CV + Showreel UD N

Total Page:16

File Type:pdf, Size:1020Kb

CV + Showreel UD N Shannon Vitali Circus performer- Specialties Dance contortion handstands, Adagio/handtohand (flyer), Risley, solo and duo aerial acrobatics silks, aerial Hoop and duo rope/spanish web. Address: 26 Inarlinga Rd, Cowley Beach QLD Australia Mobile: 0418162270 Email: [email protected] Training: 2019 Stunt Park- Professional Stunt Course 2013 Dance Factory (Contemporary, ballet, jazz, hip hop, tap, lyrical, drama, musical theatre, singing) 2010- 2012 National Institute of Circus Arts (Bachelor of Circus Arts) 2011-2012 Cecchetti intermediate ballet (Completed with Honours 90.5/100) (East Ivanhoe School of Dance) 2005-2009 Graham Academy of Dance (Ballet, contemporary, lyrical, jazz, modern, tap, limbering, novelty) 2000-2005 Piano - Anthony’s School of Music Other Certificates Photographer- Open Colleges Courses Scuba diving licence- Open water and Advanced Free Diver Performance Background 2017- Current - Casus Flyer, Lyra, Double Trapeze, Hula Hoops, Dance & ensemble 2016 - Circa Contortionist, Flyer, Aerialist & Ensemble 2015 - Crown Casino Aerialist - Specsavers Aerialist - Kia Car Launch Aerialist - Chinese New Year Circus Performer - Samsonite Suitcase Contortionist 2014 - P & O ‘Pacific Jewel’ Cruise Line Circus Performer - Richmond Football club Tissu and Aerial Hoop 2013 -Weddings Aerial Hoop - ESSO Project Tissu - MYER opening of windows Stunt Harness work - Fashion + Aid Crown Casino Aerial Hoop - Lululemon Sports Clothing Brand Adagio - Peter Rowling Showcase Contortion - Nike Sport Contortion - Palace Theatre Silks/Tissu - Fashion Aid Silks & Aerial Hoop - Luminare Contortion - Cherry 2000 Sci-Fi Show Contortion - Corporate Functions Contortion, Adagio, Aerial - Modeling in a Greek Film Model - Crown Casino Roving Contortion - Hyundai Adagio - Sophie Morang Fashion label Contortion - Photographic Modeling Model 2012 - 3rd Year Graduate Showcase Adagio National Institute of Circus Arts -Circus Olympia Traveling Circus Contortion and Aerial Hoop -Lucy and the Lost Boys Adagio, Contortion, dance & at the National Institute of Circus Arts ensemble work -Various birthday parties Roving and performing Contortion - Kylie J Pole Dancing Studio Contortion - Midland Hotel Contortion 2011 -CODA at the National Institute of Circus Arts Contortion, Adagio & Ensemble -Graham Academy of Dance Aerial Silks -East Ivanhoe School of Dance Contortion -Red Bennies Contortion -Verve Short Film Dance, Acrobatics & Contortion 2010 -Find My Feet Contortion & Ensemble -Red Bennies Duo Contortion -Food and Wine Festival Duo Contortion Teaching Private Coaching Self employed 2012- Current Circus Trainer National Institute of Circus Arts 2012 Ballet teacher National Institute of Circus Arts 2008-2009 Dance Teacher Graham Academy of Dance & Good Coun- sel College Awards Dancing Competitions- Various1st, 2nd, 3rd and highly commended places (state wide and across Australia) Dancing awards - Most improved contemporary dancer - Most improved overall dancer Reference Anni Davie Circuz OZ: [email protected] Show Reels Flying, Middling & Basing 2017 https://youtu.be/SI7M_HFEvsc