AGM Elects New Chairman • Member Reps Introduced • Fees Increased for Groups • Constitution Updated a Series of Significant Changes Were Agreed at This Year’S AGM

Total Page:16

File Type:pdf, Size:1020Kb

AGM Elects New Chairman • Member Reps Introduced • Fees Increased for Groups • Constitution Updated a Series of Significant Changes Were Agreed at This Year’S AGM The magazine of the Somerset Fellowship of Drama Charity No. spotlight October 2014 1084863 AGM elects new Chairman • Member reps introduced • Fees increased for groups • Constitution updated A series of significant changes were agreed at this year’s AGM. Following David Jenkins’ decision to step down after six years in the chair, Philip de Glanville was elected as the new Chairman with Di Dean continuing in her role as Vice Chairman. Lyn Lockyer is to take over the County Drama Festival for this year because Philip will be abroad for an extended period: Nigel Strawbridge, who was at the meeting, takes over from Richard Derry as Treasurer and both Pam Hillier and June Jenkins have joined the New Chairman Philip de Glanville (left) with some of the new committee since the last SFD as Original faces around the committee table. From top: Lyn Lockyer, June Playwriting coordinator and Minutes Secretary Jenkins, Pam Hillier and Nigel Strawbridge. respectively. Members agreed to the proposal to introduce four Member Representatives onto the In this month’s Spotlight… committee, loosely based on four geographical areas: north, south, east and west. They also News 2 agreed to a proposal to include members of Remembering Gordon Neagle 3 affiliated drama groups as SFD members, County Drama Festival 4 having all the benefits of membership of the Meet Lyn Lockyer 5 SFD with the exception of voting rights. Original Playwriting Competition 6 Why we won’t be entering the Cinderella These changes were part of a range of matters Competition by Sam Allen 6 that were incorporated into an updated The 2014 AGM 7 Constitution, the first update since 2002. SFD Codes of Practice 10 Fees for societies will be increased from £15 to Memories of Sandy Wilson By Sue Pomeroy 11 £25 but will stay the same for individual 19 years at the Chalk Face by Upstager 13 members. This increase is the first in the What’s On 15 history of the independent SFD. Auditions 16 In a change to tradition the meeting, at Ashcott Village Hall, was held in the afternoon rather than the evening, although the numbers attending Submissions for Spotlight welcome. To remained more or less unchanged. [email protected] By 21st of previous month please. All entries are welcome: letters, What’s On, comment, articles, photos etc 1 Chief Executive All ready for Phoebe’s wanted for Taunton’s sixtieth awards night Brewhouse Over 144 tickets have been sold for the diamond jubilee of the Phoebe Rees Less than 6 months after re-opening awards, which will be held in Ilminster’s the Brewhouse Theatre and Arts Centre, Shrubbery Hotel on 11th October. The Taunton Theatre Association has announced it commemorative tickets are adorned by a lovely is seeking a Chief Executive to lead its picture of Phoebe in her heyday. continuing development of high quality The ceremony is being organised by performance across all genres. This follows the coordinator Anna Bowerman and the evening planned steady build-of programmes from will be hosted by former adjudicator and April to September which has seen many moderator designate, Clive Wooldridge. thousands of tickets sold and sell-out performances for Lee Nelson, The Everly A full list of nominations was published in the Brothers featuring Clinton and Stan Rogers, September edition of Spotlight and there will and the upcoming Chris and Pui of Cbeebies be a full report of the evening in next month’s fame. edition. Chair, Val Hammond, said: “It has been an Accessing Spotlight extremely exciting and rewarding time involving a tremendous group of volunteers. One of the many issues discussed Although a great deal of work was needed to over tea at this year’s AGM was access to get the theatre ready for patrons and acts alike, Spotlight. Some people thought that it was only we were determined to achieve this and available to members. Not so! Spotlight is delighted to open the doors in April. Now, with available for everyone to read and it would be our registered charity status and new Trustee great to increase readership as it is intended as Board, it is time to take the next step and a vehicle for amateur thespians to keep in the appoint a theatre professional to help develop picture with drama goings on across Somerset. and lead the next phase of our work.” To read the latest edition anyone can go to the The Brewhouse is home to SFD stalwarts SFD website and register – all we need is an Wayfarers Pantomime Society and is often email address, which we do not divulge to used by Taunton