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Middlesex University Research Repository an Open Access Repository Of
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2017) Toward an aesthetic of weightlessness: Qinggong and Wire-fu. In: RoCH Fans and Legends. lok, susan pui san, ed. QUAD / Centre for Chinese Contemporary Art, Derby / Manchester. ISBN 9780995461109. [Book Section] Final accepted version (with author’s formatting) This version is available at: https://eprints.mdx.ac.uk/24696/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. -
January 2010 Newsletter
January 2010 – Volume 2, Issue 1 THE DRAGON’S LAIR NEWSLETTER OF THE IRON DRAGON KUNG FU AND KICKBOXING CLUB 91 STATION STREET, UNIT 8, AJAX, ONTARIO L1S 3H2 JANUARY 2010 VOLUME 2, ISSUE 1 (905) 427-7370 / [email protected] / www.iron-dragon.ca COMMENTARY HAPPY NEW YEAR! 2010 here we come! Those of you who have heeded Ol’ Sifu’s advice have burst out of the starting blocks to start 2010 up and running. For those brethren who did not and are now horizontal on the couch, recovering from their New Years Eve hangover…..IT IS STILL NOT TOO LATE! LOL! Get ye’ over to yonder Iron Dragon Kung Fu and Kickboxing Club as soon as you can so that you will be ahead of the pack for 2010! CHANGES IN CLASS FORMATS FOR 2010! I am tinkering with the format for Saturdays Circuit Training and MMA class. From now on the new Chinese Wrestling Moves will be introduced on Thursday nights and then the reinforcement of those moves will be done on Saturday along with Open Grappling and also at the end of every Kung Fu Kickboxing Class till the following Thursday. We will use the Ontario Jiu Jitsu Point System to score Saturdays Open Grappling so we can get used to the point system before 2010 grappling competitions. Chinese Wrestling techniques that are not legal in Jiu Jitsu and Grappling will still be taught because they are effective self defense - we just have to remember what is legal in competition! LOL! The Wednesday classes at 12:00 pm and 8:00 pm have been designated as full equipment training classes. -
Televising the South: Race, Gender, and Region in Primetime, 1955-1980
TELEVISING THE SOUTH: RACE, GENDER, AND REGION IN PRIMETIME, 1955-1980 by PHOEBE M. BRONSTEIN A DISSERTATION Presented to the Department of English and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2013 DISSERTATION APPROVAL PAGE Student: Phoebe M. Bronstein Title: Televising the South: Race, Gender, and Region in Primetime, 1955-1980 This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of English by: Carol Stabile Chairperson Priscilla Ovalle Core Member Courtney Thorsson Core Member Meslissa Stuckey Institutional Representative and Kimberly Andrews Espy Vice President for Research and Innovation; Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2013 ii © 2013 Phoebe M. Bronstein This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License iii DISSERTATION ABSTRACT Phoebe Bronstein Doctor of Philosophy Department of English September 2013 Title: Televising the South: Race, Gender, and Region in Primetime, 1955-1980 This dissertation traces the emergence of the U.S. South and the region’s role in primetime television, from the post-World War II era through Reagan’s election in 1980. These early years defined, as Herman Gray suggests in Watching Race, all subsequent representations of blackness on television. This defining moment, I argue, is one inextricably tethered to the South and the region’s anxiety ridden and complicated relationship with television. This anxiety was rooted in the progress and increasing visibility of the Civil Rights Movement, concern over growing white southern audiences in the wake of the FCC freeze (ended in 1952), and the fear and threat of a southern backlash against racially progressive programming. -
