Lyx: the Other Way of Writing
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Build It with Nitrogen the Fast-Off-The-Block Erlang Web Framework
Build it with Nitrogen The fast-off-the-block Erlang web framework Lloyd R. Prentice & Jesse Gumm dedicated to: Laurie, love of my life— Lloyd Jackie, my best half — Jesse and to: Rusty Klophaus and other giants of Open Source— LRP & JG Contents I. Frying Pan to Fire5 1. You want me to build what?7 2. Enter the lion’s den9 2.1. The big picture........................ 10 2.2. Install Nitrogen........................ 11 2.3. Lay of the land........................ 13 II. Projects 19 3. nitroBoard I 21 3.1. Plan of attack......................... 21 3.2. Create a new project..................... 23 3.3. Prototype welcome page................... 27 3.4. Anatomy of a page...................... 30 3.5. Anatomy of a route...................... 33 3.6. Anatomy of a template.................... 34 3.7. Elements............................ 35 3.8. Actions............................. 38 3.9. Triggers and Targets..................... 39 3.10. Enough theory........................ 40 i 3.11. Visitors............................ 44 3.12. Styling............................. 64 3.13. Debugging........................... 66 3.14. What you’ve learned..................... 66 3.15. Think and do......................... 68 4. nitroBoard II 69 4.1. Plan of attack......................... 69 4.2. Associates........................... 70 4.3. I am in/I am out....................... 78 4.4. Styling............................. 81 4.5. What you’ve learned..................... 82 4.6. Think and do......................... 82 5. A Simple Login System 83 5.1. Getting Started........................ 83 5.2. Dependencies......................... 84 5.2.1. Rebar Dependency: erlpass ............. 84 5.3. The index page........................ 85 5.4. Creating an account..................... 87 5.4.1. db_login module................... 89 5.5. The login form........................ 91 5.5.1. -
Dynamic Optical Scaling and Variable-Sized Characters
ELECTRONIC PUBLISHING, VOL. 7(4), 231±250 (DECEMBER 1994) Dynamic optical scaling and variable-sized characters JACQUES ANDREIRÂ ENEÁ VATTON Irisa/Inria±Rennes Cnrs/Inria±RhÃones-Alpes Campus Universitaire de Beaulieu 2 rue de Vignate F±35042 Rennes cedex, France F±38610 GiÁeres, France SUMMARY First, a survey on optical scaling is carried out, both from the traditional point of view and from that of today's digital typography. Then the special case of large characters, such as braces or integral signs, is considered. It is shown that such variable-sized symbols should be computed at print time in order to approach the quality of metal typesetting. Finally, an implementation of such dynamic fonts, still in progress in the Grif editor, is described. KEY WORDS Optical scaling Variable sized characters Large symbols Dynamic font Parametrized font Grif 1 INTRODUCTION The expression `optical scaling' refers to a concept known by type designers for centuries, even if this expression is relatively new and not very suitable:1 metal characters differ from one body to another one not only in size, but in shape too. Figure 1 (bottom) shows various Garamond `e' at different point size but photographically magni®ed to the same size. It is obvious that the `e' is, relatively, fatter at 8 point size than at 36 point size. On the other hand, the counter (the white inner part) is, relatively, larger at 8 point size than at 36 point size. The main reasons are : with small characters, thinner strokes would be unreadable, and smaller counters would result in inkspreading (the white part would be ®lled in with ink and would get black); on the other hand, if the strokes of large characters were as fat as small ones, characters would look bolder. -
Ubuntu Kung Fu
