The Concept of the New Journalism and Its Adaptation to Narrative
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ATINER's Conference Paper Series LIT2012-0291 Narrative Journalism in America and Russia
ATINER CONFERENCE PAPER SERIES No: LIT2012-0291 Athens Institute for Education and Research ATINER ATINER's Conference Paper Series LIT2012-0291 Narrative Journalism in America and Russia Svetlana Bozrikova Post-graduate, Literature Chair Balashov Institute of Saratov State University Russia 1 ATINER CONFERENCE PAPER SERIES No: LIT2012-0291 Athens Institute for Education and Research 8 Valaoritou Street, Kolonaki, 10671 Athens, Greece Tel: + 30 210 3634210 Fax: + 30 210 3634209 Email: [email protected] URL: www.atiner.gr URL Conference Papers Series: www.atiner.gr/papers.htm Printed in Athens, Greece by the Athens Institute for Education and Research. All rights reserved. Reproduction is allowed for non-commercial purposes if the source is fully acknowledged. ISSN 2241-2891 15/11/2012 2 ATINER CONFERENCE PAPER SERIES No: LIT2012-0291 An Introduction to ATINER's Conference Paper Series ATINER started to publish this conference papers series in 2012. It includes only the papers submitted for publication after they were presented at one of the conferences organized by our Institute every year. The papers published in the series have not been refereed and are published as they were submitted by the author. The series serves two purposes. First, we want to disseminate the information as fast as possible. Second, by doing so, the authors can receive comments useful to revise their papers before they are considered for publication in one of ATINER's books, following our standard procedures of a blind review. Dr. Gregory T. Papanikos President Athens Institute for Education and Research 3 ATINER CONFERENCE PAPER SERIES No: LIT2012-0291 This paper should be cited as follows: Bozrikova, S. -
Joan Didion and the New Journalism
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 1986 Joan Didion and the new journalism Jean Gillingwators Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the American Literature Commons Recommended Citation Gillingwators, Jean, "Joan Didion and the new journalism" (1986). Theses Digitization Project. 417. https://scholarworks.lib.csusb.edu/etd-project/417 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. JOAN DIDION AND THE NEW JOURNALISM A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Jean Gillingwators June 1986 JOAN DIDION AND THE NEW JOURNALISM ■ ■ A Thesis Presented to the Faculty of California State University, San Bernardino by Jean ^i^ingwators June 1986 Approved by: Jw IT m Chair Date Abstract Most texts designed to teach writing include primarily non-fiction models. Most teachers, though, have been trained in the belles lettres tradition, and their competence usually lies with fiction Or poetry. Cultural preference has traditionally held that fiction is the most important form of literature. Analyzing a selection of twentieth century non-fiction prose is difficult; there are too few resources, and conventional analytical methods too often do not fit modern non-fiction. The new journalism, a recent literary genre, is especially difficult to "teach" because it blends fictive and journalistic techniques. -
Directory of Seminars, Speakers, & Topics
Columbia University | THE UNIVERSITY SEMINARS 2016 2015DIRECTORY OF SEMINARS, SPEAKERS, & TOPICS Contents Introduction . 4 History of the University Seminars . 6 Annual Report . 8 Leonard Hastings Schoff Memorial Lectures Series . 10 Schoff and Warner Publication Awards . 13 Digital Archive Launch . 16 Tannenbaum-Warner Award and Lecture . .. 17 Book Launch and Reception: Plots . 21 2015–2016 Seminar Conferences: Women Mobilizing Memory: Collaboration and Co-Resistance . 22 Joseph Mitchell and the City: A Conversation with Thomas Kunkel And Gay Talese . 26 Alberto Burri: A Symposium at the Italian Academy of Columbia University . 27 “Doing” Shakespeare: The Plays in the Theatre . 