Annual Report 2002–2003
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Animal Logic Entertainment Launch Australian Based Screenplay Competition
ANIMAL LOGIC ENTERTAINMENT LAUNCH AUSTRALIAN BASED SCREENPLAY COMPETITION Sydney, Australia, 26 August 2020 – Animal Logic Entertainment (ALE), the producing team behind ‘Peter Rabbit’, are excited to launch a new competition to recognise Australian writers in the family entertainment space. The Animal Logic Entertainment Screenplay Competition is open to Australian writers with a feature script in the family animated and family hybrid (live action/animation) space. The Competition offers a prize package of $5,000AUD for the winning entry as well as professional guidance and feedback from Producer Zareh Nalbandian, EVP Development and Production, Jonathan Hludzinski and VP Development & Production, Felicity Staunton. “We have always been committed to leveraging our profile to support and promote Australian talent,” says Nalbandian. “Over the past several years we have had the privilege of working with some of the best writers in the industry to develop entertaining and engaging stories for audiences around the world, and through this program we look forward to opening our doors to Australian writers with a compelling story to tell.” “We are experiencing an incredible time for animation and it has never been more important to uncover new voices in family entertainment”, added Hludzinski and Staunton. “We are looking for talented writers who understand tone and audience, have an original or unexpected perspective, and a lot of heart. We want to hear from Australian writers from all backgrounds and are excited to be able to support projects that we believe can succeed in both the Australian and international markets.” The competition is open to writers of all levels who are current Australian citizens or permanent residents. -
Brenton Goodwin
SUMMARY Brenton Senior Modeller, Sculptor and Character Artist with over 13 years industry Goodwin experience in just about everything, from film VFX, animated features, games, VR, game cinematics, trailers and TV commercials. Senior Modeller/ Sculptor EXPERIENCE / Character Artist Defiant Studios/ Character Artist December 2017 - April 2019, New York [email protected] Real time character and prop asset development, design sculpts, modelling high and low poly assets, baking, texturing and implementation into Unreal Engine 4 for next gen titles. 917 355 0801 Real time character modeling, sculpting and texturing for external clients brenton3d.com In coordination with Technical and Animation departments to develop and implement the character pipeline, ongoing RnD, scheduling and bidding. LinkedIn Titles include: Lords of the Fallen 2, Warframe, Internal pitch work and unannounced projects. ArtStation Dreamsail Games/ Character Artist IMDb June 2017 - December 2017, New York Real time character and environmental asset development, modelling and sculpting high and low poly assets, baking, texturing. Developing and implementing a studio asset pipeline, on going RnD, managing and mentoring junior artists. SKILLS The iOTA Project, a VR Mech combat game using Unreal Engine 4, released on Steam. Animal Logic/ Senior Modeller and Creature Artist Organic and hard surface August 2014 - May 2017, Sydney Australia modelling and sculpting, Photo real character and creature sculpting for feature animations and film VFX. Hard surface and texturing, animation, pre- organic modelling from concept art, set extensions including photogrammetry and scene layout. Working visualization, scene layout, with all department heads to develop scenes from pre-production through to final render. Features include: Peter Rabbit, The LEGO Batman Movie, The LEGO NINJAGO Movie, The Divergent art direction, asset Series: Allegiant Part 1, The Monk Comes Down the Mountain, ACURA TVC’s. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
Animal Logic
SUCCESS STORY | ANIMAL LOGIC STREAMLINING PRODUCTION AND TRAINING WITH NVIDIA QUADRO VDWS Image Courtesy of Warner Bros. Pictures VIRTUAL GPU-POWERED VMS OFFER A FLEXIBLE ALTERNATIVE TO PHYSICAL SECONDARY MACHINES INTRODUCTION Animal Logic is recognized as one of the world’s leading independent creative digital studios. For over 25 years, it has produced visual effects and animation for numerous award- winning feature films, including Peter Rabbit, Happy Feet, The Matrix, 300, Moulin Rouge!, and The LEGO Movie. Founded in Image Courtesy of Warner Bros. Pictures Sydney, Australia and with offices in Los Angeles, USA, the company expanded in 2015, opening a second creative studio in SUMMARY Vancouver, Canada. > Animal Logic Studios creates visual effects and animation for feature films. > Its second studio needed a cost-effective CHALLENGE STATEMENT and flexible way to provide users with secondary desktops. Following the announcement of a three-picture deal with Warner > The IT team deployed VMs powered by