds Organ in h is equipped with Conn's exclusive Quincy, Mass., Church "elcclronic pipes" and a £ull antiphonal dh'ision. The console is equipped with The organ in the Uniled First Parish Conn's new adjustable pistons, com· (Vnilarian) Church, Quincy, Mass., hOLo; plClc with 5cttcrboard action. There arc has been complctely rebuilt by Robert two huge Inrinilc barnes. G. Morel to tJlC specifications of Ed· Where lllusical ward Gammons, consultant thc GREAT n. ror Olten DiapaJ(tft pro.il'i:t. Thc original organ was one o( a re. 20 stops hy Hook and Hastiugs built Grnss Flut~ 8 h. Oa",IJ3 8 fl. in 1905. restJlts are Oct.",,\!:" ft. Flute" h . GRF..AT 5,.per Oct.,,· ~ ~ II. Quiutaton 16 fl. fil rHlK:S • ,.'ourlliturc IV lJi;lpakln 8 fl. 61 pilK:1o "'''Knlt Hj ft. Dokr. 8 h. (Swell) lIoltl~leckt nnportant ... Trumret 8 h . 8 h. 61 pipes Chimn Oct:1\'I: of ft. fil pipes SWELL SaC'lllhnrn 4 h . 61 pipes lIf1urdoJl 16 h . 1IIrx:ldl6lc 2 h . 61 pipes Contra Vinic 16 h. Mi"eure III I ft . 183 pill("s Geisen Diililason 8 h. TrlmlllCI 8 fl. (Swell) Concert Flllie 8 ft. 5aliciollal 8 ft. SWELL Voix Cclntc 8 h . ROUlilu ll DIIII" 16 h. 61 pipes People turn Gtilcn Ocla\"C~ .. It. Viola 8 II . 61 pipes Ordll:sIJOlI Flute oJ ft . Dolce 8 ft. 61 pipes Violina" h. Voi..r. Celesle 8 h. ~ pilK:S f autina 2 h. Rlll.lrdnn 8 h. 12. pi~s M iKture III 1I"1II:;plIl of h . 61 pipc-s to B:mooo 16 h . Flule II l1 nn. 4 ft . 61 Ililll'l Men. Tmmpellc 8 h. N::asard 2% H. 61 pil~ 01_" It. Fbleolel 2 II . 61 pipes VOlt lIum;um 8 ft. Ticn:c It') h. 61 I,ipa Clarion " h . Rass Clarinet 16 ft. 49 Ilif1CS Trcmoh. TrunlJlf'1 8 It. 61 pipes CHOIR Oboe 8 It. ril pipes Opcn flull: " h . OOOe Clarion of It. 12 pilles Gedeckt 8 It. Tremul:uu Viola 8 ft. Dulciana B ft . PEDAL DolQn Celeste: 8 fl. I'riueipal 1fi (t. 32 pipes Octa\,l: of ft. Sub II:", 16 ft. 32 pipcs ORGAN COMPANY, Flute T r;wcrso .. h. Quinl:alfln 16 It. (Gnal) ADm Oulcl'l of fl. Rourdon llGu. 16 fl. (S",I'II) Macungie, Pennsylvania 18062 Naz.;ml 2% h . Ocl:.\'e 8 fl. 12 pillt'S "ItlCk Flol~ 2 fl. lIoldlole 8 ft. 12 IIipC5 Tie:rc: ~ I ~ h . "ourdon 8 It. (Sw~lI) SiUlole: I h . Superoclavc 4 h. 12 pilles Clarinet 8 h . Waldllole 4 ft. 32 pipcs 1'1:.11.\1. Klein Flole 2 h . 12 pipe5 Pouune 16 h . (Swell e.t.) 12 pillc5 TrulIIJlCt 8 ft. (Swell) 01101: of h. (Swdl) DECEMBER, 1971 11 :) Decemher Candlelight Carol Service. Brick The Dutune's. Cellter Church. 1·lart· I'lcsbyterian, New York Cit}' -I pili rord. eN 4 pm DECEMBER Ave vemm CorJJUs. F.xultale 1uMInte, The Capella Conlina. Yale U .• New CorOllalion Ma.u by Mozart. Charles Havell. eN 8:30 pm 1 2 3 4 J>odstey " ' alker, conduclor; Church of Searle Wright. N.Y. Cultural Celllcr, the Hea\'enly Rest. New York City 4 pm New York Cit)' 3 pm 5 6 7 8 9 10 11 Ceremony of Carols, St_ Thoma~ l'aul·Martin Mald. St. Michael's Church. New York City 4 pm Church, New York City 4 pm 12 13 14 15 16 17 18 Da\'id Dunkle, SI. 'I'hOIll:lS Church. M~.Jli(l/l, N. I by Handel, Marble New York City 5:15 pm Collegiate Church, New York City 4 pm C:lrol Sc~'lcl', SI. I'alrick's Calhedral, Hodie by Vaughan Williams, Filth 19 20 21 22 23 24 25 New York Cily 4 pm Ave. Presbyterian. New York City 4:30 Candlelight Carol Sen'ice, Rh'erside pm 26 27 28 29 30 31 Church, 4 and 6:30 pm Charles Wiuakcr. St. Thomas Church, Me.mah~ "t, J hy Handel. )--ifth A\'e. New York Cil)' :.: 1!, pm DEADLINE FOR THIS CALENDAR WAS NOVEMBER 10 Prcsb},terian, New York City ·1:30 pm Cmllaltz 70a by nacho I-toll' Trinat" Magdalene Yurk, All Saints Cathedral. Lutheran, New York City 5 pili . Albany. NY .f:~O pm A Utile Advent MUJ;c hy Diulcr, William Self, St. Mary's Cathedral. ,\ladi!lOn .A,'e. Presbyterian. New York Ray E, Robinson. lecture: "Church Christmas Music, Cal\'ary Lutheran. Ogdensburg, NY 7:30 pm Cil), 9:30 and II am Music and the Ae~thctic Experience," Chicago, IL 4 pin Carol Scn'icc. First I'resbyterian, Robert MacDonald. Rh'crsidc Chmch, UriSlol Chapel, ,Vestminsler Choir Col· George Ritchie. Trinity PresbYlerian, O ... ng •• NJ 5 pm New York Cit)' I :30 pm !Loge. Ilrinceion. NJ II am ,"il. Louis, ?tIO 4 pm Candlelight Carol Sen'ice, Fint Presby Mag"i!icnt by Bach, St. Bartholomew's A Little Adllt'rlt M1IJie by Di ~ tler, Em· terian, Englewood, NJ ·1 ;30 pm Church. New York Cit)' .. pili 10 December manuel Church, Webster Gro\'es, MO Leander C, Claflin III. Methodist Pontifical Choir or "aletson Diocese. Clarence Watten, Music of Marcel II am Church of the Redc..'Cmer, Philadelphia, John Caprio, collductor: Cathcdr::al of Ilupre, Cathedral of St. John Ihe Dh'ine, Carol Sen'ice, Christ Chapel, CII5I.a\'us I'A 4 pm the Sacred Heart. Ncwark, NJ 8:30 pm New York. City 8 pm AdolphUS College, Saint Peler, l\JN 3 Ceremotl), of Carols b)' Britlen. State Service of ,\d\'cnt and Christmas 1-lor Peeters, State U .• Fredonia, NY and 7:30 pm College. East Siroudshurg, PA Carols, First Prcshytcrian. Or:mgc, NJ Christmas Concert, UB Chorus, State Midnig'Jl lUau by Charpentier, 1.auda 5 pm U., Buffalo, NY 12 noon 13 Dcc:cmM:r Sion Salvalorem by Buxtehude. Organ Marilyn Mason. I"Hk Central I'rcshy· Joann Wolfe. Holy Trinity Lutheran, Menial, by Handel, Centml I'rcsb)' Co,,( erlo in F by H:lndel; First Preshy tcrian, Syracuse. NY Lancaster, PA 12:25 pm It:rian. New York Cit}' 8 pm rerian, Lancasrer. PA 8 pm G[or;n by I'oulene• .rtf • .viclwlas hy Virgil Fox. Toledo Symphony, Mason Baylor School for Boys and Girls Frank A. Nm'ak, Emmanuel Church, Britten, East Stroudsburg Collcgc Choir, ic And" Toledo. OH Madrigal Choirs, St. Paul's Church. Hano\'er, PA 6:M pm Pocono Bo)' Singers. K. Bernard Schadc. Renzo Buja. St. Mark's Episcopal. Chattanoog:t. TN 12:05 pm Sen'ice of Lessons and Carols. Em conductor; East Stroutlsbllrg Stale Col I'ortland. OR 8 pm Susan McDurree, J. Marcus Ritchie, manuel Church, Hanm'er. I'A 7 pm lege. PA \ Cl ice and organ. Trinity Episcopal. New Christmas Concert, Church of Our A I_iule Adm'" Mluie hy Distler. Em· 11 D«crnber Orlcans, LA 8 pm Sa\·lonr. Chicago, lL .. pm manuel Church, HanO\'er, PA JO:.!lO :1In Virgil Fox, Toledo Spuphony. Pcri· M~.ss id"J PI. 1 by Handel. First Con. Cherry Rhodes, All Souls Unitarian. 5t)'lc, Toledo. OH 14 December grcga.tional, Chicago, lL 3:4:; pm Washington. DC 4 pm M~ssia" by Handel. Central Preshy Christmas Choir Service, First Congre Karel Paukert. St. Paul's Catbcdral. gational. Palo ...\lto. CJ\ 10 am 12 Decemher lerian, Ncw York City 8 pill I'itlsburgh. PA James Hollender, FirM Congregational. James Brinson, N,Y. Cultural Cenler, Bradle)' Hnll, SI , U:nlholomew's A Feast of Carols and Pudding. Fair Church. New York City 5:30 pm Frcsno, CA 3 pm mount Prcsbyterian. Cle\'eland, Oli -1:30 New York. City. 3 pm Richard Pun' is, I;irst Congregatiunal. by Bach. Boly Trinity Choir of Paul IV Regional High pm Magnificat Los Angeles. C,\ " pm Lutheran. New York Cit}, 5 pm ~chool, N.J.: at Trinit)' Church. New Lessons :md Carols, Emory U" J\t· Christmas Oratorin hy Hach. La Jolla Cmllata 61 by Rach. Mit/"ight Mn.ss \ ork City 12:45 pm lanta. GA 5 pm Seton Hall U_ Choral Societ)'. De Presbyterian. L:l Jolla. CA ~ pm Eh1est Holfmann. Tlinit}' Episcopal, on French Noels h~' Charpentier, Church 20 D«em.bcr of Ihe Ascension, New York Cil)' II am Costa Dawson, direclor. Cathedral of the New Orleans, l.A .. pm Sacred Heart, Newar", NJ 8:30 pm Columbus I\o)'choir, " An Americ;n, Te Deutn hy Britlen. I" tile Begi,.· Chri5Imas," NET·TV Ad\'ent Vespers, LUlheran Church of ,,;ng of Creation by Pinkham, The Seven Frederick Swann, First Presbyterian, St. 1.uke. ChiClgo. IL " pm lockport. NY Phillip Sneed. Genc\'ie\'e Collins, \oice Messiah by Handel. Rockefeller Chap Last Da)'s by Miller, I~lnlml/(m%ert by and organ; Trinity Episcopal. New Or. 7.iuunerman; Church of Our Sa\'iour. Chattanooga noy Choir. St. Paul's el. ChiQgo. IL 3:30 pm Churdl, Chananooga, TN 12:05 pm leans, LA 8 pm Flor Peclers, SI. John's Cathedral. ~eW Yort. City" pm Meniall. Ill. I by Handel, St. Barth· Milwaukee, WI 15 December olomew's Church. New York City 01 pm 21 DccrmM:r Frances Shelby neniams. Rohert R. Bradley Hun, St. Bartholomew's llouglas. Interstakc Owter, Oakland, Service of Lessons &: Carol~, Firth Ave. Gloria hy Vh'aldi, Wall Strect Choral Preshyterian. New York City 4:30 pm Church, New York City 12: 10 JlIII Societ\', Trinity Church, Ncw York City C/\ 4 pm 10. 36 b)' Harold E. With. St_ John's Episcop:tl, 12:-15 pm St. Niclwlas hy Briucn, Magnificat by Ctwln/Ill 8ach. Frank Ced ric SlIIilh. Grace Church, New York W:ashinglon, DC 12:1{) pm John Rose, Cathedral of the Sacred Bach, First Congregalional, Palo Alto, Southern Missionary College Choir, City ":30 pm Iieart, Newark, NJ 8:30 pill Ct\ 5 pm St. Paul's Church, Chananooga, TN Will Carter. SI. Patrick'~ Cathedral, M~ssia" by Handel. Apollo Musical 12:05 pm ~e"" York City 4:45 pm Cluh, Orchestra Hall, Cluc:tgo, IL 8: 15 G December Reginald Lunt, SL TholUas Church. pili MarilYn Mason. master class, Spring i\'cw York City 5: 15 pm 16 Dttclnbcr Valle)" NY 8:30 pin 1... "ry King. Trinil\' Church. New Rohert L. Wyall, Sl, Pancr:u Church, 22 December Richard Heschke, First "resh~' lcri:m, Glendale, NY 8 pm York City 12:45 pill Knoxville, TN Concert of Contemf.nrary Church E. I'ower UiKlls, St. ThoJUOIS Church. Charles W. Thompson, )-'irst United :\c\\' York Cit)" 9:30 pm Methodist. Plainfield, NJ .j pm Music, Brislol Chape, Westminster John L Hooker. SI. Paul's Church, 7 Decem her Gloria by Vh'aldi. Magrli/;cal h)' Bach, Choir ColIl'gC. Princelon, NJ II :un CllattaIH,)o~. TN 12:05 pm The Durunc:s. 51. Joseph's Church, First Presbyteri:"" Moorestown, NJ " Columbus Uo),choir. D\'etsbcrg, TN New BetHord, MA 8:50 I)m pm Joseph ~l. Rtlllnin~, SI: Paul's Church, Jack Krichaf. piano, Trinity Church, The Holy Nativity. service of music k Chattanoog;a. T;"\l 12:05 pm !!3 Decem her New York City )2:45 pm pageantry, First Prcsb}'terian. Orange, Christma~ Vespers. The l\.ickapoo C.arols and Mutcts, Trinity Church, Pontifical Choir or the Paterson Ilio· i'l:J :; and 7 pm Mea School ChOirs. Rick Erickson, di :'\'ew Yor" City 12:45 pm cese, John Caprio. director; CalhC,."tlral Trinity Church Choir of l'rincetoll, n..'"Clor; Sl. Joseph's Catill'drat. La Crosse, WI 8 pin of Saered Heart, Newark, NJ 8:30 I)nt J:lllll'S Linon, director; SI. Mar~ 's Ab 24 December i\Carilyn Mason, Spring Valley, NY her. Morristown, NJ ,I pm Chrislmas Carob. Church the As· Scn·icc of Lessons and Carols, Rohen Ii December or 8:30 pm cen~ion, ~ew York City 10:80 pm Da\'id Craighead. Meredith College, .1- Russel, Grace Church, Nutle\', NJ Carl E. Schroeder, 1'101), Trinity Ln themn, Lancaster, 1'/\ 12:25 pili t.e~solls and Carols, ,\11 Sainl'l Church, Raleigh, NC -I pili New York Cit)' 12 nonn Christmas Mnsic hy Heinrich Schiitz; Harriet Dcardoll. Fin! Prcsh~terian. Messe tit! Nnstre name h)' Machaul. un Chamher Choir, Julius Ea..'ilman, di. Scn'ice ur Carols. Grace Church, New Collegium Musicum It: Imtrmnents, Wm, Englcwood, NJ 4 pill York. City 8 pm Lemonds. director; Emor), U .• Allanta, Christ RellOrn by Sowerby, Gloria bl' rector; Siale U. of New Ynrk. Buffalo, :-IY 8:30 pm Midnight Mass by Charpentier, Madi. GA 8:15 pm Vh'ahli, Westminster Chapel Choir. sun A\'e. Preshyterian, New York Cit}' Donald Bcikman. Heinz Mem. Chapel, Westminster Choir College. Princeton, Janet Keese lla\',e5, St. I'aul's Church. Chattanooga, TN 12:05 pm II pm I'ittsburgh. PA 12 noon NJ 8 put Candlclight C:lrol Scnice, Fint I're~h}' Flor Pecters. St, Joan of Arc Church, Lc.'Ssons 3no Carols. East StfOuuslmrg_ teri:ln, Orange. NJ II pm St. Clair Shores, M I 8:30 pm Sliite College. PA 18 Dec-cm btr Sianley Scordilis, ...\11 Saints Cathedral, Virgil Fox. KCllned), Celller, Washing )-'rank A_ Nm'ak. Emmanuel Chmch, Christmas Music, Chamber It: Cnucert Bano\'er, PA 10:30 pm Choirs, Bruce Hoagland, David A. Wehr, Alhany, NY 4:30 pm Inn, DC conduClon: Eastl.:'nl Kt ntud:.y U_. Rich All OJH!rn for Cllr;,{fma.f hl' Al£red Ceremon), 0/ Carols hy Britten. I'oco Lessons and C:lruls, First l'resh)'terian, mond. KV 8 pm Neumann, First Presbyterian, Wiitning no nO)' Singers, K. Bernard Schade, di· Lancaster, PA 7 pm lun, NC 5 pOI rct:tor; Slate CoUl'ge, East Strouosburg. John Conner, St. Mar}"s Cathedral, On)' PA Ogdensburg. NY II pm 8 Derernbu Jar Da"cing by Pfautsch. WeU· minster l'rcsbYlcrian. Greeln'ilIe. SC 5 Cmltfll(U 16 and 63 by Bach, l .. olJge Lessons and Carols, Fairmount I'reshy. Benjamin Wye, Saraloga I-I.s. Brass pm Jrmg del' Maria by Michcelscn. Cantata led an. Cleveland. OH 4:30 pm Ensemble, Rethesda Episcopal, Saratoga Lessons and Carols. Mt. Lebanon "lI'o Gatt %U HQlu" hy Distler, louis· Springs. NY 8 pm Christmas Ora/aria hy Saint-Sacns, llllitcd Presbyterian, Pittsburgh. PA 5 \'iJle Bach Society. Meh'iu Dickill50lI. di· Frederick Swann. Second Presbyteri:lII, Falnnouut Prc..'!bYlerian, Cle\'eland, OH pm n·etor; Christ Church C.,tlu,.'th"al, I.ouis II pm Carlisle. PA 8: 15 pm Meuiall, PI. I by Handel. Fainnouut \'iIle, ItY 8 pm. Carl Freeman, St. John's Episcopal, Henry Class Jr., Emmanuel Episco· 1'lcsbYlerian, Cleveland, OH ,1:30 pili Chris/mas Oratorin by nacho Rick p:tI, Webster C,rm'l'5. MO 10:30 pm Washinglon. DC 12:10 pm Me,uiah b)' Handel, Oralorio Chon" Erickson, director; First United Mctho Co\'enant Collegc Chamber Singers, Lessoll5 and Carols, 1.3 Jolla llreshy. k Orchestra, Da\'id A, Wehr, direclUr; dist, Viroqua, WI 8 pm terian, La Jolla. CA 7:30 pm SI. Paul's Churdl, Chattanooga. TN F.aslem Kentucky U_. Richmond, KY 8 12:05 pm pill 19 Decrmbtr Renzo Uuja, maSler class, 'Vm. Fawk Ad,'cnt-Chrisunali Choral Vcspers. 26 D«ember residence, Salem, OR i:30 pm "'alter Klaus. N,Y, Cuitunli Center, Concordia Senior College. Furt Waync, New York City 3 put Cautala 142 hl' nacho HoI)' Trinit)' IN 4 and 8 pm Caml Scn'iCl= , Hoi}' Trinity I.utheran, I IIlheran. New York City !i pili 9 Ikn-mbc:r Aluillal Christmas COIlccn. Valparaiso New York City -1:30 pili I.l'!\S()ns and Camhi, GI':Jee Chul'ch. MdgJ,;/icdt by ~Iuntc\' erdi, Trinity U., Valparaiso, IN of pm Brass; EUSl.'mble. Organ Redtal. New York Cily II :UII Church Choir. Trinity Church, Ncw Messiah b)' Handel. Rud;:delter Chap· Canolelight Carol Sc~'ice; St. Georgc's I-aul-Marlin Maki, N.Y. Cultural Cen· York City 12: 15 pm eI. ChiClgo, lL 5:SO pili Church. New York City .3 pm ter, New York City 3 pm 12 THE DIAPASON (;crcmony oJ Carols hy Brinen, St. Sacred Heart. Newark. Nj 8:30 pm narihololUcw's Church, New York Cit)' Marilyn Mason, Carieton College• ., pill :-':orthficld, l\IN Thomas Williams, St. Thomas Church, r\ew York City 5: 15 pill 5 january Worth·Crow Duo, Hawthorne, NJ ~ james S. Linlc, Christ EpiscoJ.lal, Glen Ridgc, Nj 3:30 pm: Carol Service" pill MarilYII Mason. master class, Carle· REPERTOIRE RECORDING SOCIETY MeS5ia/J by Handel, Pocono Boy Sing tOil College, Northfield MN 1:20 pm ROLLIN SMITH, ORGANIST ers, Men's Chorus, Concerto Soloists or I'hiladelphia: Slate Collegc, East Strouds 6 jalluary DUPRE IN THE TWENTIES RRS 1/2 $6 burg, PA Epiphany I:cast of Lights Concert, 51. George's Church, N.Y.C. AGO Mid-Winter Conda,oc, Detroit, Emmanuel Church. HanO\'er. PA 7 pm JEAN LANGLAIS ET LE CHANT MI 7 january GREGORIEN RRS 3 $3 27 December Carlton T. Russell. Wheatoll Collegc. Church of 51. Paul the Apostle N.Y.C. AGO Mid-Wintcr Conclave, Dctroit, Norton, MA 8:30 pm MI Virgil I:ox. Huntington IL'i .