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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Listen and Order the 3-Song EP “From the Grave.”
FOR IMMEDIATE RELEASE December 6, 2019 CRO-MAGS RELEASE BRAND NEW EP “FROM THE GRAVE” 2019 was a roller coaster year for CRO-MAGS founder, bassist and vocalist Harley Flanagan. From regaining sole ownership of the band name he created, to playing with his childhood friends in the re- united Misfits, CRO-MAGS took their punk-fueled legacy across the US and Europe, released their first music video in 27 years, and put out their first music in nearly 20 years via two EPs - Don’t Give In (released in June) and From The Grave (available today). The three song EP is available on limited 7 inch editions of clear w/ black smoke, solid yellow, clear orange and glow in the dark vinyl. Flanagan gives a track by track breakdown below. Listen and order the 3-song EP “From The Grave.” “From The Grave” - The title track features former Motorhead slinger Phil Campbell on lead and slide guitar, as Flanagan comments, “I first met Phil when we toured with Motorhead on the Orgasmatron tour. He is one of my favorite guitarists of all time and I still can't believe I have him playing on one of my songs!” Campbell adds, “We hung out a lot during the tour in the eighties. When I heard the track he wanted me to do, I just had to do it.” “PTSD” - “Basically the song is about just that, Post-Traumatic Stress Disorder, something that I have dealt with in my life, and during the time of the recording I was dealing with it a lot. -
Muzik Reviews 1
Muzik Reviews http://www.muzikreviews.com/reviews.php?ID=815 Forward to Friend Harley's War Hardcore All Stars (CD/DVD) It could be said that Harley Flanagan is an under-appreciated icon of music. Considered the youngest punk rock star, he got his start at age 12 as the drummer of The Stimulators. Several years later, he founded The Cro-Mags, an influential hardcore punk band turned thrash, which since 2002 has not included him in the constantly changing lineup. Along with these, he also has a thriving “solo” project under the name Harley's War. This project consists of music he has created through collaborations with other big names in the hardcore scene. The highlights of these collaborations are featured on Hardcore All-Stars , the first release (which includes both a CD and DVD) under the name Harley's War. Click here to download plugin. Genre: Punk-Metal Label: CroMag The CD portion of the release comes in three parts: the studio album itself, Visit Web Site Harley Flanagan's 1982 solo demo, and live CBGB recordings. The first few tracks, up to “Hardcore 'nyhc-og'”, feature ex-Cro-Mags Ryan Krieger and Gabby Abularach, on drums and guitar, respectively. These are easily the heaviest songs on the album, much different than any music the Cro-Mags Tracks produced. From the powerful blast beats of “Hardcore L.A.M.F.” leading seamlessly into the appropriately haunting “Nightmare”, to even the hip-hop 1. Hardcore L.A.M.F. 2. Nightmare infused “Hardcore 'nyhc-og'”, these are best oriented to those with metal 3. -
Rites of the Condemned: Sociomusical Aspects of Speed Metal Music
RITES OF THE CONDEMNED: SOCIOMUSICAL ASPECTS OF SPEED METAL MUSIC Thus the shriek, the caterwaul, the chainsaw gnarlgnashing, the yowl and the whizz that decapitates may be reheard by the adventurous or emotionally damaged as mellifluous bursts of unarguable affirmation. ---Lester Bangs1 Our music foretells our future. Let us lend it an ear. ---Jacques Attali2 Foreword 2008: College Days Re-Revisited This document is a senior thesis originally submitted to the Department of Sociology and Anthropology at Haverford College in May 1992. At the time I wrote it, I had no idea that I would one day make a living as a popular music scholar. I want belatedly to thank Andy Jewett, now an academic historian, for sending me most of the articles I cite in it. I also want to thank ethnomusicologist Sarah Morelli for her suggestion that these framing remarks be moved to the beginning of the thesis. I want to make it clear that this thesis was hardly greeted with enthusiasm by my professors. It received an A- and no one on my committee even bothered to send me comments on the final draft. At the time, I attributed this less-than-enthusiastic response to the unconventional subject matter of the thesis, but reading through it now I am painfully aware of its logical, methodological, and theoretical flaws. So why then make it available now? I became interested in revisiting this research after attending the first international academic conference on heavy metal in Salzburg, Austria in November 2008. The papers were stimulating, some more than others, but what really struck me was the number of conference delegates who were exactly my age. -