Donnie Yen's Kung Fu Persona in Hypermedia
Studies in Media and Communication Vol. 4, No. 2; December 2016 ISSN 2325-8071 E-ISSN 2325-808X Published by Redfame Publishing URL: http://smc.redfame.com Remediating the Star Body: Donnie Yen’s Kung Fu Persona in Hypermedia Dorothy Wai-sim Lau1 113/F, Hong Kong Baptist University Shek Mun Campus, 8 On Muk Street, Shek Mun, Shatin, Hong Kong Correspondence: Dorothy Wai-sim Lau, 13/F, Hong Kong Baptist University Shek Mun Campus, 8 On Muk Street, Shek Mun, Shatin, Hong Kong. Received: September 18, 2016 Accepted: October 7, 2016 Online Published: October 24, 2016 doi:10.11114/smc.v4i2.1943 URL: http://dx.doi.org/10.11114/smc.v4i2.1943 Abstract Latest decades have witnessed the proliferation of digital media in Hong Kong action-based genre films, elevating the graphical display of screen action to new levels. While digital effects are tools to assist the action performance of non-kung fu actors, Dragon Tiger Gate (2006), a comic-turned movie, becomes a case-in-point that it applies digitality to Yen, a celebrated kung fu star who is famed by his genuine martial dexterity. In the framework of remediation, this essay will explore how the digital media intervene of the star construction of Donnie Yen. As Dragon Tiger Gate reveals, technological effects work to refashion and repurpose Yen’s persona by combining digital effects and the kung fu body. While the narrative of pain and injury reveals the attempt of visual immediacy, the hybridized bodily representation evokes awareness more to the act of representing kung fu than to the kung fu itself. -
Bibliography
BIBLIOGRAPHY An Jingfu (1994) The Pain of a Half Taoist: Taoist Principles, Chinese Landscape Painting, and King of the Children . In Linda C. Ehrlich and David Desser (eds.). Cinematic Landscapes: Observations on the Visual Arts and Cinema of China and Japan . Austin: University of Texas Press, 117–25. Anderson, Marston (1990) The Limits of Realism: Chinese Fiction in the Revolutionary Period . Berkeley: University of California Press. Anon (1937) “Yueyu pian zhengming yundong” [“Jyutpin zingming wandung” or Cantonese fi lm rectifi cation movement]. Lingxing [ Ling Sing ] 7, no. 15 (June 27, 1937): no page. Appelo, Tim (2014) ‘Wong Kar Wai Says His 108-Minute “The Grandmaster” Is Not “A Watered-Down Version”’, The Hollywood Reporter (6 January), http:// www.hollywoodreporter.com/news/wong-kar-wai-says-his-668633 . Aristotle (1996) Poetics , trans. Malcolm Heath (London: Penguin Books). Arroyo, José (2000) Introduction by José Arroyo (ed.) Action/Spectacle: A Sight and Sound Reader (London: BFI Publishing), vii-xv. Astruc, Alexandre (2009) ‘The Birth of a New Avant-Garde: La Caméra-Stylo ’ in Peter Graham with Ginette Vincendeau (eds.) The French New Wave: Critical Landmarks (London: BFI and Palgrave Macmillan), 31–7. Bao, Weihong (2015) Fiery Cinema: The Emergence of an Affective Medium in China, 1915–1945 (Minneapolis: University of Minnesota Press). Barthes, Roland (1968a) Elements of Semiology (trans. Annette Lavers and Colin Smith). New York: Hill and Wang. Barthes, Roland (1968b) Writing Degree Zero (trans. Annette Lavers and Colin Smith). New York: Hill and Wang. Barthes, Roland (1972) Mythologies (trans. Annette Lavers), New York: Hill and Wang. © The Editor(s) (if applicable) and The Author(s) 2016 203 G. -
Available Videos for TRADE (Nothing Is for Sale!!) 1
