TV Listings SATURDAY, MAY 28, 2016
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True Blood, Game of Thrones, Boardwalk Empire and Capadocia Are Part of Hbo’S 2012 Lineup
TRUE BLOOD, GAME OF THRONES, BOARDWALK EMPIRE AND CAPADOCIA ARE PART OF HBO’S 2012 LINEUP Miami, December 05, 2011HBO Latin America announced its 2012 lineup, which includes returning acclaimed series True Blood, Game of Thrones, Boardwalk Empire and the HBO Latin America Original, Capadocia. The premiere of new HBO original productions Luck, Veep and Girls, as well as blockbuster titles such as Harry Potter & the Deathly Hallows Parts 1 and 2, Pirates of the Caribbean on Stranger Tides and Cars 2, will likewise headline HBO’s stellar programming among other award-winning original productions and big screen hits. “HBO thrives on providing subscribers with the best content on paid TV. Throughout the years, we have continued to invest in top of the line productions that exceed in creativity, talent and technology. These, along with our offer of the most competitive cable packages available, have been key for our leadership,” said Emilio Rubio, President of Distribution and New Media, HBO Latin America Group. Series and Miniseries After an intense fourth season, True Blood returns sexier and more captivating than ever, with fantastic plot twists featuring fairies, vampires, witches and werewolves. Similarly, highly acclaimed series Boardwalk Empire, created by Emmy® winning screenwriter Terence Winter of “The Sopranos” and produced by Academy Award® and Emmy® winning director Martin Scorsese, will also return for a third season. The new season follows politician/gangster Enoch “Nucky” Thompson (Steve Buscemi) in the fascinating, and occasionally dangerous, Atlantic City of the 1920’s. Returning to HBO’s lineup is also the Emmy® award-winning fantasy series, Game of Thrones, based on George R.R. -
February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Sunday Morning Grid 5/1/16 Latimes.Com/Tv Times
SUNDAY MORNING GRID 5/1/16 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program Boss Paid Program PGA Tour Golf 4 NBC News (N) Å Meet the Press (N) Å News Rescue Red Bull Signature Series (Taped) Å Hockey: Blues at Stars 5 CW News (N) Å News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) NBA Basketball First Round: Teams TBA. (N) Basketball 9 KCAL News (N) Joel Osteen Schuller Pastor Mike Woodlands Amazing Paid Program 11 FOX In Touch Paid Fox News Sunday Midday Prerace NASCAR Racing Sprint Cup Series: GEICO 500. (N) 13 MyNet Paid Program A History of Violence (R) 18 KSCI Paid Hormones Church Faith Paid Program 22 KWHY Local Local Local Local Local Local Local Local Local Local Local Local 24 KVCR Landscapes Painting Joy of Paint Wyland’s Paint This Painting Kitchen Mexico Martha Pépin Baking Simply Ming 28 KCET Wunderkind 1001 Nights Bug Bites Space Edisons Biz Kid$ Celtic Thunder Legacy (TVG) Å Soulful Symphony 30 ION Jeremiah Youssef In Touch Leverage Å Leverage Å Leverage Å Leverage Å 34 KMEX Conexión En contacto Paid Program Fútbol Central (N) Fútbol Mexicano Primera División: Toluca vs Azul República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Schuller In Touch PowerPoint It Is Written Pathway Super Kelinda Jesse 46 KFTR Paid Program Formula One Racing Russian Grand Prix. -
“In the Midst of Black Seas of Infinity”: the Undoing of the American Dream of H
“IN THE MIDST OF BLACK SEAS OF INFINITY”: THE UNDOING OF THE AMERICAN DREAM OF H. P. LOVECRAFT by Justin Moir Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2019 © Copyright by Justin Moir, 2019 TABLE OF CONTENTS ABSTRACT................................................................................................................................................iii ACKNOWLEDGMENTS........................................................................................................................iv CHAPTER 1: INTRODUCTION.............................................................................................................1 CHAPTER 2: A LIMITED PROVIDENCE: AMERICAN FOUNDATION MYTHS, “THE DOOM THAT CAME TO SARNATH,” AND “THE DUNWICH HORROR”………………………………………………………………………………….…5 2.1: Fragile Foundations………………………………………………………..………6 2.2: Empire and Indigeneity…………………………………………………………...11 2.3: Mather and American Virtue……………………………………………………...14 2.4: Isolationism and Individuality…………………………………………………….18 CHAPTER 3: MOVING FORWARD INTO OBLIVION: FEARS OF GLOBALIZATION AND TECHNOLOGY IN “THE CALL OF CTHULHU” AND “AT THE MOUNTAINS OF MADNESS”………………………………………………………………………………….23 3.1: The Melting Pot…………………………………………………………………..23 3.2: National Disillusionment…………………………………………………………28 3.3: Modernization and Annihilation…………………………………………………..32 3.4: An Inevitable Undoing…………………………………………………………...37 CHAPTER 4: CONCLUSION................................................................................................................42 -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Portsmouth, NH October 14.15.16.17 2010 the Tenth Annual