• Hunting LOUIS VIERNE: COMPLETE ORGAN 28 December ton. NY WORKS, VOLUME 1 RRS 4/5 $6 Linda Eckard, IIIClzo·sopmno. Trinity "'orth·Crow Duo, DO\'cr. DE 51. Thomas Church, N.Y.C. Church, New York City 12:45 pm Preston Rockhoh. workshop, All Saints PHILIP JAMES: ORGAN WORKS RRS 6 $3 Bradley Hull. St. Bartllolomcw's Church, Winter Park. FL Personally supervised by the Composer Church, Ncw York City 5:30 pm Richard A. narrows, Cathedral or thc 8 january Send check or money order (plus 50¢ per order for postage and handling)!a: Sacred Hcart, Nc"'ark, Nj 8:30 pill Victor Hill. harpsichord. ' Villiams REPERTOIRE RECORDING SOCIETY AGO Mid.'Vintcr Coud a\'c. Dctroit, College, W illiamstown, MA 8:30 pm 1150 Forty-First Street MI Joseph Kline. all. Bach. St. Mark's Brooklyn, New York 11218 Gordon Zcller. Ch rist Church Cathc· Episcopal. Philadelph ia. PA 4 pm lml, Victoria , nc 8 pm Worth·Cmw Duo. Lansdale. PA Gcrre Hancock, KCllncdy Center. 2U Dcttmber Washington, DC 3 pm nmdlcy Hull. St. Bartholomcw's Church, New York City 12: 10 pm Preston Rockholt, workshop, All Saints Church. Winter Park, FL AGO Mid·W inler Conda\'c, Detroit, MI 9 January WENDHACK organs john Walker, organist; A lto R hapsody Victor Hill, harpsichord, Williams ly Brahms. Ann Porayko, meuo College, WilIi am~to \\' n. MA 8:30 pm soprano. OUo j elinek, conductor; Em· Frank Speller. St. Patrick. 's Cathedral. Artistic excellence in the traditions 01 the baroque maslers , . . . • nanue} Episcopal, La Grange, IL 8 pm :'Il'ew York City 4:45 pm ao December Catltnta 124 by Bach. Holy Trinity j:llnes Holmes. Trinity Church, New Lutheran. New York City 5 pm Crolted '0 mee' 'he demands of 'odoy. York Cit)' 12:4:; pill Ronald Hough, First United MetJlO d ist, Marietta, GA 7:30 pm 31 December And tomorrow. New Year's E\ c with E. I'ower nig~ s , AlllaM and Ihe Nigh' Visitors by Men· brass and percussion: St. George's Epis uui, T rinity Episcopal. New Orleans, copal. Ncw York Cit }' 8 pm LA 7:30 pm Frcderick Swann, Rh'crside Church. Chamber O n:hestra. Cah 'ary Lutheran, (\cw York City II pili Chicago. IL 4 pm Larry Palmcr, harpsichord . U. of Er CLASSIC IMPORTS, INC. 2 january langen, 'Vest Germany C,wlata iii by Bach. Holy Trinity 1300 Pine Tree Drive, Melbourne, Florida 32937 Lutheran. New York Cit)' 5 plU RIC HARD FELCIANO will join the mayor', uffice of cultural aHain. 80ston. Ala".. whu e 4 january he will be active with the Incal ContemporalY Telephone: 305 773·1225 William D. Sharrow. Cathedral of the Music Prnjrd Comllliu{'{'. DECF.MBER, 1971 13 Letters to the Editor rr.Ji,., ,.pidl,., .,111 • rcmeJial ,tdin, p'G' Out of the Past fHE DIAPASON ".'" wO II I" 6, IId/l/lll, IUt' • ,"lUit.1 I'u"i· c.""" Dr 0 tI",u /lr. ,rllm ill ,"asic. FnhJUI, Mo" (kt. 15, 1971 - Fi,.a1I,., WI' art Ia.PP}' l/tal ,uTI. Sbip/l poi"" 50 ),enrs ngo. in tlte Dec •• 1921 issue - Tfl the editor: ou' lit., , 1Ia",,, a" '.lill, plote, W, are JI:va 'e Marcel Dupre's first American recital Reln'ant In tlae edllflrial "Mlnic Scllool. ''''Q' Jthoob 0',. Iryi,., (som e 01 ,ht'lII) 'II tiP' on the New York Wanan101kcr organ was Teachen 1)1' Ll'arlll'n," tllere are In't'rrll com prmuh Ilrl' problefll. WI' .,ree 'hal i,.didrlllGI re\'icl\'ed with praise on pagc 1 by Ed· menll whiell I would like 10 make. Fint of "r,d. Ihould 6e ('ulI,iJertd i" tJ u1l001 and ,/tal h'ard Shippen Bllmcs. all. it it III)' ollinion that school. flf ttllby are ,herl' Ilrould ", • Vllritl), nl Ichoob. Thai i, The enlargement and rebuilc.Jing of nnt a. mll'lIIuded as the alilhor malr;t't thelll ,xa,tl}' "hal our I'lIi'a,jal w., .11 Qba.d • - that William Harncs' lIew residence organ allpear, Mall)' coUCHes and tluivenit1es Ila,'e ai ,'ud,II" I,ar" b,d !I'ltclI ,It ~ }' art lea,";n, 1:,1Ia' rl':uly inllituted droaslic c"anscs whiclt affurd ,hI',. ,ean' III 't'a,,,. W itI'll ,It,}· ",.,.1 '11 I, :l rM it, was describcd. the uuUt'nt a sreatt'r l:Uilude n( choice in ond al ,h,;r (1 11'11 11''''', - T"'t EtI;'.r Articles included "The Rcquirements IIIIn1lill8 all education. TIll're are lIlany in· of the S~' ell·nox FI'OIII a (lla),er's View. .Iilutimn whi.cll stnKture 1,rOllroam. fnl' nch CJ.:.dnKI, :"nJ '0 ,hem ill ,Ire wlI.y Life, Some Thoughlt About Wind SUJlply." :and a. New Year filled with hope and ,ha' ,h,,· dni" ,I.e " .. J,,,t '0 rnpo,,,l, bu, Technical IId"ance alld refinement is :llllllicd After Ihe Freiberg Conference ill Ihe 1920'. In nearly every IImduct in this day; why It peace, mi,lrl "0' b, (alld jr,qurllll)') ar, lID' /I ,ood the re\'OllIlion ill ol'1lanbullding consisted pri jud,e 01 ,h, Jlud~",', at.i/il;,-s allJ tGtell". Ihe nrgan ClI:elllpl ? Cannnt Ihe "stale of the marily of changes ill aelion (to ml'Chanical) , Robert Schuneman "'e are cn"t.'i,u,d ,Ira' hi,her I'd"ca,ioll ""'1 art" he applied witll C!quat uuberance ill nrpn J,lacemellt ( ",,,k/lrill,,,i,,), and piJlt'S (nickless Weslcy \'05 lin' I'an" 41""e i • •lrt ~d'fl'a'io,.al milit:u whiclr bllildill!f ~ Why mUlt we reveN 10 century old alld ''.ariable scaling) . Until now, however there Dorothy Roser ,,·e dnu;h"l, O"r ,. .. ,,,m'.'1 ahow' bool: '"U". nletlnxh ill COnSll'UCcinn, JeaJing and "oicin!C ll:U been very tilde Aid aboul wind sUPJIly . wilh all Ihe ob"iout lim itatioN that this would Audrey Edgrm i", fir, p,,,,,utll 11,",11 our ('olluie';o" ,It., It SCI'nt! that AII'. FiJlk'. thesis, Iltat resilient ",/lIuUI II' ", lllwlt Iced lefllll" b. Joirtt II ,.,, enlail ~ Are WCI wiUins to ovenhrow lind de. wind b a ch:'r.leleriUM: uf Ilaroque OlT 14 THE DIAPASON New Books pipes. their sound quaUty. their pitch, pOCIUS. Howc\'er, these are mo!tly wen ~ .. nd maintcnancc, and reconstruction of br c\'cn how the)' wen~ rri3d~. BUsed up know", and M!\'eral important docu· lost works) in thc province of Wcst on a \'iSIl3J cxaminOllidn of several 1I1us ntelUs 3re ines pllcabl)' missing, By Ihe phalia is here laid out in detail ror the tr.ltiuns, particularl), the relath'c height 131h Century most churches were vying years 19,19 to the present, Arter present Jean l'crrot, The Organ from ils I,,· uf the higgcst and smallest pipes, IJeT~ with each other 10 acquirc an organ or ing the introductory reasoning regard· lil:ul;olt to the Eml of 'he Thirteeratll l'Ol lays nut Ihcil' presumed scales in eulatgl! their esisting instrument, This ing the restoration work on old inslru· Cclttur), (It. ~onna Deane). xx\'; 317 modern notOl,ion in attempting to sug. tendency was ticd to thc transition from ments, Mr. Reuler takt.'S us through pp., New Yurk: O~rurd Unh'crsity "ress, gest Iheir respcClhe tessituras. He comes RUlllanesquc to COlhic style and the thc techuiml detail5 of each separale l!.Iil, $2;.25. 10 Ihe cunclusiull that thel'e werc indeed new cathedral age. Thc organ buildcf!li leslor:ttioll. Ihe research and SO'ItCe5 I'CITOl is olle n( that rare breed of \'arinus IVI,es (1£ hydraulic organs. each were rorced 10 de\'elop instrumcnts that med in such work, and the IiteratufC scholar!i whu praclicc what they preach: with di(fereut "pitches" and scales. were morc complex. more sonorous. and dealing wilh organ building history in i ll the CUurllC of his research he dc prulmhl) distinguishcd hy their princi. con5l'quelltly lar~er . l)errot dC\'ote5 olily Westphalia. ,\It extrOl chapter dcal!! with signed alld built :I full ·scale, working pal IJ(nc IIIlC'se) ht l:ach combination of two paragraph!! to aSllCcts of perrorm· Ihe re!ltor:llion ur othcr instruments. hydraulis bascd upon dcscril'tiolu In tllradwrds (dll1\Jtisiltg a ",)'stem" or key ance pr.. ctices. OIud I ,esc sketchy sur· e'·ell thuugh it 15 oul)' sort of a " post dOl!'\sicat lite ralu!'e III order In COIIUtll1 :mnlnd which t Ie uu~l()d)' cmh'ecl. Pcr· \'cys arc ncxt 10 usckss. .Ah50lul ~h· scrip"" Exll... tsh·c photoJ.,rr.lphs (.some ill Ilull the lUcchuuislli reatly workl'tl, me... · rut rUl'Ilier dUs.1ifit.'5 the hulruhlmtl DC' nuthing is !!aici cClIlcerning whcn alld culm) OIrc usctl Ihroughout the bool, sure the willd llH.'S!U11!S, tltcuhuc the cunlillg 10 the ItUl1IlM.'r el( pipc5, thc how the organ was 115(.'(1 in thc various This Hllume is No. ·to in the \cry long loss or :1Il . alld asst'S! lhe \"oIUI1IC or rl:gisler. and the COlnl):tss ur tht manual mass seclions or ClllOllic.l1 hOIlr!, Jlldg. and £inc St.'ril'S uf IHlhlicalion5 spon. 5oUUIH1 prooutt.'tJ. He rul)l~ llItlcs llull the and its IH'(>j.,trl-s!liu" ur 11)11l.'/I (I .e, lIi .. - in~ from the OIh§cuce of rercrences, he sOl'l'tl h)' thc "Ct.'scl schaft t.ler Orgel inslrmnCli1 was " :1 rornl,licollcd piece of Innir. cllI'UllIlltic, cnhUrlllDnic). i" either unramiliar wilh Ihis sllbject in freunde," autl celebr.lled Ihe ~"hh ycar of 1ll00chincry." The soumis it Juooucctl The 5l.'(()Iul set'tinn dt thc book is tie gr lleral or dlnsc 10 ignore it, Inevitably. Ihe OI-galHz;ltion's ",ctll'ilY. Unlike Klee· were "C.'3.r-5I)litlillg whcn the pipes were \'f)lcd In Ihe org.:ln in the Milldlc Agel, one compare5 this chapler unfa\'orOlbl)' 1U00lln 's vulume, which includcs more working under full pressure," With prac commencing wilh thc l'llstertl clnpirl!. with his treatmcnt of the c1.l ..sical in· proM! st)'le 3tHJ reads more like astor)', licc. ":1 sl:lIulanl of \ inllOsity \\':15 at -I h is is important ill that it ",U.s through Sttllllll'IU, this book is a colllpil:Ulon of material gcrmane 10 thc SUbJCCI, and it is there lainabll·... atl(l by working the slidt!B CUlISlanlinol)lc thai the orgu.n stlr\'i\'ru "\\'(1 fin.ll cJmplcrs focus upon \'arious fore 1101 the kind of book that aile will OIt Ihe foot or each pil)C st) P~CEMBERJ 1971 1!j 'fo pia)' or listen to a well-restored old Inch to not quit.c 36th of an inch. (An h;npsichoni is OIn Cl(dling experience (or old soundl>oard gh'es readil)' ahuut all musicians alld lUusic lovers-as well as Problems of Harpsichord Construction 8th of an inch when the hridge is Olle likely to convince studcIII.5 of music. struck. lightly with the finger.) Most that the harpsichord is by no means in modem sound hoards arc a great deal ferior to the piano-and it is natural From An Historical Pmnt of Vkw thicker - and indeed may he plied tip to wonder what mak.es an old harpsi· 10 fi\'e times ilS thick in ceflalll spots. chord 50 fascinating and so exciting.' Is E\'en where a modem ma\;.er ,tICS a it mere respect for the venerable? The Lhin soundhoard, hc strengthens it \\'ith sound, certainly. of an old harpsichord many ribs. /\11 of Ihis creales great re in good playing condition is "cry dif· Part , sistance to c,'cT)' pressure and move ferent from Ule sound of a modern By Martin Showroneek mcnt, and 10 the vibrating strings. harpsichord: wh)' is it that the modern harpsichord that one hears in concerts, un Italian cunstruClion. Allolhcr exam· uusound or misunderstood sources of SCALE: By scale is meant the unal on the radio, on records, or in onc's OWII pic is an un signed Italian harp.!I ichord informatiun, Hanns Neupert's article!! terable length or the strings, as deter home is 50 much weaker, 50 much hard (probably 18Ih ,centul)') in the ,\Itljt!um do indeed contain such anac1.:.able areas, mined b)' lheir relationship to each er, 50 muc.h more shrill in its sound lilr Hnmburr.i'frhr: (;tsrhicl,te (Ham which are particularly nolicenble when other. and as gu\'erned by Ihe positiun than the old ones were? burg Hislorical Museum). which bean he atlempts to reconcile his cllrreJ1l of the hridge, The thickness of thc The reasons fOf this bcain with the an atlaclllllent unCe palen led b)' the methods or maunfacture to the methods strings is aller.tble. and so is their len rediscovery of the harpsicTlOrd toward finn of 1. C. Neupert." The list coult1 be o[ the past now a part or music histol)'. sion. the cnd of the 191h century. When, at extended indefinitely. nut in criticising Neupert, I should be Imagine lliat four lUusicians wish In the beginning of the 19th century, the Most old harpsichords fillall)' disap- IInder.!itood to intend a critique nm of play string quanets. hut pDS5Cssing last harrsichord~ disapllCan.'C1 into allies. 1H.·areci into the slUrerootns of (oncc· Neupert's instruments alone, but also only Ihrec "iolius and a \'iula de brae storerooms. ;11111 e\'ell stm'cs, and were linns allli museums, :lI1d of those that of those made by most modern lIIanu cio. soh'c their difficulty hy stringin,; supplanted by pianos, piano construction wl!re displayed, few were in playable facturers. who arc making similar in· the third \'iolin with thicker striugs itsclf underwent an enormous change: condition. It follows that since it is hard stmments largely because of the csalllple 31Ul tuning it as a tenor ,·jolin. and by the soft timbres of the early wooden ly pos... ible for most harpsichord pla)'ers .set by the J. C. Neupert finn. stringing the viola da hraccio with pianos uscd by Mozart and the young nowadays to buy an old instrumeut For the purposes of this iun.-stiRa double-bass strings and tuning it as a hecthm'en gave way to a powerful ap· harpsichon1ists cannot compete with UlU· tion, I have ignored instruments that cello, If one assumes that the thickncs... paratus of orchestral fullness whose seums upon the rare OCcasiUlIll when depart C\'en further than Neupert's ;lnd tellsion of these heavier .!Itring! is hea\'y cast·metal frame could snppo[t the an old in.strument is olfered for sale £rom old on~ (for example, tho~ lUade well enough calculalcd to yicld the necessary string lension of 20 10115. The lhey lUust (unlike .5010 \'joHnists allli with steel fr.llml..'S) in some Dr all par. pilch wal1led, then one has imaginN industrial progress of the previous cen· concertmasters) acquire newly construct tieulan, Similarl)" in describing old a situatioll analogous 10 the practice tnT}' had carried the construction of ed instruments. Indeed, there are many harpsichords, 1 have mostly disregarded IIU\\' customar), in making small modern musical instruments along with it. harpsichordists who ha\'e De,'er heard differences among the various types, harpsichords, and sometimes in making Then. into il world unscepticl of the 01' played an original instrument. apart from an occasional reference to e\'cn the so·called concert harp.!Iichords. ideal of progrcss came the rediscovery Under these circumstances. it has been sotnc!thin, like disposition. and ha\'c (Ry a smnll harpsichord I mean one of the harpsichord. Bettcr acquaintcd ,·cry easy for modem harpsichord restricted myself to old harpsichords of from 49 - 55 inchct long, and by large :11$ they were with Ihe robust piano. the huilden to de\'elop imperceptibly au In· the I:lme sort. Those interesled in the concert harpsichord I mean one up to enthusiastically progrcssi\'e piano build strument so completely new that it has differ('nC'C'S among the various histori 102 inches long.) Small old harpsichords ers who addressed themselves 10 the no more in common with the old one cal schools are referred 10 Three Ctll' tuned to 8' pilCh never cxisled. bet:ausc harpsichord were naturally ignorant of than plucked strings and the natne lur;t!