Music Theatre Syllabus 2019–2021
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Summer 2018 Edition Thresholdpublished SINCE 1963
News from Envision | Summer 2018 Edition thresholdPUBLISHED SINCE 1963 Envision Celebrates 55 Years of Service Leadership Still Planning and Vision-Casting Things were different in 1963. Stu Warshauer described it in jaw-drop- ping terms during a May 11 speech at Envision’s Emerald Gala where he was honored, along with the late Bernie Esterkamp, for his role as one of the founders of the Resident Home for the Mentally Retarded (RHMR) – which was re-named “Envision” in 2013. The former Proctor & Gamble marketing Stu Warshauer (standing in B&W photo) provided early leadership that is now being continued by President executive told the stunned gala attend- & CEO, Jim Steffey (standing in color photo), and his executive leadership team (from left to right): Chris ees: “Our doctors and clergy said: ‘Don’t Bohn, CFO; Katie Pursifull, Director of Human Resources; and Anne Rule, Director of Supported Living. bring the baby home from the hospital. You might get attached to it.’” CEO, Jim Steffey, and his executive lead- support from individuals, foundations ership team, are navigating waters with and corporations,” said Jim. Don’t bring the baby home? You might get new challenges as they fix their sight on attached? What was common in 1963 the future horizon. Increasing community inclusion of the seems unfathomable in 2018. nearly 600 children and adults served Stagnant reimbursement rates from the by Envision and expanding services east Stu, Bernie and other early visionaries federal Medicaid program, Envision’s of downtown Cincinnati are two current did get attached and got busy creating a primary funding source, is one of the goals. -
Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20 -
The Enduring Power of Musical Theatre Curated by Thom Allison
THE ENDURING POWER OF MUSICAL THEATRE CURATED BY THOM ALLISON PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY NONA MACDONALD HEASLIP PRODUCTION CO-SPONSOR LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. CURATED AND DIRECTED BY THOM ALLISON THE SINGERS ALANA HIBBERT GABRIELLE JONES EVANGELIA KAMBITES MARK UHRE THE BAND CONDUCTOR, KEYBOARD ACOUSTIC BASS, ELECTRIC BASS, LAURA BURTON ORCHESTRA SUPERVISOR MICHAEL McCLENNAN CELLO, ACOUSTIC GUITAR, ELECTRIC GUITAR DRUM KIT GEORGE MEANWELL DAVID CAMPION The videotaping or other video or audio recording of this production is strictly prohibited. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives. -
Southern Comfort
FROM THE NATIONAL ALLIANCE FOR MUSICAL THEAtre’s PresideNT Welcome to our 24th Annual Festival of New Musicals! The Festival is one of the highlights of the NAMT year, bringing together 600+ industry professionals for two days of intense focus on new musical theatre works and the remarkably talented writing teams who create them. This year we are particularly excited not only about the quality, but also about the diversity—in theme, style, period, place and people—represented across the eight shows that were selected from over 150 submissions. We’re visiting 17th-century England and early 20th century New York. We’re spending some time in the world of fairy tales—but not in ways you ever have before. We’re visiting Indiana and Georgia and the world of reality TV. Regardless of setting or stage of development, every one of these shows brings something new—something thought-provoking, funny, poignant or uplifting—to the musical theatre field. This Festival is about helping these shows and writers find their futures. Beyond the Festival, NAMT is active year-round in supporting members in their efforts to develop new works. This year’s Songwriters Showcase features excerpts from just a few of the many shows under development (many with collaboration across multiple members!) to salute the amazing, extraordinarily dedicated, innovative work our members do. A final and heartfelt thank you: our sponsors and donors make this Festival, and all of NAMT’s work, possible. We tremendously appreciate your support! Many thanks, too, to the Festival Committee, NAMT staff and all of you, our audience. -
046-49 Stonesthrow.Qxd
046 49 StonesThrow.qxd 10/30/06 7:00 AM Page 64 STONES THROW TURNS 10 BY CHRIS MARTINS — PHOTOS BY B+ “I’VE GOT A WHOLE FRIDGE FULL OF WINE,” better known as Egon: general manager, vintage director Jeff Jank, an erstwhile graffiti artist and illus- says Eothen Alapatt with the air of a veteran busi- regional funk archivist, DJ and all-around hustler trator from Oakland who made the move south with nessman. “Going up to places like Lompoc and (though it must be mentioned that he’s much more Wolf. Photographer B+, an Irish transplant whose Buellton right outside Santa Barbara, to these wineries endearing than he is business) for Stones Throw credits include album covers for N.W.A., the Watts that are site specific…it’s just like the music I like.” Records. Of course, this isn’t to say that the label’s Prophets, DJ Shadow, and the majority of the Stones He is, after all, an accomplished record label manager. basic function isn’t happening (that previously men- Throw catalog. Rapper Medaphoar, who grew up with “I feel the same way traveling to Omaha to track a funk tioned “supposed to” about reinventing hip-hop), the label’s flagship artist Madlib in Oxnard, California, band as when I’m going to a winery seeing where they because it most certainly is. But times have changed. 60 miles northwest of L.A. Producer J-Rocc, founding grow the grapes, tasting the wine and meeting the Ten years is a lot of time for an independent hip-hop member of the seminal West Coast turntablist crew people that do it.” But Eothen isn’t an industry old- (etc.) imprint that never had dreams of pressing its the World Famous Beat Junkies (who’ve worked with, timer. -
