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The Black Arts Enterprise and the Production of African American Poetry
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett. -
A Collection Analysis of the African-American Poetry Holdings in the De Grummond Collection Sarah J
SLIS Connecting Volume 2 | Issue 1 Article 9 2013 A Collection Analysis of the African-American Poetry Holdings in the de Grummond Collection Sarah J. Heidelberg Follow this and additional works at: http://aquila.usm.edu/slisconnecting Part of the Library and Information Science Commons Recommended Citation Heidelberg, Sarah J. (2013) "A Collection Analysis of the African-American Poetry Holdings in the de Grummond Collection," SLIS Connecting: Vol. 2: Iss. 1, Article 9. DOI: 10.18785/slis.0201.09 Available at: http://aquila.usm.edu/slisconnecting/vol2/iss1/9 This Article is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in SLIS Connecting by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. A Collection Analysis of the African‐American Poetry Holdings in the de Grummond Collection By Sarah J. Heidelberg Master’s Research Project, November 2010 Performance poetry is part of the new black poetry. Readers: Dr. M.J. Norton This includes spoken word and slam. It has been said Dr. Teresa S. Welsh that the introduction of slam poetry to children can “salvage” an almost broken “relationship with poetry” (Boudreau, 2009, 1). This is because slam Introduction poetry makes a poets’ art more palatable for the Poetry is beneficial for both children and adults; senses and draws people to poetry (Jones, 2003, 17). however, many believe it offers more benefit to Even if the poetry that is spoken at these slams is children (Vardell, 2006, 36). The reading of poetry sometimes not as developed or polished as it would correlates with literacy attainment (Maynard, 2005; be hoped (Jones, 2003, 23). -
Orca.Cf.Ac.Uk/118366
This is an Open Access document downloaded from ORCA, Cardiff University's institutional repository: http://orca.cf.ac.uk/118366/ This is the author’s version of a work that was submitted to / accepted for publication. Citation for final published version: Smith, Daniel R. 2016. "Imagining others more complexly": celebrity and the ideology of fame among YouTube's "Nerdfighteria". Celebrity Studies 7 (3) , pp. 339-353. 10.1080/19392397.2015.1132174 file Publishers page: http://dx.doi.org/10.1080/19392397.2015.1132174 <http://dx.doi.org/10.1080/19392397.2015.1132174> Please note: Changes made as a result of publishing processes such as copy-editing, formatting and page numbers may not be reflected in this version. For the definitive version of this publication, please refer to the published source. You are advised to consult the publisher’s version if you wish to cite this paper. This version is being made available in accordance with publisher policies. See http://orca.cf.ac.uk/policies.html for usage policies. Copyright and moral rights for publications made available in ORCA are retained by the copyright holders. “Imagining others more complexly”: Celebrity and the ideology of fame among YouTube’s ‘Nerdfighteria’ ABSTRACT: YouTube has witnessed the growth of a celebrity culture of its own. This article explores the celebritification of online video-bloggers in relation to their own discursive community. Focusing on the VlogBrothers (John and Hank Green) and their community ‘Nerdfighters’, this article demonstrates how their philosophy of “Imagining Others More Complexly” (IOMC) is used to debate ‘celebrity’ and its legitimacy. Their vision of celebrity is egalitarian and democratic, rooted in Western culture’s ‘expressive turn’ (Taylor, 1989). -
Guide to African American History Materials in Manuscript and Visual Collections at the Indiana Historical Society
Guide to African American History Materials in Manuscript and Visual Collections at the Indiana Historical Society Originally compiled as a printed guide (Selected African-American History Collections) by Wilma L. Gibbs, 1996 Revised and updated by Wilma L. Gibbs as an online guide, 2002 and 2004 Introduction Personal Papers Organizations, Institutions, and Projects Communities Education Race Relations Religious Institutions 15 July 2004 Manuscript and Visual Collections Department William Henry Smith Memorial Library Indiana Historical Society 450 West Ohio Street Indianapolis, IN 46202-3269 www.indianahistory.org Introduction This guide describes manuscript and visual collections in the William Henry Smith Memorial Library of the Indiana Historical Society (IHS) that document the experiences of African Americans in Indiana. In 1982, a collecting