ITALIAN MAIOLICA IN THE RENAISSANCE / LA MAIOLICA ITALIANA NEL RINASCIMENTO PDF, EPUB, EBOOK

Giulio Busti | 350 pages | 30 Mar 2020 | Brepols Publishers | 9782503582856 | English, Italian | Turnhout, Belgium Italian Maiolica in the Renaissance / La Maiolica Italiana Nel Rinascimento PDF Book Firenze Italia - Tel. Late medieval and Renaissance tin-glazed pottery fragments recovered during the recent excavations undertaken in via de' Castellani and in the nearby Biblioteca Magliabechiana were catalogued and studied. Integration through Subordination: The politics of Agricultural. This work has provided information not only about tin-glazed pottery circulation, but also on the trade in ceramics from the late Roman period to the beginning of the last century. The analysis of written documents aimed to understand how objects and craftsmen were named in contemporary sources and how work was organised within the workshop. Scienze pure. Between the end of the 14 th and the beginning of the following century, products from Arezzo and Siena also circulated in San Giovanni. Nella sua ultima fase, dopo il , la bottega Andreoli sembra specializzarsi in una tipologia prevalente, la coppa su basso piede con decorazioni a rilievo, al cui centro si trovano stemmi, emblemi e figure di santi, mentre attorno alla tesa si dispongono radialmente pigne, infiorescenze e fiamme. The first chapter discuss methodological issues, explaining why I choose to analyse the period between the second half of the 14 th and the second half of the 16 th century. As written documents and archaeological evidence show, the technique of lustreware making was transmitted only to a few production centres which enjoyed a lasting production, wheareas in most cases only a few trials were made. Paperback Nonfiction Books in Italian. In the mid th century Florence reached its maximum economic expansion. Dobbiamo dunque pensare che alcune maioliche istoriate venissero trasportate a Gubbio, appositamente per esservi lustrate. The production and circulation of tin-glazed pottery is quite homogenous within this area. Both archive documents dating to the 14 th and 15 th centuries and archaeological evidence show that the increase in production is related to the rising demand for goods in the town centre. By Hugo Blake. Noi Che The body, fabrics, glazing and slips where present have been described by pointing out the features of the new serial productions. Scienza della terra. Piccole sculture, che talvolta mascheravano la funzione di calamai o fontane, erano usate a scopo decorativo negli interni privati. These two groups are mentioned in a different way in written documents, and their workshops and shops were located in different areas of the town. Libri a 5 Euro Massimo Sansavini. Jobs Publishers. The results reached so far do not pretend to provide a final answer to this issue, but should be regarded rather as a starting point for further study on the circulation of technical devices and of potters within the same region. Moreover, it should be stressed that serial production started again in the second half of the 14 th century. Bar e ristoranti. Browse by series. You are commenting using your Facebook account. This research indicated the extremely close relationship between the finds in central Florence and the workshops present in the mid-Arno valley, especially in Montelupo, a village that from the mid th century onwards would become a "production district" of Florence. Name required. At that time the volume of cloth trade with the East increased considerably. Territories, Geographies and Confluence. Sani Maiolica veneziana nelle collezioni polacche. Offerta Web 3 Le note del colore. Starting from the analysis of archaeological assemblages, it was possible to understand that products with different quality standards coexisted at the same time. Il mistero laico. Italian Maiolica in the Renaissance / La Maiolica Italiana Nel Rinascimento Writer

The relationship between production centres, towns and minor settlements has been analysed in the period between the second half of the 14 th and the second half of the 16 th centuries, studying in detail Florence as a production area, as well as its environs and the mid-Arno valley. The potters were full-time craftsmen in villages as well as towns. This work represents an important contribution to the history of medieval books, providing full scholarly Testo Italiano e Inglese. Moreover, technical devices of tin glazed pottery imported from the Valencian area have been analysed, studying in detail the transmission of lustre-ware making technique in central and northern Italy. This subject has been approached from an archaeological point of view but not following traditional ceramics studies. Un battito d'ali. This collection of essays, written in honour of the eminent architectural historian Paul Crossley, brings together some of the most distinguished scholars of medieval art and architecture from the United States and many parts of Europe. Decorative arts. Recent publications. Abbonamento online Abbonamento cartaceo Audiolibri. Two opening essays by professor emeritus Bruno Toscano and professor Timothy Wilson Ashmolean Museum, Oxford set the stage for the three thematic sections that follow. The assemblages from Florence's town centre Chapter 3 have been compared with those recovered in the terra nuova of Catel San Giovanni now San Giovanni Valdarno and in the Medici fortress at Grosseto Chapter 4. Nevertheless, their presence is secondary when compared to the finished products imported from Florence. Libri in omaggio. Workshops concentrated in different areas and the new technical devices introduced were long lasting ones. Exhibiting the Past: Caspar Reuvens and the Museums. Gli esperimenti faentini e la limitatissima produzione pesarese non ebbero alcun seguito significativo. Need an account? London, Victoria and Albert Museum. Alcune coppe di scavo dal sottosuolo pesarese mostrano una tipologia ispirata ai modelli spagnoli, ma con una sua specifica fisionomia che la distingue nettamente, e che indica una produzione locale. Free PDF. Italiana e tedesca]. Download Free PDF. Sannipoli p. Italia srl per l'attivazione E' possibile acquistare con il normale carrello. From a methodological point of view, this work has used a multi-disciplinary approach. Italian Maiolica in the Renaissance / La Maiolica Italiana Nel Rinascimento Reviews

