Science Fiction
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Suggestions for Top 100 Family Films
SUGGESTIONS FOR TOP 100 FAMILY FILMS Title Cert Released Director 101 Dalmatians U 1961 Wolfgang Reitherman; Hamilton Luske; Clyde Geronimi Bee Movie U 2008 Steve Hickner, Simon J. Smith A Bug’s Life U 1998 John Lasseter A Christmas Carol PG 2009 Robert Zemeckis Aladdin U 1993 Ron Clements, John Musker Alice in Wonderland PG 2010 Tim Burton Annie U 1981 John Huston The Aristocats U 1970 Wolfgang Reitherman Babe U 1995 Chris Noonan Baby’s Day Out PG 1994 Patrick Read Johnson Back to the Future PG 1985 Robert Zemeckis Bambi U 1942 James Algar, Samuel Armstrong Beauty and the Beast U 1991 Gary Trousdale, Kirk Wise Bedknobs and Broomsticks U 1971 Robert Stevenson Beethoven U 1992 Brian Levant Black Beauty U 1994 Caroline Thompson Bolt PG 2008 Byron Howard, Chris Williams The Borrowers U 1997 Peter Hewitt Cars PG 2006 John Lasseter, Joe Ranft Charlie and The Chocolate Factory PG 2005 Tim Burton Charlotte’s Web U 2006 Gary Winick Chicken Little U 2005 Mark Dindal Chicken Run U 2000 Peter Lord, Nick Park Chitty Chitty Bang Bang U 1968 Ken Hughes Chronicles of Narnia: The Lion, PG 2005 Adam Adamson the Witch and the Wardrobe Cinderella U 1950 Clyde Geronimi, Wilfred Jackson Despicable Me U 2010 Pierre Coffin, Chris Renaud Doctor Dolittle PG 1998 Betty Thomas Dumbo U 1941 Wilfred Jackson, Ben Sharpsteen, Norman Ferguson Edward Scissorhands PG 1990 Tim Burton Escape to Witch Mountain U 1974 John Hough ET: The Extra-Terrestrial U 1982 Steven Spielberg Activity Link: Handling Data/Collecting Data 1 ©2011 Film Education SUGGESTIONS FOR TOP 100 FAMILY FILMS CONT.. -
Download John Badham on Directing Notes from the Set Of
JOHN BADHAM ON DIRECTING NOTES FROM THE SET OF SATURDAY NIGHT FEVER, WAR GAMES, AND MORE 1ST EDITION DOWNLOAD FREE BOOK John Badham | --- | --- | --- | 9781615931385 | --- | --- John Badham On Directing: Notes from the Set of Saturday Night Fever, War Games, and More And who would that be? Thanks for telling us about the problem. It takes the micro and telecommunications as a given—part of the middle-class American landscape". Parkes and directed by John Badham. Adam Fike rated it it was amazing Jun 09, WOPR was operated by a crewmember sitting inside the computer, entering commands into an Apple II at the director's instruction. Box Office Mojo. Other editions. Marc Hampson rated it it was amazing Aug 18, At John Badham on Directing Notes from the Set of Saturday Night Fever point, Badham decided to have a race with the two actors around the sound stage with the one who came last having to sing a song to the crew. Retrieved October 9, Badham did 12 to 14 takes of the first shot to loosen the actors up. Retrieved July 28, In my three years at Chapman, Professor Badham was the only teacher who took that attitude. Nov 01, Tommy Kendrick rated it really liked it Shelves: filmmakers. They were adapted in drawings and concepts by art director Angelo P. David Lightman, a bright but unmotivated Seattle high school student and hacker, uses his IMSAI computer to access the school district's computer system and change his grades. If you haven't heard of record-smashing singer and songwriter Mariah Carey, is there any hope for you? The site's critical consensus War Games, "Part War Games tense techno-thriller, part and More 1st edition unpatronizing teen drama, WarGames is one of the more inventive—and genuinely suspenseful—Cold War movies of the s. -
Science Fiction, Steampunk, Cyberpunk
