From Underground Sexuality to Speculative Fiction. Morphological and Semantic Changes of the Morpheme Punk
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BARRY N. MALZBERG Introduction by D
REVELATIONS A Paranoid Novel of Suspense BARRY N. MALZBERG Introduction by D. Harlan Wilson AP ANTI-OEDIPUS PRESS Revelations Copyright © 1972 by Barry N. Malzberg ISBN: 978-0-99-915354-3 Library of Congress Control Number: 2020934879 First published in the United States by Warner Paperback First Anti-Oedipal Paperback Edition: March 2020 All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author and publisher. Published in the United States by Anti-Oedipus Press, an imprint of Raw Dog Screaming Press. www.rawdogscreaming.com Introduction © 2020 by D. Harlan Wilson Afterword © 1976 by Barry N. Malzberg Afterword to an Afterword © 2019 by Barry N. Malzberg Cover Design by Matthew Revert www.matthewrevert.com Interior Layout by D. Harlan Wilson www.dharlanwilson.com Anti-Oedipus Press Grand Rapids, MI www.anti-oedipuspress.com SF SCHIZ FLOW PRAISE FOR THE WORK OF BARRY N. MALZBERG “There are possibly a dozen genius writers in the genre of the imaginative, and Barry Malzberg is at least eight of them. Malzberg makes what the rest of us do look like felonies!” —Harlan Ellison “Malzberg makes persuasively clear that the best of science fiction should be valued as literature and nothing else.” —The Washington Post “One of the finest practitioners of science fiction.” —Harry Harrison “Barry N. Malzberg’s writing is unparalleled in its intensi- ty and in its apocalyptic sensibility. His detractors consider him bleakly monotonous and despairing, -
Network Aesthetics
Network Aesthetics: American Fictions in the Culture of Interconnection by Patrick Jagoda Department of English Duke University Date:_______________________ Approved: ___________________________ Priscilla Wald, Supervisor ___________________________ Katherine Hayles ___________________________ Timothy W. Lenoir ___________________________ Frederick C. Moten Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2010 ABSTRACT Network Aesthetics: American Fictions in the Culture of Interconnection by Patrick Jagoda Department of English Duke University Date:_______________________ Approved: ___________________________ Priscilla Wald, Supervisor __________________________ Katherine Hayles ___________________________ Timothy W. Lenoir ___________________________ Frederick C. Moten An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2010 Copyright by Patrick Jagoda 2010 Abstract Following World War II, the network emerged as both a major material structure and one of the most ubiquitous metaphors of the globalizing world. Over subsequent decades, scientists and social scientists increasingly applied the language of interconnection to such diverse collective forms as computer webs, terrorist networks, economic systems, and disease ecologies. The prehistory of network discourse can be -
Science Fiction, Steampunk, Cyberpunk
SCIENCE FICTION: speculative but scientific plausability, write rationally, realistically about alternative possible worlds/futures, no hesitation, suspension of disbelief estrangement+cognition: seek rational understanding of NOVUM (D. Suvin—cognitive estrangement) continuum bw real-world empiricism & supernatural transcendentalism make the incredible plausible BUT alienation/defamiliarization effect (giant bug) Literature of human being encountering CHANGE (techn innovat, sci.disc, nat. events, soc shifts) origins: speculative wonder stories, antiquity’s fabulous voyages, utopia, medieval ISLAND story, scientifiction & Campbell: Hero with a 1000 Faces & Jules Verne, HG Wells (Time Machine, War of the Worlds, The Island of Dr Moreau), Mary Shelley (Frankenstein), Swift Gulliver’s Travels Imaginative, Speculative content: • TIME: futurism, alternative timeline, diff hist. past, time travel (Wells, 2001. A Space Odyssey) • SPACE: outer space, extra-terrestrial adventures, subterranean regions, deep oceans, terra incognita, parallel universe, lost world stories • CHARACTERS: alien life forms, UFO, AI, GMO, transhuman (Invisible Man), mad scientist • THEMES: *new scientific principles, *futuristic technology, (ray guns, teleportation, humanoid computers), *new political systems (post-apocalyptic dystopia), *PARANORMAL abilities (mindcontrol, telekinesis, telepathy) Parallel universe: alternative reality: speculative fiction –scientific methods to explore world Philosophical ideas question limits & prerequisites of humanity (AI) challenge -
1539817842296.Pdf
