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Theatre Archive Project Archive
University of Sheffield Library. Special Collections and Archives Ref: MS 349 Title: Theatre Archive Project: Archive Scope: A collection of interviews on CD-ROM with those visiting or working in the theatre between 1945 and 1968, created by the Theatre Archive Project (British Library and De Montfort University); also copies of some correspondence Dates: 1958-2008 Level: Fonds Extent: 3 boxes Name of creator: Theatre Archive Project Administrative / biographical history: Beginning in 2003, the Theatre Archive Project is a major reinvestigation of British theatre history between 1945 and 1968, from the perspectives of both the members of the audience and those working in the theatre at the time. It encompasses both the post-war theatre archives held by the British Library, and also their post-1968 scripts collection. In addition, many oral history interviews have been carried out with visitors and theatre practitioners. The Project began at the University of Sheffield and later transferred to De Montfort University. The archive at Sheffield contains 170 CD-ROMs of interviews with theatre workers and audience members, including Glenda Jackson, Brian Rix, Susan Engel and Michael Frayn. There is also a collection of copies of correspondence between Gyorgy Lengyel and Michel and Suria Saint Denis, and between Gyorgy Lengyel and Sir John Gielgud, dating from 1958 to 1999. Related collections: De Montfort University Library Source: Deposited by Theatre Archive Project staff, 2005-2009 System of arrangement: As received Subjects: Theatre Conditions of access: Available to all researchers, by appointment Restrictions: None Copyright: According to document Finding aids: Listed MS 349 THEATRE ARCHIVE PROJECT: ARCHIVE 349/1 Interviews on CD-ROM (Alphabetical listing) Interviewee Abstract Interviewer Date of Interview Disc no. -
IS0 Calendar, Ash
And~~~~~~ trios~~~~. to.. Romania~~ .....~.~~.. and Sweden.~ where the.... rale of marriages defreased by 25.8 and 25.4 per cent respectively. should probably be scratched Faculty Men to Sing .. from the itinerary entirely this year. Sweden ,.. , .. 4. The Boy Friend, a close recreation of .the:. Mick Bridgewater, Gayle Stahlhuth and Nathan reported the lowest rale of marriage in all of ’. ’ ” ”: - ’. ,. .. flapper area set to music, is,beiig presented by .: Everett. .. ~uropelast year 5.3 per 1,cw bpdation . - . At Feb. 16 Convocation .. ;9 Indiana Central College this weekend.. February . ~ Tickets for the ‘performances ‘will f2.W for mmpred with an annual average of 7.1 in 1W 11 and 12. .. : . .adults and $1.50 for students with special rates €4. The Soviet Union’s current marriage rate of Picturedare themembers of the men’s faculty 4 Authored by’ Sandy Wilson, the- mkical for student groups. Show, time for all thFe 9.7’wr 1.0% Do~Dulalion is the highest of any singing ensemble directed hv Farrell...~ smt~ i-qrt . comedy enjoyed an enormous success’in the ’ performances is 8:oO pm. JkbpeG nal‘ron, but represents only a slighi ’ Year fie group performedior the President‘s ... .. i British musical’theater before its American upsuing following several years of a downward , Breakfast and the Christmas program. : prescntation starring Julie Andrew hlChl has . trend there, the statisticians note. ?e newly organized group is as set unnamed. - mently released Ken Russell’s movie version of Rchearsals are held each Thursdiy morning in mire Boy Frirnd. starring England‘s Twiggy. As for the Eliddle Easl and only Israel Rwm 214 of Good Hall. -
Gay's the Word
Press Information Full casting and extra performances announced! The Finborough Theatre is now FULLY AIR CONDITIONED Part of the Finborough Theatre's Celebrating British Music Theatre series Evergreen Theatrical Productions Ltd in association with Neil McPherson for the Finborough Theatre presents Ivor Novello’s GAY’S THE WORD The Happiest Musical of the Year! Book and Music by Ivor Novello Lyrics by Alan Melville Book Adapted by Richard Stirling by special permission of Samuel French Ltd on behalf of the Ivor Novello Trustees Directed and Choreographed by Stewart Nicholls Music Direction by Ben Stock with Frank Barrie, James Bentham, Helena Blackman, Anna Brook-Mitchell, Daniel Cane, Valerie Cutko, Sophie-Louise Dann, Amy Hamlen, Doreen Hermitage, James Irving, Josh Little, Lindsey Nicholls, Eileen Page, Jonny Purchase, Myra Sands, Elizabeth Seal, Sophie Simms, Paul Slack, Sebastian Smith The Finborough Theatre's acclaimed 'Celebrating British Music Theatre' series follows its sell-out success Perchance to Dream with Ivor Novello’s last and wittiest musical. Gay’s