The Tenth Annual Portsmouth, NH October 14.15.16.17 2010 nhfilmfestival.com october 14.15.16.17 2010 1 We have everything. That’s what makes us Rule. We love gear. Film or video, production or post. We get to play with all the latest technology and figure how to best put it to work for our incredibly creative customers. We sell, rent, install, integrate and architect all kinds of equipment and solutions. And guess what? We get to do it every day. Sweet! www.rule.com | 1.800.rule.com 2 The Tenth Annual Portsmouth, NH October 14.15.16.17 2010 WELCOME TO the 2010 neW hamPshiRe film FESTIVAL! You can call it our 10th anniversary or you can call it our 10th Jodi Foster. Our roster of anticipated short films, which include birthday; either way, a great celebration is in order! It is an Academy Award nominees and a new narrative film by James exceptional year for the New Hampshire Film Festival and we Franco, is also making waves. are proud and excited to have y ou here with us! To mark the festival’s special occasion, you may notice our Beginning with the festival’s strong and heartfelt kickoff during highlight on comedy, both on screen, live on stage, and through the week of September 11, 2001, we have been delighted and entertaining panel discussions. We are certain you’ll also take honored to present a full decade of film appreciation to New note of our new preferred restaurant program, emphasizing Hampshire and to the world. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
Won't Bow Don't Know
A NEW SERIES FROM THE CREATORS OF SM WON’T BOW DON’T KNOW HOW New Orleans, 2005 ONLINE GUIDE MAY 2010 SUNDAYS 10 PM/9C SATURDAYSATURDAY NIGHTSNIGHTS The prehistoric pals trade the permafrost for paradise in this third adventure in the Ice Age series. As Manny the Mammoth and his woolly wife prep for parenthood, Sid the Sloth decides to join his furry friend by fathering a trio of snatched eggs...which soon hatch into dinosaurs! It isn’t long before Mama T-Rex turns up looking for her tots and ends up leading the pack of glacial mates to a vibrant climate under the ice where dinos rule. “The best of the three films...” (Roger Ebert). Featuring the voices of Ray Romano, Screwball quantum paleontologist Will Ferrell and three companions time warp back John Leguizamo, Denis to the prehistoric age in this comical adventure based on the cult 1970s TV series. Leary, Josh Peck and Danny McBride, Anna Friel and Jorma Taccone star as Ferrell’s cohorts whose routine Queen Latifah. (MV) PG- expedition winds up leaving them in a primitive world of dinosaurs, cave-dwelling 1:34. HBO May 1,2,4,9,15, lizards, ape-like creatures and hungry mosquitoes. Directed by Brad Silberling; 19,23,27,31 C5EH written by Chris Henchy & Dennis McNicholas, based on Sid & Marty Krofft’s Land STARTS SATURDAY, of the Lost. (AC,AL,MV) PG13-1:42. HBO May 8,9,11,16,20,22,24,27,30 C5EH MAY 1 STARTS SATURDAY, MAY 8 A NEW MOVIE EVERY SATURDAY—GUARANTEED! SATURDAYSATURDAY NIGHTSNIGHTS One night in Vegas She was born to save proves to be more her sister’s life, but at than four guys arriving what cost to her own? for a bachelor party Cameron Diaz and can handle in this Abigail Breslin star in riotous Golden Globe®- this heart-pulling drama winning comedy. -
The Pennsylvania State University the Graduate School College of Communications the RISE and FALL of GRANTLAND a Thesis in Medi