Thespians, who are delighted anyone else and we will certainly not bombard to be returning to the Brewhouse. It has an people with marketing bumf. exciting and varied show list over the next So please encourage all members of your season; details of all events are on the website: drama group to read Spotlight and keep up to www.thebrewhouse.net. date with the world of amateur drama. Those interested in the Chief Executive role please apply by emailing Cinderella Information [email protected] to receive an Dispatched application and information pack. Anyone wishing to volunteer and/or receive e- Details of the 2014/15 Cinderella mailings about The Brewhouse Theatre should Trophy Competition are being sent out by visit the website to register their interest. email by competition coordinator Pam Price. If you do not receive the details you should contact Pam as soon as possible. Her contact What did they say…? details can be found on page 10. New societies are encouraged and we would love to top last I like long walks, especially when they year’s total of 29 entries. are taken by people who annoy me. - Noel Coward 2 Farewell to Gordon Friends and family gathered at St Martin's Church, Kingsbury Episcopi on Wednesday 24th September to say farewell to Gordon Neagle, a stalwart of Somerset drama who, passed away peacefully at Yeovil District Hospital on Tuesday 9th September, aged 67. A committal service followed at Yeovil Crematorium and afterwards friends gathered at the The Warehouse Theatre, Ilminster, to remember him and celebrate his life. An accomplished director, as well as productions at the Warehouse in Ilminster, Gordon directed plays for The Easy Life Theatre Company which he co-founded in 1992, Moorlight Theatre Productions and even as far afield as Scarborough Musical Theatre Company where he directed Indeed, Gordon was a major contributor to the Oliver! in 2009. Through his involvement with SFD where he was an adjudicator and then NODA he worked to help others learn the skills moderator for the Phoebe Rees Trophy, his views needed to direct a successful production and he and input widely respected by everyone. was the driving force behind the David Beach Competition, which he instigated in 2002. Gordon Neagle – An appreciation By Mike Linham entries and we had a full silver cabinet of Anyone who ever had the privilege donated trophies to send winners home happy. to meet Gordon will know how enthusiastic ordon, also loved directing and, particularly and supportive he always was where theatre G was concerned, no matter what genre, touring, so that he was responsible for the first production or venue was in use at the time. He County Production, Here we go gatherin’, the worked with many groups over the years, both winning Full Length Play from the Original Play in Somerset, and also in Scarborough where he Festival that year, which was staged in a lived for 5 years, before returning to Somerset number of Somerset Venues. For this feat, and a few years ago. From the mid 1990’s he was a his many other Fellowship supporting significant supporter of the Fellowship, activities, he was presented with the Sybil particularly in the period following Thorndyke Trophy. This was one of many ‘Independence’. His first role was Mendip Area trophies he won along the way, including Best Representative and he immediately started Play, Best Show, Best Direction and more. It visiting groups throughout Mendip to ensure was never the winning that was important, it he knew them and their needs well. As with was doing the best he could that mattered. If he everything he did, this commitment was a was up against a better production he was very beginning and a few years later, he became an happy to acknowledge the fact and would Adjudicator for the Phoebe Rees Trophy. He celebrate with the winners. He was always progressed to Moderator and then led the way encouraging people to aim high and, as a true to setting up the David Beach Trophy Amateur, to maximise the enjoyment in the Competition in 2002, for which he was the first journey involved in any production. His Moderator and Co-ordinator. At this point we contribution to the Fellowship’s activities was were not sure how popular it might be. Of always good-natured and to the benefit of all course, with Gordon at the helm we need not who wanted to share the experience with him. have worried. By year end, there had been 17 We were always grateful to have him as a member of our ‘cast’. 3 County Drama Festival 2015 By Lyn Lockyer Lyn Lockyer is in charge for the County Drama Festival in 2015. Here she brings March 2015 is nearly half a year us up to date on plans for next year’s away but already people around Somerset are event thinking about the next one-act play festival season. first-served basis and all must be in It starts with our own County Drama Festival by Friday 31st January.
