NOVEMBER 2012 from the Editor Here’S What’S Welcome to the November 2012 Edition of the AAA Newsletter

Total Page:16

File Type:pdf, Size:1020Kb

NOVEMBER 2012 from the Editor Here’S What’S Welcome to the November 2012 Edition of the AAA Newsletter AMERICAN ACCORDIONISTS’ ASSOCIATION Newsletter A bi-monthly publication of the American Accordionists’ Association NOVEMBER 2012 From the Editor Here’s What’s Welcome to the November 2012 edition of the AAA Newsletter. As we bring 2012 to a close, we can truly celebrate the accordion and the incredible and diverse array of activities it features in. Happening at Once again my sincere thanks to the AAA President Linda Reed and Board of Di- rector member, Rita Davidson for their kind assistance throughout the year, and to AAA in 2013 all those who have been able to submit items for publication. Items for the January Newsletter can be sent to me at [email protected] or to the updated AAA e-mail address at: [email protected] Please include ‘AAA MARCH 16, 2013 Newsletter’ in the subject box, so that we don’t miss any items that come in. Text should be sent Coupe Mondiale qualifying cat- within the e-mail or as a Word .doc (not docx) attachment. Pictures should be sent as a high quality egories. See details at .jpg file, and the larger the file size the better. We can always reduce/crop the picture if necessary, www.ameraccord.com however we are unable to increase the quality from smaller pictures. The deadline for the January 2013 news will be the 15th of December. MARCH 17, 2013 I wish you all a wonderful and happy Holiday Season, and look forward to sharing all your News 2:00 pm of events with our readers when we publish our next edition in January 2013. Open Meeting Sincerely, Kevin Hanover Marriott Kevin Friedrich – AAA Newsletter Editor 1401 Route 10 East Whippany, NJ Mario Tacca and Mary Mancini Perform in Italy Renowned accordion virtuoso Mario Tacca Enjoying the spectacular vistas and beautiful APRIL 21, 2013 and Internationally acclaimed vocalist Mary peace and serenity of the mountains in the area, Carmen Carrozza Mancini have just returned from a successful Mario and Mary travelled high up the Gran Sasso Scholarship Fund visit to Italy, where they performed in Mario’s Mountain, the highest peak (10,000 ft) of the Ap- Dinner & Dancing hometown of Assergi, located in the mountains of peninne Mountain range in Abruzzi. Villa Barone Hilltop Manor Abruzzi. Shortly after returning from Italy, the dynamic 466 U.S. 6 AAA Members may well recall that the Amer- duo gave a con- Mahopac, NY ican Accordionists’ Association served as the um- cert at the brella organization for Mario and Mary as they Hauppauge Li- JULY 26-28, 2013 presented a spectacular Abruzzi Earthquake Ben- brary in Haup- Master Class and Concert Se- efit Show at the Paramount Center for the Arts in pauge, LI. A ries - The Seminars Peekskill, NY in June 2009. Their fundraising lovely and inti- The Accordion is 3D efforts raised an impressive $25,000 for the vic- mate venue, it Tenri Cultural Institute tims of the devastating earthquake that struck served as the 43A W13th Street, NYC Mario’s home region of Abruzzi in April 2009. perfect setting Moderator/Curator While in Italy for their concert William Schimmel, this summer, of Italian Love songs and Operatic arias. Mario Mario and Mary and Mary also performed at the Magnanini Win- organized an ery in Wallkill, NY on October 28th and Novem- AUGUST 14-18 2013 evening of music ber 4th and a Holiday Show at Villa Roma in AAA 75th Anniversary together with Callicoon, NY on November 27th. The New Yorker Hotel AAA member, To bring 2012 to a close, Mario and Mary will 8th Ave. at 34th Street Frank Carrozza be presenting their renowned Holiday show as New York, NY who was also follows: there with his fa- December 14, 2012 eze in the B que ig ther and three Christmas Concert with the Victor Lionti String S Ap ig p brothers. The evening of Quartet at Assumption Church B l e e th friendship and music in Peekskill, NY - 7:00 PM Mario’s hometown was held For more information