SCIENCE FICTION: speculative but scientific plausability, write rationally, realistically about alternative possible worlds/futures, no hesitation, suspension of disbelief estrangement+cognition: seek rational understanding of NOVUM (D. Suvin—cognitive estrangement) continuum bw real-world empiricism & supernatural transcendentalism make the incredible plausible BUT alienation/defamiliarization effect (giant bug) Literature of human being encountering CHANGE (techn innovat, sci.disc, nat. events, soc shifts) origins: speculative wonder stories, antiquity’s fabulous voyages, utopia, medieval ISLAND story, scientifiction & Campbell: Hero with a 1000 Faces & Jules Verne, HG Wells (Time Machine, War of the Worlds, The Island of Dr Moreau), Mary Shelley (Frankenstein), Swift Gulliver’s Travels Imaginative, Speculative content: • TIME: futurism, alternative timeline, diff hist. past, time travel (Wells, 2001. A Space Odyssey) • SPACE: outer space, extra-terrestrial adventures, subterranean regions, deep oceans, terra incognita, parallel universe, lost world stories • CHARACTERS: alien life forms, UFO, AI, GMO, transhuman (Invisible Man), mad scientist • THEMES: *new scientific principles, *futuristic technology, (ray guns, teleportation, humanoid computers), *new political systems (post-apocalyptic dystopia), *PARANORMAL abilities (mindcontrol, telekinesis, telepathy) Parallel universe: alternative reality: speculative fiction –scientific methods to explore world Philosophical ideas question limits & prerequisites of humanity (AI) challenge -
118 Reviews of Books Does, the Book Is a Pleasure. He Roots It in Feminist, Race, and Sf Scholarship, Just As He Grounds Butler
118 Reviews of Books does, the book is a pleasure. He roots it in feminist, race, and sf scholarship, just as he grounds Butler in black American women’s writing traditions and sf tropes. Moreover, he stays focused on his literary argument and doesn’t get lost in the weeds of debates about agency, humanism, and the problematic legacy of the Enlightenment. Ultimately, Of Bodies, Communities, and Voices is indispensable for any Butler scholar, primarily because of the ways he connects so many of her work’s central concerns without reducing its complexity or variety. It will function more as a source of research than pedagogy, except maybe in upper-level classes centered on Butler. I recommend it not only to scholars of Butler but sf in general, especially in terms of afrofuturism, posthumanism, or any of Bast’s focal points (agency, bodies, community, voice). Biopunk SF in Liquid Modernity. Lars Schmeink. Biopunk Dystopias: Genetic Engineering, Society and Science Fiction. Liverpool: Liverpool University Press, 2016. 288 pp. ISBN 978-1-78-138376-6. £75 hc. Reviewed by D. Harlan Wilson Biopunk is among the more recent sf subgenres to emerge from the virtual citadel of 1980s cyberpunk. There have been others—most prominently steampunk, but also splatterpunk, nanopunk, dieselpunk, bugpunk, even elfpunk and monkpunk—but biopunk narratives are perhaps the first truly authentic descendant of the cyberpunks, featuring gritty dystopian settings, beat characters, corporate terrorism, techno-pathology, and body invasion. Instead of hacking computers, however, biopunks hack DNA and operate in worlds where the processes and products of genetic engineering are brought to bear by various forms of mad scientism. -
Lightspeed Magazine, Issue 58
TABLE OF CONTENTS Issue 58, March 2015 FROM THE EDITOR Editorial, March 2015 SCIENCE FICTION Surfacing Marissa Lingen The Brains of Rats Michael Blumlein Hot Rods Cat Sparks The New Atlantis Ursula K. Le Guin FANTASY The Way Home Linda Nagata A Face of Black Iron Matthew Hughes The Good Son Naomi Kritzer Documentary Vajra Chandrasekera NOVELLA The Weight of the Sunrise Vylar Kaftan NOVEL EXCERPTS Persona Genevieve Valentine Harrison Squared Daryl Gregory NONFICTION Interview: Patrick Rothfuss The Geek’s Guide to the Galaxy Book Reviews Amal El-Mohtar Artist Gallery Wylie Beckert Artist Spotlight: Wylie Beckert Henry Lien AUTHOR SPOTLIGHTS Marissa Lingen Michael Blumlein Cat Sparks Ursula K. Le Guin Linda Nagata Matthew Hughes Naomi Kritzer Vajra Chandrasekera Vylar Kaftan MISCELLANY Coming Attractions Stay Connected Subscriptions & Ebooks About the Editor © 2015 Lightspeed Magazine Wylie Beckert Ebook Design by John Joseph Adams www.lightspeedmagazine.com Editorial, March 2015 John Joseph Adams Welcome to issue fifty-eight of Lightspeed! Our Queers Destroy Science Fiction! Kickstarter campaign has now concluded, and we’re happy to report that it was extremely successful; we asked for $5,000 and got $54,523 in return, which was 1090% of our funding goal. As a result of all that