Available Videos For TRADE (nothing is for sale!!) 1/2022 MOSTLY GAME SHOWS AND SITCOMS - VHS or DVD - SEE MY “WANT LIST” AFTER MY “HAVE LIST.” W/ O/C means With Original Commercials NEW EMAIL ADDRESS – [email protected] For an autographed copy of my book above, order through me at [email protected]. 1966 CBS Fall Schedule Preview 1969 CBS and NBC Fall Schedule Preview 1997 CBS Fall Schedule Preview 1969 CBS Fall Schedule Preview (not for trade) Many 60's Show Promos, mostly ABC Also, lots of Rock n Roll movies-“ROCK ROCK ROCK,” “MR. ROCK AND ROLL,” “GO JOHNNY GO,” “LET’S ROCK,” “DON’T KNOCK THE TWIST,” and more. **I ALSO COLLECT OLD 45RPM RECORDS. GOT ANY FROM THE FIFTIES & SIXTIES?** TV GUIDES & TV SITCOM COMIC BOOKS. SEE LIST OF SITCOM/TV COMIC BOOKS AT END AFTER WANT LIST. Always seeking “Dick Van Dyke Show” comic books and 1950s TV Guides. Many more. “A” ABBOTT & COSTELLO SHOW (several) (Cartoons, too) ABOUT FACES (w/o/c, Tom Kennedy, no close - that’s the SHOW with no close - Tom Kennedy, thankfully has clothes. Also 1 w/ Ben Alexander w/o/c.) ACADEMY AWARDS 1974 (***not for trade***) ACCIDENTAL FAMILY (“Making of A Vegetarian” & “Halloween’s On Us”) ACE CRAWFORD PRIVATE EYE (2 eps) ACTION FAMILY (pilot) ADAM’S RIB (2 eps - short-lived Blythe Danner/Ken Howard sitcom pilot – “Illegal Aid” and rare 4th episode “Separate Vacations” – for want list items only***) ADAM-12 (Pilot) ADDAMS FAMILY (1ST Episode, others, 2 w/o/c, DVD box set) ADVENTURE ISLAND (Aussie kid’s show) ADVENTURER ADVENTURES IN PARADISE (“Castaways”) ADVENTURES OF DANNY DEE (Kid’s Show, 30 minutes) ADVENTURES OF HIRAM HOLLIDAY (8 Episodes, 4 w/o/c “Lapidary Wheel” “Gibraltar Toad,”“ Morocco,” “Homing Pigeon,” Others without commercials - “Sea Cucumber,” “Hawaiian Hamza,” “Dancing Mouse,” & “Wrong Rembrandt”) ADVENTURES OF LUCKY PUP 1950(rare kid’s show-puppets, 15 mins) ADVENTURES OF A MODEL (Joanne Dru 1956 Desilu pilot. -
![Bruce Lee Name in Chinese: 李小龙 [李小龍]](https://docslib.b-cdn.net/cover/0910/bruce-lee-name-in-chinese-800910.webp)
Bruce Lee Name in Chinese: 李小龙 [李小龍]
Name in English: Bruce Lee Name in Chinese: 李小龙 [李小龍] Name in Pinyin: Lǐ Xiǎolóng Gender: Male Birth Year: 1940-1973 Birth Place: San Francisco, California Philanthropy: Y Profession (s): Actor, martial artist, philosopher, instructor Education: B.A., Philosophy, 1963, University of Washington Award(s): 1958, Boxing Champion; 1997, #100 top movie star, Empire Magazine’s Top 100 Movie Stars of All Time; 1999, named one of the 100 most important people of the century, Time Magazine. Contribution(s): Bruce Lee was an American icon who popularized the martial arts film genre and sparked a continuing interest in Asian martial arts and Asian cultures in general across the world. He wrote several books on the philosophy of martial arts and founded the Jeet Kune Do style of martial arts. To this day, Bruce Lee is seen as the most influential martial artist of all time by many people. Bruce Lee was born in San Francisco in November 1940 while his parent’s Cantonese opera troupe was performing there. He was a quarter German through his maternal grandfather. His family returned to Hong Kong when he was three months old and they lived under Japanese occupation during World War II. As a child and teenager he appeared in twenty Hong Kong films. He returned to the US in 1959 at the age of 18 and after a brief stay in San Francisco left to complete his high school education in Seattle while working at Ruby Chow's restaurant as a waiter. After completing high school he went to study at the University of Washington in Seattle. -
Oct., 2007 Vol
page 2 ...................... Opinion page 12.............SRDA Menu page page 4 & 20..................Weird News Coming Up 13......................Senior Safety page 5..................Health Breast Cancer Stories page 15...............Travel page 8............Light for the Journey October Is Breast Cancer page 22.....Fremont/Custer Menu page 11...............Finances Awareness Month page 24...............Social Security & You SeniorIF YOU ARE 50 OR OLDER YOUBeacon SHOULD READ IT!! SB Oct., 2007 Vol. 26: No. 3 Established Aug., 1982 303 Consecutive Months! FOUR WOMEN TELL