Recommended publications
  • West Valleylight Opera Presents
    7" r-}',) lOll '.::("'" WEST VALLEY LIGHT OPERA PRESENTS OUR 35th SEASON 1999-2000 Book, Music and Lyrics by SANDY WILSON Performing at the SARATOGA CIVIC THEATER 13777 FRUITVALE AVE. in SARATOGA MarchlApril2000 Welcome to the Saratoga Civic Theater! If you enjoy the community theater productions you have seen in this theater, please tell your friends, and pick up the flyers/brochures/cards in the lobby. There are hold- ers on the walls by the side entrance for both West Valley Light Opera and Saratoga Drama Group which contain information on upcoming productions, cards to place your name on their mailing lists and order forms for tickets to their future productions. Please feel free to take them and use them for future reference. It is only through your sup- port that we are able to bring you such "professional" pro- ductions at such a reasonable price. Thank you for your continued support!! •••••••••••••••••••••••••••••••••••••••• •• •• • • • • • Special 'Dedication • • • • • • This program is dedicated to • • • • GLADYS MacARTHUR, • • • • who just celebrated her 100th birthday. • • • • • • • • • • Gladys served as Secretary for West Valley Light Opera • • • • for several years and was a close friend of Captain & Enid • • • • Maurice. She currently resides at the Willow Glen Con- • • • valescent Hospital where she reminisces daily about the • • • • • many performers and shows she enjoyed during her asso- • • • • ciation with WVLO. Gladys has always been a dedicated • • • • supporter and we are delighted to honor her and express • • • • our gratitude for all the hours she volunteered during the • • • • "early years" of this Association. • • • • •••••••••••••••••••••••••••••••••••••••• • Presents Book, Music and Lyrics by SANDY WILSON A Musical Comedy of the Roaring 20 S Starring MELISSA DOMINGUEZ as Polly STEVEN THANNISCH as Tony Featuring Steven Anthony, Jason Arias, Molly Carter, Kristi Kraemer, Jolin Milberg, Leandra Saenz, Anthony Santucci and Margaret Young • ••••••••••••••••••••••••••••••••••• : Director: STEPHEN D.
    [Show full text]
  • Theatre Archive Project Archive
    University of Sheffield Library. Special Collections and Archives Ref: MS 349 Title: Theatre Archive Project: Archive Scope: A collection of interviews on CD-ROM with those visiting or working in the theatre between 1945 and 1968, created by the Theatre Archive Project (British Library and De Montfort University); also copies of some correspondence Dates: 1958-2008 Level: Fonds Extent: 3 boxes Name of creator: Theatre Archive Project Administrative / biographical history: Beginning in 2003, the Theatre Archive Project is a major reinvestigation of British theatre history between 1945 and 1968, from the perspectives of both the members of the audience and those working in the theatre at the time. It encompasses both the post-war theatre archives held by the British Library, and also their post-1968 scripts collection. In addition, many oral history interviews have been carried out with visitors and theatre practitioners. The Project began at the University of Sheffield and later transferred to De Montfort University. The archive at Sheffield contains 170 CD-ROMs of interviews with theatre workers and audience members, including Glenda Jackson, Brian Rix, Susan Engel and Michael Frayn. There is also a collection of copies of correspondence between Gyorgy Lengyel and Michel and Suria Saint Denis, and between Gyorgy Lengyel and Sir John Gielgud, dating from 1958 to 1999. Related collections: De Montfort University Library Source: Deposited by Theatre Archive Project staff, 2005-2009 System of arrangement: As received Subjects: Theatre Conditions of access: Available to all researchers, by appointment Restrictions: None Copyright: According to document Finding aids: Listed MS 349 THEATRE ARCHIVE PROJECT: ARCHIVE 349/1 Interviews on CD-ROM (Alphabetical listing) Interviewee Abstract Interviewer Date of Interview Disc no.