Local Office and Yet Many 'Of the Sports Programs That Have Struggled with Success Over the Past Sever Al Years Continue to Attract More Media Attention
1\ 1.- C h J '..I C, ~" U.l72';:1. b CS D?5 IJ l- 1- CJ n . ',/o.L. 45 no. '-,I Auq. :30, 20l~)Q) WEDNESDAY Mp~iam Library---CSU Chico ~he AUGUST 30, 2000 .Opinion .. ·..................................... · .. A6 Sports .......................................... B1 CALIFORNIA STATE UNIVERSITY, CHICO VOLUME 45, ISSUE t/ Entertainment .............................. C1 Calendar....................................... C4 ARE YOU N~SYNC? KICKING IT AGAIN? CHICOPOLITAN Dimensions .................................. 01 Boy and girl bands are fun to Men's, won1en's soccer Negalive self-image often eating hate, so why do we love them? ready to rumble in 2000 causes disorders hHp:llorion,csuchico,edu OPltjlON ~ C3 SPORTS ... B1 D1MEI~SIONS ~ D1 lIB ,. Chico I Ing Bridge over troubled water 'About three months ago, roughly the same time the Fort Hays State Tigers elim~nated the Cpico State University' men's baseball team from the National Collegiate Athletic Association Division II West Regional tour nament, a group of three civil .engineering students bonrded n plane en route to Texas. Once there, Kari Rowberg, John Bailer and Troy Kamisky embarnlssed their counterparts from 173 American universities in a steel bridge competition, the qetails of which are included in N lItnsha Klobas' story on page A4. The point, however, is thnt local media paid more' attention to the baseball team's failure than to the academic successes of one : :of the university's most ignored '. :departments. But the media's favoritism towlIrd athletics is nothing new, said Maurice Mow, civil engi-· neering chair. "ICs .' Pllrt., of .the. American drean~' to -[do"({;-':e-iiilletlcs' more than academic achievement," he said. -
Disposable Underground 42
Volume 18 Number 42 FREE Championing the musically jaded for over 15 years DISPOSABLE LOCAL REVIEWS A grouping of the local bands (from Maryland, Virginia, and Washington, DC) for this issue point out, D.U. classes Misery Index as a grindcore band. Look at the covers appearing Condemn the Infected Demo here as evidence: Disrupt, Minor Threat, Napalm Death, Terrorizer. And there’s more to his three-song CD-R delivers the death metal goods. Want guttural and raspy look at with this release: all of the lyrics from the EPs and splits, a gig list through 2009 vocals? Want technical guitars and artificial harmonics? Want fusion bass chords? (when they put this baby out), and live tracks. Essential for any Misery Index fan, and TTons of riffs per song? How about blast beats and double bass? You got all that here. it’s damn good for anybody into intelligent death grind, if you want to call it that. There’s a bit of Suffocation, a bit of Morbid Angel, and various other proper death metal www.miseryindex.com bands to draw influence from. The third track, “Passages to Perdition,” has a neato drum intro, and the rest of the music on this demo is similarly impressive. It’s how they do in Maryland. Permafrost Demo 2011 www.myspace.com/condemntheinfected If these guys are death metal, then they’re “blackened” death metal, which if we’re correct means DM with a BM influence. Death metal vocals mingle with blast beats, black metal-esque riffs, and shaky production values, but there’s some interesting ideas Druglord 2010 demo on Demo 2011 , for example the slow, crunchy riff on top of a blast on “Shiva.”And Their Facebook info tab reads, “3 old punks from back in the day (early 80s) playing while Virginia’s Permafrost is low on presentation on their four-song demo, they’re high loud, slow, bass drenched metal.” The band isn’t bass drenched so much, but it’s on positive mental attitude. -
Slayer.Joel.Mciver.By.Pds.Pdf