Bros, Animal Logic opened a second creative studio in Vancouver NVIDIA Quadro® Virtual Data Center Workstation (Quadro vDWS) instead of in late 2015. With production for the first film, The LEGO Movie 2: purchasing new $10,000 workstations. The Second Part scheduled to begin early 2016, Animal Logic had > Today NVIDIA vGPU-enabled VMs ensure users can access both Linux- and a small window to set up the new studio. This presented many Windows-based applications from a challenges — the biggest being machine inventory. “We started single machine. the site from the ground up, purchasing brand-new workstations > A flexible training environment can also be setup and broken down in a matter of for about 275 employees,” said Gino del Rosario, Head of minutes. -
ALE Media Release Screenworks Regional Screen in LA Final
MEDIA RELEASE- 12th November 2019 EXCLUSIVE HOLLYWOOD WORK OPPORTUNITY SCREENWORKS REGIONAL SCREEN IN LA ANIMAL LOGIC ENTERTAINMENT INTERNSHIP FOR A RECENT GRADUATE IN REGIONAL AUSTRALIA Pictured: 2019 Regional Screen In LA Program recipient Joshua Tyler, with Screenworks CEO Ken Crouch, AiF Executive Director Peter Ritchie, Chairman of AiF Simonne Overend and Australian Consul General LA Chelsey Martin Screenworks and Australians In Film (AiF) today announced that the second year of the SCREENWORKS REGIONAL SCREEN IN LA PROGRAM will be the ANIMAL LOGIC ENTERTAINMENT INTERNSHIP, giving unparalleled opportunities to an undergraduate or recent graduate living in Regional Australia who wishes to pursue a career as a development executive or producer. AiF internship programs have been running at Animal Logic Entertainment (ALE) for the past five years and recipients have gone on to successful careers in the Australian and international screen industries, including Melanie Jayne (HBO), Sleena Wilson (Black Bear Pictures) and Lauren Brown (Ludo Pictures). This exciting opportunity to work with the team of passionate storytellers in the Los Angeles offices of ALE (Peter Rabbit, Peter Rabbit 2) and subsidiary live-action production company, Truant Pictures, is open to any undergraduates or recent graduates who demonstrate significant potential and passion in their screen industry-related course of study and area of expertise. The two-month internship will involve all aspects of international feature film development, acquisitions, packaging and production. “Internships are integral to launching the careers of aspiring filmmakers and we are thrilled to be partnering this year with Screenworks to recognise storytellers from regional areas,” said Animal Logic CEO Zareh Nalbandian. -
RESUME Experienced Project Lead, Software Engineer and CG Artist
MICHAL FINEGOLD - RESUME Experienced project lead, software engineer and CG artist. Strong background in both the technical and artistic sides of app development, computer animation, and visual effects. Equally comfortable working as a project manager, artist, developer, or all of the above. Phone Number: 917.747.7518 E-mail: [email protected] Software: www.shmonster.com Reel: www.michalfinegold.com EDUCATION Master of Science - New York University, USA Bachelor of Science - Tel Aviv University, Israel Digital Imaging and Design (Focus on 3D) Double major - Physics and Computer Science Received partial academic scholarship Received partial academic scholarship from Physics Dept. Graduated with distinction in 2006, thesis received honors Graduated in 2002 PROFESSIONAL EXPERIENCE Founder, Software Designer & Developer, Shmonster, Connecticut Jan. 2016 - Present • Founded own company, Shmonster, to develop creative software. Designed and developed several original mobile apps that foster open ended play for kids and creativity in education. • Flagship app, PuppetMaster, has over 750,000 downloads, is widely used in schools, and has garnered educational accolades such as the American Association of School Librarians’ list of Best Apps for Teaching and Learning. • Went on to develop creative educational apps for clients: proposing concepts, creating detailed specs and concept art, developing timelines and budgets, then leading project implementation through to completion. • Client projects include creative educational apps using mobile and VR. Freelance CG Technical Director for Film, Television Shows and Commercials Jul. 2007 - Present Production: Focus on lighting, compositing and look development, with extensive additional work as a generalist. R&D: Pipeline development, creation and maintenance of tools for 3D and 2D artists, and technical support. -
BRUCE CALE, SERIALISM and the LYDIAN CONCEPT by Eric Myers* ______
