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Cultural Imaginations of Piracy in Video Games
FORUM FOR INTER-AMERICAN RESEARCH (FIAR) VOL. 11.2 (SEP. 2018) 30-43 ISSN: 1867-1519 © forum for inter-american research “In a world without gold, we might have been heroes!” Cultural Imaginations of Piracy in Video Games EUGEN PFISTER (HOCHSCHULE DER KÜNSTE BERN) Abstract From its beginning, colonialism had to be legitimized in Western Europe through cultural and political narratives and imagery, for example in early modern travel reports and engravings. Images and tales of the exotic Caribbean, of beautiful but dangerous „natives“, of unbelievable fortunes and adventures inspired numerous generations of young men to leave for the „new worlds“ and those left behind to support the project. An interesting figure in this set of imaginations in North- Western Europe was the “pirate”: poems, plays, novels and illustrations of dashing young rogues, helping their nation to claim their rightful share of the „Seven Seas“ achieved major successes in France, Britain the Netherlands and beyond. These images – regardless of how far they might have been from their historical inspiration – were immensely successful and are still an integral and popular part of our narrative repertoire: from novels to movies to video games. It is important to note that the “story” was – from the 18th century onwards –almost always the same: a young (often aristocratic) man, unfairly convicted for a crime he didn’t commit became an hors-la-loi against his will but still adhered to his own strict code of conduct and honour. By rescuing a city/ colony/princess he redeemed himself and could be reintegrated into society. Here lies the morale of the story: these imaginations functioned also as acts of political communication, teaching “social discipline”. -
Main Street, U.S.A. • Fantasyland• Frontierland• Adventureland• Tomorrowland• Liberty Square Fantasyland• Continued
L Guest Amenities Restrooms Main Street, U.S.A. ® Frontierland® Fantasyland® Continued Tomorrowland® Companion Restrooms 1 Walt Disney World ® Railroad ATTRACTIONS ATTRACTIONS AED ATTRACTIONS First Aid NEW! Presented by Florida Hospital 2 City Hall Home to Guest Relations, 14 Walt Disney World ® Railroad U 37 Tomorrowland Speedway 26 Enchanted Tales with Belle T AED Guest Relations Information and Lost & Found. AED 27 36 Drive a racecar. Minimum height 32"/81 cm; 15 Splash Mountain® Be magically transported from Maurice’s cottage to E Minimum height to ride alone 54"/137 cm. ATMs 3 Main Street Chamber of Commerce Plunge 5 stories into Brer Rabbit’s Laughin’ Beast’s library for a delightful storytelling experience. Fantasyland 26 Presented by CHASE AED 28 Package Pickup. Place. Minimum height 40"/102 cm. AED 27 Under the Sea~Journey of The Little Mermaid AED 34 38 Space Mountain® AAutomatedED External 35 Defibrillators ® Relive the tale of how one Indoor roller coaster. Minimum height 44"/ 112 cm. 4 Town Square Theater 16 Big Thunder Mountain Railroad 23 S Meet Mickey Mouse and your favorite ARunawayED train coaster. lucky little mermaid found true love—and legs! Designated smoking area 39 Astro Orbiter ® Fly outdoors in a spaceship. Disney Princesses! Presented by Kodak ®. Minimum height 40"/102 cm. FASTPASS kiosk located at Mickey’s PhilharMagic. 21 32 Baby Care Center 33 40 Tomorrowland Transit Authority AED 28 Ariel’s Grotto Venture into a seaside grotto, Locker rentals 5 Main Street Vehicles 17 Tom Sawyer Island 16 PeopleMover Roll through Come explore the Island. where you’ll find Ariel amongst some of her treasures. -
Disney Magic Becomes a Little Less Magical and a Little More
