Hank Marvin Album HANK Set for Release 2Nd June 2014 Submitted By: Bennett Public Relations Thursday, 10 April 2014

Total Page:16

File Type:pdf, Size:1020Kb

Hank Marvin Album HANK Set for Release 2Nd June 2014 Submitted By: Bennett Public Relations Thursday, 10 April 2014 Hank Marvin album HANK set for release 2nd June 2014 Submitted by: Bennett Public Relations Thursday, 10 April 2014 Hank Marvin, the legendary guitarist and modern day icon, who has inspired generations and garnered critical acclaim throughout his career for his work with The Shadows and as a solo artist, releases a long-awaited new studio album on 2 June 2014. Simply titled HANK, the album will be released on the DMG TV label. Featuring 14 tracks, HANK includes fresh interpretations of some of Marvin’s favourite summer-themed music, along with one new composition. It’s the first new release since 2007’s UK Top 10 Guitar Man, for the man whose legendary achievements were restated yet again in The Times in February 2014, when he was listed as Number 2, amongst the world’s greatest guitar players and The Shadows amongst the greatest groups! It’s been 60 years since the man who introduced the Fender Stratocaster to the UK, picked up his first musical instrument. Marvin’s performances as a solo frontman and with The Shadows on their records and backing Cliff Richard have resulted in millions of worldwide record sales. The Shadows’ monumental chart debut with Apache in 1960 started an incredible run of 13 UK Top 10 hits for the group in just 4 years, during which time their unmistakeable style became a household sound around the world. Hank and The Shadows ruled the charts during the early 1960s and as a solo artist from the late 1970s to the present day Hank Marvin has sold in excess of 6 million albums. HANK, recorded in Hank Marvin’s long-time home of Perth in Western Australia, includes 9 tracks arranged by Hank and his son Ben, with the remaining arrangements handled by Nunzio Modia, a classically trained pianist, arranger, accordionist and member of Marvin’s gypsy jazz quartet. The album also includes “subtle” backing vocals from his daughter Tahlia – “Keep it in the family. Keep them gainfully employed” says Hank with his trademark humour. “These tunes all have some kind of connection with summer,” Hank explains. “The songs we’ve chosen are all very recognisable in the title, which is important on this kind of album, but they’re also vehicles which enable me to be creative, and still approach them in a way that people will know it’s me playing.” Hank’s legions of fans will thrill to his new versions of such classics as Waterloo Sunset (“I was a big fan of the Kinks and Ray Davies’ writing, and this is a charming song”), California Girls (“I admired the Beach Boys very much, and we’ve been able to do a groovy version of this which I really like”) and the Lovin’ Spoonful’s Daydream (“another song I’ve always enjoyed, almost like an old jazz tune, but an easy going, summery thing”). “We’ve approached A Taste of Honey in a different way to either the Beatles’ or Herb Alpert’s version, but it’s got a lot of energy in it. Summer Of ’42 was a Michel Legrand composition, and this is quite a powerful ballad version of it which enables me to be quite expressive on the guitar.” Other artists interpreted on HANK, include the Beatles’ Good Day Sunshine, Stevie Wonder’s You Are The Sunshine of My Life, Message in a Bottle (The Police), Johnny Nash’s I Can See Clearly Now and Page 1 Eddie Cochran’s Sealed with a Kiss and Summertime Blues. “What we’ve tried with all these numbers is to do something a little different, but keeping the essence of the original” says Hank. Remaining tracks on the album are the classic Harry Warren/Al Dublin song I Only Have Eyes For You, George Gershwin’s Summertime and the brand new Marvin composition Summer Guitar. The release of HANK coincides with the 60th anniversary of the Fender Stratocaster that Marvin inspired a generation of guitarists to play, firstly in The Shadows, backing Cliff Richard and then from the moment they took the charts by storm with the timeless instrumental Apache. “We didn’t realise the influence at the time, only much later on,” he says. “The amount of people that copied us, buying Strats to try to imitate the band, prompted many to turn to the Stratocaster