GLI URAGANI 1 Titolo originale dell'opera: The Bloody Reign of Slayer Copyright © 2007 Omnibus Press (A Division of Music Sales Limited) – UK Copyright © 2008 A.SE.FI. Editoriale Srl – Via dell'Aprica, 8 – Milano www.tsunamiedizioni.com – www.myspace.com/tsunamiedizioni Prima edizione Tsunami Edizioni, settembre 2008 Tsunami Edizioni è un marchio registrato di A.SE.FI. Editoriale Srl Traduzione: Mauro Berchi Revisione: Massimo Baroni Tutte le note sono del traduttore tranne dove diversamente specificato. Progetto copertina: Fresh Lemon Foto copertina: Rolf Klatt/Wireimage.com – Foto IV copertina: Mick Hutson/Redferns Rielaborazione grafica a cura di Marco Fantin – TUNE Graphics, Milano PRIMA RISTAMPA – finito di stampare nel marzo 2010 dalla Gesp – Città di Castello (PG) ISBN: 978-88-96131-01-5 Tutti i diritti riservati. È vietata la riproduzione, anche parziale, in qualsiasi formato senza l'autorizzazione scritta dell'Editore. Sebbene sia stato fatto ogni sforzo per rintracciare i titolari dei diritti delle foto pubblicate, ciò non è stato sempre possibile. L'editore rimane a disposizione per essere contattato dagli aventi diritto. Joel McIver SLAYER Traduzione di Mauro Berchi Questo libro è dedicato a tutti coloro che si presero gioco degli SLAYER agli inizi della loro carriera. Ride bene chi ride ultimo. PREFAZIONE dei Municipal Waste Gli Slayer mi rubarono l'anima fin da piccolo, lo e mio fratello maggiore ascoltammo Show No Mercy finché il lettore distrusse la cassetta: eravamo gli unici ragazzi nella nostra scuola a portare delle magliette degli Slayer. Gli altri studenti cominciarono ad accusarci di essere degli adoratori di Satana, ma non avevano neppure il coraggio di guardarci in faccia. -
The Encyclopaedia Metallica by Malcolm Dome and Jerry Ewing
metallica.indb 1 03/10/2007 10:33:40 The Encyclopaedia Metallica by Malcolm Dome and Jerry Ewing A CHROME DREAMS PUBLICATION First Edition 2007 Published by Chrome Dreams PO BOX 230, New Malden, Surrey, KT3 6YY, UK [email protected] WWW.CHROMEDREAMS.CO.UK ISBN 9781842404034 Copyright © 2007 by Chrome Dreams Edited by Cathy Johnstone Cover Design Sylwia Grzeszczuk Layout Design Marek Niedziewicz All rights reserved. No part of this book may be reproduced without the written permission of the publishers. A catalogue record for this book is available from the British Library. Printed and bound in Great Britain by William Clowes Ltd, Beccles, Suffolk metallica.indb 2 03/10/2007 10:33:40 metallica.indb 3 03/10/2007 10:33:41 Encyclopaedia Metallica THE AUTHORS WOULD SOURCES FROM WHICH LIKE TO THANK ... QUOTES HAVE BEEN TAKEN ...the following people for their Kerrang! magazine support and assistance: Metal Hammer magazine All at Chrome Dreams. RAW magazine Adair & Roxy. Playboy magazine Q magazine All at TotalRock: Tony Wilson, Thekkles, Tabitha, Guitar World magazine Emma ‘SF’ Bellamy, The Bat, Ickle Buh, So What! official Metallica fanzine The PMQ, Katie P. www.encyclopedia-metallica. com Everyone at the Crobar/ www.metallicaworld.co.uk Evensong: Sir Barrence, The Rector, The Crazy Bitch, www.blabbermouth.net The Lonely Doctor, Steve, Rick, Johanna, Bagel, Benjy, www.metalhamer.co.uk Maisie, Laura, Stuart, Steve www.kerrang.com Hammonds, John Richards, Dave Everley, Bob Slayer, en.wikipedia.org David Kenny, The Unique One, Harjaholic, Al King, Jonty, Orange Chuffin’ Goblin (Baby), Lady E., Smelly Jacques, Anna Maria, Speccy Rachel. -
Razorcake Issue #84 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California non-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Music & Artists on Myspace
JACKSONVILLE INSIDE internet revolution • new album from From Tinseltown to the St. Johns Town Center The Cadets • win tickets to see changing the face Shrek the Third! • Southside pub crawl • Last Free Ride at of southside San Marco Theatre entertaining u newspaper free weekly guide to entertainment and more | april 26-may 2, 2007 | www.eujacksonville.com 2 april 26-may 2, 2007 | entertaining u newspaper table of contents feature Internet Revolution ....................................................................................PAGES 12-15 St. Johns Town Center ..............................................................................PAGES 16-17 Southside Pub Crawl ........................................................................................ PAGE 21 movies Last Free Ride/Sunset Scavanger Sailbus ........................................................... PAGE 6 Movies in Theaters This Week .......................................................................PAGES 6-9 Seen, Heard, Noted & Quoted ............................................................................. PAGE 7 Vacancy (movie review) ..................................................................................... PAGE 8 at home Bobby (DVD review) ......................................................................................... PAGE 10 Drive (TV review) ............................................................................................. PAGE 11 Video Games .................................................................................................. -
Celebrating 25 Groundbreaking Years, FISHBONE Has Been
Celebrating 25 groundbreaking years, FISHBONE has been trailblazing their way through the history of American Ska, Funk, Punk, Rock Fusion and (so-called) Black Rock since starting their professional career in Los Angeles' burgeoning, Alternative Rock music scene of the mid-1980s. Their sound has often been imitated, but never duplicated. They have toured worldwide with such bands as the Beastie Boys, Red Hot Chili Peppers, The Roots, Les Claypool/Primus, Fela Kuti, George Clinton, The Dead Kennedys and many more. Angelo Moore’s ability to combine thought-provoking, humorous social commentary with FISHBONE’s frenzied, up-tempo music and frantic, euphorically entertaining stage show has cultivated their undisputed reputation as one of the best live acts in music history. Now in their 25th year of composing, creating, recording, releasing and performing original music together, mass critical appeal appears to be returning to the band, fueled by their critically acclaimed full-length feature documentary; Everyday Sunshine: The Story of Fishbone. Narrated by Laurence Fishburne, the film earned LA Weekly’s Critic’s Choice Award at the Los Angeles Film Fest in 2010, has been called “effortlessly Entertaining” (Variety), “Brilliant and Groundbreaking” (Pop Matters), and hailed as “more than a documentary about rock ‘n’ roll. It’s a documentary about the American spirit and one that shows the life of one of its most influential creative forces.” (Encore Magazine) The documentary features celebrity testimonials from an A-list cast of rock icons such as Flea (Red Hot Chili Peppers), who calls the band “an important musical institution” and “the band that gave us the inspiration to be a band” by Gwen Stefani (No Doubt). -
TERMS of SALE This Material Is Offered En Bloc for $40,000 and Is Subject to Prior Sale
TERMS OF SALE This material is offered en bloc for $40,000 and is subject to prior sale. If you are interested in this collection, we recommend you contact us right away to secure it. As always, if you are not satis- fied with your purchase, all items are returnable within ten days of delivery. Materials must be returned in the same condition as sent. Simply call us at 626.967.1888 to discuss. Institutions and previously known customers can expect the usual terms. We accept all manner of payment. California residents will pay 9% sales tax, or, if this collection is purchased at a book fair, pay the sales tax appropriate to that local. As proud members of the Antiquarian Booksellers’ Association of America, we uphold our associa- tion’s code of ethics. The ABAA was founded in 1949 to encourage and promote interest in and ap- BRAD & JEN JOHNSON preciation of antiquarian books and other printed materials, prints, and manuscripts; to establish and maintain professional and ethical standards; and to foster 134 N. Citrus Ave. friendly relations among both the membership and the booksell- Covina, CA 91723 ing community at large. For more information about ABAA book 626.967.1888 fairs and events and to review our complete code of ethics, please [email protected] visit the website: www.ABAA.org www.BookShopLLC.com SOLD NO LIFE TIL LEATHER Many have asked, “Why Heavy Metal?” For me, it was very personal. At an early age, my father instilled in me a passion for Led Zeppelin and ‘70s rock, which was the perfect prelude to that moment when sitting in the passenger seat of my friend’s Honda CRX, I first heard Metallica.