Dynamic Lyra Skills https://youtu.be/LJoUNNKKjlI AERIAL HOOP- SAYS 2017 https://www.dropbox.com/s/b9bs2voz739g0zh/Aerial%20Hoop- %20Says%20L%202017.mp4?dl=0 Lyra- Driftwood Casus 2017 https://youtu.be/CQpDehxN2-A Flying 2016 https://youtu.be/iBQGi95tv2o Chair Contortion 2015 https://youtu.be/T9oxi_-J-Sg Aerial Hoop 2015 https://youtu.be/WEez7dhWyMk Contortion Of Gangs of N.Y. 2015 https://youtu.be/Jx2kHztd4zU Chair Contortion- Edward 2014 https://www.youtube.com/watch?v=KdQoNRMAm1M&list=UUTTD1riheZIeloy- P944S5eg&index=5 Contortion- House 2014 https://www.youtube.com/watch?v=sGcJyNwHSps&list=UUTTD1riheZIeloyP944S5eg Fever- Tissu 2014 https://www.youtube.com/watch?v=4Gn_6YRVqt8&list=UUTTD1riheZIeloyP944S5eg Hotel California- Aerial Hoop 2014 https://www.youtube.com/watch?v=j7_WOTSbl8c&list=UUTTD1riheZIeloyP944S5eg Shannon Vitali- Adagio Showcase Snipits 2012 http://www.youtube.com/watch?v=gu_3W9b06Tg Intertwined- Tissu- Shannon Vitali 2013 https://www.youtube.com/watch?v=YbvsWIrReEk Aerial Hoop After Glow 2013 http://www.youtube.com/watch?v=5NtD7GOjqNk Abseiling Myer http://www.youtube.com/watch?v=FDpbDzePlaY Dance Contortion 2012 http://www.youtube.com/watch?v=8bUgVTnWZ88 Aerial Hoop & Tissu 2012 http://www.youtube.com/watch?v=8SI0K3K48bg Circus Showreel 2012 https://youtu.be/0Ypqk7X7HzQ .
Recommended publications
  • Circus Friends Association Collection Finding Aid
    Circus Friends Association Collection Finding Aid University of Sheffield - NFCA Contents Poster - 178R472 Business Records - 178H24 412 Maps, Plans and Charts - 178M16 413 Programmes - 178K43 414 Bibliographies and Catalogues - 178J9 564 Proclamations - 178S5 565 Handbills - 178T40 565 Obituaries, Births, Death and Marriage Certificates - 178Q6 585 Newspaper Cuttings and Scrapbooks - 178G21 585 Correspondence - 178F31 602 Photographs and Postcards - 178C108 604 Original Artwork - 178V11 608 Various - 178Z50 622 Monographs, Articles, Manuscripts and Research Material - 178B30633 Films - 178D13 640 Trade and Advertising Material - 178I22 649 Calendars and Almanacs - 178N5 655 1 Poster - 178R47 178R47.1 poster 30 November 1867 Birmingham, Saturday November 30th 1867, Monday 2 December and during the week Cattle and Dog Shows, Miss Adah Isaacs Menken, Paris & Back for £5, Mazeppa’s, equestrian act, Programme of Scenery and incidents, Sarah’s Young Man, Black type on off white background, Printed at the Theatre Royal Printing Office, Birmingham, 253mm x 753mm Circus Friends Association Collection 178R47.2 poster 1838 Madame Albertazzi, Mdlle. H. Elsler, Mr. Ducrow, Double stud of horses, Mr. Van Amburgh, animal trainer Grieve’s New Scenery, Charlemagne or the Fete of the Forest, Black type on off white backgound, W. Wright Printer, Theatre Royal, Drury Lane, 205mm x 335mm Circus Friends Association Collection 178R47.3 poster 19 October 1885 Berlin, Eln Mexikanermanöver, Mr. Charles Ducos, Horaz und Merkur, Mr. A. Wells, equestrian act, C. Godiewsky, clown, Borax, Mlle. Aguimoff, Das 3 fache Reck, gymnastics, Mlle. Anna Ducos, Damen-Jokey-Rennen, Kohinor, Mme. Bradbury, Adgar, 2 Black type on off white background with decorative border, Druck von H. G.
