Ruel P. Tolman Collection, 1909-1964
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Checklist of Anniversary Acquisitions
Checklist of Anniversary Acquisitions As of August 1, 2002 Note to the Reader The works of art illustrated in color in the preceding pages represent a selection of the objects in the exhibition Gifts in Honor of the 125th Anniversary of the Philadelphia Museum of Art. The Checklist that follows includes all of the Museum’s anniversary acquisitions, not just those in the exhibition. The Checklist has been organized by geography (Africa, Asia, Europe, North America) and within each continent by broad category (Costume and Textiles; Decorative Arts; Paintings; Prints, Drawings, and Photographs; Sculpture). Within each category, works of art are listed chronologically. An asterisk indicates that an object is illustrated in black and white in the Checklist. Page references are to color plates. For gifts of a collection numbering more than forty objects, an overview of the contents of the collection is provided in lieu of information about each individual object. Certain gifts have been the subject of separate exhibitions with their own catalogues. In such instances, the reader is referred to the section For Further Reading. Africa | Sculpture AFRICA ASIA Floral, Leaf, Crane, and Turtle Roundels Vests (2) Colonel Stephen McCormick’s continued generosity to Plain-weave cotton with tsutsugaki (rice-paste Plain-weave cotton with cotton sashiko (darning the Museum in the form of the gift of an impressive 1 Sculpture Costume and Textiles resist), 57 x 54 inches (120.7 x 115.6 cm) stitches) (2000-113-17), 30 ⁄4 x 24 inches (77.5 x group of forty-one Korean and Chinese objects is espe- 2000-113-9 61 cm); plain-weave shifu (cotton warp and paper cially remarkable for the variety and depth it offers as a 1 1. -
Papers of the American Slave Trade
Cover: Slaver taking captives. Illustration from the Mary Evans Picture Library. A Guide to the Microfilm Edition of Papers of the American Slave Trade Series A: Selections from the Rhode Island Historical Society Part 2: Selected Collections Editorial Adviser Jay Coughtry Associate Editor Martin Schipper Inventories Prepared by Rick Stattler A microfilm project of UNIVERSITY PUBLICATIONS OF AMERICA An Imprint of LexisNexis Academic & Library Solutions 4520 East-West Highway Bethesda, MD 20814-3389 i Library of Congress Cataloging-in-Publication Data Papers of the American slave trade. Series A, Selections from the Rhode Island Historical Society [microfilm] / editorial adviser, Jay Coughtry. microfilm reels ; 35 mm.(Black studies research sources) Accompanied by a printed guide compiled by Martin P. Schipper, entitled: A guide to the microfilm edition of Papers of the American slave trade. Series A, Selections from the Rhode Island Historical Society. Contents: pt. 1. Brown family collectionspt. 2. Selected collections. ISBN 1-55655-650-0 (pt. 1).ISBN 1-55655-651-9 (pt. 2) 1. Slave-tradeRhode IslandHistorySources. 2. Slave-trade United StatesHistorySources. 3. Rhode IslandCommerce HistorySources. 4. Brown familyManuscripts. I. Coughtry, Jay. II. Schipper, Martin Paul. III. Rhode Island Historical Society. IV. University Publications of America (Firm) V. Title: Guide to the microfilm edition of Papers of the American slave trade. Series A, Selections from the Rhode Island Historical Society. VI. Series. [E445.R4] 380.14409745dc21 97-46700 -
A Catalogue of the Collection of American Paintings in the Corcoran Gallery of Art