University of Hawai‘i at Hilo HOHONU 2019 Vol. 17 majority of Disney films often bequeath the antagonist of Disney Magic Becomes a Little the storyline with a non-American accent, exemplified Less Magical and a Little More by Shere Khan’s British accent in The Jungle Book. The protagonists of the films, like Mowgli in The Jungle Book, Discriminatory are almost always portrayed with the Standard American Kaleigh Anderson accent. It has been a common pattern within Disney’s animated features that characters who speak with non- Storytelling is a crucial part for humankind as well Standard American accents are portrayed as outsiders, as in oral history. Movie adaptations have also become and are selfish and corrupt with the desire to seek or a key ingredient in relaying certain messages to people obtain power. This analysis is clearly displayed in one of of all ages. However, children watching movies and Disney’s most popular animated feature films, The Lion absorbing stories are susceptible and systematically King. In this Hamlet-inspired tale, the main characters’ exposed to a standard (or specific) language ideology accents bring attention to which characters fall into by means of linguistic stereotypes in films and television the “good guy” versus “bad guy” stereotype. Simba, shows. These types of media specifically, provide a the prized protagonist in the film, and Nala, his love wider view on people of different races or nationalities interest, both speak Standard American dialects. Through to children (Green, 1997). Disney films, for instance, linguistic production, Simba’s portrayal as the Lion King are superficially cute, innocent and lighthearted, but translates an underlying message to children viewers through a deeper analysis , the details of Disney movies that characters who are portrayed as heroes or heroines provide, a severe, and discriminating image. -
EDITORIAL Screenwriters James Schamus, Michael France and John Turman CA 90049 (310) 447-2080 Were Thinking Is Unclear
screenwritersmonthly.com | Screenwriter’s Monthly Give ‘em some credit! Johnny Depp's performance as Captain Jack Sparrow in Pirates of the Caribbean: The Curse of the Black Pearl is amazing. As film critic after film critic stumbled over Screenwriter’s Monthly can be found themselves to call his performance everything from "original" to at the following fine locations: "eccentric," they forgot one thing: the screenwriters, Ted Elliott and Terry Rossio, who did one heck of a job creating Sparrow on paper first. Sure, some critics mentioned the writers when they declared the film "cliché" and attacked it. Since the previous Walt Disney Los Angeles film based on one of its theme park attractions was the unbear- able The Country Bears, Pirates of the Caribbean is surprisingly Above The Fold 370 N. Fairfax Ave. Los Angeles, CA 90036 entertaining. But let’s face it. This wasn't intended to be serious (323) 935-8525 filmmaking. Not much is anymore in Hollywood. Recently the USA Today ran an article asking, basically, “What’s wrong with Hollywood?” Blockbusters are failing because Above The Fold 1257 3rd St. Promenade Santa Monica, CA attendance is down 3.3% from last year. It’s anyone’s guess why 90401 (310) 393-2690 this is happening, and frankly, it doesn’t matter, because next year the industry will be back in full force with the same schlep of Above The Fold 226 N. Larchmont Blvd. Los Angeles, CA 90004 sequels, comic book heroes and mindless action-adventure (323) 464-NEWS extravaganzas. But maybe if we turn our backs to Hollywood’s fast food service, they will serve us something different. -
Ye Intruders Beware: Fantastical Pirates in the Golden Age of Illustration
YE INTRUDERS BEWARE: FANTASTICAL PIRATES IN THE GOLDEN AGE OF ILLUSTRATION Anne M. Loechle Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of the History of Art Indiana University November 2010 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee _________________________________ Chairperson, Sarah Burns, Ph.D. __________________________________ Janet Kennedy, Ph.D. __________________________________ Patrick McNaughton, Ph.D. __________________________________ Beverly Stoeltje, Ph.D. November 9, 2010 ii ©2010 Anne M. Loechle ALL RIGHTS RESERVED iii Acknowledgments I am indebted to many people for the help and encouragement they have given me during the long duration of this project. From academic and financial to editorial and emotional, I was never lacking in support. I am truly thankful, not to mention lucky. Sarah Burns, my advisor and mentor, supported my ideas, cheered my successes, and patiently edited and helped me to revise my failures. I also owe her thanks for encouraging me to pursue an unorthodox topic. From the moment pirates came up during one of our meetings in the spring of 2005, I was hooked. She knew it, and she continuously suggested ways to expand the idea first into an independent study, and then into this dissertation. My dissertation committee – Janet Kennedy, Patrick McNaughton, and Beverly Stoeltje – likewise deserves my thanks for their mentoring and enthusiasm. Other scholars have graciously shared with me their knowledge and input along the way. David M. Lubin read a version of my third chapter and gave me helpful advice, opening up to me new ways of thinking about Howard Pyle in particular. -