Prepared exclusively for Alison Tyler Download at Boykma.Com What readers are saying about Ubuntu Kung Fu Ubuntu Kung Fu is excellent. The tips are fun and the hope of discov- ering hidden gems makes it a worthwhile task. John Southern Former editor of Linux Magazine I enjoyed Ubuntu Kung Fu and learned some new things. I would rec- ommend this book—nice tips and a lot of fun to be had. Carthik Sharma Creator of the Ubuntu Blog (http://ubuntu.wordpress.com) Wow! There are some great tips here! I have used Ubuntu since April 2005, starting with version 5.04. I found much in this book to inspire me and to teach me, and it answered lingering questions I didn’t know I had. The book is a good resource that I will gladly recommend to both newcomers and veteran users. Matthew Helmke Administrator, Ubuntu Forums Ubuntu Kung Fu is a fantastic compendium of useful, uncommon Ubuntu knowledge. Eric Hewitt Consultant, LiveLogic, LLC Prepared exclusively for Alison Tyler Download at Boykma.Com Ubuntu Kung Fu Tips, Tricks, Hints, and Hacks Keir Thomas The Pragmatic Bookshelf Raleigh, North Carolina Dallas, Texas Prepared exclusively for Alison Tyler Download at Boykma.Com Many of the designations used by manufacturers and sellers to distinguish their prod- ucts are claimed as trademarks. Where those designations appear in this book, and The Pragmatic Programmers, LLC was aware of a trademark claim, the designations have been printed in initial capital letters or in all capitals. The Pragmatic Starter Kit, The Pragmatic Programmer, Pragmatic Programming, Pragmatic Bookshelf and the linking g device are trademarks of The Pragmatic Programmers, LLC. -
LYX Frequently Asked Questions with Answers
LYX Frequently Asked Questions with Answers by the LYX Team∗ January 20, 2008 Abstract This is the list of Frequently Asked Questions for LYX, the Open Source document processor that provides a What-You-See-Is-What-You-Mean environment for producing high quality documents. For further help, you may wish to contact the LYX User Group mailing list at [email protected] after you have read through the docs. Contents 1 Introduction and General Information 3 1.1 What is LYX? ......................... 3 1.2 That's ne, but is it useful? . 3 1.3 Where do I start? . 4 1.4 Does LYX run on my computer? . 5 1.5 How much hard disk space does LYX need? . 5 1.6 Is LYX really Open Source? . 5 2 Internet Resources 5 2.1 Where should I look on the World Wide Web for LYX stu? 5 2.2 Where can I get LYX material by FTP? . 6 2.3 What mailing lists are there? . 6 2.4 Are the mailing lists archived anywhere? . 6 2.5 Okay, wise guy! Where are they archived? . 6 3 Compatibility with other word/document processors 6 3.1 Can I read/write LATEX les? . 6 3.2 Can I read/write Word les? . 7 3.3 Can I read/write HTML les? . 7 4 Obtaining and Compiling LYX 7 4.1 What do I need? . 7 4.2 How do I compile it? . 8 4.3 I hate compiling. Where are precompiled binaries? . 8 ∗If you have comments or error corrections, please send them to the LYX Documentation mailing list, <[email protected]>. -
A Work-Pattern Centric Approach to Building a Personal Knowledge Advantage Machine
Graduate Theses, Dissertations, and Problem Reports 2012 A Work-Pattern Centric Approach to Building a Personal Knowledge Advantage Machine Daniel Sloan West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Sloan, Daniel, "A Work-Pattern Centric Approach to Building a Personal Knowledge Advantage Machine" (2012). Graduate Theses, Dissertations, and Problem Reports. 4919. https://researchrepository.wvu.edu/etd/4919 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. A Work-Pattern Centric Approach to Building a Personal Knowledge Advantage Machine Daniel Sloan Thesis submitted to the College of Engineering and Mineral Resources at West Virginia University in partial fulfillment of the requirements for the degree of Master of Science in Computer Science Yenumula V. Reddy, Ph.D., Chair Bojan Cukic, Ph.D. Cynthia D. Tanner, MS. Lane Department of Computer Science and Electrical Engineering Morgantown, West Virginia 2012 Keywords: Work-patterns, file usage, semantic desktop, machine learning Copyright c 2012 Daniel Sloan Abstract A Work-Pattern Centric Approach to Building a Personal Knowledge Advantage Machine Daniel Sloan A work pattern, also known as a usage pattern, can be broadly defined as the methods by which a user typically utilizes a particular system. -
