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COMPARATIVE VIDEOGAME CRITICISM by Trung Nguyen
COMPARATIVE VIDEOGAME CRITICISM by Trung Nguyen Citation Bogost, Ian. Unit Operations: An Approach to Videogame Criticism. Cambridge, MA: MIT, 2006. Keywords: Mythical and scientific modes of thought (bricoleur vs. engineer), bricolage, cyber texts, ergodic literature, Unit operations. Games: Zork I. Argument & Perspective Ian Bogost’s “unit operations” that he mentions in the title is a method of analyzing and explaining not only video games, but work of any medium where works should be seen “as a configurative system, an arrangement of discrete, interlocking units of expressive meaning.” (Bogost x) Similarly, in this chapter, he more specifically argues that as opposed to seeing video games as hard pieces of technology to be poked and prodded within criticism, they should be seen in a more abstract manner. He states that “instead of focusing on how games work, I suggest that we turn to what they do— how they inform, change, or otherwise participate in human activity…” (Bogost 53) This comparative video game criticism is not about invalidating more concrete observances of video games, such as how they work, but weaving them into a more intuitive discussion that explores the true nature of video games. II. Ideas Unit Operations: Like I mentioned in the first section, this is a different way of approaching mediums such as poetry, literature, or videogames where works are a system of many parts rather than an overarching, singular, structured piece. Engineer vs. Bricoleur metaphor: Bogost uses this metaphor to compare the fundamentalist view of video game critique to his proposed view, saying that the “bricoleur is a skillful handy-man, a jack-of-all-trades who uses convenient implements and ad hoc strategies to achieve his ends.” Whereas the engineer is a “scientific thinker who strives to construct holistic, totalizing systems from the top down…” (Bogost 49) One being more abstract and the other set and defined. -
Ubisoft Opens New Office in Mexico
UBISOFT EXPANDS TO MEXICO, ANNOUNCES ELECTRONIC GAMES SHOW LINEUP Opens New Office to Strengthen Video Game Business in High-Growth Region Paris, FRANCE – October 25, 2006 – Today Ubisoft, one of the world’s largest video game publishers, announced the opening of a new business office in Mexico City, Mexico. The new office opens with a core team that will focus on establishing business relationships to help increase Ubisoft’s market share in Mexico. Etienne-Charles Nobert, Ubisoft’s Latin American area manager, will spearhead operations in the new location and will report to Olivier Ernst, general manager of Ubisoft operations in Canada and Latin America. Ubisoft will be present at the Electronic Games Show (EGS) at the World Trade Center in Mexico City from October 27 through 29. With over 30,000 people expected to attend, EGS is the most important games event in Latin America. Ubisoft will present some of this year’s most anticipated titles on its booth: • Red Steel ™ (first-person action, presented on the Wii™): The only original first-person game built from the ground up for Wii launch. • Rayman: Raving Rabbids ™ (action-adventure, presented on the Wii) Rayman® is back to fight crazed bunnies in this legendary series that has sold 17 million copies worldwide. • Tom Clancy’s Splinter Cell Double Agent™ (spy action, presented on the Wii): An amazing new installment in this series that has already sold 14 million units worldwide. • Open Season ™ (kids action-adventure, presented on the PlayStation®2 computer entertainment system): The video game adaptation of Sony Pictures Animation’s eagerly awaited first CGI movie. -
Embodying the Game