The Wicked Wench." in the Han Solo Trilogy I Was Privileged to Write the Scene Where Han First Beheld -- and Fell for -- the Millennium Falcon
Here's the fifth excerpt, which is actually the beginning of Chaper 6, titled "The Wicked Wench." In the Han Solo Trilogy I was privileged to write the scene where Han first beheld -- and fell for -- the Millennium Falcon. What a thrill! And it was every bit as much of a thrill to write the following scene, I assure you! In April I'll post the sixth and final excerpt from the novel...the one where Jack takes his first (and possibly only!) BATH. Only about eight weeks to go before the release date! -------------------------------- Jack Sparrow had never thought it would happen to him. All his life, he‟d heard people speak of love—mostly men, of course, since he‟d spent the majority of his life at sea, and there were few women who chose that life. Life on the sea was a male-dominated occupation, whether the sailors were pirates or seamen aboard a merchant ship or the crew of a naval vessel. There were the rare—and refreshing—exceptions, of course, such as Esmeralda, lovely Esmeralda . Men were self-conscious about referring to love. They were often given to enthused bragging regarding their carnal adventures and conquests, but when they referred to love, it was usually in a hushed whisper, or a mumble. Sometimes an awed murmur, if the poor chap was embarrassingly besotted. Jack wanted to shout his adoration aloud—and he would have, too, if he hadn‟t had a certain dignity to maintain. But ever since that day when he‟d seen her, he‟d thought of her with . -
BIBLIOGRAPHY Chaer, Abdul Dan Leonie Agustina. 1995
BIBLIOGRAPHY Chaer, Abdul dan Leonie Agustina. 1995. Sosiolinguistik Perkenalan Awal. Jakarta: PT Rineka Cipta. Chambers, J. K. 2002. Studying Language Variation: An Informal Epistemology. In Wardhaugh, Ronald. An Introduction to Sociolinguistics 5th edition. (pp.11). USA: Blackwell Publishing. Joos, Martin. 1967. The Five Clock. In Chaer, Abdul and Agustina, Leonie. Sosiolinguistik Perkenalan Awal. (pp.70). Jakarta: Reineka Cipta. Halliday, M. A. K. 1986. The Users and Uses of Language. In Chaer, Abdul and Agustina, Leonie. Sosiolinguistik Perkenalan Awal. (pp.62). Jakarta: Reineka Cipta. Hartman, R and F.C. Stork .1972. Dictionary of Language and Linguistics. In Chaer, Abdul and Agustina, Leonie. Sosiolinguistik Perkenalan Awal. (pp.62). Jakarta: Reineka Cipta. Holmes, J. 2013. An Introduction to Sociolinguistics 4th edition. USA: Routledge Hudson, R. A. 1996. Language in Society. In Wardhaugh, Ronald. An Introduction to Sociolinguistics 5th edition. (pp.25). USA: Blackwell Publishing. Hymes, Dell. 1974. Fondations in Sociolinguistics: An Ethnographic Approach. Philadhelpia: Unversity of Pennsylvania Hymes, Dell. 1972. “The Ethnography of Speaking”, Reading in the Sociology of Language, edited by Joshua A. Fishman. Paris: Mouton. Kothari,C.R. 2004. Research Methodology:Methods and Techniques. New Delhi: New Age International (P) Ltd.,Publishers. Ratna, Nyoman Kutha. 2010. Metodologi Penelitian: Kajian Budaya dan Ilmu Sosial Humaniora Pada Umumnya. Pustaka Pelajar : Yogyakarta. Wardhaugh, Ronald. 2006. An Introduction to Sociolinguistics 5th edition. USA: Blackwell Publishing. 62 Internet Resources Arifin, Pinandhita Gusti. 2015. Speech Style Analysis Based On Gender In Customer’s Complaints of Telkom Indonesia Banyuwangi . Malang: Universitas Brawijaya. http://jimbastrafib.studentjournal.ub.ac.id/index.php/jimbastrafib/article/view/ 1023 Hamzah, Idra. 2018. An Analysis of Language Style by Teenagers Found in Facebook Status. -
We Need More Jack Sparrow, Savvy?