A Sociolinguistics of Typography Why Graphic Design Matters to Linguistics
A Sociolinguistics of Typography Why Graphic Design Matters to Linguistics Univ.-Prof. Dr. Jürgen Spitzmüller Universität Wien ¨ Institut für Sprachwissenschaft Charles University Prague ¨ ó/ww/ö.wR Outline of the Lecture A Sociolinguistics of Typography Jürgen Spitzmüller Outline Concepts & Terms ‚ Terminological basics/deínitions: typography, design, Functions of Text Design multimodality (Typo)graphic ‚ Functions of text design/typography Variation as Social Practice ‚ (Typo-)graphic variation as social practice – examples of sociolinguistic functions ö¨éé Outline of the Lecture A Sociolinguistics of Typography Jürgen Spitzmüller Outline Concepts & Terms ‚ Terminological basics/deínitions: typography, design, Functions of Text Design multimodality (Typo)graphic ‚ Functions of text design/typography Variation as Social Practice ‚ (Typo-)graphic variation as social practice – examples of sociolinguistic functions ö¨éé Outline of the Lecture A Sociolinguistics of Typography Jürgen Spitzmüller Outline Concepts & Terms ‚ Terminological basics/deínitions: typography, design, Functions of Text Design multimodality (Typo)graphic ‚ Functions of text design/typography Variation as Social Practice ‚ (Typo-)graphic variation as social practice – examples of sociolinguistic functions ö¨éé Typography: Deínition A Sociolinguistics of Typography Jürgen Spitzmüller Etymology: Greek τύπος (týpos = ‘letter, sign’) Outline ˆ γράφειν (gráphein = ‘to scratch, to write’) Concepts & Terms Original (strict) meaning: Production of a printed work by Functions -
FONT GUIDE Workbook to Help You Find the Right One for Your Brand
FONT GUIDE Workbook to help you find the right one for your brand. www.ottocreative.com.au Choosing the right font for your brand YOUR BRAND VALUES: How different font styles can be used to make up your brand: Logo Typeface: Is usually a bit more special and packed with your brands personality. This font should be used sparingly and kept for special occasions. Headings font: Logo Font This font will reflect the same brand values as your logo font - eg in this example both fonts are feminine and elegant. Headings Unlike your logo typeface, this font should be easier to read and look good a number of different sizes and thicknesses. Body copy Body font: The main rule here is that this font MUST be easy to read, both digitally and for print. If there is already alot going on in your logo and heading font, keep this style simple. Typefaces, common associations & popular font styles San Serif: Clean, Modern, Neutral Try these: Roboto, Open Sans, Lato, Montserrat, Raleway Serif: Classic, Traditional, reliable Try these: Playfair Display, Lora, Source Serif Pro, Prata, Gentium Basic Slab Serif: Youthful, modern, approachable Try these: Roboto Slab, Merriweather, Slabo 27px, Bitter, Arvo Script: Feminine, Romantic, Elegant Try these: Dancing Script, Pacifico, Satisfy, Courgette, Great Vibes Monotype:Simple, Technical, Futuristic Try these: Source Code Pro, Nanum Gothic Coding, Fira Mono, Cutive Mono Handwritten: Authentic, casual, creative Try these: Indie Flower, Shadows into light, Amatic SC, Caveat, Kalam Display: Playful, fun, personality galore Try these: Lobster, Abril Fatface, Luckiest Guy, Bangers, Monoton NOTE: Be careful when using handwritten and display fonts, as they can be hard to read. -
Web Typography │ 2 Table of Content