as their guitar of choice. So we’re very happy that we had that kind of impact.” Hank continues to be cited as a massive influence on the careers of countless guitar heroes who grew up in excited awe of his playing. “Hank had the first Fender Stratocaster that came into England and he made a great impression on me,” says Jimmy Page, and Eric Clapton is equally appreciative. “When I was thrashing around on acoustic guitar,” he recalls, “there was someone who had already found and settled on a clear, pure sound, and that was Hank Marvin.” Brian May remembers how, “in common with thousands of others, I started to learn Hank’s single note style. None of us ever quite got that great sound.” When Mark Knopfler was a kid, “all I wanted was a red electric guitar. It had to be red because of Hank and his magical sound.” In 1985 Mark Knopfler invited Hank to join Dire Straits for their series of sell-out concerts at Wembley Arena and in 1993 Hank and Mark recorded a version of Wonderful Land for charity – previously a number 1 hit single for Hank & The Shadows in 1962. Legendary Canadian singer/songwriter Neil Young, another Marvin devotee, acknowledged his appreciation when he composed and recorded his autobiographical song From Hank to Hendrix. Richard Hawley too fulfilled a childhood dream when he persuaded Hank to play guitar on his tribute song Absolutely Hank Marvin! “I’m very flattered by it all,” says Marvin. “In the early days, we became aware that we were having an influence on our peers, or even younger, who wanted to learn to play the guitar. But later on, when you find out that these are important people in our business, that is obviously something special. Jeff Beck said to me about 18 months ago, ‘Hank, you’re 80% of the reason I’m playing guitar!” Hank Marvin has also become a part of the Cockney Rhyming Slang lexicon through Matteson’s multi-million pound Hank Marvin Fridge Raiders campaign which centres on the strapline “for when you’re Hank Marvin” the rhyming slang for starving! Now another exciting new chapter is about to open in the story of Britain’s greatest guitar hero. FORMATS: CD/Download RELEASE DATE: 2nd June 2014 CD Cat. No.: DMGTV056 CD Barcode: 5014797760561 Digital Cat. No.: 5032698240562 Digital Barcode: 5032698240562 Page 2 Review copies available on request FOR FURTHER INFORMATION PLEASE CONTACT Debbie Bennett Bennett PR T: +44 (0) 20 8451 3661 M: +44 (0) 7534 927784 [email protected] Page 3 Distributed via Press Release Wire (https://pressreleases.responsesource.com/) on behalf of Bennett Public Relations Copyright © 1999-2021 ResponseSource, The Johnson Building, 79 Hatton Garden, London, EC1N 8AW, UK e: [email protected] t: 020 3426 4051 f: 0345 370 7776 w: https://www.responsesource.com.
Recommended publications
  • Bulletin of the Center for Children's Books
    I LL INI S UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scale Digitization Project, 2007. Bulletin of the Center for Children's Books THE UNIVERSITY OF CHICAGO * GRADUATE LIBRARY SCHOOL Volume XVI April, 1963 Number 8 New Titles for Children and Young People M Agle, Nan (Hayden). The Lords Baltimore; by Nan Hayden Agle and Frances 6-9 Atchinson Bacon; illus. by Leonard Vosburgh. Holt, 1962. 134p. Trade ed. $3.50; Library ed. $3.27 net. A history of the six Lords Baltimore, beginning with the English background of George Calvert, created the first Lord Baltimore in 1617. The story of the Chesa- peake Bay grant is of interest because of the record of religious tolerance; the first Lord Baltimore had seen persecution in England and had become converted to his mother's faith, Catholicism. The historical material is authoritative, but the book covers so much history that the text is heavy with detail, fact, and anecdote. An extensive bibliography is appended. M Aliki. My Hands. Crowell, 1962. 34p. illus. (Let's Read-and-Find-Out 1 Books). Trade ed. $2.50; Library ed. $2.35 net. Bright and lively illustrations but a rather slight text for science information. The book points out that each finger in a hand is different, that the human hand has an opposable thumb, that hands are used for many tasks, and that parts of the hand are used in different ways. The information is at such a simple level, and is about such a familiar subject, that much of the text seems of little use.