$ 0/ Hltrps;C'I,ord MaJu'lIg by Frank. of tJle mechanical limitations imposed the uniqueness and real character of the "harpSichord". The modcm instrument Hubbard (Cambridge: Harvard Univer by the materials ilnd methods then harp5ichord, aod neither instrument is a \'ery highly de\'eloped and complete sity Press, 1005) and to Tile Harpsi. a\'ailable for making music wire: the makers nor performers trusled the dura one that has earned a place in modern chord alld Clnvid,ord by R.a),mond Rus· rew examples of small old harpsichords bility or the reliability of such lightly music:" life not ani), through its own sel (Loodon: F:lher &; Faber, 1959). An which remnin ate tuned a fourth, a built instruments-and the morc so in considerable appeal, but also through exceptional lonal demonstr:llion of four fiflh, or an octa\'e higher than 8' pitch. that they were judging from specimens the modem compositions that have been original harpsichords of the 171h and In modem imtnnnents. the lenglh of weakened by age. Their occasional un written for it. and the new ground that 18th centuries from the Netherlands, the treble strings has been iengthenc;d skillful attempts to restore such old it has broken in jau. Its sound. howe\'er. Iinly, Germany. and England appears as rather than shortened. as present·day harpsichords ')uickly com'inced them ani), remotely resemhles that of the in Teldec record No. SAWT 9512·8, Cem steel wire has fllllch greater lensile that so "primlth'e" a mechanism and slnlluent~ for which the extensive musi. bnlo"'Iuih nul Original,irutrumen'tll strength. pennitting ~omewhat greater such "w('atncss" of construction called cal literature of the 17th and 18th un· (Hnrl,sicllord MILSie on Origillal /1, resonating length. Most modern mat:.ers for immediate improvemenl. Such unre. turiC$ was written, It would be a mislake strume",s,) 0 ha\'c considered this an ati\'anlage. and liahle materials as pig bristle!! and bird to base an underslanding of the sty1islic It is imporlant to bear in mind that ha\'e increased the length of their treble quills. such impreci~ mechanisms as treallses of C.P.E. Bach. Quantz. and bolh old and modern harpsichords are slrings by 25 or !lO% (and in isolated wood sliding on wood or on Icather Coupcrin-Ilot to mention the Baroque instruments of high qua fit)': the old cascs, by as much ilS 50%) O\'er the scale these material!! and mechanism seemed snund itself-upon thc sound of the ones arc not necessarily beller than the eSlablished hy the old builden. Judging 10 the progrcssh'c piano mal.:ers quite modern harpsiChord, new. Old harpsichords of poor qunlit)' hy the lanai result (which I shall con un~tisraclory, just as the light box 0I,iltiol1 i!l dh'ided tllHUl what the also exist. Morcm'er, sollie olel harpsi. sider later), modern stringing yields a 50le whose Irehle slrin~ are too long. construction 5CC"'etl to show thnt the idea harpSichord Mluntl s ,ould be. some chorus h;n'e httn lana II)' spoiled h)' !;uch old harpsichord builders had no Idea of insisting upon Ihe sound of an old l;3ler additions :Is wrongly p()!;itioned and whosc hass strin~s are too short. mechanical and acoustical stahility. After Ruckers. and other," - as Hanns Neu· sollndboard rib!!. weak sounding strings, The makers of oM harpsichords were all. it had been "known" since 1830 pert" docs in Vns Ct!mlm/o rrhc Harp.si or improperly \'D'ced quills; and it would gm'crned hy Ihe natural ocla\'e rcla that pianos sounded heller: why at chord) (Kassel, 193!t) - insisting upon be just as unfair to compare a harpsi. lionship - one 10 two, as one knows it from organ pipcslO - from the hegin tcmpt 10 huild according to models a conception of what an old Rucl.:ers chonl falsified ill thesc wa)'s 10 .. highly from the pa:U?- III()(ld!i rC!'ipectable only wUIIM ha\'e sounded like when neW. de,'eloped, well cared·for mndern con· ning or the trehle throu~h the highcsi IIOtl..':'I; helow the treble. Ihe one 10 two ill collections for which thC)' were eligi ~ Um if one prCref5 tile latter sound, it t:erl insirulllcnt. as it would be to com· hie hecause of their grent age or decora. is surel)' wrong to suppose Ihat modem pare the well' prcscn'ed, properl)' \'oiced relationship was usually progr~"i\'l'ly tion. construct inn methods will )iehl it. On old harpsichord of a rightly famolls !ihortencd, In modern harpsichords, thl' Many collections of musical instru the contrary, the sound of an old harpsi. builder. to a mistaken freak from Ihe olle to two rclalionship is changed 10 a ments were in fact begun about this chnnl when new is only likely to be ar hand of an inept modern builder not one·and·four·tenths in the treble, and is I ime-those of Ihe great collectors such rin'd at hl' \'ery expert and careful representath'e of good modern harpsi· altered e,'en more greall)' throughout a!! Heyer.' Steingraher.· Neupert,· and copying. using m.lteri.. ls as much like chonl construction. the rest of the ke)'hoarrl. (A part tlf Riick.' and those madc hy muscums and the old nnes as possible. In what follows, I shall descrihe the Ihis altered modern scalc may come p:m'ernments- and thcsc (' .. rty collcc:tions This is nOI. of course. to 1'C 16 THE DIAPASON slonal usc or unsuitable: quill - (or in· IIIcnsion oWing to atmospheric corKli enf")' appe;tnlucc oC ale ..• landl it ,"AU III (Klav;eriibung, 111), l\ach; Ciltl' 51:IIII::C, Ihat of goose or dud:. - has kd tions. and these arc made imlUl-dialely simpler In me 10 admit Ihe uDlcnce 01 CGUlIt: ;11 G m;tlOr, Louis Coupcrin: lelilher plectra in !callan )aal1lSichon)s." 10 the 1lI)' l" that quill must be 0011- audible through the sclISiti\·it}' of lea· ~uile ill E. Handel; Co",:erlo in G nW, J. Zuckermann a:IIYS , in Til" .\Iml"" .. Ian II}" renewed: in fact, good quill will ther plectra and steel springs . Hllrpn,hc"J, (New York: October HOllie, 1969, lIIi,101'" lor ImrlJsic!lOrd and strings, SOllletlllles last for yean. The keyboards of old ius(ruUlcnU p. 186): "Skowroncck 'Clrwds that lIlusic ""'ire Hcnry Burgess, Jr. The old jacks had no sort of rt.'gul;ll· werc ne\-cr bushed, and therefore always in thme da), had no '.prin!' Co it as il doet Cath)' Pool was heard in this program illg adjustment Slich as slt'C! l screws, ami rattled a little. lIeing light, howe\'er. today," .. t North Texas State Unil'crsit)', Den pk'Clra were lengthened or shortened stich ke}'hoilrds wore Ollt lUuch less llFran(u 1I0"kimoll (t 737-17~1 ), ;In ,\meri lUll, on Oct. 24: COllccrto 1/1 ror two can I3wl-er and COml"lSCr who ....'0» not onty by sho\'ing them forward in the jar:'. quickl)' than hC:l\ier, hushed kcybojn~s, }.;c)"board instruments, Soler (with Dr. and their slight initial rattle incrcased def'I,ly illtett'lled in IIIUlic and a ~ 1,layer of Charles Urown): Twelve Variali,,,,s rm ur by trimming them bad:. Oampl:1S che harpsichord, but aCli\c in IlCdicical life, be· All. {lO llS r/irni·je. Toe Werc glued Oil, and coulU therefore be \'ery little with time. Modem kC\'htmrds ing one of the si!l'nen ul the Dedar.&tion o( Mama". Mozart; changl.'il quite easily. All in all, the arc bushcd Iu slIpprt.'S5 all nois.c, and IndeJl'endelice and a member of the Con.,illl wla itJ D, Uat:h; La Mt!lodieusr. Daqllin; I.a Ilei"e tle.s Coeurs (21c Ordre) , FTan mechanism of the nld harpsichords \\'25 are leaded to m'ercollle the resislance tional Con\lenlion. lie devised an impro\led simple. but (ullctinll:J.1. created by the Criction of cloth "1bbing method 01 quillin! ha'llsichonJs, provided Ben· cois Couperin: FtJllfnri"elle. Rameau; against wide metal pins: this makes pUllin Franklin's Blass Itannonic:a wilh a key Dupin", lor Harpsichord and OrgQlI, It has been the c(£ccl5 of age allli them c1cddedl)' hca\'ier than old key huard. and in\'entcd a kind of metronome. For SchrOl'llcr (with Charles Brown, or WC'd" whidl ha\'c misled modc", uuild hoards, and stHrens the touch. Old more about hu e";l~riI1lCnl' ..... ilh the mu.ha. ganist) . CP.; to suppose thai [he old m<."ChanislIl be nism 01 the harpsicho"', lee At1pendi,.;, Naomi Rowley prcsenll'd harpsichord harp!ikhords mOl)' played with a light. "See Appendi:'!:. was inherently primitiw: for cX:lll1plc. er, more precise touch, and notes re· Icctllre·c1emollstTatiolis for the RiveT unreliahle key action Cluscd by the peat well without special mech:mica; ~------Valley Chapter AGO in Iowa City N'm·. friction-wurn leather strips glued to contril·ancrs. Modcrn harpsichords, un 2 and for the Iowa Cit)' Music Study the kc)' racks, or faulty plucking caus".. d Ihe contrary, must be played wilh a Club on Oct. 13. Hcr program! Toccata by moth 01'" bectle damage to the pig hea\'ier touch, morc like that used 011 ;11 D ".i,wr, Frobcrger; COllcerlo ill F, hl'"istlc spring in the jack· longue. Some the l)iano, and special dC\'kes an! some· Handel: C'lRIcounes ill D m,,,or and G parts uf old instruments simpl}' wure tirnl'S nt.'"Ctled to faciJilate repetition. A millor, Louis Couperin; Pradud;"m ill out: 501~le parts ahered with age (as llIay ialtisl pl.IYs more easil), on a modern C (II'TC II) and French Suile in E well happen with modem matcrials, r.I3rpsichord. which pro\'ides (he resis· IJII'I' 817, Uach, For hcr Oct. 13 pro too, in the course or two or tlnl'C hund· lance that he is at:custoIDed to: on an gram she also Included a PavatJ and red yeat'S) ; some parts wore out 3ml old harpskhord, a pianistic touch is like· GlIillnrd frolll Attaingnant's Collet:tion were rcplaced with Inferior materials Ir to llIar the music being played, of 1531. (for cxample, dud. for r3\'CIi '1ulll) . (10 lu: cm,a,lIIrd) The HarpsidlOrd, ,'oltlme IV, no, 4 The "intproR"tnents" which moot.."!'u conlains \\'nUacc 7.uckemlann's impres· builders conSl.'quenlly devised h:s.vt= in NOTES sions of the nnagcs Harpsichord Week, Cact ohen madc the instrument less per· 'Marlin Skowrontck, " Probleme det Cemba· ortrait o( Philadelpilla harpsichord luhans aus hitloriteher Sieht" , HiFi SI.rto feCI rather than more so. For instance, Cmilder Joseph Norris, a description of a modern buildcrs hil\'c replaccd pig I'Auie, 9, 10, II ( 19681. 700.711 , 781·7M, 875- 878. Off the Soundboard I i32 Has,'i harpsichord now in Oslo. bristlcs with steel springs in jack sWilhd m Heyer (1 8-19-1913 ) , a wholesale Non\'ay, and Hal Haney's a.rticle "Is tongues: hut steel springs are much lesli p:I(ler nPIUlf.u;IIIrer and palron of musk. lie Jane Clark pla)'cd her new John Feld· Electtonic Tuning tlle Answer?" nexihle than bristle. (Steel as well as Counded a JI.,.iu,i, ltIrildrJ "'.,t.,,,, in CalOSne herg: "Goujon" cop)' harpsit:hord in a Frnl Tulan, using a click·track tape hristle was at thc disposal of the old in 1906 contaiain, more lhan 2.500 instru. progr:nn at Ro}'al Ft."5th'al Hall. Lon· with earphones, played bOlh parts of ill5trumcl1t makers, and it was with rea· ments, a valu::able lib rouT. and About 2O,OO!J Richard purvis' Petit Concert Cham· iII utoJn1phs. The Museum was dm~d around don, on Sept. 28. The program: 04e Or· son that they prefcrred expensive bTi!litlc ,Ire. 1e Ordre. Fraucois Couperi,,; 5 /Jelre, perCorming the org:m part "lh'e" 10 the incxpensi\'e remnants of bro1. en 1930 and ib enntenb dislU'ned. :rrheodote Steingrl ber (1830-19GU , estab Smlllla.s, Scarlatti: Suile in G and l..JJ Oct. 24 at the Cathedral in Stock.tOll, slrings.) I:! lished an imporulnt music publishing firm un D,lIIpltiue. Ratneau. Calif., to thc ha.rp!iichord part pre·rc The modem rcplacement o( quill with der his name in lIanover. movinl to Leipzig Vktor Wolfram presented "The corded on his Neupert. The new work, plet:tra. made o( hard leather ha, also in 1890. Harpsichord in London and Paris" (or also plaphle with harp and organ, i!i mntribulcd to an unreliable mcch:m· tJokann Chriuoph N~urcrt (l824-1!1l1). (aculty artist series concert at Oklahoma being pllblished by World Library of founder in 1868 01 the German Ili;lno INInu ism , as hard. leather plectra must :lIwa)"5 State Univrrsit'y, SlilIwaler, 011 Oct. 26, Sacred Music. rneet Ihe string at cxat:tly the .QlUe plare faclurinr firm thai .till bean Iii. name. He 1\Iaria Gregoire pla),ed the following .tarled a colleclion of hislorical keyboard Heard werc! three pieces from My Lady illld "'jtll exactl), the same force: if Ihe irutrumenb in 1895. Nt:tJell'.s Booke, U)'rd: three pieces from harpsichord pieccs on :t Sassmann plectTa projcct 100 (ar, Ihe)' yield a hal'"d -Wilhelm Riiek (-1912) , foundu in 1892 of Tile Suand Pari 01 Mttsick's Hand· "Rllckers copy" for Ihe Spring(ield tOile and a popping noisc; if the)' don't a piano manuf3ctllring firm in Nurnherl. In Maid. Purcell: and Sui/e in D m;IIor. Chapler ,\GO on Sept. 19: Pa.s.facaglin i" project far enoll~h, they miss the slr:ngs addition to makinl pianm, the com~ny main Handel: AmlQls of Ihe Creal and API' C minor, Handel: SOllatas in C, A minor, altogether. Hard·leather pleclra salimi lained a workshop for ralorin!l' and COJIJinx ciellt Mxtutrxlu, Francois Couperin: 4 r. millO, Scarlatti; Concerto in D, less well than quill in an}' e\'ent: the)' his torical keyboard inslrumenb, and aho lNIin selections (rom PieCf!J fmnr clavrcin. Ha}'dn (\\·ith organist James Macs). tained a coneclion 01 weh irulnuncnll. last for centurics, but the sound that Dttphl)': Tire Chickm, Ti,e KrlillefJ. Fletcher MOOre! shared il progyaID Oct the), produce deterioralcs markedly OIl · aof the S,",.tUel.e StJnlfn'II"~ bur Alwiki,, " "'",e"'e in che eharwe o[ Ihe IWer allil the Nilwils of Solog"e, Rameall. 24 at the First Presbyterian Church, become~ 'M,i"., IOmt at once, and after that MusilflJrsdll"~ 3t Ihe Schloss Ch3rlntlenllll'1J The recital wali repeated on Nov. I :tt Wilmington, Del., with organist Dkk cuntinuousl}' duller aud duller. in Berlin. North Texas Stale University. nCnlOn. '\ppearson. Mr. Moore pl:tyed: Sara- (It should be mentioned, by the wa)', "See Ollie 4. abo\·e. nle firm hexan malting i\f)'rtlf! Rrgier included the :Ie Ordrt: 1m rule from French SlUle I'. Bach: tlml the leather pkcta iu\"Cnted by harp1icllords in 1906, h)' Francois Cou~rin in her recital of Rondeau, D:a qnin: Pavant, T I,e EArle Ta!lkin ill 1169 and calk>tl4' J~atl de buf tltanru N~upcrl (1902.) , of the third gene org;ln and harpsIChord mmit: at Mount 0/ SQ r;slmry. Rym: T wo Marc/,eJ, flf!" arc something quite different, as ration of NeulU'rU, and now hcad of Ihe firm. Hol)"oke Collettc on Sept. 26. Clarke; Pnssaca~lia from Suite "11, the)' consist of thick piece5 o( "cry soft He hegan a. the linn'. corulruelor 01 histoJ"i Arthur P. Lawrence, Saint Mar)"~ Handel, The (ollowing ",o rk~ were per· IC:lther which stroke mther than pluck cal keyboard i"'uumen .... lechnical dirKtof, aud College, Notre Dame. Ind .. pla)'cd thi!i formed for harpsichonl and organ: Con· Kicntilic collaborator (after havinR studied the !!tring!i. The tonc that these pleclm program on hi~ 19iO ,,'i1Iiam Do\\'d cer/os;1I C and A millor, Soler; A FallC)!, phYlics, mllsic. and Ihe technique of piano harpsichord 011 Oct, 12: Sarlnlas K. Farnab)': Sonata, prndllcc is \'Cfy sort, round, and dark, forte construelion), and h~ !.eame an auUm· aud nemardo Pas· and the loudnt.'S.'i can he in£luenced h)' rity 011 Ihe hi.swry and eonstnlecion of lite 544 and K. 517. Scarlatti: Duris I :and quini. the performer's touch,) harpsichord, davkhonJ, and pi3nofM1e, His ... Hopkinson,'3 who experimented ~'rilinp inclmk VOItI .wwsib'ab urn 'tHIJen"" in 1780 with plectra material other thal1 Alavi" (Fr-"I S' i~I:.·= i IAer '" Mat/en. Pill"") (Iuitl, undertook to sec whal could be (Bamberg, 1925), DOl C,,,,b.Ju (Tlte Hllr/Jll rh"rJ) (Kauel, 1933), Dill KlllfJirllorJ: OtIChi CHESTER A. RAYMOND, INC. done with "cvcn leather", and it ap· rlt'e u"d ,,,:h"urAe BtI"uh,.,,,, Ju 'ei,t"', pears that the Icather he used was not lirA". CltJd~tI ' mi' ei"e'" A"A.,,,, '"'''' der PIPE ORGAN BUILDERS unlike that uscd today. He found it wAllre" GW'e du CIIIl';rh"rd' IIlId "i"tm lIluch too stiff, and was obliged to sct ",."",,,i,,, "'CUI J, N. Forl,l fTA, Cilltrkh.,r": RebuildIng, Maintenance and Addition. his leather plt.'Ctra in JIlo\'eable joints 'Ir" ltillor)' .f, aflJ Ulm, ,((h".,.41 .bu,ce. ill the lonljtles, .md 10 secure them wilh ,i.".. . 11, Ih, '(i,,' /litJfllJS', ui,h • '''/I/lI,M,...' zig·zag sprmgs, in order to at:hieve slIf· '0" 'he IrNt tolNt .,1 ,At CI.l1i,II",d' froM Q 11I11".,SH;/JI b)' J. N, Fork,l) (Ka~l . t!HBl, P.O. Box 55 Princeton, N.J. 08540 ficient elasticity. The rcsult was sati,,· and articles on the history uf inscrumenb in filClory, hut thc means DC at:hicving it "'ltr;otlS technical papen to do with mtlSic. Phone: 609-924-0935 were too complicalcd for him to consicl· u 'RelealC'd in tlte Unil~d SIOItes as Mtlli, lor er this expedient at all practkal. (It tA, Har/JsirhnrJ Plllr,t/ 0" Old "'"rNm,"" might perhaps l>c rewarding to con (Tekrunken No. SAWT 9S12·B E., IIond a part tinue Ihis im'csligation today, now Ihat of Dtu AI" ",,,1: ~rM:t). On thLt ftCflnlinl. lorsion" leaf·, anti spring·elements arc GII.tav Leonhardt "lays Frescobaldi on an easier to produce.) anonymous, one.manual (8'8') Italian instn!