BRUCE CALE, SERIALISM AND THE LYDIAN CONCEPT by Eric Myers* ____________________________________________________ [This article appeared in the October, 1985 edition of APRA, the magazine of the Australasian Performing Right Association.] hen the Australia** Music Centre's film on Australian composers Notes On A Landscape came out in 1980, it was apparent that most of the ten W composers included, picked themselves: Don Banks, Anne Boyd, Colin Brumby, Barry Conyngham, Keith Humble, Elena Kats, Graeme Koehne, Richard Meale, Peter Sculthorpe. In addition to them, there was one composer who, on the face of it, might not have been regarded as such an automatic choice: Bruce Cale. Bruce Cale on the verandah of his house in the Blue Mountains, with his dog Muffin… PHOTO CREDIT MARGARET SULLIVAN __________________________________________________________________ *When this was written in October, 1985, Eric Myers was editor of the Australian Jazz Magazine, and writing jazz reviews for The Australian. **Australia Music Centre was at the time the correct spelling. Sometime later ‘Australia’ was changed to ‘Australian’. 1 After all, he was principally known as a jazz composer and performer, and when the film was planned, had been back in Australia only two years, following 13 years in Britain and the United States. On the other hand, there were some eyebrows raised in the Australian jazz world that Cale was "the only jazz composer" included in the film. But those who were aware of Cale's work knew that he had been included because of his orchestral writing as well as his jazz composition; his work had certainly emerged from jazz but, in a highly individual way, he was seeking to merge jazz and classical traditions. -
Making Art Work: an Economic Study of Professional Artists in Australia © David Throsby and Katya Petetskaya, 2017
MAKING ART WORK An Economic Study of Professional Artists in Australia David Throsby and Katya Petetskaya Department of Economics, Macquarie University ISBN: 978-0-6482152-0-2 Making Art Work: An economic study of professional artists in Australia © David Throsby and Katya Petetskaya, 2017. This work is copyright. Apart from any use as permitted under the Copyright Act 1968, no part may be reproduced by any process without prior written permission from the copyright holders. Requests and enquiries concerning reproduction and rights should be addressed to: Director Research and Knowledge Management, Australia Council for the Arts, PO Box 778, Strawberry Hills, NSW, 2012, Australia. This publication is available online at www.australiacouncil.gov.au The information included in this report is current as at 1 September 2017. Front cover: Anna Laverty, Sing Sing South Credit: Kellie Fernando Bird 2 An Economic Study of Professional Artists in Australia TABLE OF CONTENTS Acknowledgements 5 Chapter 6: The multi-talented artist 49 The diversity of artistic work 49 Executive summary 6 The achievements of Australian artists 55 Chapter 1: Introduction 16 Interstate and overseas Survey procedure 17 engagements of artists 59 What is a professional artist? 18 Chapter 7: Patterns of working time 61 Defining artistic occupations 19 Actual patterns of artists’ working time 61 Summary 20 Arts-related work 65 Chapter 2: The artist population 21 Preferred patterns of working time 67 Estimating the artist population 22 Factors preventing artists from Distribution -
Tutor Listing
Thornleigh West Public School Band – Tutor Listing ** indicates that this is a primary instrument for this tutor # indicates that the tutor can also teach this instrument The Band Committee suggests that parents choose a tutor whose primary instrument is the instrument your child is learning where possible. CLARINET Deborah Muir ** (teaches off site – Monday to Saturday) mob: 0412 099 907 email: [email protected] As a trained musician with a degree and a wealth of professional playing experience, Deborah Muir brings a unique blend of musical knowledge with a thorough understanding of the needs of children in the learning environment. The combination of her formal education blends nicely with the experience that Deborah brings from being a mother to 3 young -children. Deborah teaches both children and adults in the clarinet and saxophone as well as the piano, her other childhood instrument. Deborah specializes in beginner musicians, band instruction, education and assessment and prides herself in the strength of the interpersonal relationships she develops with her students. Tim Wall ** (Monday and Thursday) mob: 0435 016 704 email: [email protected] Beginning at a young age, Tim's study of music led him to AMusA level in the clarinet and Bachelor of Music at UNSW. Since 2004 Tim has taught clarinet, saxophone and flute at Beecroft Primary School, Newtown Public School, Ferncourt Public School, Balmain Public School, Thornleigh West Public School and many band camps. He has also taught in the UK across schools in London as part of the Every Child a Musician program. He is passionate about using all his knowledge and experience to inspire and guide young musicians. -
Conferring of Awards 10, 11, 12 & 13 December 2019