effort was formalized at the Historical Society to address the concern for the paucity of records available for doing research on the history of African Americans in the state. The purpose of that effort continues to be to collect, process, preserve, and disseminate information related to the history of black Hoosiers. The Archivist, African American History is available to answer and direct research questions from the public. Indiana Historical Society members can receive Black History News & Notes, a quarterly newsletter that publicizes library collections, relevant historical events, and short papers pertaining to Indiana’s black history. Preserving Indiana’s African American heritage is a cooperative venture. The Society needs your help in providing information about existing records in attics, basements, and garages that can be added to the library’s collections. As more records are collected and organized, a more accurate and complete interpretation of Indiana history will emerge. -
“Decreasing World Suck”
Dz dzǣ Fan Communities, Mechanisms of Translation, and Participatory Politics Neta Kligler-Vilenchik A Case Study Report Working Paper Media, Activism and Participatory Politics Project AnnenBerg School for Communication and Journalism University of Southern California June 24, 2013 Executive Summary This report describes the mechani sms of translation through which participatory culture communities extend PHPEHUV¶cultural connections toward civic and political outcomes. The report asks: What mechanisms do groups use to translate cultural interests into political outcomes? What are challenges and obstacles to this translation? May some mechanisms be more conducive towards some participatory political outcomes than others? The report addresses these questions through a comparison between two groups: the Harry Potter Alliance and the Nerdfighters. The Harry Potter Alliance is a civic organization with a strong online component which runs campaigns around human rights issues, often in partnership with other advocacy and nonprofit groups; its membership skews college age and above. Nerdfighters are an informal community formed around a YouTube vlog channel; many of the pDUWLFLSDQWVDUHKLJKVFKRRODJHXQLWHGE\DFRPPRQJRDORI³GHFUHDVLQJZRUOGVXFN.´ These two groups have substantial overlapping membership, yet they differ in their strengths and challenges in terms of forging participatory politics around shared cultural interests. The report discusses three mechanisms that enable such translation: 1. Tapping content worlds and communities ± Scaffolding the connections that group members have through their shared passions for popular culture texts and their relationships with each other toward the development of civic identities and political agendas. 2. Creative production ± Encouraging production and circulation of content, especially for political expression. 3. Informal discussion ± Creating and supporting spaces and opportunities for conversations about current events and political issues. -
Here May Is Not Rap Be Music D in Almost Every Major Language,Excerpted Including Pages Mandarin
ENCYCLOPEDIA OF THE BLACK ARTS MOVEMENT ed or printed. Edited by istribut Verner D. Mitchell Cynthia Davis an uncorrected page proof and may not be d Excerpted pages for advance review purposes only. All rights reserved. This is ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London 18_985_Mitchell.indb 3 2/25/19 2:34 PM ed or printed. Published by Rowman & Littlefield An imprint of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 istribut www.rowman.com 6 Tinworth Street, London, SE11 5AL, United Kingdom Copyright © 2019 by The Rowman & Littlefield Publishing Group Inc. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Names: Mitchell, Verner D., 1957– author. | Davis, Cynthia, 1946– author. Title: Encyclopedia of the Black Arts Movement / Verner D. Mitchell, Cynthia Davis. Description: Lanhaman : uncorrectedRowman & Littlefield, page proof [2019] and | Includes may not bibliographical be d references and index. Identifiers:Excerpted LCCN 2018053986pages for advance(print) | LCCN review 2018058007 purposes (ebook) only. | AllISBN rights reserved. 9781538101469This is (electronic) | ISBN 9781538101452 | ISBN 9781538101452 (cloth : alk. paper) Subjects: LCSH: Black Arts movement—Encyclopedias. Classification: LCC NX512.3.A35 (ebook) | LCC NX512.3.A35 M58 2019 (print) | DDC 700.89/96073—dc23 LC record available at https://lccn.loc.gov/2018053986 The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. -
Female Characters in John Green's Novels