Transcoding Action: Embodying the game Pedro Cardoso & Miguel Carvalhais ID+, Faculty of Fine Arts, University of Porto, Portugal. [email protected] / [email protected] Abstract this performance that is monitored and interpreted by the While playing a video game, the player-machine interaction is not game system, registering very specific data that is solely characterised by constraints determined by which sensors subordinated to the diverse kinds of input devices that are and actuators are embedded in both parties, but also by how their in current use. actions are transcoded. This paper is focused on that transcoding, By operating those input devices the player interacts with on understanding the nuances found in the articulation between the game world. In some games, for the player to be able to the player's and the system's actions, that enable a communication feedback loop to be established through acts of gameplay. This act in the game world, she needs to control an actor, an communication process is established in two directions: 1) player agent that serves as her proxy. This proxy is her actions directed at the system and, 2) system actions aimed at the representation in the game world. It is not necessarily her player. For each of these we propose four modes of transcoding representation in the story of the game. The player’s proxy that portray how the player becomes increasingly embodied in the is the game element she directly controls, and with which system, up to the moment when the player's representation in the she puts her actions into effect. -
Animal Crossing
Alice in Wonderland Harry Potter & the Deathly Hallows Adventures of Tintin Part 2 Destroy All Humans: Big Willy Alien Syndrome Harry Potter & the Order of the Unleashed Alvin & the Chipmunks Phoenix Dirt 2 Amazing Spider-Man Harvest Moon: Tree of Tranquility Disney Epic Mickey AMF Bowling Pinbusters Hasbro Family Game Night Disney’s Planes And Then There Were None Hasbro Family Game Night 2 Dodgeball: Pirates vs. Ninjas Angry Birds Star Wars Hasbro Family Game Night 3 Dog Island Animal Crossing: City Folk Heatseeker Donkey Kong Country Returns Ant Bully High School Musical Donkey Kong: Jungle beat Avatar :The Last Airbender Incredible Hulk Dragon Ball Z Budokai Tenkaichi 2 Avatar :The Last Airbender: The Indiana Jones and the Staff of Kings Dragon Quest Swords burning earth Iron Man Dreamworks Super Star Kartz Backyard Baseball 2009 Jenga Driver : San Francisco Backyard Football Jeopardy Elebits Bakugan Battle Brawlers: Defenders of Just Dance Emergency Mayhem the Core Just Dance Summer Party Endless Ocean Barnyard Just Dance 2 Endless Ocean Blue World Battalion Wars 2 Just Dance 3 Epic Mickey 2:Power of Two Battleship Just Dance 4 Excitebots: Trick Racing Beatles Rockband Just Dance 2014 Family Feud 2010 Edition Ben 10 Omniverse Just Dance 2015 Family Game Night 4 Big Brain Academy Just Dance 2017 Fantastic Four: Rise of the Silver Surfer Bigs King of Fighters collection: Orochi FIFA Soccer 09 All-Play Bionicle Heroes Saga FIFA Soccer 12 Black Eyed Peas Experience Kirby’s Epic Yarn FIFA Soccer 13 Blazing Angels Kirby’s Return to Dream -
Playzine Issue 28
NAVIGATE |01 PSP FREE! Issue 28 | May 2009 REVIEWED! PSP FIRST LOOK! DS Phantasy Star Portable The classic role- PS2 PlayZine player hits the PSP! Free Magazine for Handheld and Wii Gamers. Pass it on to your friends and family JAK & DAXTER: Wii THE LOST FRONTIER EXCLUSIVE! The dynamic duo are back! PSP Rabbids Go Home REVIEWED! Wii The manic aliens go it alone. Find out more inside! PES 2009 Now it’s on the Wii, too Wii FIRST LOOK! DS REVIEWED! MOTION-TASTIC! Wii MotionPlus Henry revealed Hatsworth What it does, and the KLONOA Puzzler meets Platform perfection? platformer games you’ll be playing CONTROL NAVIGATE |02 PlayZine Damien McFerran Damien now realises that QUICK FINDER Every game’s just a click away! NINTENDO DS rabbits are in fact mad aliens Henry Hatsworth in The called Rabbids. Bless. Puzzling Adventure CHECK PREVIEWS Sony PSP WelcomeTHIS! Jack & Daxter: Sony PSP There are exciting times NINTENDO WII The Lost Frontier Phantasy Star Portable Dead Space Extraction ahead. Firstly the new Klonoa REVIEWS Spore Hero MotionPlus adaptor could Grand Slam Tennis NINTENDO WII change the way we play Wii Tiger Woods Monsters vs. Aliens PGA Tour 10 PES 2009 games forever, and secondly, there are MOnsters Rabbids Go Home Tenchu some amazing games due out between vs. Aliens now and Christmas. Make sure you stay MORE FREE MAGAZINES! LATEST ISSUES! with us, and we promise to bring you all plus loads the info on the games that matter. more reviews! Dean Mortlock, Editor PES 2009 DON’T MISS [email protected] Phantasy Star Portable THIS! Tenchu Jak & Daxter: Rabbids The Lost Frontier DON’T MISS ISSUE 29 SUBSCRIBE FOR FREE! Go Home Another classic WARNING! MULTIMEDIA DISABLED! series is If you are reading this, then you didn’t choose “Play” heading to PSP! when Adobe Reader asked you about multimedia when you opened the magazine. -
