History's Unmentionables: Reference and Interiority in the Contemporary
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Living and Writing on the Edge in Don Delillo's Libra
LIVING AND WRITING ON THE EDGE IN DON DELILLO’S LIBRA RALUCA LUCIA CÎMPEAN* Abstract More than fifty years after his tragic death, John F. Kennedy continues to fascinate and incite the interest of a large public. The American Camelot endures, despite numerous and various revisionist historiography evaluations of JFK’s presidency and personal life. Conspiracy thinking underlies both the idealistic and the unflattering views of the Kennedy image and has proved to be a considerable factor in the proliferation of this cultural construct. However, very little has been written on the psychological, social and cultural mechanism which keeps the JFK flame burning. Don DeLillo is the only American novelist who transcends the mere sensationalist side of the Kennedy assassination toward a personal, yet historically informed, fictional analysis of November 22nd 1963 and its aftermath, in his 1988 novel Libra. Keywords John F. Kennedy, historiography, truth, revisionism, conspiracy thinking, imagination, public opinion, Modernism vs. Postmodernism. For over half a century, John F. Kennedy’s memory has been the subject of numerous inquiries, historical and fictional, and has attracted a great amount of controversy, which only speaks of the wide interest in possibly the most iconic American public figure to date. Few have attempted to understand and further explain this popular fascination with the Kennedy image and even fewer have interrogated its roots and the forces which propelled the 35th president of the United States to mythological status. Don DeLillo is the only American novelist who has tackled the Kennedy assassination beyond the readily available sensationalist angle and with the end in view to expose the intricate process of mythmaking and the role of the imagination and personal representation for individual and national narratives. -
Context in Literary and Cultural Studies COMPARATIVE LITERATURE and CULTURE
Context in Literary and Cultural Studies COMPARATIVE LITERATURE AND CULTURE Series Editors TIMOTHY MATHEWS AND FLORIAN MUSSGNUG Comparative Literature and Culture explores new creative and critical perspectives on literature, art and culture. Contributions offer a comparative, cross-cultural and interdisciplinary focus, showcasing exploratory research in literary and cultural theory and history, material and visual cultures, and reception studies. The series is also interested in language-based research, particularly the changing role of national and minority languages and cultures, and includes within its publications the annual proceedings of the ‘Hermes Consortium for Literary and Cultural Studies’. Timothy Mathews is Emeritus Professor of French and Comparative Criticism, UCL. Florian Mussgnug is Reader in Italian and Comparative Literature, UCL. Context in Literary and Cultural Studies Edited by Jakob Ladegaard and Jakob Gaardbo Nielsen First published in 2019 by UCL Press University College London Gower Street London WC1E 6BT Available to download free: www.uclpress.co.uk Text © Contributors, 2019 Images © Contributors and copyright holders named in the captions, 2019 The authors have asserted their rights under the Copyright, Designs and Patents Act 1988 to be identified as the authors of this work. A CIP catalogue record for this book is available from The British Library. This book is published under a Creative Commons 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). -
Material Culture and the Performance of Race
Dances with Things: Material Culture and the Performance of Race The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Bernstein, Robin. 2009. Dances with things: Material culture and the performance of race. Social Text 27(4): 67-94. Published Version doi:10.1215/01642472-2009-055 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:3659694 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Dances with Things Material Culture and the Performance of Race Robin Bernstein In a photograph from Yale University’s Beinecke Rare Book and Manu- script Library, a light-skinned woman stands behind a larger-than-life- size caricature of an African American eating a slice of watermelon (fig. 1).1 The young man, shoeless and dressed in rags, perches on a fence. The woman poses behind the cutout; her hand gently over- laps with the caricature’s. She bares her teeth, miming her own bite from the fruit. A typed caption on the back of the image indicates that the photograph was taken at the Hotel Exposition, a gathering of pro- fessionals from the hotel industry, in New York City’s Grand Central Palace. At some point, a curator at the Beinecke penciled “c. 1930.” How might one read this ugly, enig- matic image, this chip of racial history archived at Yale? Taking a cue from Robyn Wiegman, who has influentially called for a transition from questions of “why” to “how” with regard to race, one might Figure 1. -