including the highlights at Da Maria Ristorante, which of their many concerts and recordings, please is located next to the cable car visit www.gioiaproductions.com ■ that brings tourists and skiers up the mountain and was an extraordinary and memorable evening for all. Start spreading the news... A bi-monthly publication of the American Accordionists’ Association - page 2 NOVEMBER 2012 Joan Sommers with the Missouri Brass Quintet Alex Chudolij at the Massachusetts The Missouri Brass Quintet is a pro- Accordion Association (MAAA) fessional group based at the University Alex Chudolij, a prize winning accordion- of Missouri-Kansas City (UMKC) and ist, band leader and accordion designer, was presents concerts regularly throughout the invited guest of the Massachusetts Accor- the Midwest. dion Association (MAAA) at its free October This year’s concert season opened on 28 meeting in Newton, MA. October 10 with a concert in White By the age of 16, had won several compe- Recital Hall on the UMKC Campus. titions including the American Accordionists’ The concert featured works written for Association Championships. He performed brass quintet (two trumpets, horn, trom- at a gala reception for Olympic Figure Skat- Alex Chudolij bone, and tuba) by composers McKee, ing Gold Medal Winners Oksana Baiul and Viktor Petrenko, and Buyanovsky, Turner, Kamen, Bernstein, Joan Sommers has played all over the Eastern United States. and closed with two arrangements of Mr. Chudolij’s program highlights three categories of accor- pieces by Ástor Piazzolla including Oblivion and Libertango featur- dions commonly available today including the traditional acoustic ing guest accordionist, Joan Cochran Sommers. instrument, acoustic with MIDI, and the all electronic (conven- Each of the performers gave short introductory talks before the tional reedless models and Roland V-Accordions) while discussing pieces were performed and Joan spoke about Piazzolla and his life, the features, playability, advantages and limitations of each. his compositions, and his instrument, the bandoneón. The Massachusetts Accordion Association, a not-for-profit or- Joan’s performance was greeted with great acclaim and approval ganization, encourages the enjoyment of the accordion by its by the audience and fellow performers alike, and Joan reports that it members and the larger state-wide community both by sponsor- was exhilarating to perform with such fine musicians on this excit- ing three free guest artist appearances per year at its Newton lo- ing project. cation and by offering several free community outreach concerts Joan has been asked to perform with the Missouri Brass Quintet throughout the year. ■ on its 2013 Spring Concert Tour in the St. Louis, Missouri area. Attendees were invited to join in the group Play-Along pre- ceding Mr. Chudolij’s concert. For more information on future “SHPIL! The Art of Playing Klezmer” by Yale Strom activities please visit the MAAA's website: Internationally acclaimed Klezmer ensemble, Hot Pstromi, is a www.maaccordion.org. ■ history, instructional and music book for both the professional and amateur musician. Since the revival of Klezmer music in the Advanced Accordion Music Available for Free United States in the mid-1970s, Klezmer and Yiddish song have Download become the soundtrack for the revival of European Jewish culture all over the world. Today you can hear Klezmer in likely locales Renowned Spanish composer Gorka Hermosa is offering all his like New York, Chicago and San Francisco, and unlikely locales advanced compositions as free downloads to the US accordion com- like St. Petersburg, Russia; Satu Mare, Romania; Buenos Aires, munity. Argentina; Tokyo, Japan and many other places throughout the His advanced compositions have been performed in the winning world. It is no secret why this has happened: Klezmer's high en- programs of world competition winners such as Grayson Masefield, ergy and emotional folk music and evocative Yiddish lyrics speak Dorin Grama, Alexander Vertennikov, Iñigo Aizpiolea, Martinas to