_ ment made in !fi93 and nnw in the collection BERKSHIRE ORGAN COMPANY On Ihe SUbject of the sensitivity of the of the Smithsonian Institulion In Washington modern mechanism, Hauns Neupert n .C.: Farnahy and Tomkins, on a one·manual 68 So. Boulevard, West Springfield, MassachuMHs ~als - in Die Heluwdlutlg modl!nler (818'''') instrument made by Andreat R uckeR Cembali, SJ';'It~tte, ulld KlavicilOrdt: io Antwerp in 16t8 and a part or Lt"Onhardt't Member: International Sociely or Or;:_n Builders (The Trellfmellt 01 Mode", Har/m· own coU~dton in Amtt~rdam: Johann Seb;..s ellOnls, Sl'i,wels, ami Clavichords) - tiall Bach, on • one-m..nual (818'''') in"", + m,""t m:lde by Christian Zell in Hamburg in th:lt "the jack may have only a little 1741 and now in the East Frisian Collntry1ide tolenmce if thc plucking strength is Museum in Aurich: and Johann Chri.aian Bach, nut to becomc Irregular", The nld on a two-m:,""a! (818/"" with lute harp stop) CREATIVE ORGAN BUILDING fOR ARTISTIC MUSICAL RESULTS lIIechansil1l , howc\'er, bears a sidewaY$ iMlrument made by Jacob and Abraham Kirrk· tulerance o( tip to a 5th of all inch, 50 man in Lo"don in 1775 line! now abo in Leon IUllg as it!'; original condition is cs.senl· hardt' . collrc:tinn. Green'¥VOOd Organ Company iall)' IInahcfl'tl. Modern materials and Wfhac is, the ,'nng ror Ille lirtt C abn\le manuf:Jcluring methuds, :md the cheap middle C must he twke at lonR as Ihe .trins for CHA.LonE. NORTH CA.OUNA 21205 produclion of screws, do make possibfe th~ ~cond C a~ve middle C. "rHREE GENERATIONS OF ORGAN IUILD/NG" the great eXilctness .md easy regula· "Hubbard sap (TAr" C"",,,r;tS of Hcrrpsi- (I. ~ tion rc-quired hy a rine piano.like tun d.,d M41i"~, 17): ing. Such a tUliing also requires "arioll~ " Since documents cCinlelllpnrnt}' 10 the a!C rt:gulating dC\'icc.'1. now easy enough to uf harpsichord huildinR altllOSt alw"" m~n make alld install hecause! of certain linn quill as Ihe unlf l~ibh: plectmm, and nevcr included ~e lealher in the num' ••••••••••• "ORGANERIA ESPAfilOLA" (Madrid) \'ery sensible im'eliliolls, r.ome o( them ber of e:~otic lullttilutes which we tried p;:Jtelilecl. Indt.'"Cd, where leather plectra (nlm time 10 linle in Ihe d(ort to .illd a e Top quality, ony action type required, in spite of higher import tax WE and steel springs all! II!\cU, and where: the lIIore durahle lIIat~rial, it i. with ~cefliing e are still very competitive, and have comparatively early delivery. Sene illslrUlllell1 il!oelf is hullt of wood. the diHidence Ihat I "Iggelt thai lilt: Italian maken occ:uillnalll' UK"d leather Illectr.&. us your specs, and let us make a bid. lilt propably will surprise you.l' mechanism urgeutl\' ncec.15 the greatest Yet a significant number of Italian harpsi • D. Whiling, Rep. (A.G.O.) 609 S. Grand Ave., Los Angeles 9001, pred!!ioll 1)()Mihle. hecausc the wood i'l chords and spinell wi,,, apparendy old subjcct to constant smatl changes in di- pas arc filled wid, leatllC'T pIedra gi",ing ...... DKfM B~R, 1971 17 LUDWIG ALTMAN robert anderson SMD Sa .. FrancIsco SymphHY Ore ...... fAGO Organ Recitals Temple Emanu.EI South.rn Methodi •• Unlvenft, CaUfaml. Palac. of the &..tIlon .f Honor Dalla., T... s 75222 Robert :\ntlenun, Oallaa, TX - SOlllhern Recital programs for induslon In th •• Methodist U., Dall:al Oct. 11 : Six Fugues on page. must 'each THE DIAPASON within the Name UACH opus 50, SdUlllnnn; Chora l in B minor, Fl"3 nck, Inlroit, Chorale anti Ii. w ••ki of pertor.artee dat • . FuSue for OTKall a nd Nine Wind Instrumenls Joseph Armbrust HEINZ ARNOLD lin a Theme of "nllm Druck"e" OJ»U 25, J .N. Da\'w, .\ n illrcf Ity DaUu Bran Quinlel ami Mal .. M. f.A.G.O. D.Muo. Rollin Smith, Brook1r". NV - 1'hc DrC)lI~hn MUleunl (kt. 3- Fa nfare, Il urcrl1 i H.uiequin, nther hl"3sJ ,!lat'en conducted by JanlCt Ri\'CJ jOlln. Old North Church, Marhlehead, MA C ot.l l~rill ; Vc S",,"<:ct Retreat, Boyce; In Sum Chltrc" of .... Holy C.mf9f1... STEPHENS COLLEGE NIl\', , .. : Prelude and Fugue in F. minor, Bwe mer, Stehhins; Fu~ue in :\, ShelhY l Rilla. tlmlll, Campr". Oct. 10: The Prince 01 Den tchude; Partita IlI1 Sci gl!srilu et nwv 7(111, Sum ••r. South Car.nna COLUMBIA, MO. mark'i March, Clerke; l'allor.tlc, J:unes; Al !Jach: Six FUIJIIII:3I 011 BACII. St!llIImalln; Three legro. Zipoli: F.lcgie, Mallenet: Noc:turne hum Chnrales. Alaill ; Schrno opus 2, Dtlrun~; l'lU' Shylock, Faure: Cchel, Puredl. Oct. 17: Trum· laC'allill 1111 Theme ul lIillllcmilh, Taglia,,·ini. pel T une, l'uTerll : Cavalina, ll.. lI: The NiShi WILLIAM H. BARNES ingale :Ulcl the Rose (rom Parisitis, Saini' Robert S.:hunem:ul, F.,-andon, IL - Cathr SaEns ; The Frcuch Clock, Donuchein; dr;at of tI.e Sacred Heart, N~wark, NJ Oct, 19, ORGAN ARCHITECT & DESIGNER John Barry VI)C .. I· be, R:u:hlnaIUJllllr; Quasi Concertinn lH'r First Balltist, Lafa)'elle, IN N" .... 7, Emm:anurl -.r.f ST. LUKE'S CHURCH Clanneun S"'o all WriM!r, Kars·Elert. Oct. F.I,iKilpal. LaGranle, IL Nov. 28: Episode, THE CONnMI'OlIARY AMDICAN OIlGAN 2-1· Voluntary nn Olel Hundredth, Purcdl; Cupland. Mcill Jesu der tlu mich. Uenlich (ut mieh edreuen, lIen lich hit mich \,er 901 W. Samolayuca Drive, Nautilus, MacDuwel1; Cloches du .oir, SainI' LONG BEACH, CALIFORNIA Sacns; The £:arle or Salishury's Pavane, Byrtl ; langen, Brahult; Son.3ta II in £ minor Of1J1S 132. Tucson, Arb.lI. "'04 ,\dagio Jor Gla" ~\nllonica, MOlart; Sllrill!C Rheinberser: Hymne Velli Creator Spiri. "omes IlluShill1 (rom The Peasant Ca.nt.:ua, tUI, de CdgllY; Volunlary in C, ,\1I0n. Ene· B:1d l. Oct. 31 : hnnducCl, Puredl: l'ani. AII Qd· lish ; 0 Mellsch hewein 8WV 622, FUffa sOl'r;1 MaSllificat BWV Meine Sede erh('l,t iCIII , Fl"3nck ; Claire de LUlie, Lelna~ : Pre. il 733, d('u Hern!n BWV r.-4" , I'rdude and Fugue jll Wm. G. BLANCHARD lude ill D millClr, lIaclt : l'ralllllt, Wagner! "hc Eagle nill" 32/1, MaC'nnwdl, C !JwV 5,17, Bad .. ROBERTA BITGOOD ORGANIST Walter Stro;ny, ChM::a~n, 111. - 51. jolllll. POMONA COllEGE ""ilip L. Slimmel, MonlpeUer, VI. - 51, Fir,' Conf'"Blfallonal Church Paul', Unil~ MelhOllist Churc)" St, Alb:lnl, Rdorm~ £I,;,cOllal Church Oct, 10: Toccal1 ClAREMONT GRADUATE SCHOol Vt. Oct. 17 : Sonata in D major K. I-H , &. FuslM! ill D minor, Bacll; ,\daSio, Dridlll' ; THE CLAREMONT CHUICH Al mart: Cuncerto 5 in F majM, Ibndel; PrTiude 1m ,\",sladl, Willan, ,\ir, Ifancocfr. : BATTLE CREEK, MICHIGAN ClaNmont Colifornla Ele\'atinn, Dialot:ue, Cm",ent Mass, Cnupenn; I'salm 19. Marcello: Finak, Symphony 4, Fi\"l~ PteUt fnr Violin & OtKan, Sc:hrnetler: Willor: Tnlnlpet Voluntary, Purcell ; JIll' Quem Pastorn, Sdlonsler Herr Jesu, Walcha: nloresque, lh'orak: urlo, Melody in F, Sonala in C nlajnr K. 336, Mozart: Scllen.,. Ruhenstein; Minuet L'Antiqlle, PlIden!w,kl; DAVID BOWMAN Cats, Lanllai.; Passacaglia &. Fusue in C Conurto for Two TrullIllet. &. Drsan, Vivaldi. EmEL SLEEPER BREIT minnr, Bach. A slrinl trio aslisled, Inltrnmentali,ts assb led, D.M.A. Geo.,;e W. Moser. Newark, Ohio - Set'ond Howard O. Snt.all, Minneapolis, Mi,,". - Organist and Recitalist Preshyterian Churcll Ocl. 2.. : Ei" feste burs, St. Mark'. Cathcdr:al Oct, 19: Prelude &: Alabama State University Buxtehude; Sleepen Wake, JesiR. Prieelell Fu",lIe in D m:lojor, Bach: Prelude on Ad:,un'. Treasure, In dulci jul.iln, Bach: Srm:at:lo I, Foil, Homilills : Prrludc II. Fusue in B major, Firat Method ... a... rch. SaCr.UDctUO. Cal. Mantgomery, Alabama MendelUfllln : Thr~ "nunpt:t Tunes, ~hrtin : nllpre: Speculum Vilae, Peeten: Trio Sonata ('avant', Elenore: 1'r.aiW! to the LonI, M:anz ; 5, OK h; Ocrce\lle, Vic-me: Tocata & Fugue, ''''''yer for Peaa:, Pu".. i,; C.'!.rilkln, Verne. GlCinaldo, Assisted by jeanne T""un, sopr:ano. Da\'id J. Hurd. Jr., New York, NV - SI. Gnnlon Farndcll, Napen-iIIe, III. - Gmee Henry Bridges I'aul's Cha"eI, New Vnr" City Ocl. 20: Pre. Uoited Methodist Church Ort. 3: Fanfare, EDWARD BREWER lude and FIIKul:: in G, Bruhns; Suite du .«a nd Cook; II thou but SuHu God to Guille The~ , ton Guilain j Prelude and FIiRue in E minor, Bach; Silent Night, IIl'Irher: Pl"3yer of Christ, harpsichord organ First Presbyterian Church Uruhns. No,'. 17: Prl'lude anll FURue in E, Messiarn; Twilisht a t Fielole, Nl"t'd, Bingham; Lubeck: NUll cL'!. lIket aile Golt BWV 657, 8;'1cll; Thl: I'rimiti\'e Or8an, Von: Heroic Piccl:, Charlotte, North Carolina 'OII;'It;'l I in F minor, Mendeln ohll. Franrk, Z5D WEST 104 ST., NEW YOU, N. Y. I_ Robert Triplen, MI, VeTnOlt. 101 . - Carle· Elizabeth ll:lmp, Oan\'jlJe. III, - Finl ttm Cnllf1(r, NOt'thfidd, Minn. Oct. 3: tntrll I'reb,terian Churth o':t. 10: Two Chorale 'hlctlo" &r. Pauu'l'I !I'lla, ill 0 minor, ReRer: Im(,rrwUatfnns, ~bnz; Mountain Sketchn, f1igue FU!luf', Sfoi Rrgriinet, Rac" : Trois Clokqo: Rapuwlia hrt"\'e, ernlon: SanL.:tnck, !)'!.nces, All'Iin: P IIluTale, Fricker: Vision at Rinqham; Sinfnni3 3, Rerlinski; p,nliln on WILFRED BRIGGS JOHN BULLoUSH Chrisl·Plwellix. Williamson. CUrIlrU C .. llese, naysprinlll or Elernat)', FlIlIIue Jor Flutt', Tile M.S., CH.M. A.B. M.S.M. Ch.M. ~It. VeTllnn , In. Ocl. 12 : ':lIIIf' pro!l'ram. Uoutterable Bcauty, Haml'; St, Franci, Suite, Fa,Io'gh Dickinson Unlvenk, Richard. Teaneck. New hney Herbert hurd,. Red Rank, ·Nj - St. Pa"I', St. John's in the Village Challd, Nnl' York City Nm'. 3: 1'3vana M~morial Methodi.t Church l.oui, Leibundqut, 'lurich, Swiuerland - Italiana, DiJrrt"ncia' 10111'01 f'1 caoto lit.! Cal~l New York 14, N. Y. Whit. Plain •• New York "asilica. Nilrroi, Br-nil Ocl, 26: Prrlude &r. lern, Cahe,nn: Air. Ga\'olte, 'Vule.,.; 'Wenn Fugue in A minnr, Bath; FfHlT Sellin!s of wir in hikh,lrn Nikben scin, Prellille and Orck Thyself, Bach, Jlomilius, Brahms, fURue ill C millfH'. Bach, Rr",r r: Sonat'" 6, Menclel ...ohn; Te Deum, ARTHUR CARKEEK F.ullenia Tuolc: GIo\'u , N_' \ 'Mit, NV - "e~r-diclus, 0(,. 59, Rt'8er; Chorale ill A -:. •• I'alll's Chal'N'l, New Ynfk Cily Oct. Z1 : mino r, Franck. M.5.M. A.A.G.O. EARL CHAMBERLAIN ~flncertn in F, Handel; Friihlkll HIli mein f.l C.L lIent' Illfillseo, ~n dit' Hirten lohlen Selin', jack RuM, Ft. Wayne, Ind. - Finl DePauw University Organist Gdnhet seist du jelu Christ , Walcha; Preilide Prnhyterian Church Oc •. 12 : Symphony in G Gobin Memorial Churcb StEPHEN'S CHURCH in F,.flat, Bach. major, Snwerby: Resurgence 1111 Feu, William· Greencastle, indiana " son: Andante Gothie Symphony, Widor: Coho"e' MallOchu.eH' l.am· Kinlt, New \'(lrk, NY - Trinity Partila on Wachet auf, Disller. r:hurch, New York Cit)' Nm'. II: Prch"le :lnd Fugll~ in G minor. BU:'II;l ellCldc, Three EnRli.h Oelorr. Bruch, umoni, 10. Lamoni Cruemlein Award Spoosor Sung·Preludes OJ' u ~ -1(1/1 , BIU"; Piece H t: rnique, RLDS Chclr-ch, Ocl. '0: SlIitr, Nur; Suile 011 Bobf.rt ClarA Fraock, NM'. 18: Prelude and FU.llIle in G T one 2, Clrl1lmh3lult : ,\""bcsfJue (or Flul ... , CHICAGO BWV 550, Bse": l'a j saQ~l h (rotu Sonata ~ , L"n!!lais; Fanlai.ir. 2, Alai,,: Two P J.'!. lms, RheillbcTKer; CnrtrA!: and Lilany, Dupre. CLUB OF Triple"; Prrlude If.. Fusue in E mioor, Bacll, School of Music ,\stisled by Millicent (butherty, M)(Ir.l no. EJ4abeth Adl~ Miller. Hi.h Point, N.C. - N WO>' .. Fint Presbytenan Churcll ~ep t. 26: Fanl:ui.3 & ORGANISTS University af Michigan Fugul: in C minor. Ba('h: Fantasi.3 in G minor, O"\'id Lynch. R:Iotei,h, N.C. - Duke U nh'., Telemann ; Sonala in A majnr, MendeiSlollll; Durham Ocl. 3! Di:.tOllUII: , OeGrisnYi Fanlasia Anamay Owen Wales, l'raldt'1I1 pro Duplid Orpno, van den Kerckhnvrn ; Ann Arbar Selleno, Widoe, Adagio, narl~er: BurninR Bush, Andante in F major KV 616, Mozart; Pas,,'!.' Derlinlki ; Litanir:., Alain. ('afillia io C minor, B;'Ich; Shimah U'koli, Harl.3n Lautman, Corpu, Christi, TX - I'enichelli: Fantali:. &. Fugue on BACH, Cnrpus Chrisli Cathedral Oct. 28: Fanr.3re. Reger. IInllins Collete, Vil'8inia, Oct. B: same DONALD COATS Cook: Son! IIf Peace, Dialosue ror the Mix· program. Harry E. Cooper turn, Lanllais; TranlporU of JR)', Messiaen; ST. JAMES' CHURCH The SUlI.enc.ltd Carden, Alain: Fin.3le froUl John Scl,llfrcr, CnlumbYJ, 0" - Trinity Mus. D., F.A.C.O. Symphony I , Vieme; Lord God 10 Thee we E"ilCOpal, Colunlhu. Oct. I): 1"lrndlKUDn and all lIi \'e I"aise. Lnrd Gnd n"'!" open wNie Thy Pauacatlia in D mi nor, Rellln; FuSCie. 10. R NEW YORK IW~EICH, N. CAROLINA In-wen, Oral lllracimilly widl me a Gnd , ",illnr DCI :.I theme hy Carelli, Bach,; lam tol Wahller; a nC'!.11 bemoan thy grievous 111. 11 , rr cr.clit, Simonds; :\ltrSTO rrom Symphony 2, Toccata and Fugue in D minOt', Bach. Vierne. WALLACE M. COURSEN, JR. F.A.G.O. DELBERT DlSSELHoRST EARL EYRICH GEORGE FAXON OMA CHRIST CHURCH First Unitarian Church TRINITY CHURCH BLOOMFIWI AND GlEN RIDGE. NJ. Unlvenky of low. Tho Klmb"', School, _Ida.. , N. J. Providence, Rhode Island BOSTON .. ... City I .... KATHRYN ESKEY Charle. H. Ph. D., F. A. O. o. GEORGE ESTEVEZ The University of Robert Finster ch.m. FINNEY Chairman, DIy ...... of Mutlc & Art North Carolina Director St. John's C.th.dral Houghto. Co..... HoutIhtlNl, N.Y. at GfHftaHn. CHICAGO CHAMBER CHOIR Howght... W.... ,.." MetI60cIIst Clawch -.... 18 THE DIAPASON LESTER GROOM DAVID S. HARRIS Organ Recitals Seattle Church of Our Saviour Seattle Pnd(ic Church oE the Akron, Ohio WiIIi3m O. relen, Latrobe, PA - T rinity Ahrtin NC'3l")', L'IRdlln. Emrland - Chnlt College Epiphany I~Jlhcullal . ColumbU5, all Oct. 25: Fanfare, Church C:uhtdrnl, St. Louis, MO O ct. 2t: Orgon l'rulIl,,; Slmala 2. in C minor, Mcndclu.ohlli Fallll"ia in F minnr K 608, Mozart; Sonata I 98119 98122 I',ulllr:.le .. ",I ,\"iary, Roberti; Two Inloca in E·RlIt "WV 525, Pn:lude and fuglle in B lillllS, Dallier, Lauobc I'rt'sbylcrian, Latrobe, millor UW\' 5+1 , lIach: Diet Relurrrctionis, I'A Oct. 31 : lallM:' I'wub, Mrnddssohn, Rob· McCoahl" ; IUlllmm"tu, Tuc:cab, Viernc; Pre nil :uul D:.llief i 3 U~ttillg5 A Might)· Forln~u. luclc and FUlll(" IOn H,\CII, Lin t, McGaw YUKO HAYASHI lI.mff, Rt'st'r .md 1'lI:l:lrni FanliUia and Fugue ChalKl , Wuo"rr Culll"!e, WuoHer, 0 11 (kt. E. LYLE HAGERT in C min"r, Barh; l'a,lur.llc in E, Fl"3nck. 28: ~me Mluarl and McCabe; Dialfl!ue and Call1t'lic Mllik lIall, l'jltsbufsh, I'A :\0\', 14: faculty TkrCt': I'll lailk hum Gloria. de Grisn~'; Crihsrmane Episcopal Chun:h ~Int' Mrl~t'bwhll, Fnnck, Robe,t. ;utti 031- l'auaClillia and FUIJlle in C miaHK" 8\\'V 582, new england conlervatory lieri Fa llfan:. Lcm"trlUi ('THoR: opus 311l. Jun. Bad.; I'rduc.lc a nd Fusue ill G IIIinltr, D u,u"i; II:e n; VarialiOIn UII an Amcrican H ymn Tunc, St'ulle Allduias, Oull)IIn t of j ll)', Mdsiaell, ~'inneapolls, Minnesota 55~04 bostan VUlln!. l.t"ctn Nelson, Oeerfit"ld, 111. - Fint I'r("w)'· RKhard Sider, Knuln'iIIc, Tenn. - St. lerian Church Oct, 17 : Cha("onne, L. Couperin; JollII ', ElliKO.... 