success, we unlocked several stretch goals, including additional special issues Queers Destroy Horror!, which will be published in October as a special issue of Nightmare, and Queers Destroy Fantasy!, which will publish in December as a special issue of Fantasy Magazine. Thanks again so much to everyone who supported the campaign, and thanks of course to our regular readers and subscribers! And, next year, we’re planning to ask People of Color to destroy science fiction, so stay tuned for that! • • • • Awards season is officially upon us, with the first of the major awards announcing their lists of finalists for last year’s work, and we’re pleased to announce that “We Are the Cloud” by Sam J. -
Ciència I Ficció L'exploració Creativa Dels Mons
Ciència i Ficció L’exploració creativa dels mons reals i dels irreals Pasqual Bernat, Eduard Castanyo, Carles Gàmez, Víctor Martínez-Gil, Anna M. Moreno-Bedmar i Antoni Munné-Jordà, eds. SUMARI Presentació.................................................................................................................................... 7 Pròleg............................................................................................................................................. 9 CIÈNCIA I FICCIÓ .................................................................................................. 13 Trauma Studies and Alien Abductions: Whitley Strieber’s «Communion» Jessica Aliaga Lavrijsen ............................................................................................................. 15 Los estereotipos del magnetizador en la literatura de ficción Juan Marcos Bonet Safont ....................................................................................................... 25 Una visió de la ciència i la tècnica en «Les travailleurs de la mer», de Victor Hugo Anna-Maria Corredor Plaja ...................................................................................................... 31 A Red, Green Planet? Alexander Bogdanov’s Interplanetary Utopia Giulia Rispoli .............................................................................................................................. 39 Ciència i tècnica en els relats d’Edgar Rice Burroughs Joan Miró i Manuel Moreno ................................................................................................... -
Stan Shaw Theatrical Resume
Stan Shaw SAG/AFTRA TELEVISION Criminal Minds Guest Star CBS Code Black Guest Star CBS CSI: Crime Scene Investigation Guest Star CBS Rag and Bone Guest Star Columbia TriStar Television The X-Files Guest Star FOX Freedom Song Supporting TNT Early Edition Guest Star CBS Murder, She Wrote Recurring Guest Star CBS Heaven & Hell: North & South, Book III Recurring Guest Star ABC Matlock Guest Star NBC Lifepod Guest Star FOX When Love Kills: The Seduction of John Hearn Supporting CBS L.A. Law Recurring Guest Star NBC Midnight Caller Recurring Guest Star NBC The Court-Martial of Jackie Robinson Guest Star TNT Wiseguy Recurring Guest Star CBS The Young Riders Guest Star ABC Red River Guest Star CBS The Three Kings Supporting ABC Billionaire Boys Club Supporting NBC Samaritan: The Mitch Snyder Story Supporting CBS Under Siege Supporting NBC The Gladiator Guest Star ABC Fame Guest Star NBC Hill Street Blues Guest Star NBC When Dreams Come True Guest Star ABC American Playhouse: Displaced Person Guest Star PBS Maximum Security Guest Star HBO The Mississippi Guest Star CBS Matt Houston Guest Star ABC Venice Medical Guest Star Doug Cramer, Exec. Prod. Darkroom Guest Star ABC Scared Straight! Another Story Guest Star CBS Buffalo Soldiers Guest Star NBC Roots: The Next Generation Guest Star ABC Arthur Hailey's The Moneychangers Guest Star NBC Street Killing Guest Star ABC FILM Jeepers Creepers 3 Lead Victor Salva Drive Me To Vegas and Mars Lead Sidney Furie Detonator Lead Jonathan Freedman Snake Eyes Lead Brian De Palma Daylight Lead Rob Cohen Cutthroat Island Lead Renny Harlin Houseguest Lead Randall Miller Rising Sun Lead Philip Kaufman Body of Evidence Lead Uli Edel Fried Green Tomatoes Lead Jon Avnet Fear Lead Rockne S. -
List of Surveillance Feature Films