28 The Politics of Memory: Victimization, Violence, and Contested Memories of the Past . 30 70TH Anniversary Conference on the History of the Seminar in the Renaissance . .. 40 Designing for Life And Death: Sustainable Disposition and Spaces Of Rememberance in the 21ST Century Metropolis . 41 Calling All Content Providers: Authors in the Brave New Worlds of Scholarly Communication . 46 104TH Meeting of the Society of Experimental Psychologists . 47 From Ebola to Zika: Difficulties of Present and Emerging Infectious Diseases . 50 The Quantitative Eighteenth Century: A Symposium . 51 Appetitive Behavior Festchrift: A Symposium Honoring Tony Sclafani and Karen Ackroff . 52 Indigenous Peoples’ Rights and Unreported Struggles: Conflict and Peace . 55 The Power to Move . 59 2015– 2016 Seminars . 60 Index of Seminars . 160 Directory of Seminars, Speakers, & Topics 2015–2016 3 ADVISORY COMMITTEE 2015–2016 Robert E. Remez, Chair Professor of Psychology, Barnard College George Andreopoulos Professor, Political Science and Criminal Justice CUNY Graduate School and University Center Susan Boynton Professor of Music, Columbia University Jennifer Crewe President and Director, Columbia University Press Kenneth T. -
A Visual-Textual Analysis of Sarah Glidden's
BLACKOUTS MADE VISIBLE: A VISUAL-TEXTUAL ANALYSIS OF SARAH GLIDDEN’S COMICS JOURNALISM _______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial FulfillMent of the RequireMents for the Degree Master of Arts _____________________________________________________ by TYNAN STEWART Dr. Berkley Hudson, Thesis Supervisor DECEMBER 2019 The undersigned, appointed by the dean of the Graduate School, have exaMined the thesis entitleD BLACKOUTS MADE VISIBLE: A VISUAL-TEXTUAL ANALYSIS OF SARAH GLIDDEN’S COMICS JOURNALISM presented by Tynan Stewart, a candidate for the degree of master of arts, and hereby certify that, in their opinion, it is worthy of acceptance. —————————————————————————— Dr. Berkley Hudson —————————————————————————— Dr. Cristina Mislán —————————————————————————— Dr. Ryan Thomas —————————————————————————— Dr. Kristin Schwain DEDICATION For my parents ACKNOWLEDGEMENTS My naMe is at the top of this thesis, but only because of the goodwill and generosity of many, many others. Some of those naMed here never saw a word of my research but were still vital to My broader journalistic education. My first thank you goes to my chair, Berkley Hudson, for his exceptional patience and gracious wisdom over the past year. Next, I extend an enormous thanks to my comMittee meMbers, Cristina Mislán, Kristin Schwain, and Ryan Thomas, for their insights and their tiMe. This thesis would be so much less without My comMittee’s efforts on my behalf. TiM Vos also deserves recognition here for helping Me narrow my initial aMbitions and set the direction this study would eventually take. The Missourian newsroom has been an all-consuming presence in my life for the past two and a half years. -
Literary War Journalism: Framing and the Creation of Meaning J
Literary War Journalism: Framing and the Creation of Meaning J. Keith Saliba, Ted Geltner Journal of Magazine Media, Volume 13, Number 2, Summer 2012, (Article) Published by University of Nebraska Press DOI: https://doi.org/10.1353/jmm.2012.0002 For additional information about this article https://muse.jhu.edu/article/773721/summary [ Access provided at 1 Oct 2021 07:15 GMT with no institutional affiliation ] Literary War Journalism Literary War Journalism: Framing and the Creation of Meaning J. Keith Saliba, Jacksonville University [email protected] Ted Geltner, Valdosta State University [email protected] Abstract Relatively few studies have systematically analyzed the ways literary journalists construct meaning within their narratives. This article employed rhetorical framing analysis to discover embedded meaning within the text of John Sack’s Gulf War Esquire articles. Analysis revealed several dominant frames that in turn helped construct an overarching master narrative—the “takeaway,” to use a journalistic term. The study concludes that Sack’s literary approach to