The Pennsylvania State University The Graduate School College of Communications THE RISE AND FALL OF GRANTLAND A Thesis in Media Studies by Roger Van Scyoc © 2018 Roger Van Scyoc Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts May 2018 The thesis of Roger Van Scyoc was reviewed and approved* by the following: Russell Frank Associate Professor of Journalism Thesis Adviser Ford Risley Professor of Journalism Associate Dean for Undergraduate and Graduate Education Kevin Hagopian Senior Lecturer of Media Studies John Affleck Knight Chair in Sports Journalism and Society Matthew McAllister Professor of Media Studies Chair of Graduate Programs *Signatures are on file in the Graduate School ii ABSTRACT The day before Halloween 2015, ESPN pulled the plug on Grantland. Spooked by slumping revenues and the ghost of its ousted leader Bill Simmons, the multimedia giant axed the sports and pop culture website that helped usher in a new era of digital media. The website, named for sports writing godfather Grantland Rice, channeled the prestige of a bygone era while crystallizing the nature of its own time. Grantland’s writers infused their pieces with spry commentary, unabashed passion and droll humor. Most importantly, they knew what they were writing about. From its birth in June 2011, Grantland quickly became a hub for educated sports consumption. Grantland’s pieces entertained and edified. Often vaulting over 1,000 words, they also skewed toward a more affluent and more educated audience. The internet promoted shifts and schisms by its very nature. Popular with millennials, Grantland filled a certain niche. -
Sunday Morning Grid 5/29/16 Latimes.Com/Tv Times
SUNDAY MORNING GRID 5/29/16 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program Nicklaus’ Masterpiece PGA Tour Golf 4 NBC News (N) Å Meet the Press (N) (TVG) 2016 French Open Tennis Men’s and Women’s Fourth Round. (N) Å Senior PGA 5 CW News (N) Å News (N) Å In Touch Paid Program 7 ABC News (N) Å Indy Pre-Race 2016 Indianapolis 500 (N) World of X 9 KCAL News (N) Joel Osteen Schuller Pastor Mike Woodlands Amazing Paid Program 11 FOX In Touch Paid Fox News Sunday Midday Paid Program Marley & Me ››› (PG) 13 MyNet Paid Program Paid Program 18 KSCI Paid Program Church Faith Dr. Willar Paid Program 22 KWHY Local Local Local Local Local Local Local Local Local Local Local Local 24 KVCR The Patient’s Playbook With Leslie Michelson Easy Yoga for Arthritis Timeless Tractors: The Collectors Forever Wisdom-Dyer 28 KCET Wunderkind 1001 Nights Bug Bites Bug Bites Edisons Biz Kid$ Aging Backwards Healthy Hormones Eat Fat, Get 30 ION Jeremiah Youssef In Touch Leverage Å Leverage (TV14) Å Leverage The Inside Job. Leverage Å 34 KMEX Conexión En contacto Paid Program La Rosa de Guadalupe El Barrendero (1982) Mario Moreno, María Sorté. República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Schuller In Touch PowerPoint It Is Written Pathway Super Kelinda Jesse 46 KFTR Paid Fórmula 1 Formula One Racing Monaco Grand Prix. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
Production Notes
PUBLICITY CONTACTS LA NATIONAL Karen Paul Anya Christiansen Chris Garcia – 42 West (310) 575-7033 (310) 575-7028 (424) 901-8743 [email protected] [email protected] [email protected] NY NATIONAL Sara Groves – 42 West Tom Piechura – 42 West Jordan Lawrence – 42 West (212) 774-3685 (212) 277-7552 (646) 254-6020 [email protected] [email protected] [email protected] REGIONAL Gillian Fischer Linda Colangelo (310) 575-7032 (310) 575-7037 [email protected] [email protected] DIGITAL Matt Gilhooley Grey Munford (310) 575-7024 (310) 575-7425 [email protected] [email protected] Release Date: May 31, 2013 (Limited) Run Time: 92 Minutes For all approved publicity materials, visit www.cbsfilmspublicity.com THE KINGS OF SUMMER Preliminary Production Notes Synopsis Premiering to rave reviews at the 2013 Sundance Film Festival, THE KINGS OF SUMMER is a unique coming-of-age comedy about three teenage friends – Joe (Nick Robinson), Patrick (Gabriel Basso) and the eccentric and unpredictable Biaggio (Moises Arias) - who, in the ultimate act of independence, decide to spend their summer building a house in the woods and living off the land. Free from their parents’ rules, their idyllic summer quickly becomes a test of friendship as each boy learns to appreciate the fact that family - whether it is the one you’re born into or the one you create – is something you can't run away from. ABOUT THE PRODUCTION The Kings of Summer began in the imagination of writer Chris Galletta, who penned his script during his off hours while he was working in the music department of “The Late Show with David Letterman.” After some false starts in screenwriting, Galletta shunned his impulse to write a high-concept tentpole feature and craft something more character-driven and personal.