Surveillance Feature Films compiled by Dietmar Kammerer, Berlin Sources of plot descriptions and details: allmovie.com; imdb.com 1984 (Nineteen Eighty-Four) UK 1956 dir: Michael Anderson. George Orwell's novel of a totalitarian future society in which a man whose daily work is rewriting history tries to rebel by falling in love. keywords: literary adaptation; dystopic future http://www.allmovie.com/work/1984-104070 http://www.imdb.com/title/tt0048918/ 1984 (Nineteen Eighty-Four) UK 1984 dir: Michael Radford Second adaptation of George Orwell's novel. keywords: literary adaptation; dystopic future http://www.allmovie.com/work/1984-91 http://www.imdb.com/title/tt0087803/ 23 [23 – Nichts ist wie es scheint] Germany 1998 dir: Hans-Christian Schmid The movie's plot is based on the true story of a group of young computer hackers from Hannover, Germany. In the late 1980s the orphaned Karl Koch invests his heritage in a flat and a home computer. At first he dials up to bulletin boards to discuss conspiracy theories inspired by his favorite novel, R.A. Wilson's "Illuminatus", but soon he and his friend David start breaking into government and military computers. Pepe, one of Karl's rather criminal acquaintances senses that there is money in computer cracking - he travels to east Berlin and tries to contact the KGB. http://www.imdb.com/title/tt0126765/ http://www.allmovie.com/work/23-168222 keywords: conspiracy; internet; true story The Anderson Tapes USA 1971 dir: Sidney Lumet This breathlessly paced high-tech thriller stars Sean Connery as Anderson, a career criminal who's just been released from his latest prison term. -
Starlog Magazine Issue
'ne Interview Mel 1 THE SCIENCE FICTION UNIVERSE Brooks UGUST INNERSPACE #121 Joe Dante's fantastic voyage with Steven Spielberg 08 John Lithgow Peter Weller '71896H9112 1 ALIENS -v> The Motion Picture GROUP, ! CANNON INC.*sra ,GOLAN-GLOBUS..K?mEDWARO R. PRESSMAN FILM CORPORATION .GARY G0D0ARO™ DOLPH LUNOGREN • PRANK fANGELLA MASTERS OF THE UNIVERSE the MOTION ORE ™»COURTENEY COX • JAMES TOIKAN • CHRISTINA PICKLES,* MEG FOSTERS V "SBILL CONTIgS JULIE WEISS Z ANNE V. COATES, ACE. SK RICHARD EDLUND7K WILLIAM STOUT SMNIA BAER B EDWARD R PRESSMAN»™,„ ELLIOT SCHICK -S DAVID ODEll^MENAHEM GOUNJfOMM GLOBUS^TGARY GOODARD *B«xw*H<*-*mm i;-* poiBYsriniol CANNON HJ I COMING TO EARTH THIS AUGUST AUGUST 1987 NUMBER 121 THE SCIENCE FICTION UNIVERSE Christopher Reeve—Page 37 beJohn Uthgow—Page 16 Galaxy Rangers—Page 65 MEL BROOKS SPACEBALLS: THE DIRECTOR The master of genre spoofs cant even give the "Star wars" saga an even break Karen Allen—Page 23 Peter weller—Page 45 14 DAVID CERROLD'S GENERATIONS A view from the bridge at those 37 CHRISTOPHER REEVE who serve behind "Star Trek: The THE MAN INSIDE Next Generation" "SUPERMAN IV" 16 ACTING! GENIUS! in this fourth film flight, the Man JOHN LITHGOW! of Steel regains his humanity Planet 10's favorite loony is 45 PETER WELLER just wild about "Harry & the CODENAME: ROBOCOP Hendersons" The "Buckaroo Banzai" star strikes 20 OF SHARKS & "STAR TREK" back as a cyborg centurion in search of heart "Corbomite Maneuver" & a "Colossus" director Joseph 50 TRIBUTE Sargent puts the bite on Remembering Ray Bolger, "Jaws: -
Edward Irastorza Vfx Supervisor/Producer
EDWARD IRASTORZA VFX SUPERVISOR/PRODUCER FEATURES CROWN VIC (VFX Supervisor) Cinedigm Prod: Greg Schenz Dir: Joel Souza WHILE SHE WAS OUT (VFX Supervisor) Insight Film Studios Prod: Ali Abouomar Dir: Susan Montford SHOOT ‘EM UP (VFX Supervisor) New Line Cinema Prod: Rick Benattar Dir: Michael Davis PAN’S LABYRINTH (VFX Supervisor) Estudios Pictures Prod: Álvaro Augustin Dir: Guillermo del Toro THE ADVENTURES OF SHARKBOY Dimension Films Prod: Elizabeth Avellan Dir: Robert Rodriguez AND LAVAGIRL 3-D (VFX Producer- Cafe FX) SIN CITY (VFX Supervisor- Cafe FX) Dimension Films Prod: Elizabeth Avellan Dir: Frank Miller HELLBOY (VFX Producer/ Supervisor) Revolution Studios Prod: Lawrence Gordon Dir: Guillermo del Toro BLADE II New Line Cinema Prod: Peter Frankfurt Dir: Guillermo del Toro (VFX Producer- Tippett Studio) CATS & DOGS Warner Bros. Prod: Christopher