war reportage helped create meaning for readers and acted as a valuable supplement to conventional coverage of the war. Keywords: Desert Storm, Esquire, framing, John Sack, literary journalism, war reporting Introduction Everything in war is very simple, but the simplest thing is difficult. The difficulties accumulate and end by producing a kind of friction that is inconceivable unless one has experienced war. —Carl von Clausewitz Long before such present-day literary journalists as Rolling Stone’s Evan Wright penned Generation Kill (2004) and Chris Ayres of the London Times gave us 2005’s War Reporting for Cowards—their poignant, gritty, and sometimes hilarious tales of embedded life with U.S. -
The Digital Animation of Literary Journalism
JOU0010.1177/1464884914568079JournalismJacobson et al. 568079research-article2015 Article Journalism 1 –20 The digital animation of © The Author(s) 2015 Reprints and permissions: literary journalism sagepub.co.uk/journalsPermissions.nav DOI: 10.1177/1464884914568079 jou.sagepub.com Susan Jacobson Florida International University, USA Jacqueline Marino Kent State University, USA Robert E Gutsche Jr Florida International University, USA Abstract Since The New York Times published Snow Fall in 2012, media organizations have produced a growing body of similar work characterized by the purposeful integration of multimedia into long-form journalism. In this article, we argue that just as the literary journalists of the 1960s attempted to write the nonfiction equivalent of the great American novel, journalists of the 2010s are using digital tools to animate literary journalism techniques. To evaluate whether this emerging genre represents a new era of literary journalism and to what extent it incorporates new techniques of journalistic storytelling, we analyze 50 long-form multimedia journalism packages published online from August 2012 to December 2013. We argue that this new wave of literary journalism is characterized by executing literary techniques through multiple media and represents a gateway to linear storytelling in the hypertextual environment of the Web. Keywords Content analysis, literary journalism, long-form, multimedia, New Journalism, storytelling Introduction As news has evolved, journalists have experimented with new formats to enhance and transform the news-consumption experience (Barnhurst, 2010; Pauly, 2014). The use of Corresponding author: Susan Jacobson, School of Journalism and Mass Communication, Florida International University, 3000 NE 151 Street, AC2, North Miami, FL 33181, USA. Email: [email protected] 2 Journalism literary techniques in journalism has been one of the methods that reporters and editors have employed to create variety in news storytelling. -
Headline Hunters: Two New Films Underscore Hollywood's Ever-Changing Fascination with Journalists • a Life in Focus More Stories | Complete Entertainment Index
Headline hunters: Two new films underscore Hollywood's ever-... http://ijpc.org/Stephen%20Whitty%20Star-Ledger%20Headlin... SEARCH Pick Newspaper Enter Keyword(s) FIND A BUSINESS Enter Keyword » Search for Colleges and Schools » More From The Star-Ledger » Fun Guide: Things to do in NJ INSIDE » Autos: Free price quote on new Entertainment vehicles Headline hunters: Two new films underscore » Arts & Events » Cool Contests and Giveaways Hollywood's ever-changing fascination with » Dining & Bars journalists » Movies » Music Sunday, October 09, 2005 » Television BY STEPHEN WHITTY Star-Ledger Staff For journalists, it was a sort of good news/bad SPEAK UP! news sort of thing, although the good news was » Movies Forum hardly positive: Forty-nine percent of Americans think they're liars. » More Forums The bright side was that, last year, the number had reached 55 percent. MORE REVIEWS Of course, the Gallup Poll is too polite to use the word "liar." But asked » Read All Recent last month if they had "a great deal" or even "a fair amount" of trust in the Reviews From The Star-Ledger media, a bare 50 percent of respondents said yes. And judging by