    [Show full text]
  • Our August Club Night
    Our August club night The house band Breakthru' opened up the evening as usual, we also saw them play last Wednesday at a nearby Club in Molesey where they had a chance to play a few non Shadows hits and explore some different sounds. I was first up to get it over and done with, not too good for me as I did not have much pratice and am only just getting full feeling back into my fingers. The Players Steve J – Apache, Wonderful Land Tony Knight – Foot Tapper, Cavatina (Theme from The Deer Hunter) Mike Norris – Theme from Shane, Mustang Bob Withrington – Rounding the Cape, Return to the Alamo John Cade – Shindig, Mountains of the Moon Alan Tarrant – Atlantis, Theme for Young Lovers Keith Humphries (visiting from South Africe) - The Savage, Peace Pipe John Bell – Cosy, Shadoogie (with Mark Winter on Drums) J. J. (visiting from USA) – Carolina on my Mind, Start the day Early Eugene McGuigan - Peace Pipe, Wonderful Land Robin Surridge with Jim on Rhythm – Lost City, Its a Mans World Stuart Osborne – Man of Mystery, Frightened City Gareth Morgan – Spring is nearly Here, Frightened City The Rock and Roll Section This featured Mark Winter on Drums, Alan Tarrant on Lead/Rhythm, Stuart Osborne on Lead/Vocals, Jim on Rhythm, Bob Withrington on Bass and Bob Dore on Keyboards – They played a selection of tunes including No Way to Go, Great Balls of Fire and Its Alright Mama. Barry Gibson took over Lead with Keith West on Vocals for Wicked Game, Folson Prison Blues and Little Sister.
    [Show full text]
  • Neil Young a Perfect Echo Volume 2 (1989-2001) Mp3, Flac, Wma
    Neil Young A Perfect Echo Volume 2 (1989-2001) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: A Perfect Echo Volume 2 (1989-2001) Country: Japan Released: 2004 Style: Classic Rock, Folk Rock, Country Rock MP3 version RAR size: 1528 mb FLAC version RAR size: 1542 mb WMA version RAR size: 1205 mb Rating: 4.7 Votes: 298 Other Formats: MP3 AC3 AU XM WAV AIFF DTS Tracklist 1-1 Rockin' In The Free World (Hamburg, Germany, 8-Dec-1989) 1-2 Don't Let It Bring You Down (Hamburg, Germany, 8-Dec-1989) 1-3 After The Gold Rush (Hamburg, Germany, 8-Dec-1989) 1-4 Ohio (Hamburg, Germany, 8-Dec-1989) 1-5 Too Far Gone (Amsterdam, Holland, 10-Dec-1989) 1-6 Crime In The City (Amsterdam, Holland, 10-Dec-1989) 1-7 Eldorado (Amsterdam, Holland, 10-Dec-1989) 1-8 Hangin' On A Limb (Amsterdam, Holland, 10-Dec-1989) 1-9 Someday (Amsterdam, Holland, 10-Dec-1989) 1-10 My My Hey Hey (Amsterdam, Holland, 10-Dec-1989) 1-11 The Old Laughing Lady (Paris, France - 11-Dec-1989) 1-12 The Needle And The Damage Done (Paris, France - 11-Dec-1989) 1-13 No More (Paris, France - 11-Dec-1989) 1-14 Days That Used To Be (Mountain View, CA, 26-Oct-1990) 1-15 Mansion On The Hill (Mountain View, CA, 26-Oct-1990) 2-1 Love And Only Love (Mountain View, CA, 26-Oct-1990) 2-2 Forever Young (San Francisco, CA, 3-Nov-1991) 2-3 Harvest Moon (Irving, TX, 14-Mar-1992) 2-4 Unknown Legend (Irving, TX, 14-Mar-1992) 2-5 Dreamin' Man (Chicago, IL, 17-Nov-1992) 2-6 You And Me (Chicago, IL, 17-Nov-1992) 2-7 Natural Beauty (Chicago, IL, 17-Nov-1992) 2-8 From Hank To Hendrix (Ames, IA, 24-Apr-1993)
    [Show full text]
  • Remembering Lee Hazlewood 1929-2007 Live Gig Reviews