1 Church Oct. 10: Ave Maris As Jesus Sioud Beside the CrnlS. Scheidt; I'te Siella, Lan!!.. i.; J'rdudc & F1I8ue ill 8 major, IudI', Fugue lit Ch:lconnt', BUlltl' hudt'; My lIeart DUIJfC'; 0 LolIlI'" Gonn, Ach, blcib bri un,. Ii FilIf'lI With LouSinS, Adona Thyt.dl, 0 WILL O. HEADLEE " LA YTEN HECKMAN ~un ffeul euch, CunccTlu ill G majur S. 592, Dear 511111 , HaC'h : Im"ro\Uatiolli 8 111"t TaWil, 8.11:11 : Les enfallu de Di("u, M"siaeu; Mo:iale SCHOOL OF MUSIC I'lact: IIr I'uce, Lansbi.; Choral in A minor, Holy TrinilV Luthefan Chu"h Suile, I'eel("n; Introduction, Passacaglia &. franI'll.. SYRACUSE UNIVERSITY Cucb, Hrodden. Minneapolis, Minne.ota 55406 Kenneth Nienhuis, Dallas. Tr:s:. - Fint SYRJI.CUSE, NEW YORK 13210 Carl E. Schroeder, Lancaster, fa. - MiII("n Presbyluian Church, Tylu, Tex. Oct. 17 : joie ' "ille Siale ColI("se Oct. 13: Canzona, Gabrieli; I't dnrlE, Mes,i.en; Trio Sonata 5, Fallt:.sie at I'relude, Fugue lit Chaclllllle, Bwtlehude: Ele. FUKlIC in C minor, Badl; Ave mans slclla, ,"a tiUII, CUIII,erill; Son~ta K. 255, Scarlatti; clI'Gng"y: Chorale in E major, Fralick. QUlmill1ll tu sllluI, Dc:Grigny; Sonata C1I1 TOlle SAMUEL HILL I. Lidoll ; F:mtasy lit FlI ~ ue in C millClr, Bach ; Sharon Kletkner Schdbel, 51. Paul, Minn. SI. Paul', ChUfCh Simala. Chnuhini; Chornl in A minor, Franck: - GU lta,"us Adol"hul Cullt"se, 51 . I'eter, Minn. WILBUR HELD AIIII:mtll', Cothic SYIIII'hclII)', " 'Klorj Capriccio, Ocl. 10: Fanbi.ie ill F minor K, GOB , Motart: $M.D., FA.G.O. Chicago, Illinois I'un"il; Sunata 2, Mende-ilsohn. VOilcr IIIlIer, Bohm: Ach blcib bci 11 111, An Ohio State Unlvanlty \\'assrrfliluen Hah}"lolI, Kunam, hciligcr Geist, Glrthagc College William l';ar'rid~(", W»hingtun. D.C. - Fantalit' in G majnr, 8Ach: Sonata on P.alnl TrInity Church Kenosha, 'ViKolllin Merfl.lith CooIh'se, Raldsh, N.C. Oct. 18: The 94, Rcubke. COLUMBUS, OHIO Wurld Awaitins Ihe Sa,"iuur, The Nati,·it)-. DUllri: In .'("an: lit juy. In Tffl Is Gl.Jdnus, Jolt" Obeu. Indepmdcncc, Mil. - St. Paul's Tu junJan Callie Our Lord. Ulesscd j"us. At EpiKCtpal Church, Kansas Cit,.. Kan, Ocl. Thy Wcud, Bach: forty Day. lit Fort)' Nigl.ls, 17: 1'~ludc in D minor, I'achcll,el; Wach("t Suwt'rliy; Triull.,d.anl J'ruc:cssional, Mathias; aur, I'rel.me It Fug1lC ill G major, Bach : rre· Harry H. Huber JOHN HUSTON My lIeart Is Filled Wilh Lonsing. SuwerLy; IlId(" It Fugue on BACH, Li$lt j Tierce en taiJI(", The GeI"ti.. 1 HamIU("I, Messiuell; The Cruci· UuMaSej CI.aCIIIUl«! ill G minor, L . Cuullot:rUl : M.Mus. FIRST PRESBYTERIAN CHURCH filliulI, The Resurreetiun, Dupre. Ullt' "ierge pucdle, Lebrgu("j A l'fIIll hecy, Kallsas Wesleyan University I'illkllam: Chor.ll in A minor, Frolllck . TEMPLE EMANU-EL Frcderidc BUf8Umlilter, Buffalo, N.Y. - University Methodist Church St, I'a ol'. Catht"dral Oct. 8: Gaudeamus, Anlone COOding, Oklahoma Cit}", Ok. - SALINA, KANSAS New l'ork alY Caml't.dl; Wir ChristC'nlC'ut, lIerr Golt nun 05V, Stillwat("r, Ok. Oct. 9: Sonata ill C ,dlleuu, Mil fried und freud, Badl; Prelude lIIillor. Mrnddnuhnj Thrll'"(" Noels, Dandricu; 1111 Rlcu'ymedrC', Vuug":.n Williams; Choral in BarUtIUe I'relude It Fanlasia, Arnell; I'relude, II minur, franck. Fllg uc & Varialloll, Franck: Sonata 2, Herr ELLEN KURTZ jr.su Christ, dieh I U UIlI wend S. 7O!J, Toccata Henry ' "on Hanein, Andenon, S.C. - fint & Fugue in D minor, B::>ch. d. deane I'rc:sbylerian Church, Atlanta, Ga. Oct. 3: JACOBSON I'rrludc lit Fuguc in f major, Lfibrck: Flute Steph:!n I ~a. r",w, Grl'en,"i11e, S.C. - W("sl· Sulfl, Arnc; Clime Nnw, Saviour of the milllltr l're,hYIt"rian Chllrch Oct. 17: SonaL"l hutchison M.MUI, A..A.G.O. 1I1I'001h..-II, SilllnniA Cunlala 29, Uach; Prelude, in f majur Ilir Flille &. Organ, Marcello; FUKue & VArialil'", Frolllck; Fanfar~, Eldridge, MII\"Clllellls rrom Line d'Otlue, DuMugcj portland, oregon CDntord. California Litlle I'reludc. lit IlIlenllC'ZZi , Schroeder; Cum· SunOila in A minor fw Olwc: Ie. Organ, Telc mlllliulI, I'u",i.; 5t;berzt:ltu, Vierne: Grand mann: Cant.:.bile, FnuK'k; J'arlita. for Enslid, Clloru. in DiAlusUt:, Gig"ul. lIurn &. Orlan, J an K()("tsit"r. Assisted b)' RulKrt Chescbrn. GEORGE E. KLUMP Bradley Hull, N.Y., N.\'. - Prcbylenan Church, FanwtHld, N.j" (kt. 10: Toccata, Ge~ Hanwck, N.Y" N.Y. - St, Mary's HOWARD KELSEY DIVISION OF THE ARTS Ad:aSln " FUIUC, U;tCh; Con~'to in F IV/5, CI.urcll, Hamilton ViII:tse, Philadelphia Oct, lIa"del: I'i«e Heroiquc, Fr.anck; SClllata in C 10: l'a,~ca8Iia in E minur, Olll'an Solo from minor, M("lmduohn : Wir slaulKn all, Bach: Glaglliitic Man, janac:ek ; l'a.Ior.r.le &: ,\,iary, Waahlnglon Un;""'/III DALLAS BAPT1&T C'.o4-&01. ,\1I("!ro, Symphony ti, WidOC'. Roberll: Soll.ta I, Rall'h Schultz: The Burn illS bwh, herlimki: j 01 hu1 fil de Hattie, Saint LoWs, Mo. 63105 DALLAS, TEXU 75211 RUr&:Ild Wyatt, San Antonio, To. - Oak K'A Mo RukCHO, K)'rie, Snwande:; TII=cltina, Hill10 Presbyterian Church Nov, 7: Sonata I, Cooper: Lyric Piece, Heanl; Toccata :I,. ,\yo MClldduuhn; Prelude &. fugue in G minor, 8allkole. UUlIlehucle; FantalY ill F minor K,608, Mount: Litanies, Alain; I'nducle at FU!j:lle in D majnr, Luther T. Spayde. "'ayettc, Mo. - Vnit("d J. MAX KRUWEL Uoch. ~Iclhudi'l Churcll Charlnton, Mo. Oct. 17 : A•••• B. MUS •• M.A •• I.D. ARTHUR P. LAWRENCE Sunatina, Ritter; Uenc:dictn., COllp("rill; Bassc Doc. Mu •• Art., A.A.O.O •• Ch.M. Sut.an R. Chllpman, W. Dan Hanlin, Bums ('t des$Ul de: lrompc:tte, Clerambault; JCIU, Second Pre,byterlan Church ,"lIIe, N,C. - fint Baptist Church Sl'pt. 19: Saint Mary'. Colt.g. and joy of Man', Ol'lirillll. Toccata & Fuguc i .. D Vesper Conurt Organist fant:l.ia lit Fugue in C minor, Bach: Li.ani~, minor, Bach; Sonata 6, M("ntldssohn; Acdam:a· Th. Univenity .f No.re Dam. Alaill: Vuriationl on Pi,gah, Richardlon _ liollS, L"ln"lai,: Two Chorale I'relud~, Michigan ond 20th St. Notre Dame. IndlaM 46556 Mill Chupma n, I'rdlllie on Shall We Gatht'r, Waleha; Rdl Rtnc:diclus, WlI'a,"C'r; Tncc... ta, Chicogo,60616 Ymll'!: TKcala in f major, BaC'h; Prelude S)",n,IIIOIIY 5. Witlor. 1111 MC'lcombr, I',rlude 011 St, Columha, Wil. 1,111; Final!', SYIIII,IIOII)" Vierne - Mr. Hanlin. Gary Z","kky _ U. IIf Wiscllnsin, MatliM.n, WI Ocl. 25: Olfer.oirc. ,"r 'n IIrand. jCllx frum William C. lkt:k. Santa Monica, Cal. - 51. I'a,ish Al::.u, C()Ilpcrin: Mdne Sttlc erhebt RICHARD W. LlTTERST William MacG.Qwan Fr.lnci. E"i,col'AI Chul'Ch, Palos Verdes Estate. dcn Ht'rnn nwv 6-18, FlIl(a ~Clpr.a iI Masni· (kl, 4: TrllmlICI Tunc " Air, Purull; Come lie-at 8WV 731, Bo'1Ich: I'JlIlm 6, ' "on NOII"lt j M. S. M. AU Saln.. Ckunh Nnw Sa ... i,,"r uf tI~ llco.lhell BWV 659, Pre· Shimah n'l\.oli, Penicheuii FUlllle in F Of) IudI' & Fusllc ill G m.jllf 8WV SU, Buh: ,\ BACH OJ'UI rlO/~, Schumann; I'rdlldc and SECOND CDNGlEGAnONAL CRURCII Pa.ad.... Colifomf. Quit'l "tee(", Weddins M,uch, Mltlkr; Byun. Fuguc ,on BACH, Lilli, liuln II rnr O'1l"an &. Tallt' (fint pcrlonnance), Rockford, illinois A.Murt"; Chnr.d 2 in H minor, Franck; Noel Onitt Dunkle, N'nI' Hnen, CN - St, 10. Daquin: "rdude &: FII!!"lIe in G mimH", james' Cllllrch, New London, C~ Oct. 10: nllilft. Sah'e Rt'Jlina, Wiclor; Fugue in A·llat millllr, Frederick Brahms; I'rierC', Franck; Introdlletioll, Varia· ASHLEY MILLER Arthur A. Vldrich - Millikin V., OI'Catllr, tions and Fugue on all oriwinal Theme ()I'"~ A.A..G.O. lL Oct. 10: Sonata cI(" prim("fD lono, Lidon: 73, Reger. MARRIOTT 50nal.;.. I, Hindl'mith: Tuc:cala, Adagio and The Detroit Institute fU!luc in C, Bach: Chotolle in B minor, na,"id AlulbetT)', Cincinnati, OH - Col1("gr:· N.Y. Sod.f, f., Ethical Cuhure Fr.lnek: fancy ami Ayre, j("lIkin5; Cortegt' et Clllnen'atnr}" nf MII.ir:, Cincinnali Oct. 19: of Musical Art, Detroit. Lit:lnie, Dupri, Cl:wit'riilmng, Pari 3, Bach. Organist, The Detroit Symphony 2 We.t 64th St., New York (hy HAROLD MUELLER HENRY FUSHER Antone Godding ROSALIND MOHNSEN F.A.G.O. S.M.D •• ~G.O. Oklahoma, City Unl.,enIty Westmar College T rinily Episcopal Church Rnt P~yterfon Church School .f Mu.lc Calvary ~thodl.t Church Temple Sherith brael Na.h.,I .... Tp,..... e 37220 .I.... p W. Anvlo Smith Cha,.1 LeMan, Iowa SaD Fmndaco Organ Builders and * . Rebuilding FRANK J. SAUTER SONS Inc. • Repairing * Phones: 388-3355 • Contractual Servicing 4232 West 124th Place PO 7-1203 Alsip, illinois 60658 For UnexceUed Service DECEMBER, 1971 19 WILUAM H. MURRAY CARLENE NEIHART Organ Recitals Mus. M. •. A G a St. Andr.w's (pltc.pol eMirch ------La Grange, III. ~r.r and Wornall l(.nlOl City. Mi... url 64113 Gary L. J ~ rtk iM, Chiea!o, IL - The C..he· Ruber' Smarl, Sw;&rthmorc, PA - Trinlty dr..l. Kabma.zoo. MI Mrt. 24: Prelude in G Church, Swarthmore Oct. 17 : 0 Tnurigl.eit, minor, Br.aluuSi Nail anti Varialjom. Josd en J{enlich lut Inich rorfreuron, 0 Welt ich mWi bien marie, B.Illb.ulft; Wadlel auf, Bach; I'.,u· clich lusen, Henlicbscer JroIU . Mcin Jau der I:iIClSlia from Sunata 8, khcin~f'lcr ; Tcm ~ du mich. Brahm. ; Fantalie in F minor K con Varwiunc, I'cr b. notle d~ ""'talc, Munni. ~!H . Andante in F K (jI6, Mourt; Fu,ue in NORLING frank a. novak lri cndam; Revelationl, Pinldl':lIInj The Filen, A-nat minor, I'nlude and FUKue in A millur, d'Andriusl Introduction and .'.a1l3ca!lli;a, Rcger. Schmuckc did" 0 will' .diS. 0 GOll dUo from St. John's Episcopal Church EMMANUEL CHURCH Edison I'ark Luther.an, ChicaJo Nu'-' 7: Arnlll mer Gou, Es st en Ros', lIenlich tut midt d'Andriw, Monnikcndalll and Reser, varioul \'erlans:en (2 setting.), 0 Writ jcll mUll dich Hanol'U, Pa. 17151 Ions. by ROfl~m. Petcnun, Rowley, Niles, lassen, Brahms; Adagio in C K 617, Fanlalie J ROBERT SMART Robert Shepler L. ROBERT SlUSSER 5-'P_I_ 0.,_ . CI.. ,,_ Trial.,. Eplocapal CIa_ ROLLIN SMITH MUS. M., A.A.G.O. SlCOHD P_TTDlAN CHURCH s_CoIIqe REPERTOIRE RECITAlS Conpopdaa RocI ALEXANDER BOGGS Recital. and Maller Cla.H. Organ Con.ultatlon Carl Staplin Ph.D.. A.A.O.O. RYAN Cathedral Church of Christ the King Drak. Unhrenlty Unlvenlty Chrllflan Church CONCERT ARTIST Weltern Mlchillan Unlvenlty at Kalama_ DES MOINIS. IOWA 20 THE DIAPASON LA1llUtN B. SYIES Classified Advertisements Organ Recitals A.A.G.O., Cb. M. in THE DIAPASON Womer PadBc CoUq. John Upham. N_ Yurko NY _ St. Paul', bring results Chapel, N~w York City Oct. 6: Toccata 7 in To ...trict _ P"I'" 10 pracraa. PonIaad, Orqva C, MuUatj Vulunl;uy I in E minor, Walond; 01 ...... In...... Rdcall ...... CI:wkal Sanata, Arnell: rj~cdo motLr.lcs., model ...... , .- Ihne orpaIIU wIIf bcre: nf 8, A and G, wnslan. Oct. 13: P«lude :md olt... _ be lncIud.... Fusue in 0 minur, ""rnn Wif ill h3cluk n Noillen lein, FU Bue in C minor on a theme George Norman Tucker WIWAM n...... ur Legfenzi, Schmlkke dkh. Prelude nnd Fugue M .... Bacb. Leander Chapin Claflin III, SeliMgI'Q\'C, PA FUNCIS T...... ill C, Bach. Nov. 10: Jlrelude and Fugue in A - student III James BOC! nnser, Methodist minor, Liibeck: Capriccio in 0 minor, Toe ST. LUKE'S CHORISTERS CllI.m:h, Haddonfield, NJ Nov. 28. Toeata VOllMER T.mpIe Sliuar. r.ala in C, Aell lIerr mid. annen Sunder, alld Fugue in D minor. Little Fugue in G Kalamazoo Warum bctrubst du mit!! meln lien, Zachow; millor, 0 Man bemoan thy sneo.'oul fall, llolyn 17, N.Y. Fantasia and FUllle in C minor, C .P. E. Badl. Larao (rOIll Sonata 5, leI'" Chrh t our Savior, BOY CHOIRS ."Jov. 24: Coneutn I in C . In dich hab' ieh !f' Bach ; Toccata in n minor, Gigout; Andante IIDUet, Sonata 2 in C lIIinor, Komm hdlige Canbbilc, Widor; March of dlt' Magi, Dubois; Grilt, Dach. Fin.3k (rom Sym(,bony I, Vicrnc; Lc banq\lt't (ckilt', MruQcn: Pi«c Hiroiquc. Fr;1nck. Rubert C. Iknltel, Hl)Wtoa, 11< - CoI\IC!J' SUUlud1..:Ul03 U., SdilUlJV\'t'. PA Oct. 10: W. WILLIAM WAGNER ~':;t. tlN"jn Nacional de Musiea. Muito Ocl. '26: lame CigoUI , Widor, Dubois, VielnC, Mes WA-LI-RO Cho..... 1 in B minor, Fnnck; Toccata, Albgiu liaell and Franck: Ali eB ro DPPllS.ionata from and FUKUI! in C, Bach; Adagio, Nanney; AI· SUll3ta in C minor opus 80. Guillnant; Eleva BOY CHOIR Iduyas, l'reston; Lyric Rhapsody, Wri!lht; tinn, COllperin. AlT. LEBANON MEIlIOOIST CHIlItCH TIII~me anll Fugue on Ad nOl, Liszt. PI' __I..... WAltIEN C. MtWII- DlIECTOIt Rubert Delcamp, Cincinnati, OH - Fint Chrl.t Church, Sh.It...... h .. 22. Oft.. Roberto de la Rilla, Spain - Conservalorio Dalltist, Haddonfield, NJ Oct. 2,.: Concerto in Nadonal de Musica, Maico Oct. 28: Toccat."" D millor DWV 596. Vivaldi·Baeh; Suite ror a Adagio and FUl'le in C, Chorale Prriude, MU1icai Clock, C.P.E. Bach: FantllSia and Giglle Fllgue, Bach: Tienlo 16, Cabanille$; Fu,ue in a minor BWV !H2, Bach, Dialosue Concerto 1 in C, Solu ; Suite, 8eetllo"en; on the Milll:ture!l, Lan,laisi Rondo (or tin: sally slade warner Concertu 2, Hanckl; Adasio, Albinoni: Varia· flute Stop, Rinck : Tf"Umpc:1 Tune. Stanley; CLARENCE WATTERS dunes snhre 1m 1010'S de b Virxen Nurb, de Carillon, ~· erby; In dulcl jubilo, Kar~·£Seft . l;i Riba.: Piece Herotquc:, Franclr.. o.a.c.o. duD. CHtlllCH OF RECITALS Jean Caffey Lyles, Chicap, IL - St. John's St. John'l Church Keith Lan!ltwurlhy, Atlanta, GA - Cath~ United Methodilt, Chicalo Oct. 2,.: PnlU1 19, ST. JOHN THE EVANGELUT dral of St. I'hilip, Atlanta: Preilide and PUBliC _ .. Hill ..._ Marcello; Trumpet in Dialosue, Cleramb:mit: W. Hartford, Cannectlcut in G, Mendelsrohn: Ps::rolm1 Jot2, lGO, Rorr.lII : I'relude on Brother J Am es' Air, Sowerby: Elegy, Fugue in C, Buxtehude; Meine Sc:t!le erheht den Herren, Prelude and FUlue in E-nat, Tlullben-Ball: Variation. on Jesu duleis mem..,. ria, Peeten; Lighten Mine Eyes, Drop Down Badl; Sonata I, lIindcmith: 1 am black bllt DAVID A. Ve Heaven1, II. Ferri.. Assisted by 5010i.t, comely, 0 ye daughters o( Jerusalem, Dupre; c. GORDON J::ronet Stewart lind Robert Supon. Suite Gothique, BoCllmann. Gordon AtkiRlOR, Loftdon, Ontario - Lin R.osamond Emst Ham, Cl.k:ago, IL - Cui· , Ph.D. coln Roatl United Church, Windwn-. Ont. \·er Military Acadcmy, IN A"I. 2,. : Wir Slau WEDERTZ WEHR hen ;,11, Fant::ro$ia on Jesu meine Preude, Bach: Nov. I: Voluntary I, Healey; Kleine Parlila, 2554 Welt filth IlL £aslem Kentucky Univcnity Kroprrciter: Piecet ror a MU1icai Ch,cI!:, Toccala 11 , Murrat; Choral in A minor, Franck; Richmond, Kmtucky Handel: Prelude And FURue in ,\ minor BWV Dorian Chor:tle, Alain: Tpccata, Sowerby. ClDCAGOfiOIIIl5 ~3 , Bach; Sonata da Chiesa, Cabena; Can tilenr, LanglaLs; Piece lIeroique, Franck. Ala::ronller Bugp Ryan, KIllI:una.roo, MI - Cul\'er Military Academy, IN AuS. 26: Prelude Fr:tnk E. Wiley, Jr., Chapel Hill, NC _ em Deul Tuorum Alilitum, Suwerhy; Berceuse RUSSELL G. WICHMANN First Baptist, Petenbuf8'. VA Oct. 17: Gloria UllUS 21, Stations 3 and .-1 from Le Chemin Chatham Callege frum Mass ror Con\'CnU, Couperin; AU' eleva. de la Croilll: opus 29, Relutnction from Sym· 8JJ.6 WlI.iHllil 7-iune, AI post colllunie, Zipoli j In dir itl phoo:e·I'assion opus :!l, Dupre: Naiades opus Fuude, Wenn wir in hOchden Nalhen adn, 55, Vieroei Sonata on the 90hh Psalm, Reubke. Shadyside Presbyterian 1',.. ludc and Fll!lue in C BWV SU, Bach. '01 clW'n E'ISCOPAI. CHURCH Mel\'in Dtckimon, Louisvilk, KY - U. of fe. C"-I•• _ ..... 'o. Ism Pittsburgh, Pa. 15232 Etlc:t!n Turnid!tt. Salem, OR - Fin t Bap Kentucky Sepl. 18 and U. or Louin'ille Sept. tist , Portland, OR Oct. 26: Voluntary in D, 10: Cla~· ierlibllng . I'art 3 BWV .552, Bach. James; GiSlIe Fugue in G, Trio Sonata 6 in G, lIach: Choral, lIollcS'cr: raosliccio, Langlab: Rhumba, Elmore; Deck thyselr my lOul , John. R05e, Newark, NJ - U. of Texas, JOHN E. WILLIAMS Brahms; Toccata in B minor, Gigou.; Cap. Aunin, TX Oct. 5: Fllnlaly in A, Fr:tnck: HARRY WILKINSON II,elude and Fugue in A minor BWV 5t3, rjccio on the Not~ of 'be Cuckoo. Pr:tyer for Ph.D .• fAG.O. St. Andr.w. Pnsbyt... 1an C..... I'ca.ce, PUntu: l'i'8'ah, Wood; Finale Irolll Bach: Apparition de l' E,lue Etemelle, Mes Symphony I, Vicme. siaen: Sonata 2, Mendelnohn: AdaSio ror ST. MARTIN.IN·THE.flnDS Laurlnlt •.,. 'r•• ltrter_ Church Stnnss, Barber·Strickland; Fantuy un Ein C...... Hili. Philadelphia resle Burs olnu 27, RCler. SI. Luke', United O. Laurinlt.,., North Contan. Kennelh Nienhuis, Dallas, TX - student o( WEST CHESTEll STATE COlLEGe. PA. R~rt Andenon, So~nhern Methodist U .• Dal Med,adi'I, Fresno, CA Oct. 19: All of abcn'e lal NIW. <4; laie c:I Clarte 'rom Lcs Corps uupt for Barher; VariatMmt on Wondroul Glorieux, Meuiarn: Trio Sonata 5 in C B\VV LIn'e, Barber. 