    [Show full text]
  • Circus Harmony Receives Grant from Cirque Du Soliel
    The Circus Historical Society Newsletter Vol. 9, No. 1, February, 2018 Bob Cline – Newsletter Editor www.circushistory.org Chris Berry – Co-Editor ____________________________________________________________________________________ “Our Mission is to Preserve, Promote and Share through Education, the history and cultural significance of the circus & the allied arts, past and present. In separate but connected news, Circus CIRCUS HARMONY RECEIVES Harmony announced that two of their alumni, GRANT FROM CIRQUE DU Sidney 'Iking' Bateman and Melvin Diggs will be joining Cirque du Soleil as performers on the show, SOLIEL Luzia! These young men have embodied Circus November 27, 2017 (St. Louis, MO) - Circus Harmony's mission statement to help young people Harmony was thrilled to receive an email that said "defy gravity, soar with confidence and leap over "Because we recognize the importance of your work social barriers, all at the same time." in the community, we are pleased to inform you that Circus Harmony will be the recipient of our 2017 Cirque du Monde Grant in the amount of $10,000!” This is a grant given to just three American organizations who use "Social Circus as a method of intervention with youth in difficulty." Cirque du Soleil Entertainment Group has chosen the cause of youth at risk and has developed several programs over time that each offer various avenues of support. Cirque du Monde, is one of them. It combines circus techniques with educational social intervention to help young people. Social circus aims to help these youth get their self-confidence back, make them realize their strengths and discover Circus Harmony's Artistic/Executive director, their hidden talents.
    [Show full text]
  • Featuring Nik Wallenda & “Grandma”
    featuring Nik Wallenda & “Grandma” Welcome to the of 1 Welcome to the On behalf of all the performers, administrative staff, design team and crew, we welcome you to this very special production of the Big Apple Circus. This year marks the 40th Anniversary of a beloved New York City cultural gem that has delighted generations of families during its traditional holiday season at Lincoln Center and cities up and down the East Coast and as far west as Chicago. The 40th Anniversary celebrates the rebirth of a New York City and American cultural institution. After declaring bankruptcy in 2016, the Big Apple Circus seemed destined for extinction. Each of us in front and behind the curtain are honored to be part of this renaissance. The circus transcends all barriers bringing together children and adults of all ages, cultures and faith. For two hours, the world inside the Big Top transforms into a colorful kaleidoscope of wonder, amazement and laughter for all to of share. At the Big Apple Circus, we are committed to continuing the outreach programs so every child will have the opportunity to experience the wonder of the Circus. This year we will be expanding the number of shows adapted for children and young adults with Autism as well as those with hearing and visual challenges through our Circus of the Senses. In addition, we continue our commitment to provide children less fortunate the opportunity to attend the circus. Welcome back and enjoy the show. All of us at Big Apple Circus thank you for your support and hope you enjoy the magic and thrill of this special 40th Anniversary Show.