We Need More Jack Sparrow, Savvy? A Swashbuckler’s Guide to System Modeling With SysML Michael J. Vinarcik, ESEP-Acq, OCSMP-Model Builder—Advanced Booz Allen Hamilton 2016 International Council on Systems Engineering Great Lakes Regional Conference Copyright © 2016 by Michael J. Vinarcik. Permission granted to INCOSE to publish and use. Why do projects overspend and overrun? “Why do so many big projects overspend and overrun? They’re managed as if they were merely complicated when in fact they are complex. They’re planned as if everything was known at the start when in fact they involve high levels of uncertainty and risk.” Architecting Systems: Concepts, Principles and Practice, Hillary Sillitto, Back cover What is the issue? • System complexity has grown to the point where no single individual can have deep, thorough understanding of every system element and its: – Attributes – Behaviors – Roles – Interactions WHAT ARE WE TO DO? MODEL THE SYSTEM! System modeling • System modeling enables the codification of subject matter expertise in a clear, unambiguous format. It enables the creation of a “single repository of technical truth” that an entire development team can draw upon to have timely, relevant, and useful information in the execution of its tasks. • Lockheed Martin speakers have elaborated on this further and call it the “weaving of a digital tapestry.” This is an apt metaphor, since a comprehensive system model is not just a single thread of information but a rich, multi-dimensional representation of the system of interest. How to do it? • If we agree that constructing system model is the right way to handle the both the complicated and complex nature of modern systems, the “how” is critically important. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Onderwijsrecensies Voortgezet Onderwijs 2018 - 1 Romans
Onderwijsrecensies voortgezet onderwijs 2018 - 1 Romans 2017-24-1779 Abdolah, Kader • Het gordijn Niveau/leeftijd : III Winkelprijs : € 17.99 Het gordijn / Kader Abdolah. - Amsterdam : Prometheus, 2017. - 180 pagina's ; 21 cm Bijzonderheden : L3/V1/V2/EX/ ISBN 978-90-446-3474-7 Volgnummer : 47 / 1 Om zijn Iraanse moeder nog één keer te zien, reist de in Nederland in ballingschap levende Abdolah met zijn vrouw naar het voor hem veilige Dubai. Daar treft hij zijn zus, met wie hij nooit gesproken heeft over de tijd dat ze door het regime gevangen was gezet, en zijn moeder, die dementerend is. De kunstenaar in Abdolah besluit mee te gaan in de ‘fictieve wereld’ die zijn moeder regelmatig betreedt en haar niet te corrigeren. Uiteindelijk realiseert hij haar grootste wens (met hem naar Mekka te gaan) door haar mee te nemen naar de grote moskee in Abu Dhabi. In het verhaal van hun ontmoeting speelt ook Abdolahs fascinatie voor het kunstmatige (fictionele) Dubai een rol. Daarnaast raakt hij gecharmeerd van de steeds opduikende gastvrouw Nastaran die mogelijk een van de buitenlandse agenten van het Iraanse regime is. Fictie en non-fictie lopen op diverse manieren door elkaar en dat is het meest intrigerende aspect van dit niet van een genreaanduiding voorziene, zeer persoonlijke boek. Abdolahs stijl is er nog steeds niet een voor fijnproevers, maar is minder exotisch dan eerder het geval was. F. Hockx 2017-11-1169 Bommer, Wanda • Springbonen Niveau/leeftijd : III Winkelprijs : € 19.99 Springbonen / Wanda Bommer. - Amsterdam : Nijgh & Van Ditmar, [2017]. - 239 Bijzonderheden : MN/EX/ pagina's ; 22 cm Volgnummer : 42 / 11 ISBN 978-90-388-0189-6 Claire en Rogier en hun tweelingdochters maken een reis door het zuidwesten van Amerika. -