529, Fanl.:uy and FIlRue in G minor nwv 5t2, Bach; Ave Maris Stella, de Grisny; Chor Byron I .. Blackmore, La Crosse, WI - Our DONALD WILLING ale in E, FlOmck. S;i\'iollr's Lutheran, La Croste Oct. 17: Pre· George Y. Wilson lucie a nd Fugue in 8 minor BWV SM, Trio faculty Hamid Slover, New York City - Washin". Snllab 6 in G BWV 530, Badl; Three Sonp INDIANA UNIVERSITY ton Cathedral, Wa1hington, DC Oct. 24: Fan· froln Ecclesiastes, Pinkham (with Wilma North Texa. Stat. Un1verMty fare-Te decd hymnm Deus in Sion, Slover; Sclll~ frner, ,ollrano); Paean, Leilhton: God or Ada,io and AlIcsro K 5~ , Mozart; Prelude the ElII:pandins Univene, Felciano; AdaJio and Denton Iloonlilfttrton, lad. and Fugue in A lIIinor, B::roelt; I'relude and Finale fmru Symphony 3, Vieme. FUStle in G minOl", Dupre; Alleluias aereins, Messiaen; Carillon de Westminster, Virme. Carl Gilmcr. Blaciubuf'J, VA - SL Mary', Cathetlral, Memphb, TN Oct. 2<4 :lnd Radfont William M. Emennn, Jr. - Sacred lleart Culleae. Black1bura', VA Nov. 2: F:lDWia and Gary Zwicky Cathedral, Richmond, VA Nuv. 21: 0 Lamm Fu,ue in G minor BWV .5..f2, Bach; Trois GoUes unsc:huldill', Schmllclr.e dicb, Telellllllnn; Dansel, Alain: Choral in B minor, Franck: DMA fAGO barclay wood Fugue in G minor, Bach: Apl.arition de l'Eglile Drop, Drop Slow Tean, Penichetti; Choml· Eternelle, Mes.siaen; Noel, 8albastre; Puludc llnprovintion on Victimae J·aschali, Tourne-. Eo ...... IIRItOIs UnIversity and Trumpetings, Roberts. mire. FIRST BAPTIST CHURCH Ch.,.... on Worcntc,:r Ma.odtUICIII William Entridcn, J ant:liCII, NY - United Methodist Church, Arllnston Forest VA Nov. M~tcolm Williamson, PrincetOlt, N.J. - 28: Sonata de primll IORO, Lidon; Chnrale National Shrine, W;:uhinltOn, D.C. Oct. 22 Preludes, Bxll: S)"mphony 2, V~me: Canun in (all Wlllianuon): Epitaph for Edilll Sitwell, )'oce Pieces (Boolr. . ) , Peace Pieces (Duok 2), B minCM', Schumann: Variation1 on Amerk~, h 'H . Vi,inn 01 Cbril'-PhomiJ::, Elen l.P.K. LARRY PALMER Organ - Harpsichord Wilbur Held, Columbus, OH - Trinity Wimam Wiboa, Sallie. Waah. - Ft. Episcopal, Columbus Oct. of: Voluntary 24, Ricllardlon, Alaska Oct. 29: Dreifaltiskeit,· Southern Methodist Universlly St::ronley; Sonata de prinlo tono, Lidon; Partita Triptychon, Kropfreiter; Le banquet celeste, 1111 Our Father in heaven, Bender; Prelude and Messiaen: Litanies, Alain; FanlalY &. Fugue in Dallal, Texas 75222 Fugue ill G nwv .5-11, Bach. G minor, Bach; Sonata on P ...lm 9-1, Reubke. ADOLPH STEUTERMAN O.woW G. Orrin Clavton suOt.m, n D. M. A. M.a. Doc.. fAG.O. ""'-01".... at IIonopWo RAGATZ -_no d.saaIot~ CoIv..,. ~t CIw.cIo Pro ....., .f Orgon MHtphf., T...... IJ.caIa UnforrnIry. Pa. ••d .... INDIANA UNlvn5lTY 10m... FREDERICK SWANN The Riverside Church william whitehead New York Oly 2344 center street, bethlehem, pennsylvania DECEMBER. 1971 21 Olivier Messiaen has been among the as an os';"alo. He orten uses this tech must influential and contro"crsial com Messiaen: An Introduction to his Compositional nique polyrhythmicaUy, combining posers since Debussy. Of Messiaen's I h\ thms of differelll lengths to re many sluticnlc; since '''orld 'Var II, the Techniques & An Analysis of "Ln Nntivite" P(:~1l themselves against each other. names of Boulez. Stockhauscn. Luigi smncwlmt similar to the way in which :'\uno. Makato Shinohara. and Alexan Hindu music com hines raga.f and lalas der Gochr arc only a fcw. Messiaen's of dHferent numbers of notes. influence as a teacher of composition By Carroll Hassman Part 1 (Example 5) has become more widely known today An important rhythmic organiza than his compositions themselves. One century, appean in much of Messiaen's mentation or diminution b)' the addi tion used by Mes'o;iaen , espedalll' in the uf the factors that helps account for technique. Not the least of these ex tion or withdr.lwal of a (tot gives rise QualollT and later works, is t Ie ,w,,· this is the increasingly complex rhy~h. otic clements of his style is the lise of to one of the more impol\ant of Mes rt!l rogratlaMe rhythm. A fl o,,-relmgrnd mic organization which grew along With Hindu rhythms. Of the two Hindu siacn's rhythmic theories, that of the able rhylltm is one which. when it is his whole compositional Icchnique. This rhythms quoted b)' Mcssiaen in his fUMed vallie. The addt:d vallie is es retrograded, yields the same rhythm. rhyulluic complexity makes even some 'reelm;qlle,4 ragavardhana must have scntially a rhythmic alteration which For this to be the case, of course, the of the latc pre-'Var compositions aC4 htocn one of his early favorites, since avoids rhythmic regularity by adding rhytlllll must he symmetrical. Here is ccssiblc only to the most dedicated and it is the one with whidl he demonstrates hal£'\'ahll.'S in the form of dots. haH· an eX:lluple using two rlorl-relroj{ratlablt: meticulously controlled of performers. pOSSible manipulatiom~:· value rests, or hal£·\'alue notes. Here rh),tlw u, at ,\ and B: Born in 1908, Mcssi .. cn was the son is an example of the added vallie as a Ex. 6. (La Vierge) of literary parents: his (ather was a r r I dot (added value at cross) : literature professor and Shakespeare tr.mslator; h is mother, a poetess. The First he retrogrades the rh)thm: E ~ . 2, (Dieu Panni Nous) puetic nature they instilled in him is evidenced throughout his approach to both literar)" and compositional styles: Then he substitutes quarter note ~ for My 5('crel dC5ITC of enclu.nted gorgcoldneu m the dotted half: hnnnony 11M lIushed me toward those swords c.( (ire, those sudden slan , those (low,: of blue orange lavas, thulle "Ianets o( IUrqUOl~ , those \' iul ~ t ,linda, those g;&rnets nf long. haired ar It is in this" final formruB, hilt without l)1lfl"SCence, those wheelings o( wlln.1s and coton thc dot. (hat the rhythm is uscd for one as a rest: (Example 3) ~ II a jumble of rninbaws • • .I ur the themcs of D,e" Parmi ,NOIU: I Messiaen's genins and his destinati0!l Ex. for a musical career were alread)' C\'I as a nole: (Ex;lIuple 4) dent when he entered the Paris Conser· \'utory at the age of II. There he stud· Another clcmem of exoticism appears it'tl harmony, counterpoint, :md fu~ue in Messiaen's usc of the r/J)'lhmic ped with Jean and Noel Gallon, ?ryr-tn w!th The practice o[ erfccting inexact aug· Marcel Dupre, and composition With al, a dcvice in which a rhythm repeats I'aul Duk:ls. In HI311 Messiaen was grad uated from the Consen'alory with high Ex. 3, (Dietl I'anni ;'o:ous) est honors and a long list of prizes to his credit. In 1931 he was appointed organist at Another mclodic construction fu,'ored S,';IIlt! 'rr;uite in Paris, and in 1936 he hy Messiaen is a formula with a kind became professor at the Ecole Normale + j 'olluil:1Il 1I!J3G & 1!163) h)" AI),hcn le I A', I ~ &. ''0 . I t5. rue M,lnt II ...... of chromatic turn using a whole-tone de MIISiqlu: and at the Selwla Canto· I'.. rl' I , (homHS .... I'ulllbher., ill OIlC direction followed by a semi rum. His association with tlnee other I~ tone in the opposite direction. (Sec ex· I " r~n ch composers, Danicl·Lesur (b. + i11llples 8 and 10) 1908). Andre Jolh'cl (b. 1905), and Y\'es Uaudrier tb. 1906) under tile ban Ex, 8. (1.es Enf:lIlts de Diell) ner l.a Jt:une FTlUIce in 1936 helped 10 broaden his horizons, especially towards Ex. -t. (La Vierge et l'Enfant) the primitive and mystic,' and aidl.'f.l in publicizing his work. ~ I! ., '£~.~ Messiaen ser\'ed in the arlll)' in World War 11, and in 1940 he was captured ~fessiaen quotes a Ilumber of sources amI imprisoned at G~rlitz. There ~n 1941 for the shape of his melodic contOill's he composed and, with fcllow pnsoncrs, \\ hit respect to internal intervallic de perfonned, the Qua~lI~r pour.la fir. du sign. In additioll to the wod. of earlier lemps, written for "Iohn, dannet, cello, composers, these sources include plain· and piano, After the , Var !Ie returned thallt and Hindu ragas. Although Mes· to Paris to teach at the Pans Conserva· Ex. 5. (Dieu Panni NallS) siaen uscs these sources as points of de· lOry, and for a few )ears his name was Ilarllll'e for his melodic writing, thc itl\'o)\'Cd in public contro\'ersy concern source is only rarely pcrceptiblc to the ing the \'alidit)'. of hi~ strllcturc.d COII~ listener hearing the tl.'Slilt. Two scts of positional tecll1l1qlle l.n C~ptl.~sl ... g Ius lII cxamplt.'S follow: froUl sourcc A, result poetic nature. (Messiaen s musIC has A' frum source U, result n'. nc\'el' won unanimous acclaim, but e\'ell today it is arousing enough that, when (Exiunple 9) the namc " l\Il.'Ssiaen" is mentioned in Anothcr source of melodic design in a cull\'ersation of musicians, those who the works of Messiaen is birdsong, In knuw his lIlusic seem almost immedi. - .- ouh' olle ,'cry 'short chapter on bird· ateh' to begin taking sides.) song in his Technique, he points oul r.il.'SSiaen's treatise on his composi. that, "Through the mixture of their tional technique, The Tcelmiql!t: 0/ J'!Y Ex. 9. A: Noel Introit. B: [mm Mussorgsky's JJ oriJ Godtmov. I'or a more casily songs, birds make extremely refined jumbles of rhythmic pedals,'" Going Mrlsical. Language, was pubhshed 111 distingnishable result of n, see Ex .•1. See Ex. II fo r continuation of the top ,'oice. 194-1 and is \'aluable help in nnder on to cxplain his lo\'c for birdsong, Mes· standing the techniques used in his siaen says, work. t'Spccially through the decade of j ; 3 Their (nclodic contours, those or black tIle '30·s. Since many musicians arc but B hirds Mpn::l.1.lIy, SUr"a5S the human imagina fll.octingly acq,;,ainted wit!1 th~ compo,si tion in fantasy. Since they llJe IIlltemllered tiolls of J\.II.'SSlaen. we Will gIVe a brief inlefVab smaller titan Ihe semi.tone, and as description ,of Ul?se lcch!li9uCS dis it is fidiculous sen.'ilcly (0 COllY nature, we cussed in Ius treallsc, pro\'lrlmg where . , ' (will ll~ ) . , . tfanKriplion. trans(of' mat:oll. and in(l'rllretatioll of the volleys and possible examples frolll the ~\'orks to bc trills of ollr lillie s('n.'ants Il( inllllatl'rial analyzed. In this way, we Will endea,'ol' 101., - joy,' to equip the "innocent" listener with a Although, at the timc he wrote Tht: basic set of tools for analyzing at least Technique a/ My M IIs;cal Larlguage lhe early works of Messiaen. Messiaen's interest in birdsong was only Rhythmically Messiaen's music is or bc..-ginning, the earlier works do show ganized by the "feeling of a short ,'alue c\'itiences o[ transcribed or composed and [ree lIlultiplications,"1 althougll his mclodic designs similar to those of frl.·t ..dom of choice in whidl multipli. hinlsong.'o cations are to be used is tempered with a preference for groups o[ prime num Ex. 10. (Dieu Parmi NullS) hen of notes. Exoticism, an important influence in Frcnch music through the early 20th Mr. Hassman, a native 0/ McPI't:rso,., Ex. II. I.a Viergt: et I'En/a"t, continued from top m ice of Ex. 9. Kamas, stud,ed organ will, Robert (Example II) Tow" at Wichita ~Ialt! Un iversity, where Formal structure has been cited as lie graduated in 19;0 will, a degrt:e in Messiaen's weakest point by many orRan and tlleory'composition. While in sources, including his teacher. I'aul DII IIf ,cJlita, lit: WtlS organist·choirmaster (It knS.lI The importance he attaches to Betl,arlY United MetllOdist Church and llIusical fonn is easily documcnted from orgllrlisl at Temple Emanuel. Ht: ;s the Teclm;que 0/ M)' Musical Larlgllage, presently studying OT/?atl with Jack Fisl, · where Mc..'Ssiaen de\'otcs six chapten to er at Boston Univt:rsrty and is orgnr';Jt· rhythm, four to melody. and three to ellOirmastt:r at Nt:wton Higlllands Can· harmonyo but only one to forlll. (One gregat;orlal C/lUrcJ, in Newton Hig" of the chaptcn 011 melody docs devote Im,ds, Mass., (lnd organist at Temple sollie cxplanation to period structures Beth Slmlom in Net:dham J Mass. and their combination into traditional 22 THE DIAPASON binar)' alld ternary units; howe\'er, the possibility of transposition makes their ,ede) : using a rhythmic and harmonic prep· composer's worns there are no help in strange charm. They are at once in aration (upbeat) into the accent and understanding his approach to overall the atmosphere of sc\'eral tonalities. by expandmg the release into a teon formal structure.) The one chapter witllout polytonolily, the composer being inating figure, thus making the accent dealing with fonns furnishes little pos free 10 give predominance to one of the the peak of an arch. itive enlightenment on the topic. Men tonalities or to leave the tonal impres tioning fugue, Messiaen says, "Without sion unsettled:"" (Messiaen places (Ex.mple 14) constraining ourselves to milking reg great stock in the parallel impossibilities Through. the pn:ccdlng pages we have ulaf fugues. we shall keep the most es of the modes of limited transpositions endC3\'Orcd to impart some of the na· ture of the man Messiaen by quoting sential parts of them: the episode and and those of the non-relrogradable the cllOf'd chord of resonance, contain the 5lretto:ou It seems relatively safe rllythms, contending that it is this his own words. There is one more im ing "nearly all the notes perccptible, portant point that must be made di to say that seeing the episode and the "charm of impossibilitics" which ap to an extr~mely fine ear, lD the res· peals to the listener.tI One might well rectly; and again, his own words ~m sueUo as the "most essential parts" of onance of a low C •.• ' .. , (every chord to say it best. a fugue is a viewpoint not taken by see fit to crlticizc his imposition of such member can be drawn from mode 111): limitations, but such a value judgement I am, above all, a CathoUe ICOMpoIa'. AU most analysts, my ","odu, ""helller rdi,tow or nol, are Moving on to discuss the sonata must necessarily be left to the individ document, of faith slorifying Ihe myuel'y of allegro fonn, Messiaen says, ual listener,) Christ. ThrouSh my poor 'talnlneri"p about HavutJ written lOme abioIutcfr rqulu There :lrC SC\'cn modes of limited Divine Love, I have tried 10 lind a mudc IOnata-aJJrlfOS, we wll .ble that one thinl trans/H»iHo,JJ, and Messiaen uses tJlem .ignil)'inl 3 new epm:h, a Iovinl 3nd chant_ in that form h:u become obsolete: the re much as earlier composers used Ule ma htl music." capitulatjon. Then we Ihall try once mo~ jor and minor scales: transpoSing, in· 10 keep wh:1Il is nlO$t essential: the develop troducing chromatic alterations, mod As a child I WIll im:sistibly aUruted to the menlo There 3~ IWO in a wnala-aUe!Jl'O: the ulating, alternating modes, and using Catholic (oith, music, the theatre and ill middlr, Plodulalinl development; the terminal Kencry. Only the fint two passio~ have development. senentolly built over undentood polymotlality. The following is an anal endured. I have tried to be: a Chrislian mu dominant and tonte pedals, We .hall be able ysis of the mlenallic structure of these sician .inging of his faith _ without ever to wrile pieces made of tbis terminal de- modes: and the chord in fourths (all notes of accomplishlns it, undoubtedly because I have V not been worthy of h. ond th.:lt I say without (chromatic scale - one transposition) mode are in this chord) : fal$!!; humility! In my work pure, lCCUi3f', ond Mode I (6 note» whole· tone scale sacred music alternate. nlc a:lcred mwic: is two transpositions not as mystic ::IS the majorit)· of my listenen Mode II (8 notes) -m2-M2·m2-M2·m2·J\.I2-m2·M2- believe. I really don't know whether I have an three transpositions (every note has +4 and M6 abo\'e) '3esthelic codc,' but I m:.y say that my Mode HI (9 notes) -M2·m2·m2-M2-m2·m2·M2·m2-m2- pl"derence is for 0 1I0rid, rdined. even volup tuous music, but nC!Vc:1" M:ruuous. to be Illre. four transpositions Mine is a music that soothes 3nd ainp, docs Made IV (8 nOles) -m2·m2·m3·m2·m2-m2·m3·m2· jwtice to melody and to die melodic. phrase, six transpositions a music of new blood, of definite Bdturr. lilr.e Mod. V (6 notes) ·m2·M3·m2·m2·M3·m2· unknown KenlJ, like .