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Call Me Queer
Call Me Queer: Queer theory and the Soundtrack of Call Me by Your Name Zora van Harten 4246551 dr. Floris Schuiling bachelor thesis MU3V14004 Musicology University of Utrecht Word count: 5559 Introduction In a culture that classifies the world through binary categories, entities that fall in between those 1 categories are often subjected to fear and anxiety. It is therefore no surprise that two subjects as fluid, undefinable and abstract as music and queer identities both have been occupying 2 controversial positions within Western history. Remarkably, both these subjects are central to the critically acclaimed film Call Me by Your Name. The film, directed by Italian director Luca Guadagnino, is part of his so-called “desire” film trilogy, together with earlier films Il Sono L’Amore (2009) and A Bigger Splash (2015). It tells the story of a summer romance between a seventeen year old boy called Elio, and Oliver, a twenty-eight year old scholar who is invited to work on his doctoral thesis while staying in Elio’s parents’ summer house in Italy. Its narrative features a nuanced and fluid, and therefore queer conception of desire and sexuality; the characters stay out of defined categories through the ambiguous meaning of the film’s dialogue and their sexual identities. In this film, music takes on a remarkable position. Elio uses music to express the multiple outlets regarding his desire for Oliver. Moreover, the songs, and piano works of the soundtrack are often combined with the relatively loud presence of sounds such as the movement of water, crickets or the wind rushing through the trees which could point towards a more affective experience of sound for the audience.
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Haunted House Scares up Funds His Wife Debra R
Vol. 88 Issue 35 November 2, 2010 Sufjan Stevens Opens WHAT’S INSIDE musical floodgates OPINION Sex and violence in video New album Age of Adz blends acoustic games goes to vote and electronic sounds ........................................4 See ALBUM, page 5 DETOUR Shiny Toy Guns and Seven Year War Halloween bash Free or discounted ........................................6 food for student voters SPORTS To entice student voters local eateries will be Bee in the Know: offering specials to voters Postseason expansion See COMMUNITY, page 3 ........................................8 dailytitan.com The Student Voice of California State University, Fullerton Memorial ONLINE www.dailytitan.comEXCLUSIVES for SoCal Multimedia artist Life of CSUF alumni artist Patrick Merrill is remembered HEATHER REST Daily Titan Innovative Community members, educators, family and friends gathered Satur- Vending Machine day afternoon to celebrate the life See what’s Scan to view of Southern California artist and re- for sale at the nowned print-maker Patrick Merrill. new vending The day consisted of a memorial machine at service, an artist panel discussion and dailytitan.com/ an exhibition opening at Begovich shop24 Gallery; Patrick Merrill: revelation, which will run through Nov. 9. “He’s got a really diverse back- ground as an artist and as an educa- tor. So we have a lot of people from all over here today,” said Dana Lamb, Shekell Visual Arts Department chair. “His prime medium was print making. pleads guilty The work is based strongly on his social and political perspective and State-of-the-art convenience store installed observations in his life; he had a very to charges interesting life.” Daily Titan JOHNNY LE / Merrill died Aug.
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Nostalgia in Indie Folk by Claire Coleman
WESTERN SYDNEY UNIVE RSITY Humanities and Communication Arts “Hold on, hold on to your old ways”: Nostalgia in Indie Folk by Claire Coleman For acceptance into the degree of Doctor of Philosophy December 20, 2017 Student number 17630782 “Hold on, hold on to your old ways” – Sufjan Stevens, “He Woke Me Up Again,” Seven Swans Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................................................. Claire Coleman Acknowledgements This thesis could not have been completed without the invaluable assistance of numerous colleagues, friends and family. The love, respect and practical support of these people, too many to name, buoyed me through the arduous privilege that is doctoral research. With special thanks to: The Supers – Dr Kate Fagan, Mr John Encarnacao and Associate Prof. Diana Blom My beloved – Mike Ford My family – Nola Coleman, Gemma Devenish, Neale Devenish, and the Fords. The proof-readers – Alex Witt, Anna Dunnill, Pina Ford, Connor Weightman and Nina Levy. My choir families – Menagerie, Berlin Pop Ensemble and Dienstag Choir Administrative staff at Western Sydney University Dr Peter Elliott Ali Kirby, Kate Ballard, Carol Shepherd, Kathryn Smith, Judith Schroiff, Lujan Cordaro, Kate Ford and the many cafes in Perth, Sydney and Berlin
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College Voice Vol. 35 No. 4
Connecticut College Digital Commons @ Connecticut College 2010-2011 Student Newspapers 10-18-2010 College Voice Vol. 35 No. 4 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_2010_2011 Recommended Citation Connecticut College, "College Voice Vol. 35 No. 4" (2010). 2010-2011. 16. https://digitalcommons.conncoll.edu/ccnews_2010_2011/16 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 2010-2011 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. Students gather aJ the sundial for the Manhew Shepard vigil CECILIA BROWN/STAFF LGBTQ Teach-In Quit Playing Games, Targets Start Gaming Homophobia cc Gaming Club expands and experiments this year NORA SWENSON both the LGBTQ community and RACINE OXTOBY aficionados play a few rounds of tempted to attract other garners, STAFF WRITER its allies. The teach-in was well ARTS EDITOR Munchkin or SeItlers of Catano especially those who appreci- "It's actually a sizeable club ate the electricity-free games. Five youth suicides have struck attended;· students, faculty and Call them what you want. now," said senior Dan Whitting- "We've been trying to diversify, the LGBTQ community in the administrators filled every seat in Nerds. Dorks. Whatever Jabba ton. He has been the president of and people have been coming past month, the most recent by the 1941 room and many others the Hut-type creatures the South the club for the past two years and with different interests," says a Rutgers University student in stood lining the walls.