    REMEMBERING LEE HAZLEWOOD 1929-2007 LIVE GIG REVIEWS SHADOZ 07 THE THUNDERBIRDS THE FUTURAS SYDNEY SHADZ TRIBUTE SHOW BRYAN BROWNE IN THE USA NEW CD’S including MARTIN CILIA / HANK MARVIN / THUNDERBIRDS / AL CASEY / BRYAN BROWNE / KIM HUMPHREYS & MORE! THE AVENGERS On Lead Guitar is NELLO GIANSIRACUSA, on Rhythm is SAM MANUELE, Bass Guitar is ROB WATSON and on drums, JOHN FAGNANI. Their set included a selection of Shadows' numbers, and proved a fine start to the day's entertainment. I have recently had to (hurriedly) find new accommodation. The owners of my flat wanted to Tracks played were: 36-24-36 / Shadoogie / Apache sell, so my time was limited (and, yes, I did pay the / South Of The Border / Guitar Tango / Riders In rent!!). I have spent the last few weeks packing and The Sky / Theme From 'The Deer Hunter' unpacking my 'worldly possessions', and having a (Cavatina) / Kon-Tiki / Foot Tapper / The Rise And giant 'cleanout' in the process. My new details are: Fall Of Flingel Bunt / F.B.I. / Perfidia / The Savage GEOFF JERMY, 9 Hughes Street, Hoppers Crossing, Vic, 3029. Phone (03) 9749 3223. Visitors are always welcome (Melway 202 E 12) but please SHADAMATAZ call first. JOHN BESHARA is on Lead Guitar, RUSSELL My email address ([email protected]) and BAIRD on Rhythm Guitar, DAN McLACHLAN is on mobile 0428 288 577 remain the same. Also on the Bass), JOHN HALL is manning the drum stool, and move is Ben Nestrell, who has decided to retire and JEFF MANNING is manning the keyboards. move to the sunnier climes of Nambucca Heads.
    [Show full text]
  • Apache Stronghold Excerpts of Record
    Case: 21-15295, 02/23/2021, ID: 12014184, DktEntry: 6-2, Page 1 of 232 No. 21-15295 ___________________________________________________________________________________________________________________ In the United States Court of Appeals for The Ninth Circuit APACHE STRONGHOLD, Plaintiff-Appellant, v. UNITED STATES OF AMERICA, ET AL., Defendants-Appellees. Appeal from the United States District Court for the District of Arizona Honorable Steven P. Logan (2:21-cv-00050-PHX-SPL) __________________________________________________________________ EXCERPTS OF RECORD __________________________________________________________________ MICHAEL V. NIXON LUKE W. GOODRICH 101 SW Madison Street #9325 Counsel of Record Portland, OR 97207 MARK L. RIENZI (503) 522-4257 DIANA M. VERM [email protected] JOSEPH C. DAVIS CHRISTOPHER PAGLIARELLA CLIFFORD LEVENSON DANIEL D. BENSON th 5119 North 19 Street, Suite K THE BECKET FUND FOR Phoenix, AZ 85015 RELIGIOUS LIBERTY (602) 544-1900 1919 Pennsylvania Ave. NW [email protected] Suite 400 Washington, DC 20006 (202) 955-0095 [email protected] Counsel for Plaintiff-Appellant Case: 21-15295, 02/23/2021, ID: 12014184, DktEntry: 6-2, Page 2 of 232 TABLE OF CONTENTS Doc. Date Document Description Page 57 2/12/2021 Order regarding Temporary Restraining Order ER001 and Preliminary Injunction 2/03/2021 Transcript of Hearing on Motion for ER024 Preliminary Injunction 7-1 1/14/2021 Declaration of Cranston Hoffman Jr. ER120 7-2 1/14/2021 Declaration of Clifford Levenson ER123 7-3 1/14/2021 Declaration of Naelyn Pike ER125 7-4 1/14/2021 Declaration of Wendsler Nosie, Sr., Ph.D. ER136 15-1 1/20/2021 Declaration of John R. Welch, Ph.D. ER149 18-1 1/21/2021 Ex.