Imprint Published in January 2011 Smashing Media GmbH, Freiburg, Germany Cover Design: Ricardo Gimenes Editing: Manuela Müller Proofreading: Brian Goessling Concept: Sven Lennartz, Vitaly Friedman Founded in September 2006, Smashing Magazine delivers useful and innovative information to Web designers and developers. Smashing Magazine is a well-respected international online publication for professional Web designers and developers. Our main goal is to support the Web design community with useful and valuable articles and resources, written and created by experienced designers and developers. ISBN: 978-3-943075-07-6 Version: March 29, 2011 Smashing eBook #6│Getting the Hang of Web Typography │ 2 Table of Content Preface The Ails Of Typographic Anti-Aliasing 10 Principles For Readable Web Typography 5 Principles and Ideas of Setting Type on the Web Lessons From Swiss Style Graphic Design 8 Simple Ways to Improve Typography in Your Designs Typographic Design Patterns and Best Practices The Typography Dress Code: Principles of Choosing and Using Typefaces Best Practices of Combining Typefaces Guide to CSS Font Stacks: Techniques and Resources New Typographic Possibilities with CSS 3 Good Old @Font-Face Rule Revisted The Current Web Font Formats Review of Popular Web Font Embedding Services How to Embed Web Fonts from your Server Web Typography – Work-arounds, Tips and Tricks 10 Useful Typography Tools Glossary The Authors Smashing eBook #6│Getting the Hang of Web Typography │ 3 Preface Script is one of the oldest cultural assets. The first attempts at written expressions date back more than 5,000 years ago. From the Sumerians cuneiform writing to the invention of the Gutenberg printing press in Medieval Germany up to today՚s modern desktop publishing it՚s been a long way that has left its impact on the current use and practice of typography. -
List of Word Processors (Page 1 of 2) Bob Hawes Copied This List From
List of Word Processors (Page 1 of 2) Bob Hawes copied this list from http://en.wikipedia.org/wiki/List_of_word_processors. He added six additional programs, and relocated the Freeware section so that it directly follows the FOSS section. This way, most of the software on page 1 is free, and most of the software on page 2 is not. Bob then used page 1 as the basis for his April 15, 2011 presentation Free Word Processors. (Note that most of these links go to Wikipedia web pages, but those marked with [WEB] go to non-Wikipedia websites). Free/open source software (FOSS): • AbiWord • Bean • Caligra Words • Document.Editor [WEB] • EZ Word • Feng Office Community Edition • GNU TeXmacs • Groff • JWPce (A Japanese word processor designed for English speakers reading or writing Japanese). • Kword • LibreOffice Writer (A fork of OpenOffice.org) • LyX • NeoOffice [WEB] • Notepad++ (NOT from Microsoft) [WEB] • OpenOffice.org Writer • Ted • TextEdit (Bundled with Mac OS X) • vi and Vim (text editor) Proprietary Software (Freeware): • Atlantis Nova • Baraha (Free Indian Language Software) • IBM Lotus Symphony • Jarte • Kingsoft Office Personal Edition • Madhyam • Qjot • TED Notepad • Softmaker/Textmaker [WEB] • PolyEdit Lite [WEB] • Rough Draft [WEB] Proprietary Software (Commercial): • Apple iWork (Mac) • Apple Pages (Mac) • Applix Word (Linux) • Atlantis Word Processor (Windows) • Altsoft Xml2PDF (Windows) List of Word Processors (Page 2 of 2) • Final Draft (Screenplay/Teleplay word processor) • FrameMaker • Gobe Productive Word Processor • Han/Gul -
264 Tugboat, Volume 37 (2016), No. 3 Typographers' Inn Peter Flynn