A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art VOLUME I THE CORCORAN GALLERY OF ART WASHINGTON, D.C. A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 1 PAINTERS BORN BEFORE 1850 THE CORCORAN GALLERY OF ART WASHINGTON, D.C Copyright © 1966 By The Corcoran Gallery of Art, Washington, D.C. 20006 The Board of Trustees of The Corcoran Gallery of Art George E. Hamilton, Jr., President Robert V. Fleming Charles C. Glover, Jr. Corcoran Thorn, Jr. Katherine Morris Hall Frederick M. Bradley David E. Finley Gordon Gray David Lloyd Kreeger William Wilson Corcoran 69.1 A cknowledgments While the need for a catalogue of the collection has been apparent for some time, the preparation of this publication did not actually begin until June, 1965. Since that time a great many individuals and institutions have assisted in com- pleting the information contained herein. It is impossible to mention each indi- vidual and institution who has contributed to this project. But we take particular pleasure in recording our indebtedness to the staffs of the following institutions for their invaluable assistance: The Frick Art Reference Library, The District of Columbia Public Library, The Library of the National Gallery of Art, The Prints and Photographs Division, The Library of Congress. For assistance with particular research problems, and in compiling biographi- cal information on many of the artists included in this volume, special thanks are due to Mrs. Philip W. Amram, Miss Nancy Berman, Mrs. Christopher Bever, Mrs. Carter Burns, Professor Francis W. -
Early American Portrait Painters in Miniature
E A R LY A M E RIC A N PO RT RA IT PA IN T E RS IN M IN IA T U RE TH E O D O RE BO L TO N N EW YORK O FREDERIC FAIRCHILD SHERMAN MCMXXI LIST OF ILLUSTRATIONS MA L B O NE , EDWARD Ch arles Harris Fron tispiccc Ni cholas Bowm an FACI NG PA GE COPLEY, JOHN SINGLETON Self Portrai t VA N AM E s DYCK, J J ames Lyon H E N Y . R BROWN , J President Buch an an M DUNLAP, WILLIA President Tyler F ULTON , ROBERT S amuel Beach DUVAL, AMBROSE G . a r OV . Wm . C . C Cl ibo ne BO U N E TH E A U . , HENRY B r a Hen y M . Manig ult A R BAKER, GEORGE . , J . Andrew J ackson BIRCH , WILLIAM George Washin gton PE TTI CO LAs . , E A George Washington D R . M THORNTON , WILLIA George Washington RAMAGE, JOHN George Washin gton CLARK, ALVAN B arn a b as Cl ark iii FA CI NO PAG E GIMBREDE , THOMAS Mr . Schley BRIDPORT, H . C aroline Dugan INMAN , HENRY Por trait of a Lady JARVIS , JOHN WESLEY Miss J arvis ALLSTON , WASHINGTON i . Pra C apta n A H . y TROTT, BENJAMIN Lewis Adams P EALE , JAMES V n N r . a M s John P . ess M ANDRE , AJOR JOHN M argaret Shippen STAIGG M . , RICHARD John Lothrop Motley P ELHAM, HENRY Jon a th an Cl ark SAVAGE , EDWARD Self Por trait F IELD, ROB ERT George Washington a ar i M . -
Portrait Miniatures in the New Republic
he stunning events of July 1804 were almost unfath- omable for the citizens of the new American republic. One Founding Father had fatally wounded another. TAlexander Hamilton was dead and Aaron Burr would be indicted for murder. The duel and its aftermath marked a turning point in American culture. Five days before the Burr-Hamilton duel, Edward Greene Malbone arrived for a week’s stay in New York. Considered the Portrait finest miniaturist in the United States, Malbone was attractive, popular, already exceedingly successful, and only twenty-six miniatures years old. As Hamilton’s massive funeral snaked up Broadway on July 14, he was meeting twenty-five year-old Anson Dick- Left to right, from facing page, bottom: in the New inson for the first time. A fledgling artist, Dickinson had com- Fig. 1. Anson Dickinson [1779– missioned Malbone to paint his miniature, hoping to learn by 1852] by Edward Greene Malbone Republic (1777–1807), 1804. Watercolor on 1 watching the more experienced artist at work (Fig. 1). So ab- ivory, 2 ½ by 1 7⁄8 inches. Stamford sorbed was Malbone in the painting “that he neither paused Historical Society, Connecticut, 2 Cruikshank Bequest. himself to view the pageant nor suffered his sitter to do so.” Fig 2. John Francis [1763–1796] by Around the corner on Wall Street, twenty-five-year-old Malbone, 1795. Signed and dated Joseph Wood and twenty-three-year-old John Wesley Jarvis had “Malbone 1795” at center right. recently formed an artistic partnership. All four artists, soon to Watercolor on ivory, 2 13⁄16 by 2 1⁄8 inches. -
