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Piccole Sculture in Ceramica Dai Depositi Del

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Piccole Sculture in Ceramica Dai Depositi Del Restituire allo sguardo e all’attenzione della collettività i La mostra “Piccole sculture in ceramica dai depositi del Small ceramic sculptures prodotti artistici e culturali di un’antica tradizione umbra, è museo 1930 – 1950”, si rivela una ulteriore dimostrazione sempre un esercizio di memoria, un ritorno a quelle solide della unicità e della completezza storico artistica documen - from the museum storeroom radici comuni che non hanno timore del futuro. tale delle collezioni e dei pezzi ospitati nel Museo Regio - Piccole È il caso di questa interessante Mostra sulle “Piccole scul - nale della Ceramica di Deruta. 1930 – 1950 ture in ceramica dai depositi del museo 1930 – 1950”, alle - Il Museo infatti oltre a contenere collezioni prestigiose della stita al Museo Regionale della Ceramica di Deruta grazie ceramica tradizionale, nella c.d. “sala deposito” include sculture all’attento e accurato lavoro scientifico di Giulio Busti che opere del ‘900. Tali opere testimoniano come gli stessi og - The reasons of an exhibition ha selezionato le opere appartenenti alla collezione del getti, prevalentemente di uso domestico quali semplici so - Consorzio italiano maioliche artistiche, conservata nel de - prammobili, possano cambiare nel corso del tempo nelle In the Regional Ceramics Museum of Deruta the most sizea - seppe Piombanti Ammannati (Bojani, 1998). A few years posito del Museo. forme, nei colori, nei decori, rispecchiando le tendenze cul - in ceramica ble section is represented by the CIMA (Consorzio Italiano later, several Italian ceramic factories start the production Si tratta di oggetti per lo più inediti, prodotti dalle fabbriche turali, nonché la destinazione sociale. Maioliche Artistiche) collection, acquired by Deruta Munici - of small sculptures such as S.A.C.A. factory of Sesto Fioren - ceramiche di Deruta e Perugia, che ci raccontano di una In questo caso la mostra testimonia prevalentemente un pality in 1962 after the winding up of the CIMA consortium, tino, (Cefariello Grosso, 1990) in which the artist Zulimo Are - non lontana contemporaneità, capace di prendere forma particolare momento di connubio tra produzione ceramica dai depositi one of the most important national pottery producers bet - tini works before the foundation of his own factory in Perugia grazie all’abilità e all’estro di straordinari artisti artigiani. Pic - artigiana ed industria. Oggetti che rispecchiavano “la ween the World Wars. in 1926, belonged to CIMA; also in Vietri sul Mare from the cole sculture di fanciulli e di animali che ci riportano ad una moda” di quel momento, alcuni di essi anticipavano anche 1930s onwards, Irene Kowaliska (Warsaw 1905 – Rome 1991) dimensione “domestica e rurale” di un manufatto conse - le tendenze future, fatti per essere inseriti negli arredamenti The extraordinary section, approximately 4500 pieces, do - proposes a personal innovation thanks to a production in - gnato alla esclusiva dimensione dell’opera d’arte, senz’altro e gli stili abitativi di allora. Questo connubio con prestigio - del museo cuments the production by CIMA, to which in the 1920s a spired to the locations, characters and animals from the po - scopo di esistere che l’essere ammirato. Attraverso le oltre sissime industrie, una tra tutte la Perugina, ha contribuito number of factories belonged such as Maioliche Deruta, La pular world (Alamaro, 1992). cento opere proposte nell’allestimento il visitatore potrà co - ad affermare nel mondo il livello della qualità dei prodotti Salamandra and Zulimo Aretini of Perugia, Ceramica Umbra noscere un nuovo capitolo di quella produzione artistica, di italiani, umbri e, soprattutto, la ceramica di Deruta. Ha (ex Rubboli) and Santarelli of Gualdo Tadino, Anonima Ca - 1930 – 1950 From 1932 onwards La Salamandra and Maioliche Deruta quella maestria, competenza, creatività, che ha fatto della creato lavoro, innovazione, ha aperto ampi spazi alla crea - stelli of Castelli d’Abruzzo and finally the Matricardi factory factories also introduced a large production of small scul - ceramica umbra un punto di riferimento anche nel pano - tività, la ceramica di Deruta è entrata in tutte le case. Poi of Ascoli Piceno (Busti – Cocchi, 1998). This production testi - ptural sets with figures of young boys and girls, humorous rama internazionale. come tutte le cose, quel ciclo produttivo si è esaurito. fies the development of the ceramic tradition from the histo - characters and animals from the rural world including a suc - È per questo che la Regione Umbria ha sostenuto l’inizia - Sono certo che sia possibile aprire un altro ciclo positivo A cura di Giulio Busti ricist taste of the nineteenth century to the most modern cessful selection