    [Show full text]
  • 1 This Was the Year That the Shadows Appeared As Singers Before a Pan
    1975 This was the year that The Shadows appeared as singers before a pan-European audience. The earlier 1973 initiative had not produced the desired outcome and by 1974 they were in the wilderness and did not exist as a viable group. They got together to perform at the Palladium on 27 October of that year as a personal tribute to and for the benefit of the widow of BBC producer Colin Charman. BBC boss Bill Cotton heard them and suggested that they might like to represent the UK at the Eurovision Song Contest the following year. They accepted, formed a working ensemble, and undertook a few local ‘practice’ gigs while preparing and practising the songs. The chosen song, [254] LET ME BE THE ONE, was one of six put forward for the UK’s entry in the Eurovision Contest of 1975, and was the last of the contenders performed over six successive weeks on Lulu’s BBC TV show at the start of the year. It was duly televised in Stockholm on 22 March but came in second to Dutch group Teach-In’s lyrically challenged ‘Dinge-Dong’ ~ English title ‘Ding-A-Dong’ (“Ding- A-Dong every hour,/ When you pick a flower …”), which impressed the British public sufficiently to enjoy a seven-week residence in the Singles charts (climbing to No.13). No such good fortune attended the release of The Shadows’ follow-up to their charting Eurovision Single, another piece from the same composer, the staggeringly inane, hopelessly unamusing [266] RUN BILLY RUN (“Closed my eyes, I tried countin’ sheep,/ Desp-rate Dan just looked like Bo-Peep,/ I can’t sleep”).
    [Show full text]
  • 01. Brazil / Les Paul with Mary Ford the Best of the Capitol Masters: 90Th Birthday Edition 02
    2005/09/24 ( ALBUM TITLE ) 01. Brazil / Les Paul with Mary Ford The Best of The Capitol Masters: 90th Birthday Edition 02. Dialog and In The Mood / Les Paul with Mary Ford The Best of The Capitol Masters: 90th Birthday Edition 03. Walk, Don't Run / Johnny Smith Moods 04. Walk, Don't Run / Chet Atkins The Best Of Chet Atkins 05. Walk, Don't Run / The Ventures The Ultimate Collection 06. Walk, Don't Run / Penguin Cafe Orchestra Penguin Cafe Orchestra 07. Midnight / Peter Green & Splinter Group Twang! A Tribute To Hank Marvin & The Shadows 08. Ain't Nobody's Business / Jimmy Witherspoon Blues Masters 09. I Want To Be Loved (But Only By You) / Savannah Blowing The Fuse - 28 R&B Classics That Rocked The Jukebox Churchill in 1947 Blowing The Fuse - 28 R&B Classics That Rocked The Jukebox 10. Since I Fell For You / Annie Laurie in 1947 Blowing The Fuse - 28 R&B Classics That Rocked The Jukebox 11. New Orleans Blues / Johnny Moore's Three Blazers in 1947 12. Turn On Your Love Light / Bobby Bland Turn On Your Love Light 13. T-Bone Shuffle / T-Bone Walker Capitol, Imperial Years 14. Okie Dokie Stomp / Clarence 'Gatemouth' Brown Lightning In A Bottle - Original Soundtrack Recording 15. Guitar In My Hand / Clarence 'Gatemouth' Brown The Aladdin Records Story 16. My Time Is Expensive /Clarence 'Gatemouth' Brown The Best Of Duke-Peacock Blues 17. Born In Louisiana / Clarence 'Gatemouth' Brown Standing My Ground 18. Jambalaya (On The Bayou) / Professor Longhair Rock 'N' Roll Gumbo 19. River's Invitation / Clarence 'Gatemouth' Brown Gate Swings 20.