Anglo-Saxon Literary Landscapes Literary Anglo-Saxon
ENVIRONMENTAL HUMANITIES IN PRE-MODERN CULTURES Estes Anglo-Saxon Literary Landscapes Heide Estes Anglo-Saxon Literary Landscapes Ecotheory and the Environmental Imagination Anglo-Saxon Literary Landscapes Environmental Humanities in Pre‑modern Cultures This series in environmental humanities offers approaches to medieval, early modern, and global pre-industrial cultures from interdisciplinary environmental perspectives. We invite submissions (both monographs and edited collections) in the fields of ecocriticism, specifically ecofeminism and new ecocritical analyses of under-represented literatures; queer ecologies; posthumanism; waste studies; environmental history; environmental archaeology; animal studies and zooarchaeology; landscape studies; ‘blue humanities’, and studies of environmental/natural disasters and change and their effects on pre-modern cultures. Series Editor Heide Estes, University of Cambridge and Monmouth University Editorial Board Steven Mentz, St. John’s University Gillian Overing, Wake Forest University Philip Slavin, University of Kent Anglo-Saxon Literary Landscapes Ecotheory and the Environmental Imagination Heide Estes Amsterdam University Press Cover illustration: © Douglas Morse Cover design: Coördesign, Leiden Layout: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 90 8964 944 7 e-isbn 978 90 4852 838 7 doi 10.5117/9789089649447 nur 617 | 684 | 940 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The author / Amsterdam University Press B.V., Amsterdam 2017 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
Thinking Art Thinking
CRMEP Books – Thinking art – cover 232 pp. Trim size 216 x 138 mm – Spine 18 mm 4-colour, matt laminate Caroline Bassett Dave Beech art Thinking Ayesha Hameed Klara Kemp-Welch Jaleh Mansoor Christian Nyampeta Peter Osborne Ludger Schwarte Keston Sutherland Giovanna Zapperi Thinking art materialisms, labours, forms isbn 978-1-9993337-4-4 edited by CRMEP BOOKS PETER OSBORNE 9 781999 333744 Thinking art Thinking art materialisms, labours, forms edited by PETER OSBORNE Published in 2020 by CRMEP Books Centre for Research in Modern European Philosophy Penrhyn Road campus, Kingston University, Kingston upon Thames, kt1 2ee, London, UK www.kingston.ac.uk/crmep isbn 978-1-9993337-4-4 (pbk) isbn 978-1-9993337-5-1 (ebook) The electronic version of this work is licensed under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International License (CC-BYNC-ND). For more information, please visit creativecommons.org. The right of the contributors to be identified as authors of this work has been asserted by them in accordance with the Copyright, Designs and Patents Act, 1988 Designed and typeset in Calluna by illuminati, Grosmont Cover design by Lucy Morton at illuminati Printed by Short Run Press Ltd (Exeter) A catalogue record for this book is available from the British Library Contents Preface PETER OSBORNE ix MATERIALISMS 1 Digital materialism: six-handed, machine-assisted, furious CAROLINE bASSETT 3 2 The consolation of new materialism KESTOn sUtHeRLAnD 29 ART & LABOUR 3 Art’s anti-capitalist ontology: on the historical roots of the -
'Little Terrors'
Don DeLillo’s Promiscuous Fictions: The Adulterous Triangle of Sex, Space, and Language Diana Marie Jenkins A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy The School of English University of NSW, December 2005 This thesis is dedicated to the loving memory of a wonderful grandfather, and a beautiful niece. I wish they were here to see me finish what both saw me start. Contents Acknowledgements 1 Introduction 2 Chapter One 26 The Space of the Hotel/Motel Room Chapter Two 81 Described Space and Sexual Transgression Chapter Three 124 The Reciprocal Space of the Journey and the Image Chapter Four 171 The Space of the Secret Conclusion 232 Reference List 238 Abstract This thesis takes up J. G. Ballard’s contention, that ‘the act of intercourse is now always a model for something else,’ to show that Don DeLillo uses a particular sexual, cultural economy of adultery, understood in its many loaded cultural and literary contexts, as a model for semantic reproduction. I contend that DeLillo’s fiction evinces a promiscuous model of language that structurally reflects the myth of the adulterous triangle. The thesis makes a significant intervention into DeLillo scholarship by challenging Paul Maltby’s suggestion that DeLillo’s linguistic model is Romantic and pure. My analysis of the narrative operations of adultery in his work reveals the alternative promiscuous model. I discuss ten DeLillo novels and one play – Americana, Players, The Names, White Noise, Libra, Mao II, Underworld, the play Valparaiso, The Body Artist, Cosmopolis, and the pseudonymous Amazons – that feature adultery narratives. -