OCTOBER 17th 2018 Attention PDF authors and publishers: Da Archive runs on your tolerance. If you want your product removed from this list, just tell us and it will not be included. This is a compilation of pdf share threads since 2015 and the rpg generals threads. Some things are from even earlier, like Lotsastuff’s collection. Thanks Lotsastuff, your pdf was inspirational. And all the Awesome Pioneer Dudes who built the foundations. Many of their names are still in the Big Collections A THOUSAND THANK YOUS to the Anon Brigade, who do all the digging, loading, and posting. Especially those elite commandos, the Nametag Legionaires, who selflessly achieve the improbable. - - - - - - - – - - - - - - - - – - - - - - - - - - - - - - - – - - - - - – The New Big Dog on the Block is Da Curated Archive. It probably has what you are looking for, so you might want to look there first. - - - - - - - – - - - - - - - - – - - - - - - - - - - - - - - – - - - - - – Don't think of this as a library index, think of it as Portobello Road in London, filled with bookstores and little street market booths and you have to talk to each shopkeeper. It has been cleaned up some, labeled poorly, and shuffled about a little to perhaps be more useful. There are links to ~16,000 pdfs. Don't be intimidated, some are duplicates. Go get a coffee and browse. Some links are encoded without a hyperlink to restrict spiderbot activity. You will have to complete the link. Sorry for the inconvenience. Others are encoded but have a working hyperlink underneath. Some are Spoonerisms or even written backwards, Enjoy! ss, @SS or $$ is Send Spaace, m3g@ is Megaa, <d0t> is a period or dot as in dot com, etc. -
Exhibition Hall
exhibition hall 15 the weird west exhibition hall - november 2010 chris garcia - editor, ariane wolfe - fashion editor james bacon - london bureau chief, ric flair - whooooooooooo! contact can be made at [email protected] Well, October was one of the stronger months for Steampunk in the public eye. No conventions in October, which is rare these days, but there was the Steampunk Fortnight on Tor.com. They had some seriously good stuff, including writing from Diana Vick, who also appears in these pages, and myself! There was a great piece from Nisi Shawl that mentioned the amazing panel that she, Liz Gorinsky, Michael Swanwick and Ann VanderMeer were on at World Fantasy last year. Jaymee Goh had a piece on Commodification and Post-Modernism that was well-written, though slightly troubling to me. Stephen Hunt’s Steampunk Timeline was good stuff, and the omnipresent GD Falksen (who has never written for us!) had a couple of good piece. Me? I wrote an article about how Tomorrowland was the signpost for the rise of Steampunk. You can read it at http://www.tor.com/blogs/2010/10/goodbye-tomorrow- hello-yesterday. The second piece is all about an amusement park called Gaslight in New Orleans. I’ll let you decide about that one - http://www.tor.com/blogs/2010/10/gaslight- amusement. The final one all about The Cleveland Steamers. This much attention is a good thing for Steampunk, especially from a site like Tor.com, a gateway for a lot of SF readers who aren’t necessarily a part of fandom. -
118 Reviews of Books Does, the Book Is a Pleasure. He Roots It in Feminist, Race, and Sf Scholarship, Just As He Grounds Butler
118 Reviews of Books does, the book is a pleasure. He roots it in feminist, race, and sf scholarship, just as he grounds Butler in black American women’s writing traditions and sf tropes. Moreover, he stays focused on his literary argument and doesn’t get lost in the weeds of debates about agency, humanism, and the problematic legacy of the Enlightenment. Ultimately, Of Bodies, Communities, and Voices is indispensable for any Butler scholar, primarily because of the ways he connects so many of her work’s central concerns without reducing its complexity or variety. It will function more as a source of research than pedagogy, except maybe in upper-level classes centered on Butler. I recommend it not only to scholars of Butler but sf in general, especially in terms of afrofuturism, posthumanism, or any of Bast’s focal points (agency, bodies, community, voice). Biopunk SF in Liquid Modernity. Lars Schmeink. Biopunk Dystopias: Genetic Engineering, Society and Science Fiction. Liverpool: Liverpool University Press, 2016. 288 pp. ISBN 978-1-78-138376-6. £75 hc. Reviewed by D. Harlan Wilson Biopunk is among the more recent sf subgenres to emerge from the virtual citadel of 1980s cyberpunk. There have been others—most prominently steampunk, but also splatterpunk, nanopunk, dieselpunk, bugpunk, even elfpunk and monkpunk—but biopunk narratives are perhaps the first truly authentic descendant of the cyberpunks, featuring gritty dystopian settings, beat characters, corporate terrorism, techno-pathology, and body invasion. Instead of hacking computers, however, biopunks hack DNA and operate in worlds where the processes and products of genetic engineering are brought to bear by various forms of mad scientism. -
Lightspeed Magazine, Issue 58