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The-Queer-Lonely-Diaries-Web-Version
The Queer Lonely Diaries Friendship as a way of life * Community care * Towards the abolition horizon A zine by A.N. Spring/Summer 2020 [email protected] queerlonelydiaries.com This is a free zine. Thank you so much for reading it. Robin Wall Kimmerer writes in Braiding Sweetgrass that in a gift economy, “whatever we have been given is supposed to be given away again”. If anything you read here moves you, feel free to pass it on. These essays deal with the facts of my life, but names, identifying details and some locations have been changed. Cover art by Peppermintlines (IG: @peppermintlines) This zine is set in Klinic Slab Book (print version) and Klinic Slab Medium (web version), except for titles and footnotes which are set in Dotties Chocolate Medium. Both are Lost Type Co-Op fonts, a Pay-What-You-Want foundry “dedicated to the idea that quality fonts should be made available to anyone who wants to create an individual piece of characterful design.” Contents 777 The Queer Lonely Diaries 484848 Becoming Queer 818181 Attachment Femme 123123123 Foundational Texts and References To all my friends. To the queer artists, writers and thinkers whose work has helped me become. To my Pleasure Activism group, who made this zine possible, and to adrienne maree brown for writing the book that brought us together. But the second history of the body? The second history is love’s inscription. Some inscription we wear like dreams—fragments of a life unthetered from this world, messages from a future reflected to us like light off broken shards.
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Appelle-Moi Par Ton Nom
SONY PICTURES CLASSICS Présente en association avec Memento Films International RT Features M.Y.R.A. Entertainment Une coproduction Frenesy Film/La Cinéfacture Un film de Luca Guadagnino APPELLE-MOI PAR TON NOM (CALL ME BY YOUR NAME) Armie Hammer Timothée Chalamet Michael Stuhlbarg Amira Casar Esther Garrel Victoire Du Bois D’après un scénario de Luca Guadagnino et Walter Fasano Scénario : James Ivory D’après le roman d’André Aciman Image : Sayombhu Mukdeeprom Montage : Walter Fasano Décors : Samuel Deshors Costumes : Giulia Piersanti Un film produit par Peter Spears, Luca Guadagnino, Emilie Georges, Rodrigo Teixera, Marco Morabito, James Ivory, Howard Rosenman Au cinéma dès le 22 décembre Durée : 2 h 11 min Site : www.métropolefilms.com Distribution : Relations presse : Bonne Smith 5360 St-Laurent, Star PR Montréal Qc H2T 1S1 Tel: 416-488-4436 Tél 514-223-5511 Fax: 416-488-8438 E-mail: 1 [email protected] L’HISTOIRE Été 1983. Elio Perlman, 17 ans, passe ses vacances dans la villa du XVIIe siècle que possède sa famille en Italie, à jouer de la musique classique, à lire et à flirter avec son amie Marzia. Son père, éminent professeur spécialiste de la culture gréco-romaine, et sa mère, traductrice, lui ont donné une excellente éducation, et il est proche de ses parents. Sa sophistication et ses talents intellectuels font d’Elio un jeune homme mûr pour son âge, mais il conserve aussi une certaine innocence, en particulier pour ce qui touche à l’amour. Un jour, Oliver, un séduisant Américain qui prépare son doctorat, vient travailler auprès du père d’Elio.