-c:sdc:u birds, a mwte six transpositions like stained Klass windowl, a lumin, whed Mode VI (8 notes) ·M2·M2·m2·m2-M2-M2-m2-m2- of c:omplemenlary colon. My with is 10 ell six tr.mspositions Pl'QI in music the end of time, ubiquity, VII (JO notes) -m2·m2·m2-M2·m2·m2·m2·m2·M2·m2· Within his system of harmonic or slorious hotb. divine and metaphYlkal myaler. Mode iet, 0 ntoinbow witbin the JaU'ed realm, 10 to six transpositions der Messiaen TCtaim only a few of the spe:ak.u (major, minor, church modes-twelvc tr.mspositions) traditional melodic non·harmonic fig ures. Rationalizing that the use of un· 'Vith a basic knowledge of some of vcioplIlent olone; I tried it in us EnlQ,ctl de Precedent for Messiaen's harmonic resolved non-hannonic lOnes in the mu DieM 01 LA NQ,jl1il. dll Sei,neMr.lI style goes back to Debussy with a tech· sic of Debussy and his successors has those compositional techAiques Utat are There arc certainly many who would nique of coloring tertian hannony with made most non-harmonic figures mean peculiar to the music of MCMiaen and readily den)' that tenninal develop ingless, he again chooses to use only witll a general knowledge of the poetic added noles. Again here Messiaen has spirit behind his work, we arc ready ments arc "generally built o\'er under a preference for adding the augmented those wbich to him seem essential: pedal stood dominant and tonic pedals," but point, passing tone, embellishment, and to analyze the content of some of his fourth or the major sixth above the compositions in their proper context. this is perhaps a moot POlOt, since it root beC:l.use hc considen these toncs appoggiatura. would seem to hinge on Messiaen's reinforcements of their counterparts Reasoning that repeating is the samt: (To be Continued) definition of the word development in (high I) in the harmonic series over as sustaining, he cxl?ands the pedal NOTES Ute structuml sense. Messiaen's analysis the rool and. thereforc, consonance. point to include repetitions of a group lOlivier Messiaen: Th. TeehniqM. 01 My Ab of what parts of a sonata-allegro are (&'C Ex. 4, last part. melody provid of notes. (I'hw, the pedal part in Jietd Lts",MtJ,e {tlam. Satterfieldl (Paris: Le most essential is also subject to ques ing added notes,) Ex. 9, last part, is a pedal group.) Sim due, 1944 ) , p , ~2, lion. It may be derinitely said, how· rhe second mode is particularly ihirly he expands the pilSSing lOn~ to a 'William W. Austin: Music in ". 20Ih C.,._ ""7 INew York: Norcon, 1966 ), p. 393, ever, that the use of dominant and linked with the thmry of added noles, passing group: :1 passing group 15 any 'Claude Rosbnd, Fr.,.~, MMJie ToJtq (tnra. tonic pedals as the organizational factor since that mode contains an augmented single group of notes ascending or de Marxl (New York: Merlin, 19S8) , p. "3-44. in pieces like Les EnfanlS de Dietl can, fourth and a major sixth above every ecnding by scale·step and ornamenting 4Mesaiaen, Te DECEMBER, 1971 23 SL Joseph Vallcy Chapter, Ind. Cle\'e1and Chapter AGO, Ohio NEWS OF CHAPTERS • •• celt"br.:tll'd the 251h anlli\'ers:uy of its • •• tonred the O'Brien Harptidlord. Fxtory AND ORGAN GROUPS (ounding al till:: SePI. (1) meetillS held in the in Nelson To",nship and Ihe mmic buildiug at ilnllressh'e, IIC'\\' Fint Clu;sti::m Church, South llir.:tln Colkse on Oct. 17. H3rpsidlordist HeRd. I'ast deam, induding Mn. John BLUlly, I'hilip Cuc:elJiilra was host. - Wilma Salisbury. Cenlr.l.l AriJ:on.:l. ChapleT AGO Chapler (ounder, wen! honored III the meeting. · .. held ita Oct. (?) mf'Clin!l' :U dll~ Cen following dillller, II gmull of sludents lrom Toledo Chapter AGO, Ohio lral Baptist Church, I'll_nix. GracI! W,.lkr, the Ullh'('nity of Notre Ollllle Illayed ,.·orln John No. Ikclt, CDl'IIpuKr and directOl' from Oflj::milt "I ehe 1)Oil 24 THE DIAPASON ( co n "'", ~d from p. 15) this seldom performed music in spite of CHARLonE WILliAM its length. There arc some fantastic pas sages (or the two trumpets. and one Oreonl•t flutlot bc:mtiful cadenza a~ an introduction to THE ATKINSON DUO the Illtrada. It is \'irl1loso stuff, and, FIRST PRESBYTERIAN CHURCH ARMY AND NAVY ACADEMY considering that Mr. Tarr was playing a OCEANSIDE, CAUFORNIA CARlSIAD, CAUFORNIA \'aI\,c1css trumpet. the JIIusic was phrased BOX 785, CARLSBAD, CA 9200B 7141729-2990 "cll. in lUlie, and simply exciting to • hear. In general. the movements wcre uone stylislically well. with all the o\'crdotling, rhythmic ahemtion, orna· mentation and freedom that muM be ARTHUR C. BECKER, Mus D_, A.A.G.O_ expected h)' Mr. Hildncr from a group that is made Itp of bolh amatenr and DE PAUL UNIVERSITY professional plalcrs. Some ragged moments did not detract from the tnu· ST. VINCENTS CHURCH, CHICAGO !UC.llity. :md the marvclous playing of the hrass instruments 5tood Ollt above all to make the works ti,'cly indeed. Edward D. Berryman. SMD Warren L BerryMan, SMD Two Rach cantatas were reatured. Waher Stiller has be,," appalnted the dl· cad. or theIR scored with hr.w. or rectar of musK at Groce lutheran Church. coune. ]nllchzd Gnll is the kinll of San Diego. Calif•• and a55 umed hi, dulies in B E R R Y M A N piece thai ;my lrumpeler and soprano Augu", Mr. Slilier directs th adult Choir. Organlst.cholrmalfe, Head, Orllan-chun:h Mu.lc Dept. will h.we fUll whh. prm'iding that they the high .school girl, choir Clnd the junior ha\'c Ihe lechnirJllc 10 sing and play choir from the Day School. and teoche. WESTMINSTER PRESBYTERIAN CHURCH BALDWIN·WALLACE COLLEGE the hlisteringly difficult fi rst and last theory and hi,lary of mu.ic ta grade. 3 Minneapolis Berea, Ohlo mm·cmcnU. Marla Lagios acquiled her· through 6 in the Day School. Mr. Stiller ha, ~If wcll. and Edward Tarr played the .Iudled with Harold Mueller in SCln Fran trumpet part heller than we have ever cbc:o, Ladd Thomas and pianist Guslav Ri Margaret Melvin heard it. Part of his success here is due herd in the Los Angeles area, and is cur I In the fact that the old style JiiJ!.tr rently studying with Calharine Crazier. Mr. N traml"oll' has a thinner sonority t han Stiller graduated from Califarnia Stale Col· Die K I NSO the modern ,·;th'ed trumpet. even :1 Jege, la, Angeles with a BA degree in organ University of Louin'" modetn "n" trumpet. :tnd it therefore performance. He hal contertizad in the loulsvUI. Bach Soclet, dialogued in beller balance wi th the so· Southern California area. appeared with Cal"ory Episcopal St. Frands-ln-th.. nelds EplKoptil protoo soloist. ]t was a joy 10 finally the We.hide Symphony O,che.. ra of Lo, hear the piece without the trumpet Angele, al piani" in concert, and performed " hlasting in" loudly. The final cantata af Grace Calhedral in San Francisco. tItC or pro~m 111t1izecl the full vocal Prior la coming 10 San Diego, he was as en!ICmble or eight proressional singer!!. li.tant organist 10 John Barry at 51. Luke's The first chorns was done whh great Epl.scopal Church. long Beach. WAYNE FISHER spirit. e,'en though slightly loud. and the rinal chorm; was simply car.splitting. REJOICE IN TilE LAMB by Benjamin Bril College-Conservatory of Music For the audience. who obviously en· tcn Wat leaUlft:d in tke fnOC'ninl W!rvH:Q of JOYl.. 1 the sonic experience with all that Finl J'rcsbytcrian Church, Fort W3ynC. In University 01 CIncinnati hral.... slrings ami powerful singin~, it dialllll nn Nnv. 7. Llllyd Pinkerton cnnducted, was :t treat. \Ve wished however that we Jack Rub! was tke orpnitt. And the IOloislI had heen silting a few pews further In were !\I.ulcne Evenon. Joyce O' Rinnlau, the rear. No maller, Mr. Hildner's Rohrrt Blue and Donald Casl.cn. forces played :tnd sang with more DAVID HEWLETT enthusiasm than we arc accustollled to in Chicago. David Hitdner ga" e the orsr--nislrr; in the audience a moment THE TEMPLE MARSHALL BUSH or Ihrm when he played some Th. co ...~.t.ry .f Music wonderful omament3tion to the da capo CIe"e&a"d, OhM. 44106 'at Christ Church. fitch ...,., Ma .. 0'420 ~tion of the first aria. It was well dOlle indeed, and h roll~ht smiles from the idle performers :md audience alike. 1!lllllllllllllllllllllllllllllllllml!!lI!lIlllIIllIIlIIlIIllIIlIllIIlllIIlIIlDIIl!!llllllloll lllllhllllIlh · !'III I ' I~b 1I111',III'I"llgm'I'llIllla DAVID 1'1 Four of the sin~er.!> combined with in· 1 strument.!> (three , iolas de U;tmba. reo corder :tud rnckctt) to hrin~ a discreet GOODING ! , -JOHN HOLTZ :t nd sensiti\'e pcrfnflnance of Hassler's ~ I Faculty: HARn COlLEGE, University of Hartford Mnu '0 the auclif'uce. and the program THE CLEVELAND ORCHESTRA was fill('d out with IWo organ chorales from the Cltw il'r,ilHwg p1:tyed by Her· MUSICAL HERITAGE soclm ~ ~ Organist: CENTER CONGREGATIONAL CHURCH, Hartford I'rrl GotM:h. ~Ih!J:t!L!Lilli!. \""Phl'JtII·.u'f"'t@'MJlllhll'ffHI&!Htfliijril.mtU9"fI,pe"h!!NIIIQlQI!!!APAlimUMlhCdttf'll"IhI'; Clearh', the slars were F.tiw"rd TafT RlCORDINGS :tnd Gcoi1!e Ken'. how" "r r :mcl 0"" mnHa CoUcec il'l: 10 be 11"'ltkCfI ror hrinl!inf! Ihem heTC for ~1I .. h "'1 '·,,"nl. D,S'M-F'AC,Q "fl(1 for hrm'ill'f( an ens(~nlhl" conn'rl Ddt) ~ W~ wilh them. Mr. Tarr al1d Mr. l({"H sla\'!'d ()\'er ror another d.w to run 1"'0 ALABA,\\A COLLEGE· MONTEVALLO rrh,'arsal.dcmonstr:uion work~hnlls Wit'l G. F. ADAMS ST, LUKE'S EPISCOP , ~L CHURCH· BIRMI"'GHAM f hoirs ami hrass enllic lllhlc~ (If C.on cordia CollC2e. Mosl of this cen'crf'd nn ,h" ... ,;, ... ", --" ;, wnrkrr; of Gahricli. hili th(:,· cPt! "cl ,II" Organ Builders, Inc. ul)J)ortttnil\' 10 perronll .!'onll! n f' (heir repertory for haroquc trumoct and or. MARILYN MASON ran. After hearinlt Ihem hOlh. we a"'C 204 West Houston Street CHAIRMAN, DEPARTMENT OF ORGAN ml1\inced th" l Mr. T:trr i5 one of' Ihe UNIVERSITY OF MICHIGAN most accomplished plafers on " 'e i'1 ' New York, New York 10014 str1l1ncnt in Ihc world loday. That hr ANN AOOR and Mr. Kent are knowlcciacal' lc and "Min Mason ployed willt austeri,y and '.M,... •• demon.ratlng an•• "cnrr;iti\'c pcrfurmcrs I{OCS without savin .. T.lephone OR.von 5-6160 h., .xtraordinary fadli,'I •• 0 " Dft Moines Revist.r, Octob.r 5, 1964 ror :tU)'OIlC who has heard them ,"", rorm. - RS I MAROIROSIAN TO Vernon tie TilT REFORMATION LUTHERAN CHURCH E. H. HOLLOWAY F.A.G.O., MUI. Doc., S.M.D. Church of the Ascension 1-bicr Mardiro~ian Ila .. Iwcll .:lopoint!"!1 onr.mist and ch oir"lQ~tt' ... of R eform~tioll CORPORATION Fifth A"enue at T.nth Str'" JAMBS LBLANb NeW' York. N.Y. 10011 t.ulhcran Chlll'ch. Washinl!ton. O ,C. lIe Builders of HOLLINS COLLEGB was fo rmerl,· director or rn'lsic and nr· Juilliard School of Music fYa nisl at Ihe Cathedral or Maf\' Ou, Tracker and E/eclro-pneumolic Union Theological Seminary Qllren. Raltimorc. Md . . Recital. Mr. Mard iro5ian holds the R~f all'l MM from the Catholic Unh'cnity or slider chest organs. Organ and Choral Workshops }\rncriCl. where' he is also a c:mclid:ltr ror thc D?tM , He will continuc :ts Irc· INDIANAPOLIS. INDIANA lurer in mnsic 31 the Catholic U niver· .rr;i ty. te:tt hing c1ccltonic fnusic aOlI Tel. 637-2029 ,. 0, Box 2cns. George Wm. Volkel harosichorcl. :md a~ mwoic critic for the LAWRENCE U:tltilllorc N~1I'.s· "mrrk(/" . SAC. MUS. DOC., FAG.O. CEREMONf(\L MUSIC FOR TRUMPET PELS &VAN LEEUWEN All Solnts Episcopal Church AND ORGAN \1,;\, plal'ed by Wimam Spady, PIPE ORGANS ROBINSON tnlllllJeler, and O""id l'iJ.:lfTO. or'lfanist, aC Drake conoge Lewis and Clark Collelilc Chapel, Portland, ALKMAAR, HOLLAND VIRGINIA COMMONWEALTH uNIVElSITY Ore., Oct, 17. 1llc concert included woru Johnn He.rapinlr: fort l ....d IFdaIe by Cnke-JephcoU, Cbnc, BUdchude, Slanley, RICHMOND. YIRGINIA 3020 Oakwood Drl.,e, S.E. Keiser. K~bt, Bach. Handel. Elgar. Purall ROIIDA alld Charpenticr. Grand Rapids, Mich. 49506 DI:CEMBER, 1971 25 CLASSIFIED ADVERTISEMENT POSITION WANTED MISCELLANEOUS HARPSICHORDS FOR SAI.E - PIPE ORGANS POSITION WANTED 2B-YR-OLD ORGAN SERVICE MEN WE WILL FOR SALE HARPSICHORDS BUILT FOR SALE 3·RANK JlOSITlV; 8' OE- former Oxford Orsall Scholar American citi r«lIver Casa\'3l1t and Skinner pouchbo.:,rds, frOID Zuckermann kits; prices from $1000. t1cckt, 4' Robrf1 jj t~, 2' Principal. Also 3·rant., zen c,.;pcriencm in boy choir lr.J.dition in Ens primary and offset actions. Write Burness All' Thomas E. Mercer, Christiana, Pa. 17509. 2M and IICtial tracker pnctice organ. Addrcsl land and America seeks employment. Address sociates, 1907 Susquehanna Rd., l\billgtOIl , l'a. L-7, TUE DlArA50N M.3, TilE DIAPASON, 19001. FOR SALE HARPSICHORDS AND davich.rds made by J. C. Neupert and S. FOR SALE COMI'LETE WICKS OR- POSITION AVAILABLE PNEUMATICS AND POUCHBOARDS OF Sabathit 5: Son Ltd. Finest quality, fully gua. gan modern with good pipes nine ranb. IfhutVi any mak~ r«rn.·ered with Polyurethane plastic. romleed. Largest selection a1,'3Hable from uur and spccifications mailed ror £ifty cents. Ce· VICTOR PIAN'OS &: ORGANS IS OPf-N Write for quotation. Church Organ Co., 18 showrooms. Financin, Now Available. Fne land~r, Brandon, South Dakota 57005. ing new mall .Iores from Miami to Ilalm Walton St., Edison, N .J . 08817. Catalog. J , W. Allen, 50) GI~nway . Bristol, Beach. Will hire organists for 11310 tl':uning. Va. 24201 . 703/ 669.a396. FOR SALE MOLLER 2·M, 5 RK PIPE Send resume 10: Victor Pianos &. Orxan" 3110 SERVICE MEN DO YOU LACK SltOr orgall, good condition; 6 mise. consoles, blow· N.W, 54 St., Miami, Fla. 33127. Il hone 305/ lilace ~ We specialize in Il'ath~r work, ra::over· HARPSICHORD AND VIRGINAL KITS en, &. parts. Self-t\dd. stamped ~nvclope for 751-7502. ing pneumatics, l)Ouchcs, actions, engraving, pau~med afler 17th century instrumen~. From list. Gen~ Schwi~bert, RA, NlillOlmn, Ohio etc::. Write R. M . Minium &: Son. Box m. $345 . William Pmt Ross, Harpsichord Mahr. 43545. WANTED POSITIONS AVAILABLE L~wisbllrg . Pa. 17837. 791 Tremont St., Room 515.0, B05lon, ~riW . all departments. Replys held in confidence. OZ1l8. FOR SALE 5·STOp POSITIVE BY Delaware Organ Company, Inc., 252 Fillmore TWENTIETH CENTURY TREMOLO, &.hlick~r (" Shaw tyll~ " ) in IlCrfect condition. Avenue, Tonawanda, New York 14150. adaptable to allY orsan regardless of air pres· HARPSICHORDS AND PEDAL Ht\Rl'SI Localed New England. Make oUer. Address lure, intensity control, IPC'l'd conlrol , no chords - the ideal instruments for organists, 101-1, TilE DIAPASON. WANTED- MISCELLANEOUS wasted a ir or critical adjustments need~d , individuals, and schools. For brochure lend 251 quiet operation and easy installation. Send to S. Sabathil 5: Son Ltd., Dept. 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Uuilt ror c1111n:h organist and luilable WANTED :!·MANUAL WITH FULL details with your inquiry. Wicks Organ Com. SPERRHAKE HARPSICIIORDS AND CLA for church lise; Diapason ranks as well as pnlalboard pipe orpn. Three to fi\'e ranb. pany, 1100 Fifth Street, Highland, IIIinnis vichords. Excellent dependable beautiful. Rob. solo alld choms rC1:ds. Bcautirul console, (un Must be in good wndition. Call 616/9-164593 62249. t'rt S. Taylor, 8710 Garfield St., Beth('.sda. cnmplement of couplers, pistons, elc. Two ex· or write Mark Tafdsky, 1022 Randolph, Md. 20034. prcssilln pedals. Quiet slow slfeed blower. For Tnvene City, Mich. 4968-1. TIlE NEW 7·0CTAVE PETERSON CHRO runher inrormation wril~: Mn. James C. matic tuner, model 300 is 1I0W available rrom FOR SALE HARPSICHORDS, CLAVI- Hooper, 500 Pleasant Hill Rd., Owings Mills, WANTED E. M. SKINNER OR EARLY stock. Continuously variable Vernier t:G ntrnl cllOnls by Neupert, world's finClt, oldest Md. 21117. AC'Olian-Skinner, Solo 8' Flauto Mirabilis, Gross allows you to compensale for tempera1:lre or maker. Catalogs on request. M.:agnammic, Rita· G~dl!Ckt or On:hestral F1ut~. Write or call: lune celest~ ranks with ease . For more d~. ron, Conn. 060G9. FOR SALE E. M. SKINNER 3/26 WITH K I: D Pipe Olpn Service Co., 923 Garden. tails: Pete"on Electro-Musical Products, 01'['11 . harp-cdata, good condition, now in .tong~ dale, Ferndale, Mich. 48220. 