The Anxiety of Influence: a Theory of Poetry Free
FREE THE ANXIETY OF INFLUENCE: A THEORY OF POETRY PDF Prof. Harold Bloom | 208 pages | 03 Jul 1997 | Oxford University Press Inc | 9780195112214 | English | New York, United States The Anxiety of Influence: A Theory of Poetry - Harold Bloom - Google книги Professor Bloom Yale; author of Blake's Apocalypse,and Yeats, interprets modern poetic history — the history of poetry in a Cartesian climate — in terms of Freud's "family romance After graduating from Yale, Bloom remained there The Anxiety of Influence: A Theory of Poetry a teacher, and was made Sterling Professor of Humanities in Bloom's theories have changed the way that critics think of literary tradition and has also focused his attentions on history and the Bible. He has written over twenty books and edited countless others. He is one of the most famous critics in the world and considered an expert in many fields. In he became a founding patron of Ralston College, a new institution in Savannah, Georgia, that focuses on primary texts. Harold Bloom. Harold Bloom's The Anxiety of Influence has cast its own long shadow of influence since it was first published in Through an insightful study of Romantic poets, Bloom puts forth his central vision of the relations between tradition and the individual artist. Although Bloom was never the leader of any critical "camp," his argument that all literary texts are a response to those that precede them had an enormous impact on the practice of deconstruction and poststructuralist literary theory in this country. The book remains a central work The Anxiety of Influence: A Theory of Poetry criticism for all students of literature and has sold over 17, copies in paperback since Written in a moving personal style, anchored by concrete examples, and memorably quotable, Bloom's book maintains that the anxiety of influence cannot be evaded-- neither by poets nor by responsible readers and critics. -
An Examination of Conspiracy and Terror in the Works of Don Delillo
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English Spring 5-7-2011 For the Future: An Examination of Conspiracy and Terror in the Works of Don Delillo Ashleigh Whelan Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation Whelan, Ashleigh, "For the Future: An Examination of Conspiracy and Terror in the Works of Don Delillo." Thesis, Georgia State University, 2011. https://scholarworks.gsu.edu/english_theses/104 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. FOR THE FUTURE: AN EXAMINATION OF CONSPIRACY AND TERROR IN THE WORKS OF DON DELILLO by ASHLEIGH WHELAN Under the Direction of Dr. Christopher Kocela ABSTRACT This thesis is divided into two chapters, the first being an examination of conspiracy and paranoia in Libra, while the second focuses on the relationship between art and terror in Mao II, “In the Ruins of the Future,” Falling Man, and Point Omega. The study traces how DeLillo’s works have evolved over the years, focusing on the creation of counternarratives. Readers are given a glimpse of American culture and shown the power of narrative, ultimately shedding light on the future of our collective consciousness. INDEX -
Tion of Don Delillo
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Delirious USA: the representation of capital in the fic- tion of Don DeLillo https://eprints.bbk.ac.uk/id/eprint/40479/ Version: Full Version Citation: Travers, Thomas William Lynn (2020) Delirious USA: the repre- sentation of capital in the fiction of Don DeLillo. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Birkbeck, University of London Delirious USA: The Representation of Capital in the Fiction of Don DeLillo Thomas William Lynn Travers Submitted for the degree of Doctor of Philosophy 2019 1 Declaration I, Thomas William Lynn Travers, declare that this thesis is my own work. Where I have drawn upon the work of other researchers, this has been fully acknowledged. 2 Abstract In this thesis I offer a new reading of Don DeLillo’s fiction through an engagement with contemporary Marxist literary theory and political economy. Beginning in the 1960s, the thesis traces the launch, expansion, and shattering of DeLillo’s narrative apparatus as it recomposes itself across the genres of the short story, the conspiratorial thriller, the historical novel, and the novel of time. Developing on theories of the novel as a capitalist epic, the thesis takes the insistent appearance of surplus populations in DeLillo’s work as an opportunity to reflect on, but also to revise and reconceptualise, Marxist accounts of the novel and its philosophy of history. -
AP English Literature Summer Reading (Libra by Don Delillo) 2020