    [Show full text]
  • Circus Oz Study Guide 1213.Indd
    2012-1013 SEASON SchoolTime Study Guide Circus Oz Friday, February 15, 2013 at 11 a.m. Zellerbach Hall, University of California, Berkeley Welcome to SchoolTime On Friday, February 15 at 11:00 a.m., your class will a end a performance by Circus Oz of Austrailia. Get set for the beau ful and the absurd, the breathtakingly brilliant, and thehe downright kooky as Australia’s Circus Oz fi lls the Zellerbach stage with theirr renowned brand of collec ve mayhem. Stunt-jumping acrobats challenge physics, fearless aerial ar sts laugh at gravity, slaps ck knockabouts descendnd into hilarious chaos, and live onstage musicians rock the house! Using This Study Guide This study guide is designed to engage your students with the performancee and enrich their fi eld trip to Zellerbach Hall. Before coming to the performance, we encourage you to: • Copy the student resource sheet on pages 2-3 and hand it out to your students several days before the show. • Discuss the informa on on pages 4-7 about the performance and the ar sts with your students. • Read to your students from About the Art Form on page 8-10 and About Australia on page 12-14. • Assign two or more of the ac vi es on pages 15-17 to your students. • Refl ect with your students by asking them guiding ques ons, which you can fi nd on pages 4,6,8, and 12. • Immerse students further into the art form by using the resource and glossary sec ons on pages 17-18. At the performance: Students can ac vely par cipate during the performance by: • OBSERVING how the performers use their bodies, and how they work together • NOTICING how the music, lights and sound are used to enhance the acts • MARVELING at the skill, technique and prepara on required by the performers • THINKING ABOUT all the ways circus is a theatrical art • REFLECTING on the sounds and sights experienced at the theater.
    [Show full text]
  • Circus Report, May 24, 1976, Vol. 5, No. 21
    M« Miiiifi eiiHS fllljj 5th Year Ma> 2k, 1976 Number 21 Show Folds in Texas An anticipated circus day at San Antonio (Texas) turned out to be a disappointment for fans and show folks alike. In the midst of a steady rain Circus Galaxy folded in that .city on May 9th. Early this year announcements about the circus indicated it would rival the best shows on the road. Phone crews started their San Antonio promotion about two months ago. While they were vague about the show's name they were positive it was a "large tented show" with the best of everything. CFA's who saw the circus at Victoria described it as "a small show" with no show owned equipment. They called it strictly "a drum and organ show" with the Oscarian Family and some Mexican performers. Six performances were scheduled for San Antonio, but prior to the first show, performers were told they (Continued on Page 16) A VAILABLE fOP LIMITED ENGAGEMENTS HOLLYWOOD ELEPHANTS Contact JUDY JACOBSKAYE Suit* 519 • 1680 North Vine Street • Hollywood, California • 90028 Area Code 213 • 462-6001 Page 2 The Circus Report American Continental by MIKE SPORRER The 1976 circus season got off to a big start with the arriv- al of the American Continental Circus at Seattle, Wash. The May 1-5 engagement was sponsored by the Police Officers Guild, that organi- zation's llth annual circus presentation. This year's Bicentennial edition is a colorful one and is well presented. The center ring is new and all three are painted red, white and blue.
    [Show full text]
  • Monday Tuesday Wednesday Thursday Friday Saturday Wings