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Age of Adz Lyrics
Age of adz lyrics click here to download Age of Adz Lyrics: Oh, oh, it rots / Oh, oh, it rots / Oh, oh, it rots / Well I have known you / For just a little while / But I feel I've known you / I feel I've seen you. Sufjan Stevens isn't the kind of artist who repeats himself. The sturdy, State-focused Michigan gave way to the indie-folk sensibilities of 's Seven Swans. Lyrics to "Age Of Adz" song by Sufjan Stevens: Well I have known you For just a little while But I feel I've known you I feel I've seen you Whe. It's in your afterlife. This is the Age of Adz Eternal living. Oh, keep from trying. Oh, keep from caring. You are the life. We see you trying to. Be something else that. Well I have known you For just a little while But I feel I've known you I feel I've seen you When the Earth was. Lyrics to 'Age Of Adz' by Sufjan Stevens. (Oh Oh Oh Oh) It rots / (Oh Oh Oh Oh) It rots / (Oh Oh Oh Oh) It rots / (Oh Oh Oh Oh) It rots / Well I have known you. Futile Devices, Too Much, Age of Adz, I Walked, Now That I'm Older, Get Real Get Right, Bad. Age Of Adz lyrics by Sufjan Stevens: [Intro] / Oh, oh, it rots / Oh, oh, it rots / Oh, oh, it rots / [Verse 1] / Well I have known you. Age Of Adz lyrics: [Intro] Oh, oh, it rots Oh, oh, it rots Oh, oh, it rots [Verse 1] Well I have known you For just a little while But I feel I've known you I feel I've seen.
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A Intersecção Da Trilha Musical Com a Emoção Em Call Me by Your Name 7 Bruno César Leal Santos 8 Universidade Estadual De Goiás (UEG)
A intersecção da trilha musical com a emoção em Call Me By Your Name 7 Bruno César Leal Santos 8 Universidade Estadual de Goiás (UEG) Resumo: Este artigo analisa como a trilha musical se intersecciona com a perspectiva emocional dos personagens principais em Call Me By Your Name (2017). A análise faz o uso de autores como Michel Chion e Claudia Gorbman. Percorre-se o contexto visual e sonoro, explorando argumentos pelo processo de criação, progressão narrativa e como consequência, o desenvolvimento dos personagens, a atmosfera criada com o uso das músicas e a relação existente da trilha com as circunstâncias diegéticas da história. Palavras-chave: Filme. Música. Narrativa. Resumo expandido O artigo investiga a intersecção da trilha musical com a perspectiva emocional dos personagens em Call Me By Your Name (2017). A análise faz uso de autores como Ney Carrasco (2003), Michel Chion (1982), Syd Field (1979), Claudia Gorbman (1987), Marcel Martin (1985), e R. Murray Schafer (1992), baseando-se principalmente nos interações existentes das músicas com os demais fatores cinematográficos. Pensando em como a música comunica-se com a emoção dos personagens, a pesquisa começa analisando o processo de criação delas e como ele deu-se para ser composto e existido na diegese fílmica. “A música age apenas sobre os sentidos, como fator de intensificação e aprofundamento da sensibilidade.” (MARTIN, 1985, p. 120) Nisto, entende-se que existe uma relação do diretor Luca Guadagnino e o artista Sufjan Stevens com a qual foi-se criada uma ligação a partir da concepção narrativa do filme. É explicado um pouco a forma em que foi desenvolvida as músicas e suas respectivas inspirações.
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The Water Tower Vol. 8 Issue 9
volume 8 - issue 9- tuesday, november 2, 2010 - uvm, burlington, vt uvm.edu/~watertwr katie gagliardo by calebdemers ome call it “blackout in a can,” of his shirt and ran to me. I don’t know was left for us with his hands tied behind that these students have assisted in the ar- others call it “really gross tasting,” who this kid was, and I am sure as hell he his back. What’s even stranger is that he rest of over 50 local criminals. but the caffeinated malt beverage doesn’t remember me, but I thank him was accompanied by an unbound UVM Not all Four Loko drinkers acknowl- Four Loko may need a new nick- and whatever he drank for making my life student passed out with a crumpled Four edge (or even have the capacity to know) name. Ever since the arrival of a new a little bit easier.” Loko can in his sweatshirt pocket.” that they are a part of this growing phe- year at UVM, members of the Burlington The mystery concoction is a “premium Burlington has seen its fair share of nomenon. Carrie G., a sophomore student community have been reporting a slew of malt beverage with artificial flavors, guara- vigilantes over the years. “The Champ,” said: “I first drank [Four Loko] the second odd occurrences. Students that appear ex- weekend back to school and it resulted in tremely drunk have actually been helping a trip to Blackout City so I honestly can’t people in times of crisis. This new breed of The surprisingly nonalcoholic taste and high tell ya much.” -- dare I say it -- superheroes, may be just levels of caffeine makes for a cocktail fit for However, she does know that some- what Burlington needs to topple the crime thing intense must have gone down that syndicates and wipe the streets clean with the fist a classic college partier and, evidently, night, saying: “The next morning, I woke the faces of the Queen City’s criminals.