Passporttothearts
Cedar Falls, Iowa Falls, Cedar ___________________________________ Email ___________________________________ Phone ___________________________________ Name This passport belongs to: belongs passport This PASSPORT Enjoy a summer vacation without even leaving Cedar Falls! RULES? Numerous arts organizations are offering a variety of Yes, rules. Sorry. They’re pretty easy though… events—most of which are free—for your enjoyment. Get this passport stamped at a minimum 1 A minimum of six stamps from three organizations are of six events and become eligible to receive required—two for month—this means two in June, July a prize package valued at $260! and August. No repeated organizations are allowed in the same month. For example two Movies Under the Moon in June would not be allowed, however you can use one in PARTICIPATING PARTNERS: June and one in July. 2 It’s your responsibility to get your passport stamped at the events. Signage with the Passport to the Arts logo will direct you to the “stamping” station. 3 Turn your completed passport in to the Hearst Center for the Arts, Community Main Street office, or Cedar Falls Tourism and Visitors Bureau office. You may also bring your completed passport to Artapalooza. This is, however, not a Cedar Falls MUNICIPAL stampable event. A drawing from completed passports will BAND take place at the Hearst Center kids tent located near the corner of 2nd and Main Streets at 10am. Participants are invited to attend, however you need not be present to win. COMMUNICATION PARTNERS: QUESTIONS? Additional information can be found at CedarFallsTourism.org/PassportToTheArts. Or contact Sheri Huber-Otting at the Hearst Center for the Arts, [email protected], or 319-268-5502. -
SWR2 Musikstunde
SWR2 MANUSKRIPT SWR2 Musikstunde Blumen und Pflastersteine 1968 und die musikalische Verjüngung der Welt (3) Mit Michael Struck-Schloen Sendung: 11. April 2018 Redaktion: Dr. Ulla Zierau Produktion: SWR 2018 Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. Service: SWR2 Musikstunde können Sie auch als Live-Stream hören im SWR2 Webradio unter www.swr2.de Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2- Kulturpartner-Netz informiert. Jetzt anmelden unter 07221/300 200 oder swr2.de SWR2 Musikstunde mit Michael Struck-Schloen 09. April – 13. April 2018 Blumen und Pflastersteine 1968 und die musikalische Verjüngung der Welt 3. Ideologische Zuspitzung und Gewaltausbruch Und heute wieder: „Blumen und Pflastersteine ‒ 1968 und die musikalische Verjüngung der Welt“. Herzlich willkommen sagt Michael Struck-Schloen. Und ich will heute da weitermachen, wo die gestrige Sendung endete ‒ bei den Blumenkindern und Hippies, die ihr Zentrum in San Francisco hatten, aber bald auch in Paris oder auf dem Berliner Ku’damm zu sehen waren. Eine Zwischenstation war New York, wo im April 1968 das Musical Hair am Broadway herauskam und zu einem der erfolgreichsten Musicals aller Zeiten wurde ‒ obwohl Aussteiger und Kriegsdienstverweigerer mit langen Haaren, Hass aufs Establishment und Lust auf Drogen und Sex die Hauptrollen spielten. Aber letztlich war gerade diese Mischung auch das Erfolgsrezept. -
Wagner College to Stage Galt Macdermot-Matty Selman Musical 'Goddess Wheel'
March 29, 2012 Wagner College to Stage Galt MacDermot-Matty Selman Musical ‘Goddess Wheel’ By ADAM HETRICK The Lysistrata-inspired musical “Goddess Wheel,” by Tony Award winner Galt MacDermot and Matty Selman, will receive an April staging at Wagner College. “Goddess Wheel,” according to Wagner, “tells the story of the Peloponnesian War between Sparta and Athens. The women, fed up with the war, decide to withhold sex until the men sign a peace treaty bringing the war to an end.” It has music by MacDermot (“Hair,” “Two Gentleman of Verona”) and book and lyrics by Selman, both of whom are Staten Island natives. The musical was first staged at the American Repertory Theater and the Prince Music Theatre under the title “Lysistrata” in 2002. Cherry Jones starred in the central role. NYU’s CAP 21 program also offered a developmental production of “Goddess Wheel” in 2005. Rusty Curcio will direct the production that has musical direction by James Higgins. The band for “Goddess Wheel” will be MacDermot’s New Pulse Jazz Band. Performances run April 18-29. The cast will include Danielle Dallacco as Lysistrata; Leighann Colin as Penelope/Persephone; Ilana Bolotsky as Young Widow; Tara Kirk and Ashley Burger as Women of Sparta; Caroline LaTorre, Heather Kirschenbauer and Erica Weiderlight as Goddesses; Matt Sydney as the Chancellor; Ryan Cole as the Spartan Envoy/Soldier Ghost; and Andrew Khouri and Matt Favetta as Men of Athens. John Jamiel, head of acting at Wagner, plays Oracle/Hates. Wagner College's athletes are also featured in the production as Spartans. For tickets phone (718) 390-3259. -