of donkeys and other small works from the tiva, nella convinzione che possa rappresentare un ulteriore nella misura in cui il prodotto ceramico sappia innovarsi ri - stylistic and decorative trend, represented above all by the urban life representing sidecar motorcyclists, musicians, mi - tassello in quel percorso di valorizzazione, attraverso le at - specchiando le tendenze del mercato aperto alla tradi - Art Deco-style, heterogeneous phenomenon, specific of the litary bands and a jazz ensemble. tività espositive del Museo, non solo della produzione cera - zione, ma anche e soprattutto alla innovazione e al design, decorative arts, from which it takes the name. The several morphological and decorative patterns, under - mica regionale, ma di quanto l’Umbria può offrire a chi ha in modo che possa essere apprezzato e maggiormente ri - A contribution to the change comes from the new moulding Museo Regionale lined by these expressive groups, with a dynamic posture la capacità di cogliere nella sua grande tradizione culturale chiesto per l’arredo della casa, degli uffici e dei negozi di technologies that allow the innovation of the shapes and and brilliant colors, are documented in the sales catalogue e artigianale. Anche da eventi come questo, accanto ad tutto il mondo. from the new industrial varnishes and glazes that expand “Società Maioliche Deruta Perugia Catalogo Generale” azioni e misure di sostegno, può nascere un nuovo impulso Per fare questo è necessario cogliere la domanda, avvertire della Ceramica the limited colors range and simplify the application of the (Busti – Cocchi, 2000). Among the most important artists and per un settore tanto importante della nostra economia re - lo stimolo del proprio tempo, ed il Museo, che dal suo atto decorations for the so called “little firing” technique. Another designers of this kind of production we remember Zulimo gionale, che purtroppo ora sta subendo in modo pesante fondativo nasce come “museo per i lavoranti in maiolica” di Deruta step towards the development of the Italian ceramic tradi - Aretini, one of the forerunners according to Minocchi (Minoc - l’effetto della crisi. può in questo momento avere non solo un’importanza cul - tion is the commitment of the contemporary artists and de - chi, 2010), Ezio Cocchioni, who attended the Art Institute of Prof. Fabrizio Bracco turale e turistica ma anche assolvere un ruolo fondamentale signers, who find a new impulse in Monza Biennial and Milan Perugia, Emma Bonazzi, curator of the Perugina stores and Assessore alla Cultura di sostegno allo sviluppo delle politiche innovative del pro - Triennial exhibitions. finally Gaetano Magazzù, from his work experience in Lenci Regione dell’Umbria dotto derutese. factory in Turin. 31 agosto 2013 The need of innovation and the changed international cli - Alvaro Verbena The works and the sculptural sets were specially designed mate were well-known in the mind of the protagonists of the Sindaco di Deruta contemporary cultural policies also thanks to the national as luxury gift packaging for the Perugina chocolate factory. 6 gennaio 2014 industry that tried to beat the foreign refined production, de - Every single piece was packed with chocolates, sweets, ea - signed for a very discerning public. ster eggs and the legendary “Baci”. Amongst these pieces Roberto Papini starts a new debate about this theme in the we find a special selection of bas-relief plaques. These article “Dall’artiere all’artista” (Papini, 1921). He identifies, ones are produced in a regional and popular style and It’s an important memory exercise to restitute the artistic and The exhibition “Small ceramic sculptures from the museum among the main causes of Italian applied arts crisis, the ar - used to cover the chocolate gift boxes (Busti – Cocchi, 1999); cultural products of an Umbrian ancient tradition to the storeroom 1930 – 1950” is another demonstration of the hi - tists attitude, very distant from the production world; there - they were designed by the artist Alberto Stolz, from Tyrol, eyes and the attention of the people to rediscover the storical and artistic uniqueness and completeness of the fore Papini suggests the return to the workshop practice. and the illustrator Lety Loy, from Sardinia. strong common roots that are not afraid of the future. It’s the collections of the Regional Ceramics Museum of Deruta. During the organisation of the exhibition of the First Inter - The Exhibition documents and displays a particular period case of this interesting exhibition about the “Small ceramic The Museum, in fact, houses important collections of tradi - national Biennial of Monza in 1923 a wide debate arises bet - of the ceramic production in which the protagonists are the sculptures from the museum storeroom 1930 – 1950”, arran - tional ceramics as well as a modern section arranged
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