JOHNSON, Donald Leslie COLLECTION Architecture Museum, University of South Australia
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Building for the Future Sustainable Spaces Advancing Education & Research
Building For the Future Sustainable Spaces Advancing Education & Research A ‘Group of Eight’ Sustainable Buildings Showcase 2 The ‘Group of Eight’ comprises Australian National University, Monash University, The University of Melbourne, The University of Sydney, The University of Queensland, The University of Western Australia, The University of Adelaide, and The University of New South Wales. 2 SYDNEY UNIVERSITY 3 Building For the Future Australia’s leading research Universities know the leaders of tomorrow, ascend from the foundations of today. At the forefront of an evolving educational landscape, the ‘Group of Eight’ continuously strive to inspire curiosity, challenge thinking, spark innovation and bring education to life through exceptional teaching in exceptional places. This publication showcases a snapshot of those The University Inkarni Wardii 02 of Adelaide places; world-class, high-performance, sustainable facilities which re-define best practice in tertiary Australian National Jaegar 5 04 University education buildings. Built for the future, these spaces Jaegar 8 06 move beyond basic environmental sustainable design Monash University Green Chemical Futures 08 principles to demonstrate what is possible when clever technology and inspired design intersect. Logan Hall 10 Building 56 12 From living laboratories to thermally sound The University Melbourne Brain Centre 14 environments, reusing the old to make new, and of Melbourne optimising for people and purpose — each building The Peter Doherty Institute 16 for Infection & Immunity -
4.0 ANALYSIS and ASSESSMENT of COMPONENTS 4.1.10 Karrawirra/Park 12 Assessment
4.0 ANALYSIS AND ASSESSMENT OF COMPONENTS 4.0 ANALYSIS AND ASSESSMENT OF COMPONENTS 4.1.10 Karrawirra/Park 12 Assessment KARRAWIRRA: 670 4.0 ANALYSIS AND ASSESSMENT OF COMPONENTS Karrawirra/Park 12 Overall Spatial Patterns Overall, Karrawirra/Park 12 retains its spatial pattern and form north of the River Existing Planning / Development Plan Context Torrens/Karrawirra Parri. Areas south of the River Torrens/Karrawirra Parri were never Karrawirra/Park 12 exists within the University Oval Precinct PL7 of the City of Adelaide conceived by O’Brien and Pelzer as a part of Karrawirra/Park 12 until transfer of Park Lands Development Plan (pp. 422-424). Its ‘Environment’ is described as: started occurring. Thus, Victoria Drive and the Torrens Parade Ground precincts were not conceived as landscape pieces within Karrawirra/Park 12 but as they came available the ENVIRONMENT Corporation and City Gardeners progressively incorporated them into the landscape retaining Planting Character and Landscape Design much of the pre-1930s extant vegetation on these tracts often moving the trees around to suit The University Oval Precinct should be characterised by informal plantings of mixed exotic and native these proposals. Accordingly, the area north of the River Torrens/Karrawirra Parri is woodland around large arrears of irrigated sports field, manicured lawns and the riverbank garden area. distinctively a landscape with strong traditions to the original pre-1900 landscape designs and survey drawings by Brown and O’Brien, and Light, respectively, and land south of the River Permanent Structures Torrens/Karrawirra Parri were additional pieces reclaimed back from the original Government No additional buildings should be allowed. -
National Architecture Award Winners 1981 – 2019
NATIONAL ARCHITECTURE AWARDS WINNERS 1981 - 2019 AUSTRALIAN INSTITUTE OF ARCHITECTS NATIONAL ARCHITECTURE AWARD WINNERS 1 of 81 2019 NATIONAL ARCHITECTURE AWARDS COLORBOND® Award for Steel Architecture Yagan Square (WA) The COLORBOND® Award for Steel Architecture Lyons in collaboration with Iredale Pedersen Hook and landscape architects ASPECT Studios COMMERCIAL ARCHITECTURE Dangrove (NSW) The Harry Seidler Award for Commercial Architecture Tzannes Paramount House Hotel (NSW) National Award for Commercial Architecture Breathe Architecture Private Women’s Club (VIC) National Award for Commercial Architecture Kerstin Thompson Architects EDUCATIONAL ARCHITECTURE Our Lady of the Assumption Catholic Primary School (NSW) The Daryl Jackson Award for Educational Architecture BVN Braemar College Stage 1, Middle School National Award for Educational Architecture Hayball Adelaide Botanic High School (SA) National Commendation for Educational Architecture Cox Architecture and DesignInc QUT Creative Industries Precinct 2 (QLD) National Commendation for Educational Architecture KIRK and HASSELL (Architects in Association) ENDURING ARCHITECTURE Sails in the Desert (NT) National Award for Enduring Architecture Cox Architecture HERITAGE Premier Mill Hotel (WA) The Lachlan Macquarie Award for Heritage Spaceagency architects Paramount House Hotel (NSW) National Award for Heritage Breathe Architecture Flinders Street Station Façade Strengthening & Conservation National Commendation for Heritage (VIC) Lovell Chen Sacred Heart Building Abbotsford Convent Foundation -