Published by Paola C. Nuovi dipinti antichi. Porcelain Scent Bottles. Arte del Legno. Exhibiting the Past: Caspar Reuvens and the Museums. From the Thousand and One Nights to the Canterbury Tales, from the Panchatantra to the Decameron, passing by Artamene or Cyrus Grand, a vast network of texts highlight the richness and originality of the narrative device of embedding or 'stories Secondly, the circulation of these products has been studied. Offerta Web 3 Le note del colore. Mar Rosso. Architettura Civile. Paperback Children in Italian. Need an account? Straordinari Dimenticati. For a better shopping experience, please upgrade now. Sessione introduttiva: La Maiolica rinascimentale italiana e i musei Timothy Wilson, Prolegomena ad un catalogo, Italian Maiolica and Europe: la diaspora della maiolica italiana per l'Europa Antonella Pinna, La maiolica rinascimentale nei musei dell'Umbria Sessione 1 Collezioni, Collezionisti e musei: una rilettura Laurence Tilliard, La maiolica italiana del Rinascimento del museo nazionale della ceramica di Sevres: uno sguardo d'insieme Lucia Arbace, Ancora sull'Orsini Colonna: qualche nuova idea da sviluppare Dora Thornton, A recent acquisition in the context of the British Museum Collection Valentina Mazzotti, Frammenti di maiolica italiana dalle raccolte didattiche del MIC di Faenza Maria Grazia Lungarotti,. In the major urban centres the main distinction was between craftsmen and sellers. The first chapter discuss methodological issues, explaining why I choose to analyse the period between the second half of the 14 th and the second half of the 16 th century. Moreover, it should be stressed that serial production started again in the second half of the 14 th century. The results drawn from the analysis of archaeological finds have been compared to those drawn from the study of archive documents and iconographic sources. The chronology suggested in this work is based on the study of fragments recovered during excavations and not only on decorative patterns. Sannipoli p. It has been possible to analyse as well how during the 16 th century pottery imported from Liguria and from Faenza reached Florence, where "white" tin-glazed pottery from Faenza as well as Ligurian tin-glazed pottery known as "berettina" where quite widespread. OA , in Giacomotti n. The results drawn from the analysis of archaeological finds have been compared to those drawn from the study of archive documents and iconographic sources. Related Papers. Le fonti grafiche di questa pittura di storie derivano dai repertori di incisioni che circolavano nelle botteghe dei maiolicari. Italia srl San Casciano V. Agricoltura, botanica. By studying the fragments recovered from recent excavations in central Florence it was possible to classify the different types of tin-glazed pottery circulating at that time. Italiana e Inglese]. Open Access. Marco Ramasso. Scienze naturali. Concerning the transmission of technical devices, it was possible to understand the importance and role of the introduction of new techniques, like clay purification and the use of white slip. Offerta Web 1 Noi Che Even if stratigraphic archaeological excavations datable to the 16 th century in Italy have increased over the last decades, they are still few.

Italian Maiolica in the Renaissance / La Maiolica Italiana Nel Rinascimento Read Online

Learn how your comment data is processed. Italia srl San Casciano V. It was never due only to the imitation of circulated models Chapter 2. The changes occurring at that time involved both production techniques and the circulation of finished products. The results reached so far do not pretend to provide a final answer to this issue, but should be regarded rather as a starting point for further study on the circulation of technical devices and of potters within the same region. La maiolica in Toscana tra Medioevo e Rinascimento. Ritrovamenti e conferme. The aim was not only to understand how craftsmen and the objects that they made were named in contemporary written sources, but also to come to a better understanding of the cost of finished products and of how workshops functioned in different places and over time. It has been possible to analyse as well how during the 16 th century pottery imported from Liguria and from Faenza reached Florence, where "white" tin-glazed pottery from Faenza as well as Ligurian tin-glazed pottery known as "berettina" where quite widespread. Secondly, the trade in finished products was establioshed by examining in detail assemblages recovered during excavations carried out in central Florence via de' Castellani and the former Biblioteca Magliabechiana. Le note del colore. Straordinari Dimenticati. This work discusses as well the relationship between production centres and the circulation of finished goods within the "district" defined above. Arte dei Metalli. Manuali di gioco. Workshops concentrated in different areas and the new technical devices introduced were long lasting ones. By Jacques Burlot. Within this sub-regional area, the range of success and continuity of a workshop was strictly related to access to the supply of raw materials. Name required. Carrara, ; ril. The results drawn from the analysis of archaeological finds have been compared to those drawn from the study of archive documents and iconographic sources. Opere d'Arte. The focus was on the relationship between decorative patterns and forms, the latter changing less quickly. Gastronomia, Cucina. Renzo Moroni. Aeneas Passes on. Abbonamento online Abbonamento cartaceo Audiolibri. The use of cobalt blue is a common feature in all "transition" products from the end of the Middle Ages to the Renaissance. Storia dell'architettura. Modernising agriculture has increasingly This element is central in reconstructing the distribution and location of production centres and, as a consequence, of the objects themselves.

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