everyone, musician and listener alike. This book is not only the Levickis, Julien Gonzales as well as by renowned artists Alexander first to include chapters on the most common instruments that Selivanov, Yulia Amerikova, Helmut C. Jacobs and Renzo Ruggieri. make up a typical Klezmer ensemble, but each chapter is written His works have also been played in the graduation exams of the by a virtuoso of that instrument. most important accordion conservatories in the world including The book contains a historical chapter on Klezmer which gives Moscow, London, Peking, Shanghai and Trossingen. an overview of the genre from medieval times through the present Pablo Zinger (pianist for famed artist Astor Piazzolla) said "Gorka day and a chapter on each instrument (violin, clarinet, accordion, Hermosa`s music impressed me for his originality, his atmosphere bass, percussion and voice) written by a musician who has and his virtuosity, making the word ‘crossover’ an intense reality. recorded, performed and studied He is a very talented musician, and one to watch very closely.” Klezmer for many years. At the Born in 1976 in Urretxu (Basque Country), Hermosa is a very end of each chapter will be three multifaceted musician: an accordionist, composer, teacher, writer specific melodies (songs), cho- and publisher. sen by each artist, to illustrate Gorka Hermosa was the first Spanish accordionist to play as and exemplify the techniques soloist with a symphonic orchestra (the Spanish National Radio and and instruction they have TV orchestra, and after more than 12 times with other different or- shared. The authors also include chestras), he often appears on Spanish TV and radio shows and a discography to provide the gives concerts all around Europe (Finland, Norway, Estonia, Ger- reader with a list of classic and many, Slovenia, Switzerland, France, Italy, Portugal and Spain). He new Klezmer and Yiddish has played first time more than 20 works for accordion of Spanish recordings designed to guide the composers.
Recommended publications
  • Weltmeister Akkordeon Manufaktur Gmbh the World's Oldest Accordion
    MADE IN GERMANY Weltmeister Akkordeon Manufaktur GmbH The world’s oldest accordion manufacturer | Since 1852 Our “Weltmeister” brand is famous among accordion enthusiasts the world over. At Weltmeister Akkordeon Manufaktur GmbH, we supply the music world with Weltmeister solo, button, piano and folklore accordions, as well as diatonic button accordions. Every day, our expert craftsmen and accordion makers create accordions designed to meet musicians’ needs. And the benchmark in all areas of our shop is, of course, quality. 160 years of instrument making at Weltmeister Akkordeon Manufaktur GmbH in Klingenthal, Germany, are rooted in sound craftsmanship, experience and knowledge, passed down carefully from master to apprentice. Each new generation that learns the trade of accordion making at Weltmeister helps ensure the longevity of the company’s incomparable expertise. History Klingenthal, a centre of music, is a small town in the Saxon Vogtland region, directly bordering on Bohemia. As early as the middle of the 17th century, instrument makers settled down here, starting with violin makers from Bohemia. Later, woodwinds and brasswinds were also made here. In the 19th century, mouth organ ma- king came to town and soon dominated the townscape with a multitude of workshops. By the year 1840 or thereabouts, this boom had turned Klingenthal into Germany’s largest centre for the manufacture of mouth organs. Production consolidation also had its benefits. More than 30 engineers and technicians worked to stre- Accordion production started in 1852, when Adolph amline the instrument making process and improve Herold brought the accordion along from Magdeburg. quality and customer service. A number of inventions At that time the accordion was a much simpler instru- also came about at that time, including the plastic key- ment, very similar to the mouth organ, and so it was board supported on two axes and the plastic and metal easily reproduced.