Ouachita Students Myers and Walls to Perform Sophomore Recitals Oct
Ouachita Baptist University Scholarly Commons @ Ouachita Press Releases Office of Communication 10-19-2016 Ouachita students Myers and Walls to perform sophomore recitals Oct. 28 Ouachita News Bureau Follow this and additional works at: https://scholarlycommons.obu.edu/press_releases Part of the Higher Education Commons, Organizational Communication Commons, and the Public Relations and Advertising Commons For immediate release Ouachita students Myers and Walls to perform sophomore recitals Oct. 28 By OBU News Bureau October 19, 2016 For more information, contact OBU’s news bureau at [email protected] or (870) 245-5208. ARKADELPHIA, Ark. — Ouachita Baptist University will host Zachary Myers and Cody Walls for their sophomore musical theatre recitals on Friday, Oct. 28, at 11 a.m. in McBeth Recital Hall. The recitals are free and open to the public. Myers, from Greenwood, Ark., and Walls, from Fort Smith, Ark., both are musical theatre majors. They are students of Dr. Glenda Secrest, professor of music, and Drew Hampton, assistant professor of theatre arts. Phyllis Walker, OBU staff accompanist, will provide piano accompaniment for both performances. Walls will open his recital with Jule Styne and Stephen Sondheim’s “All I Need Is the Girl” from Gypsy, followed by “What You Mean to Me” from Finding Neverland by Eliot Kennedy, David Lindsay- Abaire’s Rabbit Hole and “Caught in the Storm” by Benj Pasek and Justin Paul. Lisa Lambert and Greg Morrison’s “I Am Aldolpho” from The Drowsy Chaperone will close his recital. Mackenzie Osborne, a sophomore musical theatre major from Heath, Texas, helped choreograph the recital and will perform with Walls during a portion of the performance. -
100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No. -
SHOWBUZZ E-Newsletter
SHOWBUZZ e-Newsletter September 2008 NUN BETTER! As the clock ticks down towards opening night on Wednesday October 1st, there are still dance steps to learn and lines to memorize for the cast of The Sound of Music. So, while the von Trapp girls learn how to be whirling dervishes, the Nuns are praying for rain. Announcing Ha ir Auditions OK, so the hills are currently alive… but beyond those hills, what is on Risk-taking is essential for this show, so take this into consideration when ETC’s horizon? It’s a trip back to the 60’s to revisit the original rock choosing your audition material. All performers must be able to move well musical – HAIR! and MUST be over 18 years of age. Hair is a rock musical with a book and lyrics by James Rado and Gerome AUDITIONS 11 & 12 October @ Earls Arts Centre Ragni and music by Galt MacDermot. A product of the hippie counter-culture REHEARSALS Commence Thurs 16 October and sexual revolution of the 1960s, several of its songs became anthems of the For more audition bookings, more info & a breakdown anti-Vietnam War peace movement. At the time, the musical's depiction of the of casting requirements call Jamie on 0433 999 248 use of illegal drugs, sexuality, profanity, its irreverence for the American flag, or email [email protected] and its nude scene caused much comment and controversy. The musical broke new ground in musical theatre by defining the genre of the "rock musical" by utilising a racially-integrated cast and inviting the audience onstage for a "Be-in" finale. -
Creating the Role of Crissy in Hair
Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato All Graduate Theses, Dissertations, and Other Graduate Theses, Dissertations, and Other Capstone Projects Capstone Projects 2021 Creating the Role of Crissy in Hair Yu Miao Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/etds Part of the Acting Commons, and the Music Performance Commons Recommended Citation Miao, Y (2021). Creating the role of Crissy in Hair [Master’s thesis, Minnesota State University, Mankato]. Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. https://cornerstone.lib.mnsu.edu/etds/1120/ This Thesis is brought to you for free and open access by the Graduate Theses, Dissertations, and Other Capstone Projects at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in All Graduate Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. CREATING THE ROLE OF CRISSY IN HAIR by YU MIAO A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF FINE ARTS IN THEATRE ARTS MINNESOTA STATE UNIVERSITY, MANKATO MANKATO, MINNESOTA MARCH 2021 Date 04/07/21 Creating the role of Crissy in Hair Yu Miao This thesis has been examined and approved by the following members of the student’s committee. ________________________________ Dr. Heather Hamilton ________________________________ Prof. Matthew Caron ________________________________ Prof. David McCarl ________________________________ Dr. Danielle Haque i ABSTRACT Miao, Yu, M.F.A.