The Portrait Miniature Revival, 1890-1930
DISMISSED YET DISARMING: THE PORTRAIT MINIATURE REVIVAL, 1890-1930 A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment Of the requirements for the degree Master of Fine Arts Maryann Sudnick Gunderson November 2003 This thesis entitled DISMISSED YET DISARMING: THE 20TH CENTURY PORTRAIT MINIATURE REVIVAL BY MARYANN SUDNICK GUNDERSON Has been approved for the School of Art and the College of Fine Arts Jody Lamb Associate Professor of Art History Raymond Tymas-Jones Dean, College of Fine Arts GUNDERSON, MARYANN S. MFA. November 2003. Art History Dismissed yet Disarming: The Portrait Miniature Revival, 1890-1930 (112pp.) Director of Thesis: Jody Lamb The portrait miniature revival is examined regarding contemporary influences and artists, during the period c. 1890-1930. Modern influences, including the philosophies of Arts and Crafts and Art Nouveau, are defined in context of the miniature. The fine arts of John Singer Sargent’s portraiture, as well as the abstraction and color of Mary Cassatt and Edgar Degas, are revealed as instrumental in altering the style of the revival miniature. Photography is examined for its influence versus eclipse of the miniature. The miniaturist’s environment is found to be highly significant, as the city of New York provided constant immersion in art societies, exhibitions, and studio residences where artists coexisted while creating new styles. Focus is on the works of miniaturists Eulabee Dix and Laura Coombs Hills. Patronage is found to be highly supportive of the portrait miniature and essential to an understanding of why the miniature was revived during the period. -
William King, First Governor of Maine: His Known Portraits and Their Stories
Maine History Volume 43 Article 5 Number 4 Traditional Landscapes, Modern Maine 6-1-2008 William King, First Governor of Maine: His Known Portraits and Their tS ories Deanna Bonner-Ganter Maine State Museum Follow this and additional works at: https://digitalcommons.library.umaine.edu/ mainehistoryjournal Part of the American Art and Architecture Commons, Political History Commons, and the United States History Commons Recommended Citation Bonner-Ganter, Deanna. "William King, First Governor of Maine: His Known Portraits and Their tS ories." Maine History 43, 4 (2008): 434-467. https://digitalcommons.library.umaine.edu/mainehistoryjournal/vol43/iss4/5 This Reflection is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine History by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. Reflections from the Curator’s Desk WILLIAM KING, FIRST GOVERNOR OF MAINE: HIS KNOWN PORTRAITS AND THEIR STORIES BY DEANNA BONNER-GANTER This article studies the known studio portraits of William King (1768- 1852), first governor of Maine, finding that the leader’s personal life and professional travels led to sittings with such noted master painters as Gilbert Stuart, Edward Greene Malbone, and Chester Harding. These living portraits reflect period styles, while later likenesses require a broad understanding of formal state portraiture and its historical elements. One portrait, having resurfaced recently, was found to have hung in the Hall of Flags in the State Capitol for almost thirty years; others required considerable research to determine their provenance. The Honorable James G. Blaine played an unexpected role in this history of King’s like- nesses, while the author traces other portrait provenances through mu- seum, probate, church, and vital records; deeds; family and town histo- ries; and the papers of notable politicians like Rufus King of New York. -
Early American Portrait Painters in Miniature