264 TUGboat, Volume 37 (2016), No. 3 A Typographers’ Inn X LE TEX Peter Flynn Back at the ranch, we have been experimenting with X LE ATEX in our workflow, spurred on by two recent Dashing it off requests to use a specific set of OpenType fonts for A I recently put up a new version of Formatting Infor- some GNU/Linux documentation. X LE TEX offers A mation (http://latex.silmaril.ie), and in the two major improvements on pdfLTEX: the use of section on punctuation I described the difference be- OpenType and TrueType fonts, and the handling of tween hyphens, en rules, em rules, and minus signs. UTF-8 multibyte characters. In particular I explained how to type a spaced Font packages. You can’t easily use the font pack- dash — like that, using ‘dash~---Ђlike’ to put a A ages you use with pdfLTEX because the default font tie before the dash and a normal space afterwards, encoding is EU1 in the fontspec package which is key so that if the dash occurred near a line-break, it to using OTF/TTF fonts, rather than the T1 or OT1 would never end up at the start of a line, only at A conventionally used in pdfLTEX. But late last year the end. I somehow managed to imply that a spaced Herbert Voß kindly posted a list of the OTF/TTF dash was preferable to an unspaced one (probably fonts distributed with TEX Live which have packages because it’s my personal preference, but certainly A of their own for use with X LE TEX [6]. -
The Fontspec Package Font Selection for XƎLATEX and Lualatex
The fontspec package Font selection for XƎLATEX and LuaLATEX Will Robertson and Khaled Hosny [email protected] 2013/05/12 v2.3b Contents 7.5 Different features for dif- ferent font sizes . 14 1 History 3 8 Font independent options 15 2 Introduction 3 8.1 Colour . 15 2.1 About this manual . 3 8.2 Scale . 16 2.2 Acknowledgements . 3 8.3 Interword space . 17 8.4 Post-punctuation space . 17 3 Package loading and options 4 8.5 The hyphenation character 18 3.1 Maths fonts adjustments . 4 8.6 Optical font sizes . 18 3.2 Configuration . 5 3.3 Warnings .......... 5 II OpenType 19 I General font selection 5 9 Introduction 19 9.1 How to select font features 19 4 Font selection 5 4.1 By font name . 5 10 Complete listing of OpenType 4.2 By file name . 6 font features 20 10.1 Ligatures . 20 5 Default font families 7 10.2 Letters . 20 6 New commands to select font 10.3 Numbers . 21 families 7 10.4 Contextuals . 22 6.1 More control over font 10.5 Vertical Position . 22 shape selection . 8 10.6 Fractions . 24 6.2 Math(s) fonts . 10 10.7 Stylistic Set variations . 25 6.3 Miscellaneous font select- 10.8 Character Variants . 25 ing details . 11 10.9 Alternates . 25 10.10 Style . 27 7 Selecting font features 11 10.11 Diacritics . 29 7.1 Default settings . 11 10.12 Kerning . 29 7.2 Changing the currently se- 10.13 Font transformations . 30 lected features . -
Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media
Documentation of the Prix Ars Electronica 2021 Lavishly illustrated and containing texts by the prize-winning artists and statements by the juries that singled them out for recognition, this catalog showcases the works honored by the Prix Ars Electronica 2021. The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette. Ever CyberArts 2021 since its inception in 1987, the Prix Ars Electronica has been honoring creativity and inno- vativeness in the use of digital media. This year, experts from all over the world evaluated Prix Ars Electronica S+T+ARTS 3,158 submissions from 86 countries in four categories: Computer Animation, Artificial Intelligence & Life Art, Digital Musics & Sound Art, and the u19–create your world com - Prize ’21 petition for young people. The volume also provides insights into the achievements of the winners of the Isao Tomita Special Prize and the Ars Electronica Award for Digital Humanity. ars.electronica.art/prix STARTS Prize ’21 STARTS (= Science + Technology + Arts) is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity 21 ’ and innovation at the intersection of science and technology with the arts. The STARTS Prize ‘21 of the European Commission was launched by Ars Electronica, BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence, and the Frankfurt Book Fair. This Prize catalog presents the winners of the European Commission’s two Grand Prizes, which honor Innovation in Technology, Industry and Society stimulated by the Arts, and more of the STARTS Prize ‘21 highlights.