    [Show full text]
  • 04/30/2018 Daily Program Listing II 03/04/2018 Page 1 of 120
    Daily Program Listing II 43.1 Date: 03/04/2018 04/01/2018 - 04/30/2018 Page 1 of 120 Sun, Apr 01, 2018 Title Start Subtitle Distrib Stereo Cap AS2 Episode 00:00:01 Closer to Truth EPS (S) (CC) N/A #1613H Marvin Minsky: Like No Other One of artificial intelligence's legendary pioneers, Marvin Minsky, recently died. With this tribute, we celebrate his penetrating analysis of brains, minds, AI, religion and God. 00:30:00 American Forum NETA (S) (CC) N/A #318H Crossing President Trump Former Acting U.S. Attorney General SALLY YATES on her clash with President Donald J. Trump, the Russia investigation, and the risks of rolling back criminal justice reform. 01:00:00 Speakeasy APTEX (S) (CC) N/A #301H Jimmie Vaughan and Gary Clark Jr. Grammy Award winner Gary Clark Jr. is joined by four-time Grammy Award winner Jimmie Vaughan at New York City's Iridium for a taping of the intimate conversation series "Speakeasy." Clark has been called "The Chosen One" by Rolling Stone and has been hailed as a major talent by icons including the Rolling Stones, Sheryl Crow, and Paul McCartney. He has leant his unique blend of rock, R&B, blues, soul, and pop to multiple soundtracks including the acclaimed movie "12 Years a Slave." Vaughan has been regarded by Guitar Player magazine as "a living legend" and is one of the most respected guitarists in the world of popular music. With the Famous Thunderbirds, he spearheaded the current blues revival and has earned the admiration of B.B.
    [Show full text]
  • Clifford the Big Red Dog Goes on Tour! MAY 2018 See Page 31 for Details
    Clifford The Big Red Dog goes on tour! MAY 2018 See page 31 for details NOVA Wonders Airs 8pm Wednesdays Journey to the frontiers of science, where researchers are tackling some of the biggest questions about life and the cosmos in this six-part mini-series. See story, p. 2 MONTANAPBS PROGRAM GUIDE MontanaPBS Guide On the Cover MAY 2018 · VOL. 31 · NO. 11 COPYRIGHT © 2018 MONTANAPBS, ALL RIGHTS RESERVED MEMBERSHIP 1-866-832-0829 SHOP 1-800-406-6383 EMAIL [email protected] WEBSITE www.montanapbs.org ONLINE VIDEO PLAYER watch.montanapbs.org The Guide to MontanaPBS is printed monthly by the Bozeman Daily Chronicle for MontanaPBS and the Friends of MontanaPBS, Inc., a nonprofit corporation (501(c)3) P.O. Box 10715, Bozeman, MT 59719-0715. The publication is sent to contributors to MontanaPBS. Basic annual membership is $35. Nonprofit periodical postage paid at Bozeman, MT. PLEASE SEND CHANGE OF ADDRESS INFORMATION TO: SHUTTERSTOCK OF COURTESY MontanaPBS Membership, P.O. Box 173345, Bozeman, MT 59717 KUSM-TV Channel Guide P.O. Box 173340 · Montana State University Mont. Capitol Coverage Bozeman, MT 59717–3340 MontanaPBS World OFFICE (406) 994-3437 FAX (406) 994-6545 MontanaPBS Create E-MAIL [email protected] MontanaPBS Kids BOZEMAN STAFF MontanaPBS HD INTERIM GENERAL MANAGER Aaron Pruitt INTERIM DIRECTOR OF CONTENT/ Billings 16.1 16.2 16.3 16.4 16.5 CHIEF OPERATOR Paul Heitt-Rennie Butte/Bozeman 9.1 9.2 9.3 9.4 9.5 SENIOR DIRECTOR OF DEVELOPMENT Crystal Beaty MEMBERSHIP/EVENTS MANAGER Erika Matsuda Great Falls 21.1 21.2 21.3 21.4 21.5 DEVELOPMENT ASST.