An Interpretive Phenomenological Study of the Meaning of Video Games In
1 “It feels more real”: An Interpretive Phenomenological Study of the Meaning of Video Games in Adolescent Lives Susan R. Forsyth, PhD, RN Assistant Adjunct Professor, Social & Behavioral Sciences University of California, San Francisco Assistant Professor School of Nursing, Samuel Merritt University, Oakland, CA Catherine A. Chesla, RN, PhD, FAAN Professor and Interim Chair, Family Health Care Nursing University of California, San Francisco Roberta S. Rehm, PhD, RN, FAAN Professor, Family Health Care Nursing University of California, San Francisco Ruth E. Malone, PhD, RN, FAAN Professor and Chair, Department of Social & Behavioral Sciences School of Nursing University of California, San Francisco Corresponding author: Susan R. Forsyth Department of Social and Behavioral Sciences 3333 California Street, LHts-455, Box 0612 San Francisco, CA 94118 [email protected] 2 510.512-8290 Acknowledgements: We thank Quinn Grundy, Kate Horton and Leslie Dubbin for their invaluable feedback. Declarations of Conflicting Interests The authors declare no potential conflicts of interest with respect to the research, authorship and/or publication of this article. Funding The authors disclosed the receipt of the following financial support for the research, authorship and/or publication of this article. Susan Forsyth is funded by a dissertation award from the Tobacco-Related Disease Research Program (TRDRP), grant #22DT- 0003. Published in Advances in Nursing Science, October 4, 2017 http://journals.lww.com/advancesinnursingscience/toc/publishahead 3 Abstract The pervasiveness of video gaming among adolescents today suggests a need to understand how gaming affects identity formation. We interviewed 20 adolescents about their experiences of playing, asking them to describe how they used games and how game playing affected their real-world selves. -
Dragon Magazine #171
SPECIAL ATTRACTIONS Issue #171 AD&D Trading Cards Richard Brown Vol. XVI, No. 2 Insert July 1991 A preview of brand-new product, coming to a store near you! Publisher REGULAR FEATURES James M. Ward Guest Editorial Michael A. Stackpole Editor 6 Role-playing and reality: The dividing line is thicker than some people Roger E. Moore think. Whos Who Among Dragons Bruce A. Heard Fiction editor 9 Dragons, too, rule kingdoms in the D&D® Known World. Barbara G. Young Hunting Tanks is Fun and Easy! Thomas M. Kane 13 Dragons, Hellfires, and the LAW: Antitank weapons in the TOP Assistant editor Dale A. Donovan SECRET/S.I. game. The Making of a Monster Matthew Iden Art director 16 If ya wanna play an orc, ya gotta think like an orc. Larry W. Smith Care For a Drink? David W. Montgomery and Jim Milner 20 It can break a siege, end a drought, slay your enemies, and water Production staff your garden. What is it? Gaye OKeefe Angelika Lokotz Tracey Zamagne The MARVEL®-Phile Steven E. Schend 31 Chris Powell needed an edge against crime. He got itand how! Subscriptions The Role of Books John C. Bunnell Janet L. Winters 34 The woman who outsmarted Sherlock Holmes takes on her own murder-mystery adventure. U.S. advertising Roseann Schnering The Voyage of the Princess Ark Bruce A. Heard 39 They dont call it the Savage Coast for nothing. U.K. correspondent The Nature of the Beast Zoe Bell Hurst and U.K. advertising 48 A dozen people have a dozen ways to paint a griffon. -
An Overview Study of Game Engines