    [Show full text]
  • Great Instrumental
    I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T.
    [Show full text]
  • Helping Students Find Meaning While Finding My Own: a Scholarly
    University of Vermont ScholarWorks @ UVM Graduate College Dissertations and Theses Dissertations and Theses 2015 Helping Students Find Meaning While Finding My Own: A Scholarly Personal Narrative Navigating Single-Motherhood and a Career in Admissions Amber Rich University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/graddis Part of the Higher Education Commons, and the Higher Education Administration Commons Recommended Citation Rich, Amber, "Helping Students Find Meaning While Finding My Own: A Scholarly Personal Narrative Navigating Single- Motherhood and a Career in Admissions" (2015). Graduate College Dissertations and Theses. 526. https://scholarworks.uvm.edu/graddis/526 This Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks @ UVM. It has been accepted for inclusion in Graduate College Dissertations and Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. HELPING STUDENTS FIND MEANING WHILE FINDING MY OWN: A SCHOLARLY PERSONAL NARRATIVE NAVIGATING SINGLE- MOTHERHOOD AND A CAREER IN ADMISSIONS A Dissertation Presented by Amber Rich to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements for the Degree of Doctor of Education Specializing in Educational Leadership and Policy Studies May, 2015 Defense Date: March 27, 2015 Dissertation Examination Committee: Robert J. Nash, Ed.D., Advisor Stuart Whitney, Ed.D., RN, CNS, Chairperson Beth Mintz, Ph.D. Deborah Hunter, Ph.D. Cynthia J. Forehand, Ph.D., Dean of the Graduate College ABSTRACT In this dissertation, I explore my role as an administrator in higher education admissions at a major university and as a working mother who faces many real world challenges.
    [Show full text]
  • Johnny Brue Song List.Xlsx
    Johnny Brue Song List 3 a.m. Matchbox 20 634-5789 Wilson Picke 1979 Smashing Pumpkins 867-5309 Jenny Tommy TuTone A Boy Named Sue Johnny Cash A Hard Day's Night The Beatles A Horse with no Name America A Long December Counng Crows A Song for You Leon Russell Abraham, Marn & John Dion Against The Wind Bob Seger Ain't Even Done With the Night John Mellencamp Ain't No Sunshine Bill Withers Ain't Seen Nothing Yet BTO Ain't That a Shame Cheap Trick Ain't Worth The Whiskey Cole Swindell Alabama Getaway Grateful Dead All Along the Watchtower Jimi Hendrix All for You Sister Hazel All My Rowdy Friends Hank Williams, Jr. All Summer Long Kid Rock All That Heaven Will Allow Bruce Springsteen All The Small Things Blink 182 Allentown Billy Joel Allison Elvis Costello American Girl Tom Pey American Kids Kenny Chesney American Pie Don McLean American Soldier Toby Keith Amie Pure Prarie League An American Dream Niy Griy Dirt Band Angie Rolling Stones Another Brick in The Wall Pink Floyd Are you Gonna go my Way Lenny Kravitz As good as I once Was Toby Keith Atlanc City Bruce Springsteen Auld Lang Syne Baby, I Love Your Way Peter Frampton Bad Bad Leroy Brown Jim Croce Back in the USSR The Beatles Bad Case of Loving You Robert Palmer Bad Moon Rising Creedence Clearwater Bad Things Jace Evere BadLands Bruce Springsteen Baker Street Gerry Rafferty Ball and Chain Social Distoron Barely Breathing Duncan Sheik Basket Case Green Day Beast of Burden Rolling Stones Beauful Crazy Luke Combs Johnny Brue Song List Beds are Burning Midnight Oil Beer for my Horses Toby
    [Show full text]
  • The Western Apache Homeland and Archaeology of the Mogollon Rim