    [Show full text]
  • IS0 Calendar, Ash
    And~~~~~~ trios~~~~. to.. Romania~~ .....~.~~.. and Sweden.~ where the.... rale of marriages defreased by 25.8 and 25.4 per cent respectively. should probably be scratched Faculty Men to Sing .. from the itinerary entirely this year. Sweden ,.. , .. 4. The Boy Friend, a close recreation of .the:. Mick Bridgewater, Gayle Stahlhuth and Nathan reported the lowest rale of marriage in all of ’. ’ ” ”: - ’. ,. .. flapper area set to music, is,beiig presented by .: Everett. .. ~uropelast year 5.3 per 1,cw bpdation . - . At Feb. 16 Convocation .. ;9 Indiana Central College this weekend.. February . ~ Tickets for the ‘performances ‘will f2.W for mmpred with an annual average of 7.1 in 1W 11 and 12. .. : . .adults and $1.50 for students with special rates €4. The Soviet Union’s current marriage rate of Picturedare themembers of the men’s faculty 4 Authored by’ Sandy Wilson, the- mkical for student groups. Show, time for all thFe 9.7’wr 1.0% Do~Dulalion is the highest of any singing ensemble directed hv Farrell...~ smt~ i-qrt . comedy enjoyed an enormous success’in the ’ performances is 8:oO pm. JkbpeG nal‘ron, but represents only a slighi ’ Year fie group performedior the President‘s ... .. i British musical’theater before its American upsuing following several years of a downward , Breakfast and the Christmas program. : prescntation starring Julie Andrew hlChl has . trend there, the statisticians note. ?e newly organized group is as set unnamed. - mently released Ken Russell’s movie version of Rchearsals are held each Thursdiy morning in mire Boy Frirnd. starring England‘s Twiggy. As for the Eliddle Easl and only Israel Rwm 214 of Good Hall.
    [Show full text]
  • Gay's the Word
    Press Information Full casting and extra performances announced! The Finborough Theatre is now FULLY AIR CONDITIONED Part of the Finborough Theatre's Celebrating British Music Theatre series Evergreen Theatrical Productions Ltd in association with Neil McPherson for the Finborough Theatre presents Ivor Novello’s GAY’S THE WORD The Happiest Musical of the Year! Book and Music by Ivor Novello Lyrics by Alan Melville Book Adapted by Richard Stirling by special permission of Samuel French Ltd on behalf of the Ivor Novello Trustees Directed and Choreographed by Stewart Nicholls Music Direction by Ben Stock with Frank Barrie, James Bentham, Helena Blackman, Anna Brook-Mitchell, Daniel Cane, Valerie Cutko, Sophie-Louise Dann, Amy Hamlen, Doreen Hermitage, James Irving, Josh Little, Lindsey Nicholls, Eileen Page, Jonny Purchase, Myra Sands, Elizabeth Seal, Sophie Simms, Paul Slack, Sebastian Smith The Finborough Theatre's acclaimed 'Celebrating British Music Theatre' series follows its sell-out success Perchance to Dream with Ivor Novello’s last and wittiest musical. Gay’s the Word opens a strictly limited run of seven Sunday and Monday performances on Sunday, 5 February 2012 (Press Night: Monday, 6 February 2012 at 7.30pm). This is the first professional revival of the 1951 smash hit, which starred Dame Cicely Courtneidge. Novello sends up his own Ruritanian extravagances in this backstage musical comedy. Former stage star Gay Daventry opens a drama school and finds that what is needed to get her back on top is, to name the show's hit song, Vitality! Other numbers include If Only He'd Looked My Way (subsequently recorded by Frank Sinatra), Bees Are Buzzin’ and the enchanting On Such A Night As This, all combining Novello’s melodic talent with Alan Melville’s sharp wit.