Faizi Noor Ahmad Int. Journal of Engineering Research and Applications www.ijera.com ISSN : 2248-9622, Vol. 3, Issue 5, Sep-Oct 2013, pp.1673-1693 RESEARCH ARTICLE OPEN ACCESS An Overview Study of Game Engines Faizi Noor Ahmad Student at Department of Computer Science, ACNCEMS (Mahamaya Technical University), Aligarh-202002, U.P., India ABSTRACT We live in a world where people always try to find a way to escape the bitter realities of hubbub life. This escapism gives rise to indulgences. Products of such indulgence are the video games people play. Back in the past the term ―game engine‖ did not exist. Back then, video games were considered by most adults to be nothing more than toys, and the software that made them tick was highly specialized to both the game and the hardware on which it ran. Today, video game industry is a multi-billion-dollar industry rivaling even the Hollywood. The software that drives these three dimensional worlds- the game engines-have become fully reusable software development kits. In this paper, I discuss the specifications of some of the top contenders in video game engines employed in the market today. I also try to compare up to some extent these engines and take a look at the games in which they are used. Keywords – engines comparison, engines overview, engines specification, video games, video game engines I. INTRODUCTION 1.1.2 Artists Back in the past the term ―game engine‖ did The artists produce all of the visual and audio not exist. Back then, video games were considered by content in the game, and the quality of their work can most adults to be nothing more than toys, and the literally make or break a game. -
First Person Shooter the Subjective Cyberspace
i i i i i i i i i i i i i i i i i i i i Herlander Elias First Person Shooter The Subjective Cyberspace LabCom Books 2009 i i i i i i i i CREDITS Publishing House: LabCom Books Covilhã, Portugal, 2009 www.livroslabcom.ubi.pt Communication Studies Series Director: António Fidalgo Cover Design: Herlander Elias (Layout) Translation: Pedro Guilherme, Catherine Hshin & Herlander Elias Desktop Publishing: Marco Oliveira Legal Deposit number: 294384/09 ISBN: 978-989-654-019-7 Title: First Person Shooter: The Subjective Cyberspace Copyright c Herlander Elias, Author, 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Herlander Elias. c Videogame Image Credits: From the videogame Mirror’s Edge TM (2008) developed by Swedish DICE, an EA (Electronic Arts) studio, for PlayStation 3TM. Used with permission. All rights reserved to DICE and EA. Thanks to Jenny Huldschiner at DICE, Sweden. i i i i i i i i Dedicated to... Júlio Semião Elias, My father iii i i i i i i i i ACKNOWLEDGEMENTS Marisa Alexandra Elias, Júlio Semião Elias, Rui Aguadeiro, David Gorjão Silva, António Fernando Cascais, Mónica Miranda, Gisela Gonçalves, Erik Davis, Miltos Manetas, Palle Torsson, Tobias Bernstrup, Marc Laidlaw, Fer- nando Poeiras, Mário Caeiro, Orlando Salvador, Sónia Alves, Catarina Ruivo, Catarina Campino, Jorge Martins Rosa, Óscar Mealha, Anabela Gradim, Paulo Faustino, Paulo Ferreira, Amélia Sousa, Paulo Serra, António Fidalgo, José A. -
Nintendo Co., Ltd
Nintendo Co., Ltd. Financial Results Briefing for the Nine-Month Period Ended December 2009 (Briefing Date: 2010/1/29) Supplementary Information [Note] Forecasts announced by Nintendo Co., Ltd. herein are prepared based on management's assumptions with information available at this time and therefore involve known and unknown risks and uncertainties. Please note such risks and uncertainties may cause the actual results to be materially different from the forecasts (earnings forecast, dividend forecast and other forecasts). Nintendo Co., Ltd. Consolidated Statements of Income Transition million yen FY3/2006 FY3/2007 FY3/2008 FY3/2009 FY3/2010 Apr.-Dec.'05 Apr.-Dec.'06 Apr.-Dec.'07 Apr.-Dec.'08 Apr.