Imagine me complexly: Female characters in John Green’s novels Ida Tamminen Master’s thesis English Philology Department of Modern Languages University of Helsinki May 2017 Tiedekunta/Osasto – Fakultet/Sektion – Faculty Laitos – Institution – Department Humanistinen tiedekunta Nykykielten laitos Tekijä – Författare – Author Ida Tamminen Työn nimi – Arbetets titel – Title Imagine me complexly: Female characters in John Green’s novels Oppiaine – Läroämne – Subject Englantilainen filologia Työn laji – Arbetets art – Level Aika – Datum – Month and Sivumäärä– Sidoantal – Number of pages Pro gradu year 16.05.2017 76 Tiivistelmä – Referat – Abstract Pro gradussani tarkastelen naishahmoja John Greenin kirjoissa Looking for Alaska, An Abundance of Katherines, Paper Towns ja The Fault in Our Stars. Tutkielmani tavoitteena on selvittää miten naishahmoja kuvataan Greenin kirjoissa ja miten se eroaa mieshahmojen kuvauksesta. Lisäksi pohdin mediarepresentaation tärkeyttä etenkin nuorille suunnatussa kirjallisuudessa sekä sitä, ovatko Greenin naishahmot autenttisen tuntuisia. Teoriataustana käytän teoksia hahmojentutkimuksen, feministisen kirjallisuusteorian, kerronnantutkimuksen ja stereotyyppientutkimuksen alueilta. Tutkimusmenetelmänäni on tekstin huolellinen lukeminen, eng. ’close reading’, teoria-aineistooni nojautuen. Aineistonani käytän Greenin kirjojen lisäksi hänen omia mielipiteitään, kommenttejaan ja vastauksiaan, joita hän on esittänyt lukuisissa blogeissaan. Pro graduni keskeisimpiä tuloksia on se, että naishahmot on esitetty eri tavalla -
African-American Writers
AFRICAN-AMERICAN WRITERS Philip Bader Note on Photos Many of the illustrations and photographs used in this book are old, historical images. The quality of the prints is not always up to current standards, as in some cases the originals are from old or poor-quality negatives or are damaged. The content of the illustrations, however, made their inclusion important despite problems in reproduction. African-American Writers Copyright © 2004 by Philip Bader All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Bader, Philip, 1969– African-American writers / Philip Bader. p. cm.—(A to Z of African Americans) Includes bibliographical references (p. ) and indexes. ISBN 0-8160-4860-6 (acid-free paper) 1. American literature—African American authors—Bio-bibliography—Dictionaries. 2. African American authors—Biography—Dictionaries. 3. African Americans in literature—Dictionaries. 4. Authors, American—Biography—Dictionaries. I. Title. II. Series. PS153.N5B214 2004 810.9’96073’003—dc21 2003008699 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Joan M. -
List of David Baker Compositions
List of David Baker Compositions Introductory Notes Although David Baker has written hundreds of arrangements on the compositions of other composers, this list covers only his own compositions. The designation “jazz ensemble” is used for compositions that are strictly jazz compositions. David Baker wrote nearly all of the compositions with this designation for big band and also arranged many of them for a variety of smaller jazz ensembles. ABRAHAM LINCOLN IN INDIANA (2008) Narrator and chamber ensemble (trumpet, alto saxophone/clarinet, tenor saxophone, baritone saxophone, trombone, piano, bass, and drums). Narratorʼs script written by David Baker. Nine movements: I. When Indiana Was the Frontier; II. Clearing Fields and Splitting Rails; III. On the Death of Loved Ones; IV. Boys at Play; V. And He Read Himself to Sleep; VI. Sunday Go to Meetinʼ; VII. Becoming His Own Man;VIII. A Country Boy; IX. Of Times Gone By. Commissioned by the Indiana AbrahamLincoln Bicentennial Commission. ABYSS (1968) Song cycle for soprano and piano. Text by Carole Wright. Four movements: I. Perception; II. Observation; III.Introspection; IV. Penetration. ADUMBRATIO (1971) Jazz ensemble. Also published in anarrangement for jazz nonet (trumpet, alto saxophone, tenor saxophone, trombone, baritone saxophone, guitar, piano, electric bass, and drums) by Three Fifteen West Fifty-Third Street Corp. in their Dave Baker Jazz Rock Series (Charles Colin Publications). THE AEBERSOLD STRUT (1982) Jazz ensemble. AFRO-CUBAN SUITE (1954) Band. One movement. AN AFTER HOURS LAMENT (1990) Jazz ensemble. AL-KI-HOL (1956) Jazz ensemble. ALABAMA LANDSCAPE (1990) Bass-baritone and orchestra. Text by Mari Evans. Commissioned by William Brown. -
African-American Poets Past and Present: a Historical View
Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 1991 Volume IV: Recent American Poetry: Expanding the Canon African-American Poets Past and Present: A Historical View Curriculum Unit 91.04.04 by Joyce Patton African American Poets Past and Present: A historical View will address in this unit African-American poets and the poetry they wrote throughout the course of history. They will be listed in chronological order as they appear in history. The Eighteenth Century Beginnings (1700-1800) brought us Phillis Wheatley and Jupiter Hammon. The Struggle Against Slavery and Racism (1800-1860) brought us George Moses Horton and Frances W. Harper. The Black Man in the Civil War (1861-1865). There were not any poets that came to us in this time frame. Reconstruction and Reaction (1865-1915) brought us Paul Laurence Dunbar, W.E.B. Du Bois, William S. Braithwaite, and Fenton Johnson. Renaissance and Radicalism (1915-1945) brought us James Weldon Johnson, Claude McKay, Langston Hughes, Contee Cullen, Angelina Grimke, Arna Bontemps, and Sterling Brown. The Present Generation brought us Robert Hayden, Gwendolyn Brooks, Imamu Baraka (LeRoi Jones), Owen Dodson, Samuel Allen, Mari E. Evans, Etheridge Knight, Don L. Lee, Sonia Sanchez and Nikki Giovanni. These poets have written poems that express the feelings of African-Americans from slavery to the present. Poems were not only things written during these times. There was folk literature, prison songs, spirituals, the blues, work songs, pop chart music, and rap music the craze of today, plus sermons delivered by ministers. The objectives of this unit are to teach children about the poets, the poems written expressing their feelings, and how to write poetry. -
A Taste of YA Introducing Young Adult Literature in the EFL Classroom
A taste of YA Introducing young adult literature in the EFL classroom LUCIA XARANZANA GONZALEZ MANCHADO Master’s Thesis Master’s degree in Teaching Training (MFPR) (With a speciality/Itinerary English and German) at the UNIVERSITAT DE LES ILLES BALEARS Academic year 2017/2018 Date 04/06/2018 UIB Master’s Thesis Supervisor Alicia Coe Jorgensen Abstract Although there have been instances in which literature has been part of English as a Foreign Language lessons, it is not a common phenomenon. Young adult literature in particular is a popular genre among readers, but not in the educational system. This paper aims to introduce this literary genre into the English as a Foreign Language classroom through a project based on three celebrated novels, chosen for both their contents and for what they may contribute to students educationally and personally. This paper can be divided into three parts. The first one is a brief examination of how literature and young adult literature have been used in EFL classrooms and the benefits they can have in students. The second part presents the three novels and the authors chosen: Turtles All the Way Down by John Green, The Hate U Give by Angie Thomas and Simon vs. the Homo Sapiens Agenda by Becky Albertalli. Finally, the third and last part involves the nine lesson plans that compose the project and the worksheets that can be found in the annex. Key words: Young Adult Literature, English as a Foreign Language, Teaching Language, Teaching Culture. Table of contents 1. Introduction and objectives 1 2. State of the question 1 2.1. -
John Green – the Fault in Our Stars Asayesh-Brown, Max A. C. W. “John
John Green – The Fault in our Stars Asayesh-Brown, Max a. C. W. “John Green Writes of Life, Death. Rev. of The Fault in our Stars, by John Green.” Tampa Bay Times 2 Feb. 2012. Print. Bartens, Berner. “Wenn nicht klar ist, woher die Tränen kommen. Rev. of The Fault is in our Stars, by John Green.” Süddeutsche Zeitung 31 Jul. 2012. Print. Carpenter, Susan. “John Green's adds to his fan base with 'The Fault in Our Stars'. Rev. of The Fault in Our Stars, by John Green.” The Los Angles Times 21 Jan. 2012. Print. El Kurdi, Helmut. “Der Krebs und das Buch. Rev. of The Fault in our Stars.” Die Zeit 08 Oc 2012. Print. Fisher, Skyanne. “Rev. of The Fault in our Stars, by John Green.” YAB Review 21 Mar. 2012. Print. Geier, Natascha a. E. M. L. “Sensationelles Buch von John Green. Review of The Fault in our Stars, by John Green.” NDR 17 Sep. 2012. Print. Geißler, Cornelia. “Warum sollten Krebskranke nichts zu lachen haben?” Berliner Zeitung 26 Sep. 2012. Print. Giersch, Thorsten. “Schicksal ist ein mieser Verräter. Rev. of The Fault in our Stars, by John Green.” Handelsblatt 1 Aug. 2012. Print. Grossman, Lev. “The Topic of Cancer. Rev. of The Fault in our Stars, by John Green.” Times 6 Feb. 2012. Print. Huber, Andrea. “Das Universum soll dich kennenlernen; Auf Liebe und Tod: John Greens rebellischer Roman "Das Schicksal ist ein mieser Verräter"" Rev. of The Fault in our Stars, by John Green.” Die Welt 15 Sep. 2012. Print. Keller, Maren. “Empfehlungsschreiben.