the Word opens a strictly limited run of seven Sunday and Monday performances on Sunday, 5 February 2012 (Press Night: Monday, 6 February 2012 at 7.30pm). This is the first professional revival of the 1951 smash hit, which starred Dame Cicely Courtneidge. Novello sends up his own Ruritanian extravagances in this backstage musical comedy. Former stage star Gay Daventry opens a drama school and finds that what is needed to get her back on top is, to name the show's hit song, Vitality! Other numbers include If Only He'd Looked My Way (subsequently recorded by Frank Sinatra), Bees Are Buzzin’ and the enchanting On Such A Night As This, all combining Novello’s melodic talent with Alan Melville’s sharp wit. -
AGM Elects New Chairman • Member Reps Introduced • Fees Increased for Groups • Constitution Updated a Series of Significant Changes Were Agreed at This Year’S AGM
The magazine of the Somerset Fellowship of Drama Charity No. spotlight October 2014 1084863 AGM elects new Chairman • Member reps introduced • Fees increased for groups • Constitution updated A series of significant changes were agreed at this year’s AGM. Following David Jenkins’ decision to step down after six years in the chair, Philip de Glanville was elected as the new Chairman with Di Dean continuing in her role as Vice Chairman. Lyn Lockyer is to take over the County Drama Festival for this year because Philip will be abroad for an extended period: Nigel Strawbridge, who was at the meeting, takes over from Richard Derry as Treasurer and both Pam Hillier and June Jenkins have joined the New Chairman Philip de Glanville (left) with some of the new committee since the last SFD as Original faces around the committee table. From top: Lyn Lockyer, June Playwriting coordinator and Minutes Secretary Jenkins, Pam Hillier and Nigel Strawbridge. respectively. Members agreed to the proposal to introduce four Member Representatives onto the In this month’s Spotlight… committee, loosely based on four geographical areas: north, south, east and west. They also News 2 agreed to a proposal to include members of Remembering Gordon Neagle 3 affiliated drama groups as SFD members, County Drama Festival 4 having all the benefits of membership of the Meet Lyn Lockyer 5 SFD with the exception of voting rights. Original Playwriting Competition 6 Why we won’t be entering the Cinderella These changes were part of a range of matters Competition by Sam Allen 6 that were incorporated into an updated The 2014 AGM 7 Constitution, the first update since 2002. -
NEW YORK SHEET MUSIC SOCIETY MARCH, 2012 President’S Message
New New York Sheet Music Societsy lette VOLUME 33, NUMBER 6 SINCwwwE.NY S1MS.o9rg 80 MARCH, 2012 r DEDICATED TO THE PRESERVATION OF CLASSIC POPULAR MUSIC SSttaarr PPoowweerr:: SShhaannaa FFaarrrr && RRoobbeerrtt WWiinnddeelleerr oonn JJuulliiee AAnnddrreewwss WWhhiissttlliinngg AAwwaayy tthhee DDaarrkk:: AA LLiiffee tthhrroouugghh SSoonngg By Jerry Osterberg she was a person. At the To my knowledge, Shana Farr has never appeared on Law age of 13, Andrews & Order, but she has been seen on television in The Guiding became an immediate Light, which means that my late grandmother would have been sensation after she a fan. Her resume (Shana’s- not my grandmother’s) is long performed “Je Suis and deep. It includes cabaret: Feinstein’s, Laurie Beechman Titania” from Mignon at and the Metropolitan Room; musical theatre: The Music Man, the London Palladium for P h Oklahoma; opera: Madame Butterfly, Lucia di Lammermoor; the royal family of o t o operetta: The Pirates of Penzance, The Yeoman of the Guard, George VI, which b y R Princess Ida; and jewelry design, a unique day job to be sure. included the future Queen o s e Robert Windeler is a writer, and his credentials are equally Elizabeth. Fifty years B i l l later, following her final i impressive. He’s been the Hollywood correspondent for The n g New York Times, Time, People, and USA Weekend, and the show on Broadway – s author of biographies about Mary Pickford and Burt Lancaster, Victor/ Victoria, her Fred Barton & Shana Farr as well as two volumes on Julie Andrews. Happily for incredible singing career NYSMS members, Shana and Robert became acquainted at was over after a throat operation. -
1956 and ALL THAT: the Making of Modern British Drama