DeFaria Dir: Lawrence (VFX Production Manager- Tippett Studio) Guterman SPIDERS (VFX Coordinator) Cowebster Corp. Prod: Boaz Davidson Dir: Gary Jones CROCODILE (VFX Coordinator) Flat Dog Corporation Prod: Boaz Davidson Dir: Tobe Hooper DUNGEONS & DRAGONS New Line Cinema Prod: Thomas M. Hammel Dir: Courtney Solomon (VFX Coordinator) CRIME + PUNISHMENT G2 Films Prod: Larry Gross Dir: Rob Schmidt IN SUBURBIA (VFX Coordinator) THE DEBTORS (VFX Coordinator) Quaid Films Prod: Kara Meyers Dir: Evi Quaid BLADE (VFX Coordinator) Amen Ra Films Prod: Robert Engelman Dir: Stephen Norrington TELEVISION MAYANS, MC Fox Prod: Kurt Sutter, James Elgin Dir: Norberto Barba PHILIP K. DICK’S ELECTRIC DREAMS -
Iywm Schedule
GUEST/PRESENTER BIOGRAPHIES PANELS AND EVENTS Amy Acosta is an acquisition and production editor at Entangled Publishing. She is interested in diversity-rich YA, NA, and Adult fiction in the genres of Contemporary Romance, Historical (Regency/Victorian), Fantasy, and Science Fiction. One of her main goals is to help LGBTQIA+ and POC voices become mainstream and bring diversity into the publishing world. Amy lives in Puerto Rico with three very bossy rescue cats, and she ardently believes that love has no boundaries, that representation matters, and that spaceships are very cool. Find her on Twitter @AmarilysWrites Editor/pitches Linda D. Addison is an award-winning author of five collections, including How To Recognize A Demon Has Become Your Friend, and the first African- American recipient of the HWA Bram Stoker Award®. She is a recipient of the HWA Lifetime Achievement Award, HWA Mentor of the Year and SFPA Grand Master. Addison has published over 360 poems, stories and articles and is a member of CITH, HWA, SFWA and SFPA. She is a co-editor of Sycorax’s Daughters, an anthology of horror fiction/poetry by African-American women. Catch her work in Black Panther: Tales of Wakanda, The Magazine of Fantasy & Science Fiction (May/June), Weird Tales Magazine #364 and Don’t Turn Out the Lights. Women Writing Dark Fantasy and Horror 7/10 6PM, Carla E. Anderton is Editor-in-Chief of Mon Valley Vistas, an online publication that covers the arts, entertainment, education, lifestyle, health and wellness, and other areas of interest in the Mon Valley and surrounding areas, with a particular focus on people of color, people with disabilities, and members of the LGBTQ+ community. -
Literally, Right Before Aaron
SCREEN MEDIA FILMS PRESENTS LITERALLY, RIGHT BEFORE AARON A RIZK PICTURES PRODUCTION & IS THIS REEL FILM Directed, Written, and Edited by Ryan Eggold Theatrical Release Date: September 29, 2017 Running Time: 101 minutes Rating: Not rated Trailer: https://youtu.be/5zxz7JqyPyY Official Website: www.rightbeforeaaron.com Facebook: www.facebook.com/screenmediafilm Twitter: www.twitter.com/screenmediafilm To Download Materials: https://www.dropbox.com/sh/lb294xlzpd7uv0k/AABUTe- K5qWhBgZlIiOtubh_a?dl=0 Publicity/Press Contact: New York Los Angeles Falco Ink. Prodigy PR [email protected] Alex Klenert, [email protected] [email protected] Hanna Frankel, [email protected] Produced by Cassandra Kulukundis, Ryan Eggold, Alexandra Rizk Keane, Nancy Leopardi, Ross Kohn Co-Produced by Marcus Cole Associate Produced by Sean Rappleyea Starring Justin Long, Cobie Smulders, Ryan Hansen, John Cho, Kristen Schaal, Dana Delany, Peter Gallagher, Lea Thompson, and Luis Guzmán SYNOPSIS After Adam (Justin Long) gets a call from his ex-girlfriend Allison (Cobie Smulders) telling him she is getting married, Adam realizes he is just not ready to say goodbye. Against the advice of his best friend Mark (John Cho), Adam decides to drive back home to San Francisco to attend the wedding in hopes of convincing himself and everyone else, including her charming fiancé Aaron (Ryan Hansen), that he is truly happy for her. After a series of embarrassing, hilarious, and humbling situations, Adam discovers the comedy in romance, the tragedy of letting go and the hard truth about growing up. RYAN EGGOLD, DIRECTOR STATEMENT The disparity between the fantasy of love and the reality of relationships has always fascinated me.