Frank Lloyd Wright in Iowa Daniel J
Architecture Publications Architecture Winter 2008 Frank Lloyd Wright in Iowa Daniel J. Naegele Iowa State University, [email protected] Follow this and additional works at: http://lib.dr.iastate.edu/arch_pubs Part of the Architectural History and Criticism Commons The ompc lete bibliographic information for this item can be found at http://lib.dr.iastate.edu/ arch_pubs/54. For information on how to cite this item, please visit http://lib.dr.iastate.edu/ howtocite.html. This Article is brought to you for free and open access by the Architecture at Iowa State University Digital Repository. It has been accepted for inclusion in Architecture Publications by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Frank Lloyd Wright in Iowa Abstract Why "Wright in Iowa?" Are there ways that Wright's Iowa works are distinguished from his built works elsewhere? Iowa is a typical Midwest state, exceptional in neither general geography nor landscape. The ts ate's urban areas are minor, and Iowa has never been known for its subscription to avant-garde architecture. Its most renowned artist, Grant Wood, painted Iowa's rolling hills and pie-faced people in cartoon-like images that simultaneously champion and question the coalescence of people and place. Indeed, the state's most convincing buildings are found on its farms with their unpretentious, vernacular, agricultural buildings. Disciplines Architectural History and Criticism Comments This article is from Frank Lloyd Wright Quarterly 19 (2008): 4–9. Posted with permission. This article is available at Iowa State University Digital Repository: http://lib.dr.iastate.edu/arch_pubs/54 a (Photos above and opposite page, top right) The Lowell and Agnes Walter hy "Wright in Iowa?" Are House, "Cedar Rock," Quasqueton, W there ways that Wright's Iowa. -
*Revelle, Roger Baltimore 18, Maryland
NATIONAL ACADEMY OF SCIENCES July 1, 1962 OFFICERS Term expires President-Frederick Seitz June 30, 1966 Vice President-J. A. Stratton June 30, 1965 Home Secretary-Hugh L. Dryden June 30, 1963 Foreign Secretary-Harrison Brown June 30, 1966 Treasurer-L. V. Berkner June 30, 1964 Executive Officer Business Manager S. D. Cornell G. D. Meid COUNCIL *Berkner L. V. (1964) *Revelle, Roger (1965) *Brown, Harrison (1966) *Seitz, Frederick (1966) *Dryden, Hugh L. (1963) *Stratton, J. A. (1965) Hutchinson, G. Evelyn (1963) Williams, Robley C. (1963) *Kistiakowsky, G. B. (1964) Wood, W. Barry, Jr. (1965) Raper, Kenneth B. (1964) MEMBERS The number in parentheses, following year of election, indicates the Section to which the member belongs, as follows: (1) Mathematics (8) Zoology and Anatomy (2) Astronomy (9) Physiology (3) Physics (10) Pathology and Microbiology (4) Engineering (11) Anthropology (5) Chemistry (12) Psychology (6) Geology (13) Geophysics (7) Botany (14) Biochemistry Abbot, Charles Greeley, 1915 (2), Smithsonian Institution, Washington 25, D. C. Abelson, Philip Hauge, 1959 (6), Geophysical Laboratory, Carnegie Institution of Washington, 2801 Upton Street, N. W., Washington 8, D. C. Adams, Leason Heberling, 1943 (13), Institute of Geophysics, University of Cali- fornia, Los Angeles 24, California Adams, Roger, 1929 (5), Department of Chemistry and Chemical Engineering, University of Illinois, Urbana, Illinois Ahlfors, Lars Valerian, 1953 (1), Department of Mathematics, Harvard University, 2 Divinity Avenue, Cambridge 38, Massachusetts Albert, Abraham Adrian, 1943 (1), 111 Eckhart Hall, University of Chicago, 1118 East 58th Street, Chicago 37, Illinois Albright, William Foxwell, 1955 (11), Oriental Seminary, Johns Hopkins University, Baltimore 18, Maryland * Members of the Executive Committee of the Council of the Academy. -
The Archaeology of the Prussian Crusade
Downloaded by [University of Wisconsin - Madison] at 05:00 18 January 2017 THE ARCHAEOLOGY OF THE PRUSSIAN CRUSADE The Archaeology of the Prussian Crusade explores the archaeology and material culture of the Crusade against the Prussian tribes in the thirteenth century, and the subsequent society created by the Teutonic Order that lasted into the six- teenth century. It provides the first synthesis of the material culture of a unique crusading society created in the south-eastern Baltic region over the course of the thirteenth century. It encompasses the full range of archaeological data, from standing buildings through to artefacts and ecofacts, integrated with writ- ten and artistic sources. The work is sub-divided into broadly chronological themes, beginning with a historical outline, exploring the settlements, castles, towns and landscapes of the Teutonic Order’s theocratic state and concluding with the role of the reconstructed and ruined monuments of medieval Prussia in the modern world in the context of modern Polish culture. This is the first work on the archaeology of medieval Prussia in any lan- guage, and is intended as a comprehensive introduction to a period and area of growing interest. This book represents an important contribution to promot- ing international awareness of the cultural heritage of the Baltic region, which has been rapidly increasing over the last few decades. Aleksander Pluskowski is a lecturer in Medieval Archaeology at the University of Reading. Downloaded by [University of Wisconsin - Madison] at 05:00 -