    [Show full text]
  • NEW YORK SHEET MUSIC SOCIETY MARCH, 2012 President’S Message
    New New York Sheet Music Societsy lette VOLUME 33, NUMBER 6 SINCwwwE.NY S1MS.o9rg 80 MARCH, 2012 r DEDICATED TO THE PRESERVATION OF CLASSIC POPULAR MUSIC SSttaarr PPoowweerr:: SShhaannaa FFaarrrr && RRoobbeerrtt WWiinnddeelleerr oonn JJuulliiee AAnnddrreewwss WWhhiissttlliinngg AAwwaayy tthhee DDaarrkk:: AA LLiiffee tthhrroouugghh SSoonngg By Jerry Osterberg she was a person. At the To my knowledge, Shana Farr has never appeared on Law age of 13, Andrews & Order, but she has been seen on television in The Guiding became an immediate Light, which means that my late grandmother would have been sensation after she a fan. Her resume (Shana’s- not my grandmother’s) is long performed “Je Suis and deep. It includes cabaret: Feinstein’s, Laurie Beechman Titania” from Mignon at and the Metropolitan Room; musical theatre: The Music Man, the London Palladium for P h Oklahoma; opera: Madame Butterfly, Lucia di Lammermoor; the royal family of o t o operetta: The Pirates of Penzance, The Yeoman of the Guard, George VI, which b y R Princess Ida; and jewelry design, a unique day job to be sure. included the future Queen o s e Robert Windeler is a writer, and his credentials are equally Elizabeth. Fifty years B i l l later, following her final i impressive. He’s been the Hollywood correspondent for The n g New York Times, Time, People, and USA Weekend, and the show on Broadway – s author of biographies about Mary Pickford and Burt Lancaster, Victor/ Victoria, her Fred Barton & Shana Farr as well as two volumes on Julie Andrews. Happily for incredible singing career NYSMS members, Shana and Robert became acquainted at was over after a throat operation.
    [Show full text]
  • 1956 and ALL THAT: the Making of Modern British Drama
    Downloaded by [Central Uni Library Bucharest] at 22:49 23 September 2013 1956 AND ALL THAT Is it possible to look back beyond anger? It is said that British drama was shockingly lifted out of the doldrums by the ‘revolutionary’ appearance of John Osborne’s Look Back in Anger at the Royal Court in May 1956. But had the theatre been as ephemeral and effeminate as the Angry Young Men claimed? Was the era of Terence Rattigan and ‘Binkie’ Beaumont as repressed and closeted as it seems? In this bold and fascinating challenge to the received wisdom of the last forty years of theatrical history, Dan Rebellato uncovers a different story altogether. It is one where Britain’s declining Empire and increasing panic over the ‘problem’ of homosexuality played a crucial role in the construction of an enduring myth of the theatre. By going back to primary sources and rigorously questioning all assumptions, Rebellato has rewritten the history of the making of modern British drama. Plays discussed include: Look Back in Anger, The Entertainer, Personal Enemy, Epitaph for George Dillon—John Osborne; The Kitchen, Chicken Soup With Barley, Roots, I’m Talking About Jerusalem—Arnold Wesker; Johnson Over Jordan—J.B.Priestly; Each His Own Wilderness—Doris Lessing; Serjeant Musgrave’s Dance— John Arden; Cockpit—Bridget Boland; The Shadow Factory—Anne Ridler; A Taste of Honey—Shelagh Delaney; Salad Days—Julian Slade; and Valmouth—Sandy Wilson. Downloaded by [Central Uni Library Bucharest] at 22:49 23 September 2013 Dan Rebellato lectures in Drama and Theatre at Royal Holloway, University of London.