    [Show full text]
  • On the First Day, Man Created God | the Aquarian Weekly 8/12/14, 6:42 PM
    Andy Shernof: On The First Day, Man Created God | The Aquarian Weekly 8/12/14, 6:42 PM FEATURES REVIEWS GOINGS-ON CLASSIFIEDS PROMOTIONS STORE albums concerts ALBUMS SEARCH GO Andy Shernoff NEW ISSUE GOINGS-ON On The First Day, Man JACK NAME: THE NAME Created God GAME GLASS TOWERS: Independent THROWING STONES THE WAR ON DRUGS: DREAM SEQUENCE HOUNDMOUTH: DOG DAYS ELISE TESTONE: BREAKING FREE ROCK OF AGES: 1980S AGAIN AMY HELM AND THE On The First Day, Man Created God is the second solo EP by Andy Shernoff, 0 HANDSOME STRANGERS: bassist for The Dictators. If the title doesn’t make it clear enough, the album is LIKE FATHER, LIKE We The Kings: Back By DAUGHTER a pretty scathing attack on Christianity, presented through children’s Popular Decree Like D. CHARLES SPEER & THE storybook-like rhymes that can have the listener giggling devilishly. HELIX: MIND TRICKS Right off the bat, Shernoff starts cracking jokes in “Are You Ready To Rapture?,” a song that was released alongside an animation two years ago. He refers to Jesus as a “zombie Jew,” and while his criticisms are nothing new, he excels easily in his ability to construct those attacks through rhyme; “the unmarried fornicators, the stem cell TATTOO view all crusaders, and the butthole invaders” is possibly the funniest set of words I’ve heard all month. Taking the format of a guitar ‘n’ harmonica blues number, “Skeptical” looks at the more personal questions that those who are unsure about religion have. “Fisher Of Men” turns the album’s focus to why people are reliant on a belief.
    [Show full text]
  • Jerzy Wieczorek—AHS Capstone Spring 2006— Final Draft of Deliverable—May 10, 2006
    Jerzy Wieczorek—AHS Capstone Spring 2006— Final Draft of Deliverable—May 10, 2006 Managing the Accordionist’s Identity in America: A Labeling/Interactionist Perspective Although the accordion was one of the best-selling musical instruments in the United States between the 1930s and the 1950s, nowadays it is frequently portrayed as “nerdy” and “cheesy.” In American popular music of the last few decades, the instrument is rarely heard and almost never seen unless to draw a laugh. Nonetheless, there are many accordionists who still choose to play the instrument despite its reputation. If this once-popular instrument, its music, and the musicians who play it are so marginalized in popular culture today, how do accordionists deal with their marginalized status? This paper begins to answer this oft-overlooked question through the labeling/interactionist approach pioneered by sociologists Howard S. Becker and Erving Goffman. The result is an analysis of how accordionists present themselves to others in light of their understandings of the cause and nature of the accordion’s unpopularity. Because attitudes towards the instrument are not uniform throughout American society, even accordionists in the same geographic location can choose to respond to their stigmatized status in different ways. Several interviews with accordion players indicate that these musicians may attempt to Avoid the stigma by playing only in settings where the accordion is accepted; they may attempt to Overcome the stigma by challenging the assumptions that they believe the audience holds about the accordion; or they may attempt to Flaunt the stigma by drawing on stereotypes about the accordion, usually for humorous effect.
    [Show full text]
  • Pablo Picasso
    Famous Artists In thirty seconds, tell your partner the names of as many famous artists as you can think of. 30stop Pablo Picasso th ArePablo you Picasso named was after born aon family 25 October member 1881. or someone special? He was born in Malaga in Spain. Did You Know? Picasso’s full surname was Ruiz y Picasso. ThisHis full follows name thewas SpanishPablo Diego custom José Franciscowhere people de havePaula two Juan surnames. Nepomuceno The María first de is losthe Remedios first part ofCipriano their dad’sde la Santísimasurname, Trinidad the second Ruiz isy thePicasso. first He was named after family members and special partreligious of their figures mum’s known surname. as saints. Talk About It Picasso’s Early Life Do you know what your first word was? Words like ‘mama’ and ‘dada’ are common first words. However, Picasso’s mum said his first word was ‘piz’, short for ‘lapiz’, the Spanish word for pencil. Cubism Along with an artist called Georges Braque, Picasso started a new style of art called Cubism. Cubism is a style of art which aims to show objects and people from lots of different angles all at one time. This is done through the use of cubes and other shapes. Here are some examples of Picasso’s cubist paintings. What do you think about each of these paintings? Talk About It DanielWeeping-HenryMa Jolie, Woman,Kahnweiler, 1912 1937 1910 Picasso’s Different Styles ThroughoutHow do these his paintings life, Picasso’s make artyou took feel? on differentHow do you styles. think Picasso was feeling when he painted them? One of the most well known of these phases was known as his ‘blue period’.