Don Delillo: Libra AP English Literature Summer Reading 2020-2021 "This was the year he rode on the subway to the ends of the city, two hundred miles of track. He liked to stand at the front of the first car, hands flat against the glass. The train smashed through the dark. People stood on the local platforms staring nowhere, a look they'd been practicing for years. He kind of wondered, speeding past, who they really were." AP English Literature Summer Reading Assignment 2020-2021 Students enrolled in AP English Literature for the 2020-2021 school year are required to actively read and complete a series of journal entries on the novel Libra by Don Delillo. This assignment will comprise a major portion of the first quarter grade. The journal will comprise two test grades, and a conventional test on the book will also be given the day of journal collection. Furthermore, much of September will be devoted to study and discussion of Libra, and it will continually be referenced throughout the year. Your efforts on this assignment will have far-reaching consequences, so please put in your strongest effort. Below are some specifics about Libra and the accompanying journals. A scoring guide for each journal entry is attached. Libra Don DeLillo (1936—) was born and raised in an Italian-American neighborhood of the Bronx in New York City, the son of a coal miner and an ex-schoolteacher. After graduating from Fordham University, he worked for five years as a copywriter for an advertising agency, before quitting to pursue writing seriously in 1964. -
Don Delillo's Libra: History As Text, History As Trauma
Rethinking History Vol. 9, No. 2/3, June/September 2005, pp. 337 – 353 CLASSIC TEXTS Don DeLillo’s Libra: History as Text, History as Trauma Leonard Wilcox This article discusses Don DeLillo’s Libra as historiographic metafiction in terms of the novel’s exploration of the relation between historical events and narrative, and its sense that there is no access to the past that would be unmediated by language. Yet Libra grapples with issues that cannot be fully explained by a model that stresses the ‘already written’, textual nature of the historical referent. Drawing upon Slajov Zˇizˇek’s reading of Lacan and the Lacanian concept of ‘the real’, I explore the novel’s depiction of the Kennedy assassination as a traumatic historical event, one that eludes symbolization and poses questions about the limits of representation. I argue that DeLillo’s exploration of the relation between trauma and representation gives us a powerful metaphor of the historical project itself. Keywords: History; Metafiction; Trauma; Symbolic; Real; Zˇizˇek I When Don DeLillo’s Libra was published in 1988 it was initially met in some quarters with an astonishing degree of venom. In part, this was due to the culturally traumatic and contentious subject the novel tackled—the assassination of President John F. Kennedy. In no small degree it was also because DeLillo’s fictional speculations ran counter to the ‘lone gunman’ theory endorsed by the Warren Commission. Conservative columnist George F. Will condemned the novel for its ‘lunatic conspiracy theory’, and famously declared that the novel was ‘an act of literary vandalism and bad citizenship’ (Will 2000, p. -
Tidskrift För Litteraturvetenskap 2013:2
TIDSKRIFT FÖR LITTERATURVETENSKAP 2013:2 KORTPROSA TIDSKRIFT FÖR LITTERATURVETENSKAP REDAKTÖRER Maria Andersson (ansv. utg.) & Per Anders Wiktorsson TEMAANSVARIG Per Anders Wiktorsson REDAKTION Hedvig Härnsten (prenumerationsansvarig), Erik van Ooijen, Adam Wickberg Månsson (recensionsansvarig), Lydia Wistisen (kassör), Magnus Öhrn REDAKTIONSRÅD Redaktionsråd: Claes Ahlund (Åbo), Åsa Arping (Göteborg), Carin Franzén (Linköping), Paula Henrikson (Uppsala), Eva Hættner Aurelius (Lund), Roland Lysell (Stockholm), Mats Malm (Göteborg), Anders Mortensen (Lund), Daniel Möller (Lund), Anders Olsson (Stockholm), Margareta Petersson (Växjö), Torsten Pettersson (Uppsala), Rikard Schönström (Lund), Boel Westin (Stockholm), Anders Öhman (Umeå) ADRESS Tidskrift för litteraturvetenskap, Institutionen för litteraturvetenskap och idéhistoria, Stockholms universitet, 106 91 Stockholm Hemsida: http://www.littide.su.se/forskning/tidskrift-for-litteraturvetenskap e-post: [email protected] TFL på internet: http://ojs.ub.gu.se Tidskriften stöds av Vetenskapsrådet Tidskriften ges ut av Föreningen för utgivandet av Tidskrift för litteraturvetenskap, Lund. Medlemskap i föreningen kan erhållas mot en avgift av 10 kr. Omslag, grafisk form & sättning: Richard Lindmark Tryck: Munkreklam AB, Munkedal ISSN: 1104-0556 TFL 2013:2 3 FRÅN REDAKTIONEN 5 BARBRO STÅHLE SJÖNELL DET TIDIGA 1800-TALETS SVENSKA NOVELLISTIK Publikationssätt och novelltyper 19 BEATA AGRELL DIDAKTIK UTAN TENDENS Boccaccios falk och Per Hallströms novell ”Falken” 29 MIRANDA LANDEN NOVELLTITELN HOS