-Dec.'09 Net sales 412,339 712,589 1,316,434 1,536,348 1,182,177 Cost of sales 237,322 411,862 761,944 851,283 715,575 Gross profit 175,017 300,727 554,489 685,065 466,602 (Gross profit ratio) (42.4%) (42.2%) (42.1%) (44.6%) (39.5%) Selling, general, and administrative expenses 92,233 133,093 160,453 183,734 169,945 Operating income 82,783 167,633 394,036 501,330 296,656 (Operating income ratio) (20.1%) (23.5%) (29.9%) (32.6%) (25.1%) Non-operating income 64,268 53,793 37,789 28,295 19,918 (of which foreign exchange gains) (45,226) (26,069) (143) ( - ) (9,996) Non-operating expenses 357 714 995 177,137 2,064 (of which foreign exchange losses) ( - ) ( - ) ( - ) (174,233) ( - ) Ordinary income 146,694 220,713 430,830 352,488 314,511 (Ordinary income ratio) (35.6%) (31.0%) (32.7%) (22.9%) (26.6%) Extraordinary income 6,888 1,047 3,830 98 4,310 Extraordinary loss 255 27 2,135 6,171 2,284 Income before income taxes and minority interests 153,327 221,734 432,525 346,415 316,537 Total income taxes 61,176 89,847 173,679 133,856 124,063 Minority interests in income -34 -29 -83 35 -127 Net income 92,185 131,916 258,929 212,524 192,601 (Net income ratio) (22.4%) (18.5%) (19.7%) (13.8%) (16.3%) - 1 - Nintendo Co., Ltd. -
Chiffre D'affaires Q4 2000-2001
Ubisoft reports fourth-quarter 2006/2007 sales • Fourth quarter sales up 37.4% to €197 million, outstripping targets. • Full-year sales up 24.4% to €680 million. • Forecasts revised upwards for 2006/2007 current operating income1 and net cash position, as well as for 2007/2008 sales. Paris, April 26, 2007 – Today, Ubisoft, one of the world’s largest video game publishers, reported its sales for the fourth fiscal quarter ended March 31, 2007. Sales Sales for the fourth quarter of 2006-07 came to €197 million, up 37.4%, or 41.7% at constant exchange rates, compared with the €144 million recorded for the same period of 2005-06. Full-year sales for fiscal 2006-07 totaled €680 million, versus €547 million for fiscal 2005-06, representing an increase of 24.4%, or 27.2% at constant exchange rates. Fourth-quarter sales beat the €152 million minimum target Ubisoft projected in its third- quarter sales figures announcement by €45 million. This superior performance was fueled by the following factors: • Robust performances of two key games launched during the quarter : o Tom Clancy's Ghost Recon Advanced Warfighter® 2 got off to an excellent start with 1 million units sold on the Xbox 360™ video game and entertainment system from Microsoft. Launched just one year after the first game, this success highlights the proven strength of the Tom Clancy's Ghost Recon® franchise. o Teenage Mutant Ninja Turtles® also turned in a good showing with more than 1.1 million units sold for its launch on eight platforms. • Continued success of games launched in previous quarters, including: o Tom Clancy’s Rainbow Six® Vegas (1.7 million units sold since the game was launched). -
Side Health Indicators in FPS
Side health indicators in FPS A study in the subject health indicators in first person shooters Faculty of Arts Department of Game Design Peder Beijnoff Bergström Degree Project in Game Design, 15c Game Design and Graphic Supervisor: Hans Svensson Examiner: Masaki Hayashi September, 2014 Abstract This essay is about side health indicator in FPS, why they look like they do and what function they provide in FPS and their existence in modern FPS. The essay also contains information about traditional health indicators, psychology in colors, the crosshair focus area and research about FPS in modern times. The author research of 44 FPS games is find out the amount of side health indicators against the more traditional types and the reasons a developer would include a side health indicator instead of the others. In his research he found out that in the selected games, a fair amount of them did include only a side health indicator but a far larger amount of the combination type, using a traditional type as a primary health indicator and a side health indicator when an avatar takes too much damage or nearing death. The author also found out a type he had not thought of, called full screen health indicators, which affects the whole screen to indicate the avatars state of health. Keywords First person shooter Psychology of colors Health indicators Table of contents 1 Introduction .......................................................................................................................................... 1 1.1 About the paper ............................................................................................................................