TABLE OF CONTENTS Issue 58, March 2015 FROM THE EDITOR Editorial, March 2015 SCIENCE FICTION Surfacing Marissa Lingen The Brains of Rats Michael Blumlein Hot Rods Cat Sparks The New Atlantis Ursula K. Le Guin FANTASY The Way Home Linda Nagata A Face of Black Iron Matthew Hughes The Good Son Naomi Kritzer Documentary Vajra Chandrasekera NOVELLA The Weight of the Sunrise Vylar Kaftan NOVEL EXCERPTS Persona Genevieve Valentine Harrison Squared Daryl Gregory NONFICTION Interview: Patrick Rothfuss The Geek’s Guide to the Galaxy Book Reviews Amal El-Mohtar Artist Gallery Wylie Beckert Artist Spotlight: Wylie Beckert Henry Lien AUTHOR SPOTLIGHTS Marissa Lingen Michael Blumlein Cat Sparks Ursula K. Le Guin Linda Nagata Matthew Hughes Naomi Kritzer Vajra Chandrasekera Vylar Kaftan MISCELLANY Coming Attractions Stay Connected Subscriptions & Ebooks About the Editor © 2015 Lightspeed Magazine Wylie Beckert Ebook Design by John Joseph Adams www.lightspeedmagazine.com Editorial, March 2015 John Joseph Adams Welcome to issue fifty-eight of Lightspeed! Our Queers Destroy Science Fiction! Kickstarter campaign has now concluded, and we’re happy to report that it was extremely successful; we asked for $5,000 and got $54,523 in return, which was 1090% of our funding goal. As a result of all that success, we unlocked several stretch goals, including additional special issues Queers Destroy Horror!, which will be published in October as a special issue of Nightmare, and Queers Destroy Fantasy!, which will publish in December as a special issue of Fantasy Magazine. Thanks again so much to everyone who supported the campaign, and thanks of course to our regular readers and subscribers! And, next year, we’re planning to ask People of Color to destroy science fiction, so stay tuned for that! • • • • Awards season is officially upon us, with the first of the major awards announcing their lists of finalists for last year’s work, and we’re pleased to announce that “We Are the Cloud” by Sam J. -
W41 PPB-Web.Pdf
The thrilling adventures of... 41 Pocket Program Book May 26-29, 2017 Concourse Hotel Madison Wisconsin #WC41 facebook.com/wisconwiscon.net @wisconsf3 Name/Room No: If you find a named pocket program book, please return it to the registration desk! New! Schedule & Hours Pamphlet—a smaller, condensed version of this Pocket Program Book. Large Print copies of this book are available at the Registration Desk. TheWisSched app is available on Android and iOS. What works for you? What doesn't? Take the post-con survey at wiscon.net/survey to let us know! Contents EVENTS Welcome to WisCon 41! ...........................................1 Art Show/Tiptree Auction Display .........................4 Tiptree Auction ..........................................................6 Dessert Salon ..............................................................7 SPACES Is This Your First WisCon?.......................................8 Workshop Sessions ....................................................8 Childcare .................................................................. 10 Children's and Teens' Programming ..................... 11 Children's Schedule ................................................ 11 Teens' Schedule ....................................................... 12 INFO Con Suite ................................................................. 12 Dealers’ Room .......................................................... 14 Gaming ..................................................................... 15 Quiet Rooms .......................................................... -
Ciència I Ficció L'exploració Creativa Dels Mons
Ciència i Ficció L’exploració creativa dels mons reals i dels irreals Pasqual Bernat, Eduard Castanyo, Carles Gàmez, Víctor Martínez-Gil, Anna M. Moreno-Bedmar i Antoni Munné-Jordà, eds. SUMARI Presentació.................................................................................................................................... 7 Pròleg............................................................................................................................................. 9 CIÈNCIA I FICCIÓ .................................................................................................. 13 Trauma Studies and Alien Abductions: Whitley Strieber’s «Communion» Jessica Aliaga Lavrijsen ............................................................................................................. 15 Los estereotipos del magnetizador en la literatura de ficción Juan Marcos Bonet Safont ....................................................................................................... 25 Una visió de la ciència i la tècnica en «Les travailleurs de la mer», de Victor Hugo Anna-Maria Corredor Plaja ...................................................................................................... 31 A Red, Green Planet? Alexander Bogdanov’s Interplanetary Utopia Giulia Rispoli .............................................................................................................................. 39 Ciència i tècnica en els relats d’Edgar Rice Burroughs Joan Miró i Manuel Moreno ................................................................................................... -