E A R LY A M E RIC A N PO RT RA IT PA IN T E RS IN M IN IA T U RE TH E O D O RE BO L TO N N EW YORK O FREDERIC FAIRCHILD SHERMAN MCMXXI LIST OF ILLUSTRATIONS MA L B O NE , EDWARD Ch arles Harris Fron tispiccc Ni cholas Bowm an FACI NG PA GE COPLEY, JOHN SINGLETON Self Portrai t VA N AM E s DYCK, J J ames Lyon H E N Y . R BROWN , J President Buch an an M DUNLAP, WILLIA President Tyler F ULTON , ROBERT S amuel Beach DUVAL, AMBROSE G . a r OV . Wm . C . C Cl ibo ne BO U N E TH E A U . , HENRY B r a Hen y M . Manig ult A R BAKER, GEORGE . , J . Andrew J ackson BIRCH , WILLIAM George Washin gton PE TTI CO LAs . , E A George Washington D R . M THORNTON , WILLIA George Washington RAMAGE, JOHN George Washin gton CLARK, ALVAN B arn a b as Cl ark iii FA CI NO PAG E GIMBREDE , THOMAS Mr . Schley BRIDPORT, H . C aroline Dugan INMAN , HENRY Por trait of a Lady JARVIS , JOHN WESLEY Miss J arvis ALLSTON , WASHINGTON i . Pra C apta n A H . y TROTT, BENJAMIN Lewis Adams P EALE , JAMES V n N r . a M s John P . ess M ANDRE , AJOR JOHN M argaret Shippen STAIGG M . , RICHARD John Lothrop Motley P ELHAM, HENRY Jon a th an Cl ark SAVAGE , EDWARD Self Por trait F IELD, ROB ERT George Washington a ar i M . -
Charleston's Master Works Presented by Historic
WINTER ANTIQUES SHOW LOAN EXHIBIT CHARLESTON’S MASTER WORKS PRESENTED BY HISTORIC CHARLESTON FOUNDATION BY KATHARINE S. ROBINSON s British North America’s most cosmopolitan seaport, 1773, Bostonian Josiah Quincy (1744–1775) reckoned that “in Charleston fascinated and astonished visitors from both grandeur, splendour of buildings, decorations, equipages…indeed sides of the Atlantic. As early as 1709, English explorer in almost every thing, it far surpasses all I ever saw, or ever 1 Aand naturalist John Lawson (1674–1711) marveled at the thriving expected to see, in America.” community he found: “They have a considerable Trade both to Fortunately for twenty-first century visitors, the architecture, Europe and the West Indies, whereby they become rich and are objects, and stories of which earlier travelers took notice have not supply’d with all Things necessary for Trade and genteel Living, been lost completely. Since 1947, Historic Charleston Foundation which several other Places fall short of.” After traveling to the city (HCF) has been preserving and interpreting Charleston’s architec- in 1750, Lutheran minister and Georgia resident Johann Martin tural and artistic heritage for new generations. As the January 2011 Bolzius (1703–1765) opined, “The splendor, lust, and opulence Winter Antiques Show loan exhibitor, HCF is presenting the best of there has grown almost to the limit.” In a letter to his wife in its important collection of colonial and antebellum objects, as well text continues on page 279 272 www.antiquesandfineart.com 11th Anniversary PREVIOUS PAGE: John William Hill (American, 1812–1897), artist; Smith Brothers, printer, Bird’s Eye View of Charleston, S.C. -
Benjamin Trott: Miniature Painter
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1990 Benjamin Trott: Miniature Painter Anne Ayer Verplanck College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the History Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Verplanck, Anne Ayer, "Benjamin Trott: Miniature Painter" (1990). Dissertations, Theses, and Masters Projects. Paper 1539625566. https://dx.doi.org/doi:10.21220/s2-c4sw-ny44 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. BENJAMIN TROTT: MINIATURE PAINTER A Thesis Presented to The Faculty of the Program in American Studies The College of William and Mary In partial fulfillment Of the Requirements for the Degree of Master of Arts by Anne A. Verplanck 1990 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Approved, September, 1990 Alan Wallach Robert Gross f /w t L Graham Hood Colonial Williamsburg Foundation TABLE OF CONTENTS Page ACKNOWLEDGEMENTS ......................................... iv LIST OF ILLUSTRATIONS ....................... vii ABSTRACT ......................................... .. viii INTRODUCTION .............................................. 2 CHAPTER Is BENJAMIN TROTT'S BIOGRAPHY .................. 13 CHAPTER II:....... DOCUMENTED WORKS BY TROTT ............. 2 3 CHAPTER III: TROTT'S ALLIANCES WITH OTHER ARTISTS . 41 CHAPTER IV: TROTT'S PHILADELPHIA PATRONAGE: INDIVIDUALS AND INSTITUTIONS .................... 57 CONCLUSION 7 3 APPENDIX A: KNOWN AND ATTRIBUTED WORKS BY TROTT ... -