Walter Burley Griffin and Marion Mahony Griffin, Architects of Anthroposophy
Walter Burley Griffin and Marion Mahony Griffin, Architects of Anthroposophy Dr John Paull [email protected] A century ago, on the 23rd of May 1912, the winning design of Canberra was announced. Soon after, two talented Chicago architects set sail for Australia. Their plan for Australia’s national capital, already named Canberra but at the time merely an empty paddock, had won first prize in an international competition which attracted 137 entries. The winning prize money for the design was a modest £1750 (McGregor, 2009). Walter Burley Griffin (1876-1937) and Marion Mahony (1871-1961) were married in the year preceding the win. Marion had nagged Walter to enter the competition, “What’s the use of thinking about a thing like this for ten years if when the time comes you don’t get it done in time!” She pointed out the practicalities: “Perhaps you can design a city in two days but the drawings take time and that falls on me” (Griffin, 1949, volume IV p.294). After the win was announced, Walter declared: “I have planned it not in a way that I expected any government in the world would accept. I have planned an ideal city - a city that meets my ideal of a city of the future” (New York Times, 1912). Marion chronicled events of their life together in a typewritten four- volume memoir of over 1600 pages (Griffin, 1949). Her memoir documents their life together and liberally reproduces personal correspondence between them and their associates. Her unpublished manuscript reveals the intensity with which she and Walter embraced the thoughts of Rudolf Steiner (1861-1925) and anthroposophy. -
AUSTRALIAN ROMANESQUE a History of Romanesque-Inspired Architecture in Australia by John W. East 2016
AUSTRALIAN ROMANESQUE A History of Romanesque-Inspired Architecture in Australia by John W. East 2016 CONTENTS 1. Introduction . 1 2. The Romanesque Style . 4 3. Australian Romanesque: An Overview . 25 4. New South Wales and the Australian Capital Territory . 52 5. Victoria . 92 6. Queensland . 122 7. Western Australia . 138 8. South Australia . 156 9. Tasmania . 170 Chapter 1: Introduction In Australia there are four Catholic cathedrals designed in the Romanesque style (Canberra, Newcastle, Port Pirie and Geraldton) and one Anglican cathedral (Parramatta). These buildings are significant in their local communities, but the numbers of people who visit them each year are minuscule when compared with the numbers visiting Australia's most famous Romanesque building, the large Sydney retail complex known as the Queen Victoria Building. God and Mammon, and the Romanesque serves them both. Do those who come to pray in the cathedrals, and those who come to shop in the galleries of the QVB, take much notice of the architecture? Probably not, and yet the Romanesque is a style of considerable character, with a history stretching back to Antiquity. It was never extensively used in Australia, but there are nonetheless hundreds of buildings in the Romanesque style still standing in Australia's towns and cities. Perhaps it is time to start looking more closely at these buildings? They will not disappoint. The heyday of the Australian Romanesque occurred in the fifty years between 1890 and 1940, and it was largely a brick-based style. As it happens, those years also marked the zenith of craft brickwork in Australia, because it was only in the late nineteenth century that Australia began to produce high-quality, durable bricks in a wide range of colours. -
Fish Terminologies
FISH TERMINOLOGIES Monument Type Thesaurus Report Format: Hierarchical listing - class Notes: Classification of monument type records by function. -
State of Mississippi EIS Statement of Values