    Monday Tuesday Wednesday Thursday Friday Saturday Wings 0000-01 2:30-3:45PM Pre-Professional Program 0000-01 2:00-3:30PM Open Gym 0000-01 2:30-4:00PM Pre-Professional Program 0000-01 2:00-3:30PM Cloud Swing 0000-01 3:00-3:30PM 9:00 AM Swinging Trapeze 1000-01 3:00-3:30PM Bite Balance 1000-01 3:15-4:00PM Duo Trapeze 1000-03 3:30-4:15PM Chair Stacking 0100-01 3:30-4:00PM Swinging Trapeze 1000-01 3:00-3:30PM Acrobatics 0105-02 ages 10+ 3:00 PM 3:00 Audition Preparation for Professional Circus Schools 0000-01 3:30-4:30PM Handstands 1000-01 Triangle Trapeze 0100-03 3:30-4:00PM Hammock 0300-01 3:30-4:00PM Flying Trapeze Recreational 0000-01 4-Girl Spinning Cube 0100-01 3:45-4:15PM Swinging Trapeze 0000-03 3:30-4:00PM Globes 0000-01 Audition Preparation for Professional Circus Schools 0000-01 3:30-4:30PM Acrobatics 0105-01 ages 10+ Duo Trapeze 1000-03 3:30-4:15PM Acrobatics 0250-01 Acrobatics 0225-02 Low Casting Fun 0000-04 4-Girl Spinning Cube 0100-01 3:45-4:15PM Chinese Poles 0050-02 (On hiatus for fall session) Hammock 0100-01 4:00-4:30PM Contortion 1000-01 Bungee Trapeze 0200-01 Mini Hammock 0000-03 4:00 PM 4:00 Mexican Cloud Swing 0200-01 4:15-5:00PM Dance 1000-04 Duo Trapeze 1000-01 4:15-5:00PM Flying Trapeze 0500-01 Duo Unicycle 1000-01 Star 0100-01 Aerial Experience 0000-01 ages 8-12 Globes 0000-02 Hammock 0200-01 4:30-5:00PM Intro to Solo Trapeze 0000-01 Mini Hammock 0000-02 Toddlers 0300-01 ages 4-5 Banquine 0100-01 Handstands 0005-01 ages 12+ Acrobatic Jump Rope 1000-01 Multiple Trapeze 0200-05 Moroccan Pyramids 0100-01 Bungee Trapeze
    [Show full text]
  • Dust Palace Roving and Installation Price List 2017
    ROVING AND INSTALLATION CIRQUE ENTERTAINMENT HAND BALANCE AND CONTORTION One of our most common performance installations is Hand Balance Contortion. Beautiful and graceful this incredible art is mastered by very few, highly skilled performers. Roving or installation spots are only possible for 30 mins at a time and are priced at $950+gst per performer. ADAGIO AND ACROBATICS Adagio, hand to hand, balance acrobatics and trio acro are all ways to describe the art of balancing people on people. Usually performed as a couple this is the same as hand balance contortion in that it’s only possible for 30 minute stints. Roving or installation can be performed in any style and we’re always happy to incorporate your events theme or branding into the theatrics around the skill. Performers are valued at $950+gst per 30 minute slot. MANIPULATION SKILLS Manipulation skills include; Hula Hoops, Juggling, Cigar boxes, Diabolo, Chin Balancing, Poi Twirling, Plate Spinning and Crystal Ball. As a roving or installation act these are fun and lively, bringing some nice speedy movement to the room. All are priced by the ‘performance hour’ which includes 15 minutes break and range between $400+gst and $700+gst depending on the performer and the skill. Some performers are capable of character work and audience interaction. Working these skills in synchronisation with multiple performers is a super cool look. Most of these skills can be performed with LED props. EQUILIBRISTICS aka balance skills The art of balancing on things takes many long hours of dedication to achieve even the most basic result.
    [Show full text]
  • THURSDAY 31St May 2018 Time Activity Tutor Duration Where
    THURSDAY 31st May 2018 Time Activity Tutor Duration Where Arrival on site after 12noon Session 1 17:00 - 18:00 Welcome meet and games Get together Brett & Mat 1 hour Apple Barn 18:00 - 19:30 Dinner 2 hours Café Session 2 19.30 Evening yoga Yoga stretch (Ashtanga based) Brett & Steph 1 hour Apple Barn FRIDAY 1st JUNE 2018 Time Activity Tutor Duration Where Session 1 8pm - 8:45 Morning Yoga & Warm up Yoga Brett 1 hour 1 hour 08:30 - 09:45 Breakfast 15mins Café Session 2 10:00 - 11:00 Hand Stands & Adagio Acrobalance Mohamed and Dalla 1 hour Apple Barn 10:00 - 11:00 Unicycle and tight wire Balance skills / high unicyle Nat 1 hour Big Top 10.00 -11.00 Beginners lyra Lyra Lisa 1 hour Circus Barn 10:00 - 11:00 Manipulation and balance Skills Beginners circus Bruce 1 hour Big Top 10.00-11.00 Clown and comedy games Clown Mat 1 hour Skybarn 11:00 - 11:30 Elevenses 30 mins Session 3 11:30 - 12:30 Swinging Trapeze Swinging Trapeze Lyn 1 hour Outdoor Rig 11:30 - 12:30 Manipulation skills Juggling, diablo and more Nat 1 hour Apple Barn 11:30 - 12:30 Acro yoga Partner acroyoga Rachel & Sam 1 hour Skybarn 11:30 - 12:30 Silks Aerial advanced Charlie Booth & Lisa 1 hour Circus Barn 13:00 - 14:00 Lunch 1 hour Café Session 4 14:00 - 15:00 Hula Hoop Beginners Hula Hoop Cate Manby 1 hour Outside 14:00 - 15:00 Partner Acro Yoga All abilities Rachel & Sam 1 hour Sky Barn 14.00-15.00 Swinging Trapeze For aerialists Lyn 1 hour Rig 14:00 - 15:00 Lyra - intermediate Aerial Hoop Lisa 1 hour Circus Barn 14:00 - 15:00 Simple magic Magic for all Nat 1 hour Apple Barn