a recent slate of movies, Hollywood agrees. Advertisement Not Not Found Found The requested URL /RealMedia The requested /ads/Creatives/NJONLINE URL /MK_BLJOBS_NJ15 /RealMedia /AdInteraxVideo.html was not found NEW JERSEY on this server. LOTTERY » MEGAMILLIONS JACKPOT is $ 128 128 Apache/2.0.63 (CentOS) Server at MEGA MILLION ads.advance.net Port 80 » PICK 6 JACKPOT is $ 16.5 16.5 MILLION An Advertising Section 2006 Mitsubishi Galant Advertisement 2006 Mitsubishi Galant STAR-LEDGER » Commercial/Industrial Real Estate » Eastern PA Real Estate Mainstream moviemakers used to see reporters as heroes, truth-tellers » Fall Education Guide who exposed corruption; now they're bit players, yelling fatuous » Long Branch Renaissance questions. -
Digital Convergence in the Newsroom
DIGITAL CONVERGENCE IN THE NEWSROOM: EXAMINING CROSS -MEDIA NEWS PRODUCTION AND QUALITY JOURNALISM By SAKULSRI SRISARACAM SUPERVISOR: STUART ALLAN SECOND SUPERVISOR: JOANNA REDDEN A Thesis Submitted in Fulfilment of the Requirements for the Degree of Doctor of Philosophy of Cardiff University School of Journalism, Media and Culture June 2019 ACKNOWLEDGEMENTS I would like to express my great appreciation, first and foremost, for my supervisor, Professor Stuart Allan. I am greatly honored to work with you because you always give me encouragement, support, advice and patience in helping me finishing this piece of academic work. You were never too busy to give advice and every discussion always broadens my understanding and knowledge. You have shown me by example what a true te acher should be: supportive and inspiring, which help me balancing my workload and academic research goals. I also wish to thank my second supervisor, Dr Joanna Redden , for your advice to sharpen my thesis and helpful encouragement. I thank my family , esp ecially my husband , who have supported me through everything, constantly proving your love and commitment. I owe my successful completion of this research to my husband’s selfless contribution to take care of our son and give me time to concentrate on my s tudy with understanding and encouragement. I have felt many emotions, through happy and difficult times but because of you, I have never felt alone. Thank s to my parents for constant support and giv ing me courage to fulfil my goal. I thank to my universit y for part ial financial support and the opportunity to take months off from teaching to be able to complete this research. -
Naturalism, the New Journalism, and the Tradition of the Modern American Fact-Based Homicide Novel
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. U·M·I University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml48106-1346 USA 3131761-4700 800!521-0600 Order Number 9406702 Naturalism, the new journalism, and the tradition of the modern American fact-based homicide novel Whited, Lana Ann, Ph.D. -
The Splintering of Spain
This page intentionally left blank ii ii The Splintering of Spain This book explores the ideas and culture surrounding the cataclysmic civil war that engulfed Spain from 1936 to 1939. It features specially commissioned articles from leading historians in Spain, Britain and the USA which examine the complex interaction of national and local factors, contributing to the shape and course of the war. They argue that the ‘splintering of Spain’ resulted from the myriad cultural clea- vages of society in the 1930s. Thus, this book views the civil war less as a single great conflict between two easily identifiable sets of ideas, social classes or ways of life, than historians have previously done. The Spanish tragedy, at the level of everyday life, was shaped by many tensions, both those that were formally political and those that were to do with people’s perceptions and understanding of the society around them. CHRIS EALHAM is Senior Lecturer in History at Lancaster University. His previous publications include Policing the City: Class, Culture and Conflict in Barcelona, 1898–1937 (2005). MICHAEL RICHARDS is Senior Lecturer in Contemporary European History at the University of the West of England. His previous publica- tions include A Time of Silence: Civil War and the Culture of Repression in Franco’s Spain, 1936–1945 (1998). The Splintering of Spain Cultural History and the Spanish Civil War, 1936 –1939 Edited by Chris Ealham and Michael Richards cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge cb2 2ru,UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Informationonthistitle:www.cambridge.org/9780521821780 © Cambridge University Press 2005 This publication is in copyright. -