313/398.7832. 31 . Wonh, III. 6M82. FINE IIARI'SICHORDS. CLAVICl-IORDS. $7,500.00. Skinner 16' pedal Trombone mitred made in divene con£iguration and dispositions. lotal 56 pipes plus 2 e11"h $300.00. 16' Pos.lUn~ WANTED AEOLIAN 5IR STRING MIX- IIIPE ORGAN NOTE CARDS fS:.;7 ) \\-'Int Wrile, "hone, visit shop. E. O . Witt, R3 , TI,rt"e 73 pipc:ll $175.00 ; 8' Op~n Diapason scale 40 lure w/ chest, Aeolian and Duo-Art organ ellvel0llcs. Suitable for Christmas c.·1hb or Ri\'en, Mich. 49093. 616/2+t-5128. 73 pipes $125.00: 8' Slentorphone 73 pipes rolls, books and pamphlets on Aeolian chamber genenl correspondence. Fint in _ neW .rril:S $125.00: Spenc~r 3 liP 220-3 phase 5" wind organ and Concertola. A. H. Remon 6309 of outstanding contemporouy org:J.ns ill Ameri. Ht\RPSICIIORD OWNERS A FULL $150.00: Ma ller 3-manual drawknob console, lin~ or audio and visual Chromatic Tuners is McPh~non, St. Louis, Mo. 63130. ' ca. OIIllS 1 features tbe Reuter organ in United excellent $500,00. w. J . Froehlich, 44 P~arsal1 Methodist Chun:h, Phoenix, Arizona. Send nnw nvailabl~ 10 help you with your tuning Ave., Jersey City, N.j. 07385. F.\·enings 2UI / WANTED - AEOLIAN DUO·ART OR $3.00 for pkg or 12 in full color. Organ Art. requirements. For more information write 435-8239. san rolb or recordings of same. Highest pnces Box 309, Burlingame, Calif. 94010. Ileterson Electro-Musical Products, Dept. 20, paid. R. Smith, 1150-4l1t St., Bklm, N.Y. Wonh, 111. (i(H82. FOR SALE 2-MANUAL MOLLER PIPE 11218. organ, 1929, 10 ranks: Bourdon 16', Lieblich STATIONERY FOR ORGANISTS! HIGH "THE HARPSICHORD", INTERNATION_ (Illality wriling paper and envelopes. Cnnt~m· Gedcckt 16', Open Diapason, Hom Diapason, al '1l1arl~r1y (or lovers of early keyutlard in WANTED - MUSIC ROLLS FOR AUS "orary pip~ organ beaulifully illustrate') in Oboe, Flutes, Vox Humana, Vox Cclest~, Dul· struments and mwic. Articles, intervi~ws . Ilho lin, Welte, Skinner, Aeolian, Duo-Art and full color. Satisfaction gllaranl~ed. Send $3.00 ciana, Celestial. Dismantled, good condition. Est~y pipe organ players. J. V. MDCllrtney, tographs and iIIustralions by today's loremmt $2,500 plus shipping. Private owner. Adrian to Orgun Art, Box 309, Burlingame, Q,Iil. artists. $8 per annum. "The llarP1ichord", 406 Haverford Ave., Narberth, Pa. 19072. Gagest~yn . 130 South Ave., Staten bland, !HOlO. Box 4323.D. D~n\'er , Colo. 802M. N.Y. 10303. WANTED USED MOLLER PIPE OR- HARPSICHORDS sans. Give complete sp~ci£ications opw fob FOR S;/.[.F. - I'IPE ORGANS FOR SALE AUSTIN ORGAN, 1926 vinl- price. Address M-2, TUE DIAPASON: ' age, recently overhauled, nine ranks, available FOR SALE SABATHIL BACH 1II CON- FOR SALE SUI'REMELY BEAUTIFUL 27 December 1971. Ac«,pting bids ov~r ~.OO. ccrt harpischord. 16', 8', .. ' - 8', 8'. Lute 1961 Von B~ck~nth. 2 manuals and pedal, WANTED - 16' TIBIA, 12 NOTEs. J upp~r IV I6I ~ Buyer to remove. Contact Organist, Church IIr stop on both and lower and 7 ulI~nclosed, 14 ranks. Track~r action. Best of. Miller, 954 Rutherford Ln., W. Palm Beach' IlCdals. Like new $5,500. E. H. Mueller, M.D., the Holy Comforter, 11.0. Box 338, SlImll'r, Fla. 33406. ' f~r above $15,000 will be accepled. Details SOlllh Carolina 29150. 707 Commonwealth Ave., Newton Center, from William Bretthauer, 325 Dun~mere Driv~, Mass. 02159. La Jolla, California 92037. WANTED - TWO, THREE, AND FOUR. FOR SALE ONE-YEAR.OLD, ONE- IIl.'1l1llal and p~dal I,i,,~ organ, Tbree ~l o J1ll , manual wed Austin comolc:ll, Addn:ss H.:I, HARllSlcnORD KIT. IIUILD A FULL FOR SALE SEMI·PORTABLE, EN- TilE DlArAsoN. siraight dir«t dectric action. Classic design , sil~ replica of a French 181h Century harpsi cased four. ~ toll pmitive. Stopped Flute 8', self-conlained. $975.00. Fr~ ins lallation ill chord, 2 x IV, I X 4', FF·g' I I. Designed and Cone Flute 4', I'rineip,ll 2', Mixture 3 ranks, Connt'clicul. I'holo and specs. on request. J . J. MISCELLANEOUS made by Frank Hubbard. Single mannal, $595; I'. Dlower sell-conta i n~d in dark·stained solill Kneppl~ . 21 Sev~nth St., An ~ onia , COlin . OtH ::n. dOllbl~ manual, $85D. For brochure write Frank o:lk cas~ , f:,Jl;cellent key louch, t~n.year war FOR SALE - MILNE'S REED ORGAN. Hubbard, 185A Lyman SI., Waltham, Ma'5'l., ranty. $6,000 dcli\'ered and installed within Hj8 pages. $5.00 postpaid. Orsan Literatllr~ 02IM. FOR SALE 3O-RANK, 5·DlVISION RE- Foundation, Brainln-e, Mass. 021&1. reasonable db t:mcl'. M . A. Loris, Pipe Organ huilt IIrgan , 3·manual Reisner console, excd. Builder. RFD 2. Barr~ , Vl'nnont 05641 . IIARpSICIIORDS AND CLAVICHORDS lent condition. In we now, can be sC'I'n a l FOR SALE - PRIVATE COLLECTION il "~' t i m~ , buyer must move by January 31. - New Flemish harpsichord, cun'ed bcntside FOR SALE 2' pOSITIV ORGAN, 2 RK5., of old and Ollt of print boob on pipe orgalls uncompromising classic constnlction and de: 1972. 1st Methodist Church , P.O . Bo:ot 1349 8' Gedt'Ckt, :!I Principal, n:posed pipes, cherry 8alllll Rouse, La. i 0821. and organ buildin!J. Incl \\'edgewood'. Dic lail. $295.00. Olh~r kits from $100.00. Send t!nnary of OEWan Stops. Stamped ~nvdope for case with seU·contained blower, low wind (or free hrochure. Zuckermann Harpsichords \'oicing. Price I $2,500. For pholo and further FOR SALE - USED 20·JL\NK IIJIlE OR· hst. Bernard Bcgl~y, !H15 Penewit Rnad Inc., Dept. D, HiO Sixth Av~., New York' Sprin!J Valley, Ohio 45370. ' d~tails write; p . P. Stearns, Sherman, Conn. gan. I!layable, Sacramento area. I'hone 916/ N.Y. 10013. ' 0678<. 481· 1:.092. COMPLETE LINE OF ORGAN SUPPLIES WIND CHESTS - REED AND FLUE PIPES Send $1.00 for your copy of our complete, illustrated 1971 Catalogue. The deposit is deductible from the first purchase of $10.00 or more made during 1971. DURST &. CO., INC. P • O. BOX 1 1 65 M E R IE. PENNA • "THE LARGEST AND MOST COMPLETE• ORGAN SUPPLY HOUSE IN NORTH AMERICA" MANUFACTURERS OF QUALITY ORGAN COMPONENTS "Quo'ify with ORGAN LEATHERS [AI(lfijj AIKIN ASSOCIA TES EC'onomy" DtRECT ELECTRIC CHESTS -A A ELECTRO PNEUMATIC PEDAL CHESTS WHITE, SON COMPANY lox 143 Brooklyn, Po. 18813 117.289-4132 2C6 Summer Streel PIANO TUNING y'~~g,~ Learn Plano tuning and repair with easy ORGAN SERVlCE- J. E, Lee, Jr. Felix Schoenstein to follow home study course. Wid. open KNOXVILLE, TENNESSEE 37901 field with good earnings. Makes excel. lox 2061 & Sons Pipe Organ Bullder. t;.-[?lJ, '" " r.nt "extra" lob. Writ. American School of Piano Tuning Tuning - Malnt.nance - Rebuilding SAN FRANCISCO, CALIF. Dept. D, lox 7aT Gilroy, Calif. Consuhanb New York 12484 26 THE DIAPASON CLASSIFIED ADVERTISEMENTS Cla ..inad ael.,.rtlsing rot.,: per worel. $.20; minimum m.,.., $2.50; box numb.r, ocll"tJonol $1.00, R.pH" to ttox .umbera _houtd b. sent c/o Th. Diapa.on, 434 S. Waba.h Av.nu., Chlca.o, Ul6060S. Fon SALE - 1'/1-£ ORGANS Fon SALE - ELECT/IONIC OnCANS FOR SALE - MISC. Fon SALE MISC. I"OK SALl:. - 3M, 19R, 4O.STOP, 1951 FOR SALE - 500 USED ORGANS OF FOR SALE - CUSTOM-MADE MECHAN FOR SALE - 1 3-MANUAL ESTEY CON. Franc rdxtilt, new C:O n1 o1~ , presently in usc. ~'ery make 10 be soW at up to half onlPnal ical OrJ;l1I part' in acc:onlallce to " Schlucssel IcH e: n:linished. 39 slop loibl, $150.00. 1 larre lIIu.tn.tw folder available. M. A. Gilman. 56 prices. Victor I'ianot and OrJans. 300 NW IIlter Meilter." SlidercJlt$ts: top quality ma le scale ICI chimes and action, $200.00. I 6-nlOk JUomnlid d St., Lt'XinglulI, M :UI. 02 173. 54 St., Miami, Florida 33121. 305/751-75&1. rial llrld eraftlmaruhip, reliable con5lruction, Estey clIIC. t, $125.00. I 9-nnk Estey chest. wilh or without built·in Sdlwimmer. Cuuple $175.00. 2 regulaton @ $50.00 cach, $100.00. rUK :)1\1.1:. - FOR SALE - BALDWIN 2-MANUAL, 32- u:)ED PIPE ORGA.:."'l ; 5. Chanis: Jlrecision-made, easy :.ccessible. Thi, I 61-note set Gemshorn, houkeU pipes, $150.00. rank Moller in warehouse, 1930 vintage, reo pedalboanl A.G.O. organ with h~IO extenl,d chanis oUrrs se~' enl ways or mountinlJ IIction 1 61·nole set Dulciana, haskell pipes, $150.00. by .peaken. Best offer o~'er $2500,00. Available moved experienced pClWnnel @ $1500.00, 10 windchest. Rescrvoirs :.nd Curtain Valvel: t 61-note stopped DiapaJOn, haskell pipes, imlnetliately. Buyer mUlt move at own eA~nse. shi,lping casu c:xtra . Wicks Organ Camp:,,"y, chuit e or lumber ripe or Schwimmer-type $135.00. I 61 ' note Melodia, haskell pipes, $85.W. Contact: ,\. Eckcr, St. l'au1 's Luthcran Church, Dc:pt . D, HiShbnd, Illinois 622-19. IIlelal tHllU; variable $Calin!, semj·daslical or I 61·nole set Clarinet, h;ukcU pipes, $125.00. 371 Woloou 11m Rd., We'benli.eld, Conn. lIiJC1Hoe voiciug. Wrile or call: Hans Sc.hmitlt, Ted Maru, 2932 N.E. Union An., Portland, FOR SALE - WURLtTZER THEATRE 06109. OIJanbuildrr (Ioollerly AEolian-Skinner), 314 Ore. 9721 2.. Ilipe Dl1J:m, 2-manllal, ID I'Anlu, in very Baud South Street, Ibndolph, 1.11151 . 0?-l6B. Tele to excellent condition. RdllY, marimba, and FOR SALE _ WURLlTZER SRS. 4600 2- phone 961-1094. Jo'OR SALE - J..1o{ANUAL ALL ELEaI'RlC oreh. hells need some work. Extra percuuion., manual, fuU . ize 25 Jledalboard orgao. Last comb. action cfmsole Sw. couplcn misc. patti chesls lllld ranks. Best oUer considered. Only dect. ,en! moo. with percussion sustain. In· available, console only 8 yn old. $500.00. you. cludes Leslie Floor mod. Ipeaker lIIod. t'OR SALE - 16' BOURDON (+I NOTEs), pick lip. Xavicr Basillica o( SL Francis Xavier, serinu, bidders please. C3.1I Terry Lob:lell , #225. $-10.00; 8' Olterl Diapaton, $5D.00; 8' Swell \\'ill iell to highcst ofler received by Dec. 31. D)·crs,·iIle, Iowa 52GlO. Rev. Alais B. May 517/739-5301 10 A.M. _ (i 11.M. or 517/362-19O(j Oiap.uon, $-10.00: 8' Bourdon, $35.00: 8' Me Jimmy Uiue, 80. 6:n , Atlanta, Tqa, 75551. 815,7325 or 10hn Arens 875~32. 8 I'.M . • 12 A,M. 772 And~non , Ta""" City, lualia, $35.00; 8' Dulciana, $55.00; S' Viole, MKh. -18763. :! 14/7!J6.5132 or 796-2-16:3. $SO.OO; 8' Salicinnal, $60.00: 8' Vm: Humana, FOR SALE - 2M CONSOLE, +STOP &. 1- $75.00; 4' Gemshorn, $50.00; 4' Flute: Har. FOR SALE - WURLITZER l'Il'E ORGAN FOR SALE - REBUILT MOD. 5 HALD· ItOP dirtCt eleetric cllcst, S' RohrOocle, ..' 1II0nique, ~.JO.OO, Aho, three-manulil console Principal, 111 rank mbcure, 16' Quintadena, I)('rcuuioll section. Xylollhone, Glod,cmpid, win organ, 32 Jledals, 40 watt, four lpeaker with self-contained Iwilching to play dglltren Sleigh Bdls, T oy Counter, relulator-chrst etc. IJaHles (four 14-illch lJleakers). Free delivery slider chest, ventil magllets. M. Melicltarek, ran"'s or pilles plu. 11 blank stop bin anti 2248 Tamarack Way, Sacr.m~nto, Calif. 95821. $700.00. R. K. Golka, 38 Ilark St., Brock tOri , IIr freight within 1000 mile IOldiu •. Will sell til conlfllete bold arid .et combon actinn, 2 Iwell Mass. 02401. 617/ 587-559*, highest oUcr n:ceivetl by Dec. 31. J immy pc-dals llnd cf"C:Iccndo pedal. $500.00; Kinetic Blue, 1'.0 . Ho. 631, AtI:'lIb, Tt'lI:. 7ml. ~H / FOR SALE - NEW ! -MANUAL THEATRE blower 6'" wind @ I7r.o rpili. Century mOlor coruole walnut with pedal. and bench. manuals, FOR SALE KIMBALL ROLL I'LAVER 79G-:i132 or 796-2'-63. 110/220 sinlJle ph.ie, $120.00; Spencer Orsoblo, Organ. Collectors item, plays . td. piano or c:ouplen, &t magltetic .top tablets completely . mall, high preuure blower single pha.e 1101 , .. ired ready for pipe, or elrdronic tone sene. urgan mils. Schwiebert ~hu i c , RA, N:.polcorl , fOR SALE _ ,\LLEN 3-MANUAL RMW 220, $75.00; I prdal boartl, 2 mllnual., I bench, raton ,1895.00. W ..... Reichelt. 215/822-3419. Ohin 435-1 5, thcalrt! organ with JPcakl!n ~9500 . AIII!Il posuiv ~..5 . 00. N. Francis Cimmirlo lie. John C. with slJCaker $5SOO like lIew. Victor Pianoa Belanus, 1678 Hamburg Tpke .• WaYlle, N.J. FOR SALE - CHERRY CONSOLE CASE & Organ" 300 NW 54 St., Miami, Fla. 33127. 07470. 69-1-5931 or 891 · 1998. FOR SA.LE - ELEC'rRO,N[C ORGA.NS w/2 manu:W, $15. 2·manual horseshoe, w/53 305/751·7502. stopke~ , like new, $200. Address 1.-4, "-"1: FOR SALE - MUST SELL ALL ORGAN DIAI'ASON. FOR S'\I.I ~ - CUSTOM· DESIGNED ANO FOR St\LE - KIMBALL 2·M,\NU,\L OR· • oicn! 2-manual Ar1hall dll~aler·uyle OI1Jiut: gear immedilltely bc:cawe uJ ,pace problems . KOIII, 32·nute AGO peda'~ro . con~DCd !13 sloP'i 18 IIRtOO lelh:r-i>oard combination All ,Iilte,,·orit on -I- in. wind, all chests dirret FOR SALE - 3-MANUAL "-EOLL\;o.J. Illeaken. Cost $-14m. $1000, 111 1111 sell, moving aclillll; completely remofedi 8 letl 0'I0113tors, dCClric action. 16-11. Hinners Bouroon with SkiOller Cunsole (l!J3I ). 2·manual Mudlrr tu smallcr a ln. I'hilatlel"hia, I'a. 21$11'0-9- 4 ullilil..'cI ; 11 ehlllluels amplificatioll; 14 slleak. chests; 8·ft. Trumpet with clrCllls; 8-1t. S41i Hunler CunNlle witll new pedalboard. Addre:u en; Schober Rn'eru unit with 2 allditional 3399. cional, 61 pipes, TC; 8-ft. Dulciana, 61 pipcs, L-3, Tui. DIAPASON TC; 8·ft. Swell Diapason; 8-ft. ullit Stopped spcaken; coulole hal 3 ~prnsiull and erq FOR SALE - 12 USED CONSOLES $'1."1 .00 eelldo IJC(I" I; sfon:mdo ,tud. U-haul. HOlue FOR SALE _ KIMBALL CONCERT OR Flute; 8-11. Hoblflut~ ; -I-ft. ROO!n'clt Flutc gan, \\'a1nul, full·tue, ,elf-cunlained, 48 stops 10 $200.00, U used blowen, YJ to 3 H. A. ,"Id, bcst oller over $5,000 talr.e1. 11 . C. Duok· 1I ',\lnour; three 61'rlOle unit dlests; 7J-note &. eoup!.·n, ,,-jth pcrcuuion &. chirttc:s; speaken Howell, Bo. 404, Dixon, Ill. 610'11. ley. 117. F:.ir Oakl, Calif. 95628. 916/ dU::lt ; 8-lIote oUld ehest; 12·ttote oIfset dtett; "ox CUI be added (ne'W, at floor umple pri HANSEN o Sine. 1906 DELAWARE R ORGANS ORGAN COMPANY, INC. ~ 5~. S'Im&"/ 0/ Q.. alil'l CDnstructors N a progressive company with traditional Ideal. & de.lgnlng and building custom pipe organs Rebulldo .. of 252 FILLMORE AVE. TONAWANDA, N. Y. \JUALITY ; JEROMEB. MEYER &SONS P PIPE ORGANS E 2339 SO. AUSTIN ST. QUINCY, ILLINOIS 62301 S MILWAUKEE. WIS. 53207 Reid Organ Co. Loms F. MOHR & COMPANY P.O. lox 363 McMANIS ORGAN KANSAS CITY, KANSAS MAINTENANCE 140112_7 66104 2899 V.tmdae An. Iii Santa Clara, Califamla New Vork 51, N. V. TeI.phone: SEdgwick S-5G2I LIFE STYLE DO IT YOURSELf PIPE ORGAN KITS EDM:~1'DCf Sema Yearly c..tnc.. CONRAD O. DURHAM Custom specifications for dlurch or H_rps - Climel - Blowen residence, complete or perfs, full I•• PIPE ORGAN CO. structlons by _st,-bU.hed or;e. bultdetl, Espert Onrualilll lIuild.,..con,ultant-lonal Flni,h.r 1117 Shell,.. IOlld COLKIT MFG. Ca, P.O, lox '12 "AII M•• _,~ AI ..... P.O. Box 2125, laUaha ..... fla. 32304 u,... ,.,.,nl, " ,,''',... 111. 6CHI. HUer Stelioll, luff.lo, N.Y. 14223 lUll., MuV'· 'hOft<" : JIl.·n.· ..u DECEMBER, 1971 27 LI.11.a,,," 1W'~p1;a,gb. CO-llcep"C lW'a,.. ,a,ge-21l ~ European Artists Winler & Spring, 1972 PIET KEE Late Jan. & Feb. PETER HURFORD NITA AKIN April-May GILLIAN WEIR April IS·May 30 First Amrrican Tonr GUY nOVET. from Genrva April -". HOIlERT ANDERSON JERALD HAMILTON ROBERT BAKER GEnRE HANCOCK DONALD McDONALD DAVID CRAIGHEAD CLYDE HOLLOWAY IMARILYN, MASON: LADD THOMAS V . ~/,/ I : , YVj • CATHARINE CROZIER WILMA JENSEN FREDERICK SWANN JOHN WEAVER t . ' ·:·1' 1 IiIIIol: ~ RAY FERGUSON JOAN LIPPINCOTT WILLIAM TEAGUE WILLIAM WHITEHEAD BOX 272 CANAAN, CONNECTICUT 06018 203-824-7877