    [Show full text]
  • Tony Locantro Programmes – Musicals
    Tony Locantro Programmes – Musicals MSS 792 T3743.L Theatre Date Performance Details Adelphi 1982 American Dancemachine Lee Theodore Dir: Lee Theodore Zan Charisse, Barry Preston 1982 Annie Thomas Meehan Dir: Martin Charnin Charles West, Lynne Breare, Glenda Meeson 1962 Blitz! Lionel Bart Dir: Lionel Bart Amelia Bayntun 1997 First Chicago Performance Fred Ebb & Bob Fosse Dir: Walter Bobbie Ruthie Henshall, Nigel Planer 2002 Chicago Fred Ebb & Bob Fosse Dir: Walter Bobbie Anita Louise Combe, Anna-Jane Casy, Marti Pellow 2004 Chicago Fred Ebb & Bob Fosse Dir: Walter Bobbie Frances Ruffelle, Marti Pellow 2005 Chicago Fred Ebb & Bob Fosse Dir: Walter Bobbie Sally Ann Triplett, Darius Danesh 1983 Marilyn! Jacques Wilson Dir: Larry Fuller Stephanie Lawrence, John Christie 1992 (6th Year) Me and My Girl Arthur Rose & Douglas Furber Dir: MikeOckrent Gary Wilmot, Jessica Martin, Bernard Bresslaw 1994 (8th Year) Me and My Girl Arthur Rose & Douglas Furber Dir: Mike Ockrent Les Dennis, Louise English, Alfred Marks 1979 My Fair Lady Lerner & Loewe Dir: Robin Midgley Tony Britton, Anna Neagle, Liz Robertson 1981 My Fair Lady Lerner & Loewe Dir: Robin Midgley Tony Britton, Anna Neagle, Jill Martin Show Boat Jerome Kern & Oscar Hammerstein Dir: Wendy Toye Cleo Laine, Andre Jobin Show Boat Jerome Kern & Oscar Hammerstain Dir: Wendy Toye Andre Jobin, Jan Waters Undated Poppy Peter Nichols Dir: Terry Hands (RSC Production) 1959 When in Rome….. Garinei & Giovannini Dir: Harold French Dickie Henderson, June Laverick 1986 Young England Walter Reynolds Dir:
    [Show full text]
  • The Boy Friend”, the Second Production of WVLO Musical Theatre Company’S 50Th Season
    Presents Our Season Music, Book & Lyrics by Sandy Wilson All performances at the SARATOGA CIVIC THEATER 13777 Fruitvale Avenue in Saratoga February 28 - March 28, 2015 Like us on PRESIDENT’S MESSAGE elcome to Sandy Wilson’s “The Boy Friend”, the second production of WVLO Musical Theatre Company’s 50th Season . We hope you will enjoy this “spoof” of the 1920’s with its tuneful innocence and Whigh spirits of the jazz and flapper era . Our final production of this 50th season in June/July will be “Irene”, a wonderful comedy which opened on Broadway in 1973 starring Debbie Reynolds in her Broadway debut . You’re Invited!!! Whether you are already one of our 1000+ subscribers or here Presents in the Saratoga Civic Theatre for the very first time, we invite you to join us this November for our 51st season . We increased our prices 2 years ago due to higher costs, but we intend to maintain those same prices for our new season . And we will continue our policy of not charging any additional fees for tickets purchased through our Box Office and/or with a credit card . Look at Our Centerfold!!! Included in this program is a special blue insert which we invite you to use to subscriber to WVLO Musical Theatre Company’s 51st musical season . Subscriber NOW to ensure good seats and substantial savings over the cost of individual tickets . Current subscribers may also use this form to renew for next season All subscription and individual ticket order will be processed according Book, Music and Lyrics by Sandy Wilson to the date on which they are received, but actual tickets will not be assigned or mailed until after this season’s last production has concluded in August .