OF THEIR BATTLES “We Fought Back Against Breast Cancer!” by Sandra Gordon cancer fund-raisers. “Rachel recently A breast cancer diagnosis can be spearheaded an event for the Susan G. terrifying, bringing with it an endless list Komen Cancer Foundation that raised of unanswerable questions and fears. But $32,000,” Sandi says proudly. important lessons often come from fac- “We faced our fears.” ing harrowing experiences. In this breast Growing up, Diane Greene and cancer report, six inspiring women share her three sisters, Laura McGowan, Car- the stories of how their battles made them ol Wolkiewicz, and Linda Phaneuf, first stronger and wiser. learned about breast cancer when they “I was determined to treat my were teens. Their mother and her brother cancer my way.” and sister were diagnosed with the dis- Lynette Bisconti, 43, was over- ease—all three died between the ages joyed late in 1997 when she learned she of 50 and 60. “We hoped the cause was was pregnant. But a month later that hap- environmental, not genetic,” says Diane, piness turned to heartache. After having 47, the mom of two teenage boys. -
Martial Arts Cinema and Hong Kong Modernity
Martial Arts Cinema and Hong Kong Modernity Aesthetics, Representation, Circulation Man-Fung Yip Hong Kong University Press Th e University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2017 Hong Kong University Press ISBN 978-988-8390-71-7 (Hardback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any infor- mation storage or retrieval system, without prior permission in writing from the publisher. An earlier version of Chapter 2 “In the Realm of the Senses” was published as “In the Realm of the Senses: Sensory Realism, Speed, and Hong Kong Martial Arts Cinema,” Cinema Journal 53 (4): 76–97. Copyright © 2014 by the University of Texas Press. All rights reserved. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Paramount Printing Co., Ltd. in Hong Kong, China Contents Acknowledgments viii Notes on Transliteration x Introduction: Martial Arts Cinema and Hong Kong Modernity 1 1. Body Semiotics 24 2. In the Realm of the Senses 56 3. Myth and Masculinity 85 4. Th e Diffi culty of Diff erence 115 5. Marginal Cinema, Minor Transnationalism 145 Epilogue 186 Filmography 197 Bibliography 203 Index 215 Introduction Martial Arts Cinema and Hong Kong Modernity Made at a time when confi dence was dwindling in Hong Kong due to a battered economy and in the aft ermath of the SARS epidemic outbreak,1 Kung Fu Hustle (Gongfu, 2004), the highly acclaimed action comedy by Stephen Chow, can be seen as an attempt to revitalize the positive energy and tenacious resolve—what is commonly referred to as the “Hong Kong spirit” (Xianggang jingshen)—that has allegedly pro- pelled the city’s amazing socioeconomic growth. -
Smart Cinema As Trans-Generic Mode: a Study of Industrial Transgression and Assimilation 1990-2005
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DCU Online Research Access Service Smart cinema as trans-generic mode: a study of industrial transgression and assimilation 1990-2005 Laura Canning B.A., M.A. (Hons) This thesis is submitted to Dublin City University for the award of Ph.D in the Faculty of Humanities and Social Sciences. November 2013 School of Communications Supervisor: Dr. Pat Brereton 1 I hereby certify that that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed:_________________________________ (Candidate) ID No.: 58118276 Date: ________________ 2 Table of Contents Chapter One: Introduction p.6 Chapter Two: Literature Review p.27 Chapter Three: The industrial history of Smart cinema p.53 Chapter Four: Smart cinema, the auteur as commodity, and cult film p.82 Chapter Five: The Smart film, prestige, and ‘indie’ culture p.105 Chapter Six: Smart cinema and industrial categorisations p.137 Chapter