    [Show full text]
  • The Most Important Works of Art of the Twentieth Century
    This PDF is a selection from a published volume from the National Bureau of Economic Research Volume Title: Conceptual Revolutions in Twentieth-Century Art Volume Author/Editor: David W. Galenson Volume Publisher: Cambridge University Press Volume ISBN: 978-0-521-11232-1 Volume URL: http://www.nber.org/books/gale08-1 Publication Date: October 2009 Title: The Most Important Works of Art of the Twentieth Century Author: David W. Galenson URL: http://www.nber.org/chapters/c5786 Chapter 3: The Most Important Works of Art of the Twentieth Century Introduction Quality in art is not just a matter of private experience. There is a consensus of taste. Clement Greenberg1 Important works of art embody important innovations. The most important works of art are those that announce very important innovations. There is considerable interest in identifying the most important artists, and their most important works, not only among those who study art professionally, but also among a wider public. The distinguished art historian Meyer Schapiro recognized that this is due in large part to the market value of works of art: “The great interest in painting and sculpture (versus poetry) arises precisely from its unique character as art that produces expensive, rare, and speculative commodities.”2 Schapiro’s insight suggests one means of identifying the most important artists, through analysis of prices at public sales.3 This strategy is less useful in identifying the most important individual works of art, however, for these rarely, if ever, come to market. An alternative is to survey the judgments of art experts. One way to do this is by analyzing textbooks.
    [Show full text]
  • Pablo Picasso Pablo Picasso (B
    Pablo Picasso Pablo Picasso (b. 1881, Málaga, Spain; d. 1973, Mougins, France), the son of an academic Biography painter, José Ruiz Blasco, began to draw and paint from an early age. Picasso studied first at the Fine Arts School in La Coruña and practised illustration and drawing caricatures at home. While studying at La Lonja Art Academy in Barcelona where his father had been appointed professor, he frequented the café Els Quatre Gats, the gathering place for a group of artists, musicians, and others who were crucial to his early artistic development. In summer 1901, Picasso held his first Paris exhibition at the Galeries Vollard. In 1904 he moved to Paris, settling in the Bateau-Lavoir studio in Montmartre. His circle of friends soon included Guillaume Apollinaire, Max Jacob, and Gertrude and Leo Stein, as well as two dealers, Ambroise Vollard and Berthe Weill. Picasso’s style developed from the Blue Period (1901–04) to the Rose Period (1905), leading him to the pivotal work Les Demoiselles d’Avignon (1907). The years 1906–07 marked his discovery of Iberian and African art. In the years from 1908 to World War I he experimented with Cubism, with the subsequent evolution from an Analytic phase (c. 1908–11) to a Synthetic phase (beginning in 1912–13). In 1910, Picasso designated Daniel-Henry Kahnweiler as his official art dealer. In February 1917, the artist traveled to Rome with Jean Cocteau to work on the ballet Parade. There, he met his future wife Olga Khokhlova. Soon after, his paintings and drawings came to be characterized by large, neoclassical compositions featuring nudes and figural representations.
