Untouchable Saints : an Indian Phenomenon / Ed

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Untouchable Saints : an Indian Phenomenon / Ed

Contents Iisr OF ILLUSTRATIONS 7 INTRODUCTION Eleanor Zelliot Rohini Mokaski-Punekar 9 I. THE TAMIL SAINTS: TIRUPPAN ALVAR AND NANDANAR 1. The life and Lyrics of Tiruppan Alvar Vasudha Narayanan 55 2. In Love with the Body of God: Eros and the Praise of Icons in South Indian Devotion Steven P. Hopkins 83 3. The Story of Nandanar: Contesting the Order of Things Karen Pechilis Prentiss 95 4. Nandanar: Untouchable Saint and Caste Hindu Anomaly Lynn Vincentnathan 109 H. THE MARATHI SAINTS: CHOKHAMELA, SOYRABAI, KARMAMELA, NIRMALA, BANKA 5. On the Threshold: The Songs of Chokhamela Rohini Mokaski-Punekar 123 6. Banka Mahar and Karmamela Rohini Mokaski-Punekar 143 7. The Story of Karmamela's Birth Eleanor Zelliot 149 8. Soyrabai and Nirmala Eleanor Zelliot 157 6 CONTENTS 9. The Search for Chokhamela Eleanor Zelliot 169 10. Representations of Chokhamela in Maratfai Film and Drama Anil Sapkal 175 11. God in a Copper Pot V.L Manjul 185 12. Chokhamela and His Revilers Mahipati 189 III. RAIDAS, RAVIDAS, ROHIDAS 13. The Poems of Ravidas Translated by Anne Murphy 197 14. The Saintly Chamar: Perspectives on (he Life of Ravidas James G. Lochtefdd 201 15. The Legends of Raidas in Word and Song: Satire and the Rhetoric of Reform Joseph Schaller 221 16. Stories of Ravidas (Raidas) Anantadas 231 17. Rohidas the Shoemaker Mahipati 245 18. Ravidas in the Contemporary World Chandrabhan Prasad & Mahesh Dahiwale 249 19. Bhakti Voices on Untouchability 257 GLOSSARY 265 CONTRIBUTORS 271 BIBLIOGRAPHY 275 INDEX 281 Illustrations Map 1 : Places associated with major Bhakti Saints 8 Plate 1.1: Lord Ranganatha at Srirangam 59 Plate 3.1 : Sketch of Nandanar entering the fire and emerging wearing a sacred thread 104 Plate 4.1: Shiva Nataraj 114 Plate 5.1 : The samadhi of Chokhamela at die foot of the stairs of the Pandharpur temple to Vithoba 127 Plate 5.2 : Chokhamela's image at his samadhi at the foot of the stairs of the Pandharpur temple to Vithoba 128 Plate 18.1 : Ravidas' portrait in the hostel dining room run by Sukhadeo Ranganath Waghmare of Pune 251 Rate 18.2 : The Gum Ravidas temple in Govardhanpur village, behind Banares Hindu University in Varanasi 252 Plate 18.3 : Saint Ravidas. Images of Guru Ravidas in the R.K. Puram temple in New Delhi 253 PPN: 255694105 Titel: Untouchable saints : an Indian phenomenon / ed. by Eleanor Zelliot ; Mohini Mokashi- Punekar. - . - New Delhi : Manohar, 2005 ISBN: 81-7304-644-1 Bibliographischer Datensatz im SWB-Verbund.

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Daukes, Jacqueline (2014) Female voices in the Vārkarī sampradāya : gender constructions in a bhakti tradition. PhD Thesis. SOAS, University of London. http://eprints.soas.ac.uk/id/eprint/20367 Copyright © and Moral Rights for this PhD Thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This PhD Thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this PhD Thesis, full bibliographic details including the author, title, awarding institution and date of the PhD Thesis must be given e.g. AUTHOR (year of submission) "Full PhD Thesis title", name of the School or Department, PhD PhD Thesis, pagination. FEMALE VOICES IN THE VĀRKARĪ SAMPRADĀYA: GENDER CONSTRUCTIONS IN A BHAKTI TRADITION Jacqueline Daukes Thesis submitted for the degree of PhD 2014 Department of the Study of Religions, SOAS, University of London Declaration for SOAS PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the SOAS, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination.
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