    [Show full text]
  • Theatre Archive Project
    THEATRE ARCHIVE PROJECT http://sounds.bl.uk John Holt – interview transcript Interviewer: Sinead Gray 10 November 2006 Theatre-goer. A Taste Of Honey, audience behaviour; censorship; club theatres; The Entertainer; Grand Theatre, Wolverhampton; Harold Pinter; Joan Littlewood; John Osborne; Look Back in Anger; Oh! What a Lovely War; repertory theatres; revues; Royal Court Theatre; Sandy Wilson's musicals; theatre-going; Theatre Workshop; ticket prices; Waiting for Godot; Arnold Wesker.. SG: Can you pinpoint where your interest in theatre started and why? JH: Yes I can. It started - as it does with many people - being taken to a pantomime, and I was seven when I went to my first pantomime, which was Cinderella at Wolverhampton. I lived about 15 miles from Wolverhampton, so that was our nearest theatre, and we were taken every year to the pantomime by my parents. I am one of five children and I couldn’t wait from one Christmas to the next to go to see this pantomime. I saw Cinderella, then Babes in the Wood, the next year Jack and the Beanstalk, then Robinson Crusoe, Little Miss Muffet, Dick Whittington and so on and so on. All of those were at The Grand Theatre, Wolverhampton, and The Grand Theatre, Wolverhampton played a very important part in my theatre-going, because not only was it a theatre that put on pantomimes but they also ran a very good repertory company, and I used to go to many of their productions. SG: You said actually when I spoke to you that you miss the repertory theatres now.
    [Show full text]
  • The Performing Arts on Film and Television Catalogue
    THE PERFORMING ARTS ON FILM & TELEVISION CATALOGUE Film and video materials held by the archives and collections of BFI, Arts Council England, LUX, Central St Martins British Artists Film & Video Study Collection relating to theatre, dance, music, performance art, politics and poetry Balletomines, 1954 2011 Acknowledgements This catalogue was commissioned by MI:LL (Moving Image: Legacy and Learning), an Arts Council England initiative to support projects and develop strategies that promote engagement with the arts through the moving image. Researched, written, edited, designed and published by Helena Blaker James Bell Michael Brooke Elaine Burrows Bryony Dixon Christophe Dupin Jane Giles Amy Howerska Edward Lawrenson Deborah Salter Dan Smith Louise Watson With thanks to Karen Alexander, Nigel Algar, Nigel Arthur, Steve Bryant, Mike Caldwell, Ros Cranston, David Curtis, Will Fowler, Philippa Johns, Nathalie Morris, Patrick Russell, David Sin, Mike Sperlinger, Gary Thomas, Rebecca Vick, Ian White, Andrew Youdell and Juliane Zenke. All stills courtesy of BFI Stills, Posters & Designs A BFI Publication 2011 available to download from www.bfi.org.uk BFI 21 Stephen Street London W1T 1LN UK Telephone +44 (020) 7255 1444 www.bfi.org.uk 2 Contents Please click on a word/link to be taken automatically to that part of the Catalogue Acknowledgements................................................................................................................. 2 Contents ..................................................................................................................................
    [Show full text]
  • Music British Musicals
    British Musicals - Victoria and Albert Museum 2017/07/11, 1520 We have launched a new website and are reviewing this page. Find out more Open daily 10.00 to 17.45 MENU British Musicals British Musicals 1930s and 1940s Noël Coward (1899 - 1973) In contrast to the slick, sophisticated American musicals of the 1930s, Britain evolved the ‘nostalgia’ musical. In 'BiJer Sweet' in 1929, Noël Coward abandoned the wiJy sophistication of the 1920s for a tribute to the romantic Viennese opereJas of his youth. BiJer Sweet is the story of an 18-year-old girl who elopes to Vienna with her music teacher. The London production starred American Postcard of Noël Coward, mid 20th century. Peggy Wood and George Metaxa, while on Broadway the English Evelyn Laye triumphed. The 1933 film was to make a star of Anna Neagle. Coward’s 1931 musical Cavalcade was a huge pageant celebration of major events in British history shown through the experience of an ordinary family. Ivor Novello (1893 - 1951) In the 1930s, Ivor Novello composed, wrote http://www.vam.ac.uk/content/articles/b/british-musicals/ Page 1 of 7 British Musicals - Victoria and Albert Museum 2017/07/11, 1520 and starred in a series of unashamedly popular escapist musicals with flamboyantly romantic music and stories. ‘Nobody walks through his own tosh with quite the confidence of Ivor Novello’ one critic noted. Glamorous Nigh', Careless Rapture and The Dancing Years were big budget extravaganzas devised by Novello. To show off the technology of the Drury Lane stage he wrote in spectacular scenes such as earthquakes and sinking ships.
    [Show full text]