NVS 3-1-5 M-Perschon
Steam Wars Mike Perschon (Grant MacEwan University/University of Alberta, Canada) Abstract: While steampunk continues to defy definition, this article seeks to identify a coherent understanding of steampunk as an aesthetic. By comparing and contrasting well-known cultural icons of George Lucas’s Star Wars with their steampunk counterparts, insightful features of the steampunk aesthetic are suggested. This article engages in a close reading of individual artworks by digital artists who took part in a challenge issued on the forums of CGSociety (Computer Graphics Society) to apply a steampunk style to the Star Wars universe. The article focuses on three aspects of the steampunk aesthetic as revealed by this evidentiary approach: technofantasy, a nostalgic interpretation of imagined history, and a willingness to break nineteenth century gender roles and allow women to act as steampunk heroes. Keywords: CGSociety (Computer Graphics Society), digital art, gender roles, George Lucas, Orientalism, Star Wars , steampunk, technofantasy, visual aesthetic ***** It has been over twenty years since K.W. Jeter inadvertently coined the term ‘steampunk’ in a letter to Locus magazine in 1987. Jeter jokingly qualified the neo-Victorian writings he, James P. Blaylock, and Tim Powers were producing with the ‘-punk’ appendix, playing off the 1980s popularity of cyberpunk. Ironically the term stuck, both as descriptor for nearly every neo-Victorian work of speculative fiction since Jeter’s Infernal Devices (1987), while retroactively subsuming works such as Keith Roberts’s Pavane (1968), Michael Moorcock’s The Warlord of the Air (1971) , the 1960s television series Wild, Wild West (1965-1969, created by Michael Garrison), and even the writings of H.G. -
Opuntia-452.Pdf
Middle August 2019 Around The Hotel. Opuntia is published by Dale Speirs, Calgary, Alberta. It is posted on www.efanzines.com and The cover shows a licence plate I saw in the hotel parking lot. www.fanac.org. My e-mail address is: [email protected] When sending me an emailed letter of comment, please include your name and town in the message. Bottom: I took a long shot of the hotel from a half-block away. At left is the Atrium section where the dealer bourse and science panels were. At right is the Tower section where most of the literary seminars were. The two are connected at their third stories by an enclosed pedestrian crossing over Bonaventure Drive. Most con-goers preferred the shorter route out on the street, and crossed at the WHEN WORDS COLLIDE 2019 traffic lights. by Dale Speirs Below: Registration was quick and easy. Well organized. [Reports of previous WWC conventions appeared in OPUNTIAs #71, 253, 266, 282, 318, 350, 387, and 421.] Calgary’s ninth annual readercon When Words Collide was held on the weekend of August 9 to 11. It took place at the usual venue of the Delta South hotel on Southland Drive SE and straddling overtop Bonaventure Drive. The membership was capped at 750 plus volunteers, so the convention was like a village rather than the mob scenes of Calgary Comic Expo (90,000 paid attendees) or the Calgary anime convention Otafest (8,000 paid). As with my past reports, I’ll sort events out by theme rather than chronology. -
Science Fiction
Drones in Sci-Fi Books, Films, Television Series, and Games Focussed on drones Some drones Little focus on drones Book Title Author Blurb / comments drone type Links Malak Peter Watts Short story written entirely from drone perspective. - have it free http://rifters.com/real/shorts/PeterWa tts_Malak.pdf Honor Harrington(series) David Weber http://www.goodreads.com/series/40 419-honor-harrington Dune Frank Herbert hunter seeker' drone hunter Leviathon Scott Westerfeld it has Central Powers (Clankers) using mechanized war machines opposed by Entente Powers(Darwinists) who fabricate living creatures genetically. war drone Cloak of Anarchy Larry Niven Website useful for finding other uses http://www.technovelgy.com/ct/content.asp?Bnum=309 of drones too! Watchbird Robert Sheckley http://www.gutenberg.org/ebooks/29579?msg=welcome_stranger Deep State Walter Jon Williams the contractors use off-the-shelf hardware to create camera drones and ad hoc networks so that scenes from the protests can be uploaded to the web. activist drone Kill Decision Danial Suarez Unmanned, remotely piloted combat drones already exist—they're widely used by the American military overseas. In Kill Decision, bestselling author Daniel Suarez takes the http://thedaemon.com/killdecisionsyn real technology behind autonomous drones to the next logical step. war drone opsis.html The Peripheral William Gibson One of the characters is a returning veteran who was in the militaries drone program. Vitual Light William Gibson "Police drones armed with incapacitating capsaicin weapons