Seven: ‘Double Coding’ and the Smart canon p.159 Chapter Eight: Smart inside and outside the system – two case studies p.210 Chapter Nine: Conclusions p.236 References and Bibliography p.259 3 Abstract Following from Sconce’s “Irony, nihilism, and the new American ‘smart’ film”, describing an American school of filmmaking that “survives (and at times thrives) at the symbolic and material intersection of ‘Hollywood’, the ‘indie’ scene and the vestiges of what cinephiles used to call ‘art films’” (Sconce, 2002, 351), I seek to link industrial and textual studies in order to explore Smart cinema as a transgeneric mode. -
Title Does the Karate Kid Have a Kung Fu Dream? Hong Kong Martial Arts
Does the Karate Kid Have a Kung Fu Dream? Hong Kong Martial Title Arts between Hollywood and Beijing Author(s) Marchetti, G JOMEC Journal: Journalism, Media and Cultural Studies, 2014, Citation n. 5 Issued Date 2014 URL http://hdl.handle.net/10722/204953 Rights Creative Commons: Attribution 3.0 Hong Kong License JOMEC Journal Journalism, Media and Cultural Studies Does the Karate Kid Have a Kung Fu Dream? Hong Kong Martial Arts between Hollywood and Beijing Gina Marchetti University of Hong Kong Email: [email protected] Keywords The Karate Kid choreography wu shu movie fu real kung fu Abstract This analysis of the martial arts choreography in The Karate Kid (2010) examines the contradictory matrix in which action films produce meanings for global audiences. A remake of a 1984 film, this iteration of The Karate Kid begins its imaginative battle over martial arts turf with English and Chinese titles at odds with one another. For English- speaking audiences, the title of the film promises a remake of the popular 1984 story of a displaced Italian American teenager (Ralph Macchio) trained by a Japanese American sensei (Pat Morita) to compete against the local karate bullies. However, the 2010 version has another identity competing with the first. Its Chinese title translates as Kung Fu Dream – Japanese culture, karate, and domestic American class and racial politics out of the picture. In this version, an African American youngster (Jaden Smith) moves to Beijing from Detroit and is taken under the wing of a drunken kung fu master (Jackie Chan) to battle a group of wu shu/san da villains. -
July/August 2016 Volume 15, Number 4 Inside
J U L Y / A U G U S T 2 0 1 6 VOLUME 15, NUMBER 4 INSIDE Cross-Cultural Encounters in Modernist Calligraphy Hong Kong After the Umbrella Protests New Media Arts from Taiwan Artist Features: susan pui san lok, Wang Bing, Xie Nanxing, Zhang Kechun Buried Alive: Preface US$12.00 NT$350.00 PRINTED IN TAIWAN 6 VOLUME 15, NUMBER 4, JULY/AUGUST 2016 CONTENTS 29 2 Editor’s Note 4 Contributors 6 Lines in Translation: Cross-Cultural Encounters in Modernist Calligraphy, Early 1980s–Early 1990s Shao-Lan Hertel 53 29 Spots, Dust, Renderings, Picabia, Case Notes, Flavour, Light, Sound, and More: Xie Nanxing’s Creations Carol Yinghua Lu 45 Zhang Kechun: Photographing "China’s Sorrow" Adam Monohon 53 Hong Kong After the Umbrella Protests John Batten 65 65 RoCH Redux Alice Ming Wai Jim 71 Wuxia Makes Me Nervous Henry Tsang 76 New and Greater Prospects Beyond the Frame: New Media Arts from Taiwan Claudia Bohn-Spector 81 In and Out of the Dark with Extreme Duration: Documenting China One Person at a Time in 76 the Films of Wang Bing Brian Karl 91 Buried Alive: Preface Lu Huanzhi 111 Chinese Name Index Cover: Zhang Kechun, Buddha in a Coal Yard, Ningxia (detail), 81 from the series The Yellow River, 2011, archival pigment print, 107.95 x 132 cm. © Zhang Kechun. Courtesy of the artist. We thank JNBY Art Projects, D3E Art Limited, Chen Ping, and Stephanie Holmquist and Mark Allison for their generous contribution to the publication and distribution of Yishu. Vol. 15 No.