Downloaded by [Central Uni Library Bucharest] at 22:49 23 September 2013 1956 AND ALL THAT Is it possible to look back beyond anger? It is said that British drama was shockingly lifted out of the doldrums by the ‘revolutionary’ appearance of John Osborne’s Look Back in Anger at the Royal Court in May 1956. But had the theatre been as ephemeral and effeminate as the Angry Young Men claimed? Was the era of Terence Rattigan and ‘Binkie’ Beaumont as repressed and closeted as it seems? In this bold and fascinating challenge to the received wisdom of the last forty years of theatrical history, Dan Rebellato uncovers a different story altogether. It is one where Britain’s declining Empire and increasing panic over the ‘problem’ of homosexuality played a crucial role in the construction of an enduring myth of the theatre. By going back to primary sources and rigorously questioning all assumptions, Rebellato has rewritten the history of the making of modern British drama. Plays discussed include: Look Back in Anger, The Entertainer, Personal Enemy, Epitaph for George Dillon—John Osborne; The Kitchen, Chicken Soup With Barley, Roots, I’m Talking About Jerusalem—Arnold Wesker; Johnson Over Jordan—J.B.Priestly; Each His Own Wilderness—Doris Lessing; Serjeant Musgrave’s Dance— John Arden; Cockpit—Bridget Boland; The Shadow Factory—Anne Ridler; A Taste of Honey—Shelagh Delaney; Salad Days—Julian Slade; and Valmouth—Sandy Wilson. Downloaded by [Central Uni Library Bucharest] at 22:49 23 September 2013 Dan Rebellato lectures in Drama and Theatre at Royal Holloway, University of London. -
Tony Locantro Programmes – Musicals
Tony Locantro Programmes – Musicals MSS 792 T3743.L Theatre Date Performance Details Adelphi 1982 American Dancemachine Lee Theodore Dir: Lee Theodore Zan Charisse, Barry Preston 1982 Annie Thomas Meehan Dir: Martin Charnin Charles West, Lynne Breare, Glenda Meeson 1962 Blitz! Lionel Bart Dir: Lionel Bart Amelia Bayntun 1997 First Chicago Performance Fred Ebb & Bob Fosse Dir: Walter Bobbie Ruthie Henshall, Nigel Planer 2002 Chicago Fred Ebb & Bob Fosse Dir: Walter Bobbie Anita Louise Combe, Anna-Jane Casy, Marti Pellow 2004 Chicago Fred Ebb & Bob Fosse Dir: Walter Bobbie Frances Ruffelle, Marti Pellow 2005 Chicago Fred Ebb & Bob Fosse Dir: Walter Bobbie Sally Ann Triplett, Darius Danesh 1983 Marilyn! Jacques Wilson Dir: Larry Fuller Stephanie Lawrence, John Christie 1992 (6th Year) Me and My Girl Arthur Rose & Douglas Furber Dir: MikeOckrent Gary Wilmot, Jessica Martin, Bernard Bresslaw 1994 (8th Year) Me and My Girl Arthur Rose & Douglas Furber Dir: Mike Ockrent Les Dennis, Louise English, Alfred Marks 1979 My Fair Lady Lerner & Loewe Dir: Robin Midgley Tony Britton, Anna Neagle, Liz Robertson 1981 My Fair Lady Lerner & Loewe Dir: Robin Midgley Tony Britton, Anna Neagle, Jill Martin Show Boat Jerome Kern & Oscar Hammerstein Dir: Wendy Toye Cleo Laine, Andre Jobin Show Boat Jerome Kern & Oscar Hammerstain Dir: Wendy Toye Andre Jobin, Jan Waters Undated Poppy Peter Nichols Dir: Terry Hands (RSC Production) 1959 When in Rome….. Garinei & Giovannini Dir: Harold French Dickie Henderson, June Laverick 1986 Young England Walter Reynolds Dir: -
The Boy Friend”, the Second Production of WVLO Musical Theatre Company’S 50Th Season
Presents Our Season Music, Book & Lyrics by Sandy Wilson All performances at the SARATOGA CIVIC THEATER 13777 Fruitvale Avenue in Saratoga February 28 - March 28, 2015 Like us on PRESIDENT’S MESSAGE elcome to Sandy Wilson’s “The Boy Friend”, the second production of WVLO Musical Theatre Company’s 50th Season . We hope you will enjoy this “spoof” of the 1920’s with its tuneful innocence and Whigh spirits of the jazz and flapper era . Our final production of this 50th season in June/July will be “Irene”, a wonderful comedy which opened on Broadway in 1973 starring Debbie Reynolds in her Broadway debut . You’re Invited!!! Whether you are already one of our 1000+ subscribers or here Presents in the Saratoga Civic Theatre for the very first time, we invite you to join us this November for our 51st season . We increased our prices 2 years ago due to higher costs, but we intend to maintain those same prices for our new season . And we will continue our policy of not charging any additional fees for tickets purchased through our Box Office and/or with a credit card . Look at Our Centerfold!!! Included in this program is a special blue insert which we invite you to use to subscriber to WVLO Musical Theatre Company’s 51st musical season . Subscriber NOW to ensure good seats and substantial savings over the cost of individual tickets . Current subscribers may also use this form to renew for next season All subscription and individual ticket order will be processed according Book, Music and Lyrics by Sandy Wilson to the date on which they are received, but actual tickets will not be assigned or mailed until after this season’s last production has concluded in August . -
Theatre Archive Project