    Shí Kéyaa: The Western Apache Homeland and Archaeology of the Mogollon Rim Angie Krall Vincent E. Randall Technical Report No. 2007-03 Desert Archaeology, Inc. Shí Kéyaa: The Western Apache Homeland and Archaeology of the Mogollon Rim Angie Krall Vincent E. Randall Technical Report No. 2007-03 Desert Archaeology, Inc. 3975 N. Tucson Boulevard, Tucson, Arizona 85716 • July 2009 PREFACE The realignment of State Route 260 (SR 260) be- Cores and frontiers depend on vantage point, tween Payson and Heber follows a long tradition however. In this report, KenCairn and Randall ad- of trail blazing through the lands below the Mogol- dress the presumption of the interpretation that lon Rim region. For over 3,000 years, people have described the region as frontier. They examine the passed through the region, perhaps following the region as a homeland and an essential and central route of the modern highway through spring-fed part of the history and identity of Apache, even as meadows and perennial streams. For at least 350 private and public entities have claimed the lands years, the stewards of this land have often been of the Mogollon Rim and native peoples have been Apache and Yavapai. moved to reservations. For modern Apache, the area is a “bridge” be- An extensive view of the Apache use of the tween the modern Yavapai-Apache Nation, Tonto, sub-Mogollon Rim was drawn from published and White Mountain, and San Carlos Reservations. unpublished ethnographic work on Apache places, Tribal members recall trails traveled by foot, don- cultural resource management reports, and the key, horse, or car, as well as camps made under the records of the public agencies who protect and trees, ramadas, or wickiups.
    [Show full text]
  • The James Taylor Encyclopedia
    The James Taylor Encyclopedia An unofficial compendium for JT’s biggest fans Joel Risberg GeekTV Press Copyright 2005 by Joel Risberg All rights reserved Published 2005 Printed in the United States of America James Taylor Online www.james-taylor.com [email protected] Cover photo by Joana Franca. This book is not approved or endorsed by James Taylor, his record labels, or his management. For Sandra, who brings me snacks. CONTENTS BIOGRAPHY 1 TIMELINE 16 SONG ORIGINS 27 STUDIO ALBUMS 31 SINGLES 43 WORK ON OTHER ALBUMS 44 OTHER COMPOSITIONS 51 CONCERT VIDEOS 52 SINGLE-SONG MUSIC VIDEOS 57 APPEARANCES IN OTHER VIDEOS 58 MISCELLANEOUS WORK 59 NON-U.S. ALBUMS 60 BOOTLEGS 63 CONCERTS ON TELEVISION 70 RADIO APPEARANCES 74 MAJOR LIVE PERFORMANCES 75 TV APPEARANCES 76 MAJOR ARTICLES AND INTERVIEWS 83 SHEET MUSIC AND MUSIC BOOKS 87 SAMPLE SET LISTS 89 JT’S FAMILY 92 RECORDINGS BY JT ALUMNI 96 POINTERS 100 1971 Time cover story – and nearly every piece of writing about James Taylor since then – characterized the musician Aas a troubled soul and the inevitable product of a family of means that expected quite a lot of its kids. To some extent, it was true. James did find inspiration for much of his life’s work in his emotional torment and the many years he spent fighting drug addiction and depression. And he did hail from an affluent, musically talented family that could afford to send its progeny to exclusive prep schools and expensive private mental hospitals. But now James Taylor in his fifties has the benefit of hindsight to moderate any lingering grudges against a press that persistently pigeonholed him – first as a sort of Kurt Cobain of his day, and much later as a sleepy crooner with his most creative years behind him.
    [Show full text]