State of Mississippi EIS Statement of Values State ISO # of Square Flood Location Name Address City County Code Zip Const Construction Description Stories Date Building Personal Property Total TIV Occupancy Footage Zone Department Name Contact Contact Email Contact Phone $4,602,232,796 $1,021,520,873 $5,623,753,669 Oakley Youth Development Center Multi-Purpose Building 2375 Oakley Road Raymond Hinds MS 39154 2 Masonry Bearing Wall 1 1969 $4,413,967 $810,000 $5,223,967 Gym / Recreation 27,117 X Oakley Youth Development Center Dennis Daniels [email protected] (601) 857-7597 Exey Edwards Clinic 2375 Oakley Road Raymond Hinds MS 39154 2 Masonry Bearing Wall 1 1944 $218,889 $86,600 $305,489 Clinic / Hospital 1,970 X Oakley Youth Development Center Dennis Daniels [email protected] (601) 857-7597 Laundry 2375 Oakley Road Raymond Hinds MS 39154 2 Masonry Bearing Wall 1 1961 $718,983 $28,800 $747,783 Multipurpose 2,609 X Oakley Youth Development Center Dennis Daniels [email protected] (601) 857-7597 Bldg. Trades Bldg. 2375 Oakley Road Raymond Hinds MS 39154 Tin / Metal 1 1971 $1,615,000 $651,088 $2,266,088 Vocational / Technical 17,933 X Oakley Youth Development Center Dennis Daniels [email protected] (601) 857-7597 Bldg. Trades Bldg. 2375 Oakley Road Raymond Hinds MS 39154 Tin / Metal 1 1967 $1,120,000 $1,953,994 $3,073,994 Vocational / Technical 14,024 X Oakley Youth Development Center Dennis Daniels [email protected] (601) 857-7597 Foster Cottage 2375 Oakley Road Raymond Hinds MS 39154 2 Masonry -
Modern Movement Architecture in Central Sydney Heritage Study Review Modern Movement Architecture in Central Sydney Heritage Study Review
Attachment B Modern Movement Architecture in Central Sydney Heritage Study Review Modern Movement Architecture in Central Sydney Heritage Study Review Prepared for City of Sydney Issue C x January 2018 Project number 13 0581 Modern Movement in Central Sydney x Heritage Study Review EXECUTIVE SUMMARY This study was undertaken to provide a contextual framework to improve understanding post World War II and Modern Movement architecture and places in Central Sydney, which is a significant and integral component of its architectural heritage. Findings x The study period (1945-1975) was an exciting and challenging era that determined much of the present physical form of Central Sydney and resulted in outstanding architectural and civic accomplishments. x There were an unprecedented number of development projects undertaken during the study period, which resulted in fundamental changes to the physical fabric and character of Central Sydney. x The buildings are an historical record of the changing role of Australia in an international context and Sydney’s new-found role as a major world financial centre. Surviving buildings provide crucial evidence of the economic and social circumstances of the study period. x Surviving buildings record the adaptation of the Modern Movement to local conditions, distinguishing them from Modern Movement buildings in other parts of the world. x The overwhelming preponderance of office buildings, which distinguishes Central Sydney from all other parts of NSW, is offset by the presence of other building typologies such as churches, community buildings and cultural institutions. These often demonstrate architectural accomplishment. x The triumph of humane and rational urban planning can be seen in the creation of pedestrian- friendly areas and civic spaces of great accomplishment such as Australia Square, Martin Place and Sydney Square. -
Womadelaide Festival 2019
WOMADelaide Festival 2019 Type Community Festival of Music, Arts and Dance (Ticketed/Outdoor) Location Botanic Park and Frome Park Month March 2019 Patronage 18,000 – 20,000 people per day Organiser/Contact WOMADelaide Foundation, Arts Projects Australia and WOMAD Ltd WOMADelaide is a four-day festival of music, arts and dance, celebrating cultural and creative diversity held since 1992. The festival is set in the natural outdoor environment of Adelaide’s beautiful Botanic Park / Kinka Wirra and Frome Park / Nellie Raminyemmerin, underpinning an emphasis on environmental consciousness. The festival has led the nation and won awards for environmental initiatives in reducing waste, offsetting carbon footprint and educating and inspiring audiences. In 2019, WOMADelaide was a finalist as the City of Adelaide’s Carbon Neutral Adelaide Partner of the Year Award. Waste Actions • Waste Management Plan. • Pre-event information sessions/guided tour of a waste facility for stallholders. • Excess waste and single-use items discouraged. • Stallholders and suppliers encouraged to use reusable and upcycled materials. • Waste education volunteers assist patrons with waste management. • • Bin systems consistent with Australian standard waste management. • All waste created by patrons is sorted onsite into separate waste streams. • Separate collection of vendor soft plastics and cardboard. • Data reports provided by waste contractor for continuous review. • Certified compostable serving-ware used by all food vendors. • Reusable drinking cups and bottles provided (or compostable options). • Free BYO water refill stations centrally located for reduced single-use plastics. • Reusable cable tie trial to reduce reliance on single-use cable ties. • Recycled cardboard art installation made with Botanic High students • Smoke-free event, with designated smoking areas & butt bins provided • Organic waste (over 16 tonnes) composted locally and delivered back to the Adelaide Botanic Gardens.