THEATRE ARCHIVE PROJECT http://sounds.bl.uk John Holt – interview transcript Interviewer: Sinead Gray 10 November 2006 Theatre-goer. A Taste Of Honey, audience behaviour; censorship; club theatres; The Entertainer; Grand Theatre, Wolverhampton; Harold Pinter; Joan Littlewood; John Osborne; Look Back in Anger; Oh! What a Lovely War; repertory theatres; revues; Royal Court Theatre; Sandy Wilson's musicals; theatre-going; Theatre Workshop; ticket prices; Waiting for Godot; Arnold Wesker.. SG: Can you pinpoint where your interest in theatre started and why? JH: Yes I can. It started - as it does with many people - being taken to a pantomime, and I was seven when I went to my first pantomime, which was Cinderella at Wolverhampton. I lived about 15 miles from Wolverhampton, so that was our nearest theatre, and we were taken every year to the pantomime by my parents. I am one of five children and I couldn’t wait from one Christmas to the next to go to see this pantomime. I saw Cinderella, then Babes in the Wood, the next year Jack and the Beanstalk, then Robinson Crusoe, Little Miss Muffet, Dick Whittington and so on and so on. All of those were at The Grand Theatre, Wolverhampton, and The Grand Theatre, Wolverhampton played a very important part in my theatre-going, because not only was it a theatre that put on pantomimes but they also ran a very good repertory company, and I used to go to many of their productions. SG: You said actually when I spoke to you that you miss the repertory theatres now. -
The Performing Arts on Film and Television Catalogue
THE PERFORMING ARTS ON FILM & TELEVISION CATALOGUE Film and video materials held by the archives and collections of BFI, Arts Council England, LUX, Central St Martins British Artists Film & Video Study Collection relating to theatre, dance, music, performance art, politics and poetry Balletomines, 1954 2011 Acknowledgements This catalogue was commissioned by MI:LL (Moving Image: Legacy and Learning), an Arts Council England initiative to support projects and develop strategies that promote engagement with the arts through the moving image. Researched, written, edited, designed and published by Helena Blaker James Bell Michael Brooke Elaine Burrows Bryony Dixon Christophe Dupin Jane Giles Amy Howerska Edward Lawrenson Deborah Salter Dan Smith Louise Watson With thanks to Karen Alexander, Nigel Algar, Nigel Arthur, Steve Bryant, Mike Caldwell, Ros Cranston, David Curtis, Will Fowler, Philippa Johns, Nathalie Morris, Patrick Russell, David Sin, Mike Sperlinger, Gary Thomas, Rebecca Vick, Ian White, Andrew Youdell and Juliane Zenke. All stills courtesy of BFI Stills, Posters & Designs A BFI Publication 2011 available to download from www.bfi.org.uk BFI 21 Stephen Street London W1T 1LN UK Telephone +44 (020) 7255 1444 www.bfi.org.uk 2 Contents Please click on a word/link to be taken automatically to that part of the Catalogue Acknowledgements................................................................................................................. 2 Contents .................................................................................................................................. -
Music British Musicals
British Musicals - Victoria and Albert Museum 2017/07/11, 1520 We have launched a new website and are reviewing this page. Find out more Open daily 10.00 to 17.45 MENU British Musicals British Musicals 1930s and 1940s Noël Coward (1899 - 1973) In contrast to the slick, sophisticated American musicals of the 1930s, Britain evolved the ‘nostalgia’ musical. In 'BiJer Sweet' in 1929, Noël Coward abandoned the wiJy sophistication of the 1920s for a tribute to the romantic Viennese opereJas of his youth. BiJer Sweet is the story of an 18-year-old girl who elopes to Vienna with her music teacher. The London production starred American Postcard of Noël Coward, mid 20th century. Peggy Wood and George Metaxa, while on Broadway the English Evelyn Laye triumphed. The 1933 film was to make a star of Anna Neagle. Coward’s 1931 musical Cavalcade was a huge pageant celebration of major events in British history shown through the experience of an ordinary family. Ivor Novello (1893 - 1951) In the 1930s, Ivor Novello composed, wrote http://www.vam.ac.uk/content/articles/b/british-musicals/ Page 1 of 7 British Musicals - Victoria and Albert Museum 2017/07/11, 1520 and starred in a series of unashamedly popular escapist musicals with flamboyantly romantic music and stories. ‘Nobody walks through his own tosh with quite the confidence of Ivor Novello’ one critic noted. Glamorous Nigh', Careless Rapture and The Dancing Years were big budget extravaganzas devised by Novello. To show off the technology of the Drury Lane stage he wrote in spectacular scenes such as earthquakes and sinking ships.