    [Show full text]
  • War and Peace in the Art of Pablo Picasso: “Guernica” (1937) by Dr
    War and Peace in the Art of Pablo Picasso: “Guernica” (1937) by Dr. David M. Hart Some Classic Works of Art on War & Peace Classic Works of Art on War & Peace 1: Jacques Callot, “The Miseries of War” (1633) Classic Works of Art on War & Peace 1: Francisco Goya, “The Second of May, 1808” Classic Works of Art on War & Peace 1: Winslow Homer, “Veteran in a New Field” (1865) Classic Works of Art on War & Peace V: Otto Dix, “Der Krieg” (1924) Pablo Picasso (1881-1973) “La vie” (1903) “Les Demoiselles d’Avignon” (1907) “Le guitariste” (1910) Illustrations for edition of Aristophanes, Lysistrata (1934) Picasso joined the communist party in 1944 “Guernica” (mural commissioned by Spanish government for International Exposition in Paris, 1937) People Viewing “Guernica” at the Prado Museum, Madrid “Guernica” (tapestry replica commissioned by Nelson Rockefeller in 1955 for display in UN HQ, NYC) US Ambassador Negroponte walking past “Guernica” tapestry at UN HQ 2002 “Guernica” (mural commissioned by Spanish government for International Exposition in Paris, 1937) The Major Components of the Painting: The Central Pyramid The Major Components of the Painting: People and Objects 5 1 4 8 10 6 2 9 7 3 The Major Components of the Painting 1. the bull 6. the wounded horse 2. the grieving woman with child 7. the sprouting flower 3. the fallen statue of the warrior 8. the woman with the lamp 4. the bird flying from the horse’s wound 9. the fleeing woman 5. the sun/electric light 10. the woman falling from the burning building The two red lines show the central
    [Show full text]
  • KS1 All About Picasso
    Pablo Picasso Pablo Picasso was born on 25th October 1881 in Malaga, Spain. His full name was Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso. He was named after people in his family and other special people. Talk About Are you named after a family member or someone special? It Picasso’s Early Life Picasso’s Picasso’s mum father, Jose said his first Ruiz Blaso, was word was ‘piz’, also a painter short for ‘lapiz’, who was very the Spanish good at word for pencil. painting birds. In 1904, Picasso Picasso went to a permanently special art settled in school. Paris. Cubism Picasso developed a new style of art called Cubism. Talk About What do you think about these paintings? Cubism is a style of art which uses cubes and other 3D shapes to create It a whole picture. Here are some examples of Picasso’s cubist paintings. Weeping Woman Ma Jolie Daniel-Henry Kahnweiler (1937) (1912) (1910) Different Styles During different times of his life, Picasso’s paintings look different. Talk Some of hisHow paintings do these come paintings from makea time you known feel? as How his do‘Blue you Period’. About This was thinka time Picasso when Picassowas feeling felt verywhen sad. he Hepainted found them? it difficult to mix It with his friends and spent a lot of time alone. These paintings were very serious and mostly done in dark blues and greens. Woman The Old with Helmet Guitarist of Hair (1903) (1904) Guernica One of Picasso’s most famous works of art is Guernica, which was painted in 1937.
    [Show full text]
  • Music Guide 13 the Beat 180 Master Class by ELDAR DJANGIROV 194 Blindfold Test Where to Study Jazz 2017 24 Players 182 Pro Session Dr
    October 2016 VOLUME 83 / NUMBER 10 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
    [Show full text]
  • Las Meninas in VR: Storytelling and the Illusion In
    Las Meninas in VR Storytelling and the Illusion in Art Hisham Bizri Andrew Johnson Christina Vasilakis Electronic Visualization Lab oratory University of Illinois at Chicago Chicago IL USA voice fax bizrievluicedu httpwwwevluiceduchrismeninas Abstract Las Meninas is a virtual reality VR artwork based on the painting of the same name by Spanish painter Diego Velazquez Created for the CAVEtm Las Meni nas attempts to establish a language of art in virtual reality by placing VR in the realm of storytel ling storytel ling that is not simply formalistic and decorative but also psychological The viewer confronts a narrative cryptogram which can be deciphered at multiple levels of meaning as he seeks to explore the enigmas inherent in the painting by liter al ly entering into it both physical ly and psycho logical ly This al lows for the suspension of disbelief or the il lusion in art the quintessential rule of art Keywords ontological authenticity kinesthetic synesthetic stimulation immersion Intro duction Many p eople who have exp erienced virtual reality VR for the rst time will attest that they were amazed by the unique p erceptual exp erience but that their emotional and thoughtful involvementwas minimal This is not surprising since many virtual reality works are in large part exercises in visual eects and not intended as part of a meaningful narrative where form and function are interconnected Toachievesuch a narrative a language of art in VR needs to b e established The depiction of Las Meninas in VR attempts to establish sucha
    [Show full text]