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Listening at the Edges: Aural Experience and Affect in a New York Jazz Scene
Listening at the Edges: Aural Experience and Affect in a New York Jazz Scene by Matthew Somoroff Department of Music Duke University Date:_______________________ Approved: ___________________________ Louise Meintjes, Co-Supervisor ___________________________ Paul Berliner, Co-Supervisor ___________________________ Philip Rupprecht ___________________________ Mark Anthony Neal Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2014 ABSTRACT Listening at the Edges: Aural Experience and Affect in a New York Jazz Scene by Matthew Somoroff Department of Music Duke University Date:_______________________ Approved: ___________________________ Louise Meintjes, Co-Supervisor ___________________________ Paul Berliner, Co-Supervisor ___________________________ Philip Rupprecht ___________________________ Mark Anthony Neal An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2014 Copyright by Matthew Somoroff ©2014 Abstract In jazz circles, someone with “big ears” is an expert listener, one who hears the complexity and nuance of jazz music. Listening, then, figures prominently in the imaginations of jazz musicians and aficionados. While jazz scholarship has acknowledged the discourse on listening within various jazz cultures, to date the actual listening practices of jazz musicians and listeners remain under-theorized. This dissertation investigates listening and aural experience in a New York City community devoted to avant-garde jazz. I situate this community within the local history of Manhattan’s Lower East Side, discuss the effects of changing neighborhood politics on music performance venues, and analyze social interactions in this scene, to give an exposition of “listening to music” as a practice deeply tied into other aspects of my interlocutors’ lives.
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Magpie Salute NORISKDISC MANIA Major Muscle • Independent Spirit
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Chiamami Col Tuo Nome – Pressbook Italiano
Chiamami col tuo nome – pressbook italiano Sony Pictures Classics, Memento Films International, RT Features e M.Y.R.A. Entertainment presentano una co- Produzione Frenesy Film / La Cinéfacture in collaborazione con Water’s End Productions un film di Luca Guadagnino CHIAMAMI COL TUO NOME (Call Me by Your Name) con Armie Hammer Timothée Chalamet Michael Stuhlbarg Amira Casar Esther Garrel Victoire Du Bois Basato sul romanzo "Chiamami col tuo nome" di André Aciman Prodotto da Peter Spears, Luca Guadagnino, Emilie Georges, Rodrigo Teixera, Marco Morabito, James Ivory, Howard Rosenman Produttori esecutivi Derek Simonds, Tom Dolby, Margarethe Baillou, Francesco Melzi D’Eril, Naima Abed, Nicholas Kaiser, Sophie Mas, Lourenço Sant’Anna Sceneggiatura di James Ivory Direttore della fotografia Sayombhu Mukdeeprom Montaggio di Walter Fasano Sceneggiatore Samuel Deshors Costumi di Giulia Piersanti Brani “Mystery of Love” e “Visions of Gideon” scritti e interpretati da Sufjan Stevens Diretto da Luca Guadagnino Distribuito da Warner Bros. Entertainment Italia Durata del film: 132 minuti Uscita italiana: 25 gennaio 2018 Materiale stampa: materialistampa.cristianacaimmi.com/CMBYN.zip www.facebook.com/ChiamamiColTuoNomeILFILM/ Senior Publicity Manager consultant - Ufficio Stampa Film Cristiana Caimmi: [email protected] Publicity Manager Sony Pictures - Warner Bros. Entertainment Italia Antonio Viespoli: [email protected] 1 Chiamami col tuo nome – pressbook italiano CHIAMAMI COL TUO NOME Sinossi Chiamami col tuo nome, il nuovo film di Luca Guadagnino, è un racconto sensuale e trascendente sul primo amore, basato sul famoso romanzo di André Aciman. È l'estate del 1983 nel nord dell'Italia, ed Elio Perlman (Timothée Chalamet), un precoce diciassettenne americano, vive nella villa del XVII° secolo di famiglia passando il tempo a trascrivere e suonare musica classica, leggere, e flirtare con la sua amica Marzia (Esther Garrel).
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