Examining the Magazine Industry Standard
POINT OF VIEW: EXAMINING THE MAGAZINE INDUSTRY STANDARD A Thesis presented to the Faculty of the Graduate School at the University of Missouri In Partial Fulfillment of the Requirements for the Degree Master of Arts by CRISTINA DAGLAS John Fennell, Thesis Supervisor MAY 2009 © Copyright by Cristina Daglas 2009 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled POINT OF VIEW : EXAMINING THE MAGAZINE INDUSTRY STANDARD presented by Cristina Daglas, a candidate for the degree of master of arts, and hereby certify that, in their opinion, it is worthy of acceptance. Professor John Fennell Professor Jennifer Rowe Professor Amanda Hinnant Professor Maureen Stanton ACKNOWLEDGEMENTS I am immensely grateful to my thesis chair, John Fennell, who believed in both the necessity for and the feasibility of this research. When many doubted the ability to interview prominent magazine professionals, John provided support and guidance while always keeping setbacks and successes in perspective. John has been a mentor from first semester of graduate school when I enrolled in his writing course, and I am so pleased that I could pursue a topic I am incredibly passionate about with his guidance. However, this research would naturally not be what it is without the rest of my fabulous committee. Jennifer Rowe, my other mentor, adviser and friend, was an invaluable resource, as she provided big-picture edits, line edits and, most importantly, support. Amanda Hinnant provided advice in the earliest days of thesis conception as well as the scholarly perspective necessary in any academic work. Maureen Stanton was also a wonderful resource, imparting an outside, nonfiction mindset that added another dimension to this journalistic thesis. -
Donna Leinwand, President, National Press Club
NATIONAL PRESS CLUB LUNCHEON WITH TERRENCE D. JONES SUBJECT: TERRENCE D. JONES, PRESIDENT AND CEO, WOLF TRAP FOUNDATION FOR THE PERFORMING ARTS, WILL PRESENT “A CASE FOR AMERICA’S NATIONAL PARKS THROUGH THE ARTIST’S LENS”. MR. JONES WILL BE JOINED BY SPECIAL GUEST, JUDY COLLINS. MODERATOR: DONNA LEINWAND, PRESIDENT, NATIONAL PRESS CLUB LOCATION: NATIONAL PRESS CLUB BALLROOM, WASHINGTON, D.C. TIME: 1:00 P.M. EDT DATE: MONDAY, MARCH 23, 2009 (C) COPYRIGHT 2009, NATIONAL PRESS CLUB, 529 14TH STREET, WASHINGTON, DC - 20045, USA. ALL RIGHTS RESERVED. ANY REPRODUCTION, REDISTRIBUTION OR RETRANSMISSION IS EXPRESSLY PROHIBITED. UNAUTHORIZED REPRODUCTION, REDISTRIBUTION OR RETRANSMISSION CONSTITUTES A MISAPPROPRIATION UNDER APPLICABLE UNFAIR COMPETITION LAW, AND THE NATIONAL PRESS CLUB. RESERVES THE RIGHT TO PURSUE ALL REMEDIES AVAILABLE TO IT IN RESPECT TO SUCH MISAPPROPRIATION. FOR INFORMATION ON BECOMING A MEMBER OF THE NATIONAL PRESS CLUB, PLEASE CALL 202-662-7505. DONNA LEINWAND: (Sounds gavel.) Good afternoon and welcome to the National Press Club. My name is Donna Leinwand. I’m a reporter for USA Today and I’m president of the National Press Club. We’re the world’s leading professional organization for journalists. And on behalf of our 3,600 members worldwide, I’d like to welcome our speaker and our guests in the audience today. I’d also like to welcome those of you who are watching on C-Span. We’re celebrating our 100th anniversary this year, and we’ve rededicated ourselves to a commitment to a future of journalism through informative programming, journalism education, and fostering a free press worldwide. For more information about the Press Club, please visit our website at www.press.org.