    [Show full text]
  • Tuesday and Wednesday, February 6 & 7, 2007
    Tuesday and Wednesday, February 6 & 7, 2007 Fine Arts Center Concert Hall PRODUCTIONS ÉLOIZE, COLUMBIA ARTISTS MANAGEMENT LLC AND NEDERLANDER PRESENTATIONS, INC.. present Starring artists-acrobats-singers-dancers Jocelyn Bigras, Oksana Burliy, Jean-Philippe Cuerrier, Stéphane Gentilini, Catherine Girard, Krin Maren Haglund, Sandrine Merette, Nadine Louis, Bartlomiej Pankau, Jonas Woolverton, Jacek Wyskup Set Design Dolores Heredia Guillaume Lord Moving lights programming Costume Design Nicolas Descoteaux Mérédith Caron Make up Design Lighting Design Suzanne Trépanier Martin Labrecque Assistant Director Head Trainer Roch Jutras Krzysztof Soroczynski Assistant Director & Stage Manager Music Composer & arrangements on recorded Patrick Loubert soundtrack Creative Producer Maria Bonzanigo Julie Hamelin Music Composer & arrangements for live music General Manager Lucie Cauchon Jeffrey M. Markowitz Lyrics Executive Producers Daniele Finzi Pasca Jean-Jacques Cesbron Creator & Trainer for “Roue Cyr” act Julie Hamelin Daniel Cyr Cirque Éloize’s artistic direction Acting Preparation Jeannot Painchaud The duration of the performance is two hours including intermission. The use of any recording device, either video or audio, and the taking of photographs, either with or without flash, is strictly prohibited Sponsored by Bank of America, El Dialogo, WRNX 100.9 and Hampshire Hospitality Group SCENES Cirque Éloize Rain Prologue Tumbling Juggling Banquine & Russian Bar Strong Women Shoes Strong Men Duo Trapeze Juggling Bottles Roue Cyr Teeterboard INTERMISSION
    [Show full text]
  • Do Degrees in Circus Provide the Requisite Graduate Attributes to Successfully Transition to Industry?
    Do degrees in circus provide the requisite graduate attributes to successfully transition to industry? MSc Dance Science and Education The University of Edinburgh 2018 s1264210 Acknowledgements In writing this dissertation there were many people who helped me along the way. I would like to express my very great appreciation to Craig Litherland for not letting me give up and for being my sounding board every step of the way. I would like to offer special thanks to Stella Taylor for allowing me the flexibility to complete the project whilst working, and for her endless support and encouragement throughout this journey. I also wish to acknowledge the help provided by: Wendy, my supervisor; the participants of the study for being willing to answer my many questions; Morag, Melvin and Jonathan Taylor for proofreading everything. This project wouldn’t be what it is without you all. Finally my special thanks are extended to all the staff at Aerial Edge for introducing me to the spectacular world of circus, but most especially to Chiara, for being a circademic and giving me advice on thesis writing, and Scott for saving my life on numerous occasions during my high flying misadventures. You ignited my passion for circus and inspired me to make this exploration. Thank you all. s1264210 The University of Edinburgh 2018 MSc Dance Science and Education 2 Abstract This study examines views of educators and graduates on how circus degree training attends to outcomes in the circus industry, in order to understand whether students are made ready for the industry. Degree level training has emerged as an advancement of academic activity in circus.