CONFERRING OF AWARDS 10, 11, 12 & 13 DECEMBER 2019 Australian National Anthem Advance Australia Fair Australians all let us rejoice, For we are young and free; We’ve golden soil and wealth for toil; Our home is girt by sea; Our land abounds in nature’s gifts Of beauty rich and rare; In history’s page let every stage Advance Australia Fair. In joyful strains then let us sing, Advance Australia Fair. CONFERRING OF AWARDS Summer 2019 Llewellyn Hall The Australian National University Tuesday 10 December Wednesday 11 December Thursday 12 December Friday 13 December Chancellor: Professor the Honourable Gareth Evans AC QC BA LLB (Hons) Melb, MA Oxon, HonLLD Melb, Carleton, Syd FASSA Pro-Chancellor: Ms Naomi Flutter MPP Harvard, LLB (Hons), Bec (Hons), GDLP ANU Vice-Chancellor: Professor Brian P. Schmidt AC FAA FRS 2011 Nobel Laureate Physics BSc (Physics) Arizona, BSc (Astronomy) Arizona, MA (Astronomy) Harvard, PhD Harvard Esquire Bedel: Dr Ian Walker BA DipEd Syd, MA Macq, PhD UNSW University Marshal and Esquire Bedel: Ms Lorena Kanellopoulos DipHRM, GradCertMgt, MMgt ANU Mr Jake Francis Published by The Australian National University Conferring of Awards December 2019 1 CHANCELLOR’S MESSAGE TO GRADUANDS Today’s ceremony marks the culmination of years of research and study. ANU owes much to the intellectual and cultural contribution of our student body. In return, we work to build on our high standards in research and education. The ANU was created as part of a great nation building exercise in its day. That mandate continues and you share a vital part in it. -
Canada and Australia
CANADA AND AUSTRALIA: PROMOTING COLLABORATION IN CREATIVE INDUSTRIES Prepared by the Consulate General of Canada in Sydney 1 TABLE OF CONTENTS 3 Welcome & Introduction 4 Film & Television 11 Music 16 Literature 21 Performing Arts 25 Visual Arts 28 Digital Arts 30 Promoting Canadian Creators Globally 2 WELCOME & INTRODUCTION The creative industries represent an important part of In Australia, the demand in the creative industries Canada’s economy and exports however these times sector was booming pre-coronavirus and represented are unprecedented and present challenges never 6.2% of total Australian employment and employment. before seen for the sector. In light of current events, The creative industries were growing 40% faster than particularly the recent cancellations of cultural events, the Australian economy as a whole. Australia also the Consulate General of Sydney would like to reaffirm recognises the important role and positive impact of the government’s support for all the people affected, the arts in regional, rural and remote areas. This has directly or indirectly, by the coronavirus. We know that led to a growth in festivals, arts markets, concerts, 4 Film & Television times like these can be particularly difficult for self- performances and galleries expanding into these areas employed creative workers, community organizations, due to the positive impact on the community as well as and cultural organizations, among many others. the daily lives of Australians. 11 Music This report, written pre-coronavirus, may be a useful resource as the creative industries move from crisis to Canada and Australia share similar histories and values recovery and seek out new business opportunities. -
Guest Biographies: * Distribution, Sales and Financing Executives * Other Panel & Roundtable Moderators/Speakers London
Guest biographies: * Distribution, sales and financing executives * Other Panel & Roundtable moderators/speakers London Production Finance Market (PFM) Company Profile The London Production Finance Market (PFM) occurs each October in association with The BFI London Film Festival and is supported by the London Development Agency, UK Film Council, UK Trade and Investment (UKTI), Skillset, City of London Corporation and Peacefulfish. The invitation-only PFM last year registered 50 producers and more than 150 projects with US$1.16 billion of production value and nearly 60 financing guests including UGC, Rai Cinema, Miramax, Studio Canal, Lionsgate, Nordisk, Ingenious, Celluloid Dreams, Aramid, Focus, Natixis, Bank of Ireland, Sony Pictures Classics, Warner Bros. and Paramount. Film London is the UK capital's film and media agency. It sustains, promotes and develops London as a major international film-making and film cultural capital. This includes all the screen industries based in London - film, television, video, commercials and new interactive media. Helena MacKenzie Helena Mackenzie started her career in the film industry at the age of 19 when she thought she would try and get a job in the entertainment industry as a way out of going to Medical School. It worked! Many years and a few jobs later she is now the Head of International at Film London. Her journey to Film London has crossed many paths of international production, distribution and international sales. At Film London, she devised and runs the Film Passport Programme, runs the London UK Film Focus and the Production Finance Market (PFM), as well as working with emerging markets such as China, India and Russia.