OASIS Movie Club CHANGED2
Held at: Joslyn Community Center 1601 Valley Drive Manhattan Beach, CA 90266 October 5th– Pirates of the Caribbean - The Curse of the Black Pearl (PG-13 for action/adventure violence.) This swash-buckling tale follows the quest of Captain Jack Sparrow, a savvy pirate, and Will Turner, a resourceful blacksmith, as they search for Elizabeth Swann, the daughter of the governor and the love of Will's life, who has been kidnapped by the fierce and clever Captain Barbossa and his crew who have been cursed, doomed for all eternity to neither live, nor die. October 12th - The Lake House (PG for some language and a disturbing image.) An independent-minded doctor who once occupied an unusual lakeside home begins exchanging love letters with its newest resident, a frustrated architect. When they discover that they're actually living two years apart, they must try to unravel the mystery behind their extraordinary romance before it's too late. October 19th - The Devil Wears Prada (PG-13 for some sensuality.) In New York, the simple and naïve Andrea Sachs is hired to work as the second assistant of the powerful and sophisticated Miranda Priestly, the ruthless, merciless executive of Runway fashion magazine. Andrea dreams to become a journalist and faces the opportunity as a temporary professional challenge. Multiple people advise Andrea about the behavior and preferences of their cruel boss and help Andrea to dress more adequately for the environment. Andrea changes her attitude and behavior, affecting her private life and the relationship with those close to her. October 26th - The Nightmare Before Christmas (PG for some scary images.) It is the same routine every year in Halloweentown: the monsters come out and perform a real scare. -
Sesiune Speciala Intermediara De Repartitie - August 2018 DACIN SARA Aferenta Difuzarilor Din Perioada 01.04.2008 - 31.03.2009
Sesiune speciala intermediara de repartitie - August 2018 DACIN SARA aferenta difuzarilor din perioada 01.04.2008 - 31.03.2009 TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 R8 R9 S1 S2 S3 S4 S5 S6 S7 S8 S9 S10 S11 S12 S13 S14 S15 A1 A2 3:00 a.m. 3 A.M. 2001 US Lee Davis Lee Davis 04:30 04:30 2005 SG Royston Tan Royston Tan Liam Yeo 11:14 11:14 2003 US/CA Greg Marcks Greg Marcks 1941 1941 1979 US Steven Bob Gale Robert Zemeckis (Trecut, prezent, viitor) (Past Present Future) Imperfect Imperfect 2004 GB Roger Thorp Guy de Beaujeu 007: Viitorul e in mainile lui - Roger Bruce Feirstein - 007 si Imperiul zilei de maine Tomorrow Never Dies 1997 GB/US Spottiswoode ALCS 10 produse sau mai putin 10 Items or Less 2006 US Brad Silberling Brad Silberling 10.5 pe scara Richter I - Cutremurul I 10.5 I 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5 pe scara Richter II - Cutremurul II 10.5 II 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 100 milioane i.Hr / Jurassic in L.A. 100 Million BC 2008 US Griff Furst Paul Bales 101 Dalmatians - One Hamilton Luske - Hundred and One Hamilton S. Wolfgang Bill Peet - William 101 dalmatieni Dalmatians 1961 US Clyde Geronimi Luske Reitherman Peed EG/FR/ GB/IR/J Alejandro Claude Marie-Jose 11 povesti pentru 11 P/MX/ Gonzalez Amos Gitai - Lelouch - Danis Tanovic - Alejandro Gonzalez Amos Gitai - Claude Lelouch Danis Tanovic - Sanselme - Paul Laverty - Samira septembrie 11'09''01 - September 11 2002 US Inarritu Mira Nair SACD SACD SACD/ALCS Ken Loach Sean Penn - ALCS