    [Show full text]
  • SANCA Is Hiring Acrobatics Coach School of Acrobatics and New Circus Arts
    SANCA is hiring Acrobatics Coach School of Acrobatics and New Circus Arts Reports to: Acrobatics Department Manager and Program Director Description: Circus is a joyful and empowering activity, and we are searching for an acrobatics coach to be- come an integral member of our staff, instructing students ages 7-99 in the circus arts. This is a part time posi- tion with an anticipated commitment of 10-25 hours each week. SANCA classes run for 12-week sessions, our coaches must commit to teaching for the entire session. Class sizes will vary based on on the ages and level of students in the class; the average number of students per class is typically 6 to 8. Teaching at SANCA can be simultaneously challenging and rewarding. We are looking for someone who has a passion for empowering students, who can easily adapt to rapidly changing and unexpected situations, and who will act as a positive role model for our students. Applicants should be comfortable coaching beginning through advanced progressions in one or more of these disciplines: Tumbling: forward rolls, cartwheels,back-extension rolls, dive rolls, walk-overs, handsprings,front/side aerials, flips and tumbling passes. Trampoline: proper jumping technique, position jumps, handsprings, flips; pulling lines to spot for double backs and twisting skills Handstands: straight circus-style handstand alignment, strength and flexibility skills to help obtain the handstand line, progressions into one arm, crocodile, familiar with the use of hand stand canes Partnered Acrobatics: L-basing skills and progressions to standing acrobatics, banquine, russian bar, dance adagio Contortion: pagoda progressions, splits, needle scales, forearm-stands, deep stretching techniques, active flexibility Job Duties and Responsibilities: - Adhere to SANCA’s policies, objectives and rules - Support SANCA’s Mission and Vision - Coach circus classes with an emphasis on safety, positivity, and small steps to success.
    [Show full text]
  • Circus Report, August 9, 1976, Vol. 5, No. 32
    5th Year August 9, 1976 Number 32 During a regular performance of RBBB's Blue Unit at Ingle- wood, Calif. (July 21), Miss Emilia Ivanova (23) achieved a new circus "first" when she did a quadruple back somersault to the high perch chair. The feat was accomplished during the presentation of the Kehaiovi Troupe's teeterboard act (consisting of 11 people), and Miss Ivanova was caught by the group's leader George Kehaiov. Emilia has been with the troupe for 4 years, and prior to that studied acrobatics under Lasar Dobritch in Bulgaria. When she joined the troupe she was do- films were made at each rehear- ing doubles to the chair and just last year started doing triples sal to study the problems that during the act. developed. Her first two serious attempts were successful. Practice for the quad- The first public completion of ruple started early this year, (Continued on Page 10) AVAILABLE FOR LIMITED ENGAGEMENTS JACOBS HOLLYWOOD ELEPHANTS Contact JUDY JACOBSKAYE Suite 519* 1680 North Vine Street • Hollywood. California • 90028 Area Code 213 • 462-6001 Page 2 The Circus Report QlRCUS at a GLANCE by ALLEN BABCOCK The Mid-America Circus has a beautiful new big top, which we saw here in Decatur (111.) on July llth. They offer customers a good program and the enthusiastic audiences (show at 2 and 4 p.m.) certainly enjoyed it. The program featured: Nino HELP WANTED Santos, juggling; Clowns, magic; John Strong, Jr., hand balancing; Want Experienced Elephant Man Clowns, Big & Little; Mel Silver- and Diesel Truck Driver for lake, horse; Miss Lasine and San- year round work.
    [Show full text]