The Letters of Robert Mackay to His Wife, Written from Ports in America and England, 1795-1816
Hartridge Published in 1949, this selection of letters between Robert Mackay, and his THE LETTERS OF wife, Eliza Anne Mackay, provide unique insight into the life of a southern merchant during the early part of the nineteenth century. The Mackay's correspondence covers business, friendships, social life, and family, in addition to historical events unfolding at the time. The letters in this ROBERT MACKAY volume were sent from the Mackay's hometown of Savannah and from -3 such port cities as Norfolk, Charleston, New York, London, and Liverpool. HHffi TO HIS WIFE "Hartridge's selection of letters shows taste and balance. He has properly salted these letters of one of Savannah's great figures with excellent notes and explanatory paragraphs.... An admirable collection of letters which will increasingly interest historians and students of maritime affairs." Written from Ports in America and William and Mary Quarterly England, 1795-1816 "This collection of 105 letters is ably edited by Hartridge. The notes are ample, cross references are numerous, and the biographical sketches of the many people mentioned in the letters are painstakingly done. Scarcely anyone escapes the editor's careful eye." Journal of Southern History o w Walter Charlton Hartridge contributed an introduction and notes for The Letters of Don Juan McQueen to His Family, Written from Spanish East Florida, 1791-1807. The University of Georgia Press Athens, Georgia 30602 www.ugapress.org ISBN-13: 978-0-8203-3538-4 ISBN-10: 0-8203-3538-X 90000 Edited by WALTER CHARLTON HARTRIDGE Georgia Foreword by ELFRIDA DERENNE BARROW THE LETTERS OF ROBERT MACKAY TO HIS WIFE ROBERT MACKAY (1772-1816) From the miniature by Edward Greene Malbone THE LETTERS OF ROBERT MACKAY TO HIS WIFE Written from ports in America. -
Heirlooms in Miniatures
. 1 (QacttcU Itttoeraitg SIthrarg atljata, JJeto lark BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND THE GIFT OF HENRY W. SAGE 1891 Cornell University Library N7616 .W55 Heirlooms in miniatures / 3 1924 030 651 933 olln Cornell University Library The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924030651933 HEIRLOOMS IN MINIATURES SIXTH EDITION I HEIRLOOMS IN MINIATURES BY ANNE HOLLINGSWORTH WHARTON WITH A CHAPTER ON MINIATURE PAINTING BY EMILY DRAYTON TAYLOR WITH NUMEROUS REPRODUCTIONS OF THE BEST EXAMPLES OF COLONIAL, REVOLUTIONARY, AND MODERN MINIA- TURE PAINTERS PHILADELPHIA & LONDON J. B. LIPPINCOTT COMPANY Copyright, i8g7 by J. B. Lippincott Company TO HELEN BELL WHOSE FRIENDSHIP WAS A JOY, WHOSE MEMORY IS AN INSPIRATION PREFACE To gather together some interesting and representative American miniatures, and to accompany them with a brief record of the individuals whom they represent, was the first intention of the author of this volume. In the course of her researches, and while in corre- spondence with families owning precious heir- looms in miniatures, so much of interest was brought to light with regard to early American painters, that this book has grown into a chronicle of the sayings and doings of the artists, as well as of those whom they por- trayed. For this divergence from her original design the writer feels that she need make no apology, in view of the interest that belongs to the reminiscences and anecdotes which have thus been brought to light, our early artists being men of attractive personality, whose histories are inseparably connected with their country's progress in the arts and sciences, as well as with her Colonial and her Revolu- tionary life.